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Preisdatenbank abonnieren*@Webb (Joseph, 1908-1962). Boxgrove Priory, Sussex, 1928, etching on laid paper, signed in pencil, old pinholes to extreme corners, head and foot of left margin restrengthened to verso, plate size 178 x 189 mm (7 x 7.4 ins), sheet size 295 x 231 mm (11.6 x 9.1 ins) Guichard 18. Meyrick (2007), illustration 8. Provenance: Ex collection of Neil Green, with his inkstamp monogram to lower right blank corner. (1)
*@Cameron (David Young, 1865-1945). The Chimera of Amiens, 1910, etching and drypoint on thin laid paper, signed in pencil, mount stained, plate size 244 x 182 mm (9.6 x 7.2 ins), sheet size 277 x 211 mm (10.9 x 8.3 ins), together with Harfleur, 1903, etching and drypoint on laid paper, signed in pencil, plate size 310 x 195 mm (12.25 x 7.7 ins), sheet size 337 x 205 mm (13.25 x 8.1 ins), plus The North Porch, Harfleur, 1904, etching and drypoint on laid paper, a trial proof, signed in pencil, plate size 376 x 189 mm (14.75 x 7.5 ins), sheet size 411 x 226 mm (16.25 x 8.9 ins) Rinder 415, 356, v & 360, i. (3)
*@Webb (Joseph, 1908-1962). The Great Bridge, 1929, etching on wove paper, signed, dated, and inscribed in pencil 'The Great Bridge, 1st state as published. To my dear friend F. De Courcy Grylls. 'The Murmuring Stream',' plate size 240 x 353 mm (9.5 x 14 ins), sheet size 320 x 445 mm (12.6 x 17.5 ins), together with The Glory Hole, Lincoln, 1933, etching on wove paper, signed and dated in pencil, additionally inscribed to lower margin 'The Glory Hole, Lincoln' 1st state, plate size 200 x 250 mm (7.9 x 9.9 ins), sheet size 272 x 330 mm (10.7 x 13 ins) G. 20 & 38. Meyrick (2007), illustration 14 & 21. (2)
*@Webb (Joseph, 1908-1962). Shepherd's Haven (Lambs), 1929, etching on antique laid paper, signed in ink, and additionally titled by the artist in ink to lower blank margin Lambs, some light foxing, mostly to the plate area, plate size 137 x 262 mm (5.4 x 10.3 ins), sheet size 294 x 457 mm (11.5 x 18 ins) Guichard 22. Meyrick (2007), illustration 28. Provenance: Ex collection Neil Green, with his inkstamp monogram to lower right blank corner. (1)
*Anderson (Alfred Charles Stanley, 1884-1966). Avignon, from the Rhone, 1926, drypoint etching on Millbourn wove paper, from the edition of 75 published by Colnaghi, signed in pencil, plate size 226 x 398 mm (9 x 15.75 ins), framed and glazed, with James Connell label on thick card mounted to verso Meyrick & Heuser, 173. (1)
@Brangwyn (Frank). A Londoner (Type Cockney), 1924, etching on laid paper, signed in pencil, plate size 165 x 93 mm (6.5 x 3.7 ins), sheet size 282 x 218 mm (11.1 x 8.6 ins), contained in The Etchings of Frank Brangwyn, R.A., A Catalogue Raisonne by W. Gaunt, The Studio, 1926, numerous illustrations, typescript presentation note to front endpaper, with various signatures of those offering the gift on 12 May 1945, original vellum gilt with card slipcase, 4to, limited edition of 125 copies (this copy unnumbered) (1)
*@Briscoe (Arthur John Trevor, R.E., 1873-1943). An Arrival, 1932, etching on laid paper, from the edition of 75, signed in ink and numbered 32/75, plate size 203 x 356 mm (8 x 14 ins), in very good condition (unexamined out of frame), framed and glazed with early label of the Horner Galleries, Sheffield to verso Hurst 75. (1)
JAMES ABBOTT McNEILL WHISTLER (1834-1903) BILLINGSGATE (K.47) Etching, on cream wove, 1859, apparently the 8th state (of 9) as published in The Portfolio, 1878 15 x 22.5cm.; with a group of assorted etchings by or after J M W Turner (by Brunet Desbaines), H. Toussaint, L. Flameng, H. von Herkomer, C. Meryon, G. P. Jacomb Hood, F. S. Haden; also heliogravures after A. Durer and M. Schongauer, all unframed (a lot) ++ Good condition
A GROUP OF EIGHT ASSORTED CARICATURES & DRAWINGS to comprise a watercolour of George, Prince of Wales as a jester surrounded by fancing elves, by J. L. Marks (possibly Lewis Marks), 34 x 22.5cm.; a `Parisian Group` by Henry Monnier, 11.5 x 11.5cm.; two drawings by John Leech (including `The Young Model`), 10.5 x 15cm approx; `French Ambassador`, c.1792, after an etching publ. by William Dent, 1792, 27.5 x 19cm.; an ink drawing of `Dignitaries in Profile`, c.1780, 22.5 x 18cm.; a watercolour of a theatrical lady, sketch from Madame Josephine, c.1790, 18 x 13.5cm.; and an ink sketch of `Battle of Titan` (?) by a follower of Edward Lear, 8.5 x 12.5cm. (8) ++ Satisfactory but a little grubby, foxed and worn
•SIR FRANK WILLIAM BRANGWYN, RA, RWS (1867-1956) CLIFF VILLAGE, SAINT CIRQ LAPOPIE, FRANCE (Gaunt 162) Etching, 1910, printed in sepia with plate tone, signed in pencil 46.5 x 43.5cm.; with a colour lithograph of `The Port` by Jean Morvan, signed and numbered, 29 x 43cm. Provenance: Brangwyn, probably London, Ernest Brown and Phillips; Morvan, London, The