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Amadis Aldano Maldo, known as Maldonado (Italian, fl. 1759-1800s) Trompe l'oeil, circa 1798-1811 signed lower left "Le Major d'Aldana Maldonado d' et f:t" watercolour, pen and ink on paper, in a maple frame 38.50 x 59cm (15 x 23in) Other Notes: Amadis Maldonado was a painter and etcher active in Florence in the second half of the eighteenth century. He was Captain of the Corps of Engineers in the service of the Grand Duke Peter Leopold of Lorraine and in 1777, he was promoted to the office of Major. The painted engraving of Admiral Nelson right of the centre is taken from an etching known to have been executed in 1798 by Carlo Lasinio (Italian,1759–1838) from a painting by Daniel Orme (British, 1766–1832). This, therefore, places the present work after this date. The dedication, "M.sa M.ra Settimmia Strozzi / Vedova Ferroni / Montughi" on the painted etching on the right, is to the Marquise Maria Settimia Strozzi (1745-1811). This provides a 'terminus ante quem' for the work as 1811, since the Marquise Strozzi continued to live in the Villa di Montughi after her husband's death until circa 1811. Some scattered foxing. Chipping to the paper close to lower left corner.
An Edward VIII 1897 Pattern Infantry Officer's Sword, the 83cm single edge fullered steel blade etched with Royal cypher, by Wm. Anderson & Sons, Edinburgh, the steel hilt pierced with Royal cypher, with wire bound fishskin grip, leather sword knot and scabbard; a Victorian 1822 Pattern Infantry Officer's Sword, the 78cm pipe back steel blade faintly etched, the brass gothic hilt pierced with Royal cypher, with wire bound fishskin grip, lacks hinged guard, with steel scabbard (2-af)1 - Blade and hilt has orange rust pitting 2 - Etching is very faint on the blade, the hinged guard has broken off and is missing. Some damage to grip under pommel
A Victorian 1827 Pattern Naval Officer's Sword, the 76cm quill back steel blade faintly etched with crowned fouled anchor and indistinct maker's name, the gilt brass gothic hilt with hinged guard, cast with a fouled anchor below a Queen's crown, wire bound fish skin grip and lion head pommel, with brass mounted leather scabbard and bullion sword knotBlade pitted, etching very faint. Gilding to hilt is worn. Leather of the scabbard could be replacement, mounts original
An Edwardian 1896 Pattern Cavalry Officer's Sword to the 17th (Duke of Cambridge's Own) Lancers by Henry Wilkinson, the 89cm single edge fullered steel blade crisply etched with the Royal cypher over owner's initials H.S.N., with maker's name, Regimental badge and gold Proved poincon, the back edge stamped 39727, the steel bowl hilt pierced and engraved with honeysuckle, with wire bound chequered black composition grip and chequered back strap, with associated leather service scabbard, 106cmBlack patching to parts of the blade, etching crisp. Light pitting to hilt. Leather scabbard associated.
A George III Spadroon by Thomas Gill, Birmingham, the 85.5cm single edge fullered steel blade faintly etched and engraved with GR cypher, martial trophies, one side inscribed Thos.Gill, Warranted Never to Fail at the ricasso, the opposing side dated 1798, the gilt brass stirrup hilt with D shape guard, facetted ferrule and back strap and ribbed ivory grip, the leather scabbard with gilt brass mounts and hanging straps with lion head buckles, Black patching and pitting to blade, engraving and etching very faint. Some wear to gilding on hilt and scabbard, but generally good. Tiny edge splits to ivory grip at ferrule and pommel. Surface of leather scabbard is flaking and worn, dent to one side of chape.
An Imperial German Naval Sword, the 72.5cm quill back steel blade etched with a fouled anchor, Man o' War and foliage, the ricasso stamped with King's head and visored helmet logos/ W.K. & C., the brass gothic hilt with hinged guard engraved Rehder, with ribbed bone grip, well cast lion head pommel with inset glass eyes and long mane, lacks scabbardBlade with black patching and pitting to surface, particularly towards the tip. Etching is crisp. Bone grip is cracked and chipped. Lacks scabbard.
A George V 1827 Pattern Indian Service Rifle Regiment Officer's Sword, the 82.5cm steel blade etched with crowned GRI cypher, strung bugle and foliage by Phelps & Co., Calcutta, with Proved poincon, the nickel plated steel gothic hilt pierced with a crowned strung bugle, with wire bound fishskin grip, lacks scabbard; an Indian Service Officer's Mameluke Sword, with plain 82cm curved steel blade, brass hilt with orange painted grip scales, with brass scabbard (2)1 - Blade rust pitted and with black patching, although etching is quite crisp. Hilt dirty. Would clean up. 2 - Black patching to blade, hilt a little wiggly.
†ERNEST HERBERT WHYDLE, ARE (1886-1952) THE ROAD FROM THE PIT OR THE CHURCH PIT etching with margins, signed by the artist in pencil, 25 x 30cm and five other etchings by contemporary artists including George Soper, and Clifford Isaac Addams (1876-1942) (6)++The odd slight mount stain but all in good condition, non examined out of the frame
GEORGE SOPER, RE (1870-1942 BRINGING IN THE CATCH etching with drypoint with margins, signed by the artist in pencil, 18.5 x 27cm and six other contemporary British etchings by Andrew F Affleck, Joseph Gray, John Fullwood, Ralph Bingham and two others, all signed (7)++Several with time staining, otherwise fine
ROBIN TANNER [1904-88]. Wiltshire Roadmaker, 1928. Etching on cream laid paper with full margins. Signed, dated '28 and inscribed XLIX from the edition of 50. Printed by David Strang and published by John Nicholson. 10 x 14.9 cm [plate size], 19.4 x 26 cm [sheet size] hinge mounted to conservation standards, unframed. Ref: Garton 6. [excellent condition - a fine impression]. Buyers premium 20% + Vat payable.
MARIO DUBSKY [1939-85]. Group of Figures, c.1963/4. etching and aquatint. signed. 56 x 40 cm. Framed. Provenance: artist's estate; private collection, UK. Dubsky was a friend and student of Keith Vaughan. His work is included in the Tate Gallery collection. [good condition - unexamined out of frame]. Buyers premium 20% + vat payable.
ROLAND BATCHELOR RWS [1889-1990]. Pub Garden Invaded by Pan, 1936. Etching on cream wove paper. Signed, inscribed with title and numbered in pencil 24/40. 10 x 17 cm [plate size] 28 x 38 cm [sheet size] unframed. Published by New Academy Gallery, London 1986. Provenance: acquired directly from the publisher. [Excellent condition]. buyers premium 20% + vat payable.
LEO ZOGMAYER [born 1949]. Abstract, 1988. etching, edition of 12 [2/12]. signed with initials in pencil. 65 x 49 cm. Unframed. Provenance: private collection, Germany. Zogmayer was quite a major international painter and printmaker in the 1980s, but has since concentrated on minimal sculpture. [very good condition]. Buyers premium of 20% + VAT is payable.
MICHAEL AYRTON [1921-75]. Minotaur - Full Grown, 1971. etching, edition of 75, artist's proof X/X. signed in pencil by the artist [very few of the edition were signed, most had only the studio stamp signature]. 78 x 59 cm sheet size [framed]. The Tate Gallery collection includes 26 of his artworks. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
MICHAEL AYRTON [1921-75]. Minotaur - As Yearling, 1971. etching, edition of 75 [artist's proof], signed in pencil by the artist - very rare as most of this series only included the studio stamp signature. 78 x 59 cm sheet size [framed]. The Tate Gallery collection includes 26 of his artworks and there are many books on the artist. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
LEONARD BASKIN [1922-2000]. William Shakespeare, 1970. etching, 65/200. Signed in pencil. 51 x 33 cm sheet size [unframed]. Provenance: Leinster Gallery, London; private collection, London. Baskin was a major international sculptor and printmaker, included in most major museum collections, including Tate Gallery and MOMA [New York]. [very good condition]. Buyers premium of 20% + VAT is payable.
LEON UNDERWOOD [1890-1975]. St. Sebastian, 1921. etching [early state], artist's proof [very few known to exist]. Signed in the plate. 13 x 9 cm [overall including frame 29 x 23 cm]. Provenance: Private collection, UK. [good condition - probably some time toning to paper - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
LEON UNDERWOOD [1890-1975]. Goat, 1921. etching, edition of 50 [10/50]. A rare print, so unlikely the whole edition was printed. Signed by Mary Underwood [the artist's wife] on the reverse of the etching and marked 'This is the work of my husband Leon Underwood'. 13 x 18 cm image size [overall including frame 33 x 43 cm]. Provenance: artist's family; private collection, UK. [very good condition - paper slightly wavy top right - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
ROBERT CLATWORTHY R.A. [1928-2015]. Figures, 1952. etching, edition of 50, artist's proof [very few of the edition were printed]. Signed and dated. 15 x 19 cm [overall including frame 42 x 52 cm]. Provenance: private collection, UK [acquired directly from the artist]. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
GEOFFREY CLARKE R.A. [1924-2014]. Blue Head, 1951. etching, edition of 50 [10/50], this is one of the 21 early etchings printed in 1951, signed in pencil. 45 x 22 cm [overall including frame 66 x 41 cm]. Provenance: Redfern Gallery, London, 1953 [label on reverse]; private collection, UK. Literature: 'Geoffrey Clarke - a Sculptors prints', J. LeGrove, 2012, Sansom, p.145, pl.114. [good condition - some time toning to paper - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
After William Fisk A pair of monochrome engravings by James Scott 'The Last Moments of King Charles The First', and 'Cromwell's Family Interceding for the Life of King Charles The First', together with Arthur Suker, 'Near The Lizard' watercolour, 27 x 17cm a 19th century Alice in Wonderland etching, an early 20th century Chinese rice paper watercolour study of a fishmonger and five other pictures and prints (10)
A good .22” BSA “Standard” underlever air rifle, number S17626 (1923), 45½” overall, the air chamber with clear complete etching with patents to “Gr Brit. Rd. No 479972”, the breech stamped “2 Load”, the walnut butt with pistol grip and impressed chequered panels. Near VGWO & C for age, retaining most original blued finish (the etching protected by a strip of cellophane). Plate 11
A .177” BSA “Standard” underlever air rifle, number S73869, 43½” overall, the air chamber deeply etched “The BSA Standard Air Rifle, .177 bore, The Birmingham Small Arms Co Ltd England, Sole Makers” and BSA logo, the breech stamped with logo and “Load”, the underside of the barrel stamped “Rd No 479972” and serial number 73969, the side catch cocking lever stamped “BSA Patents 8761-04, 25783-10 Rd 479972”, the walnut butt having pistol grip, hand chequered panels, and folding aperture sight. GWO & C (lightly refinished, etching worn, patch of pitting on left of air chamber). The “S” prefix should denote .22”, the serial number and side catch cocking lever appear to be from the “Improved Model D” series. Plate 11

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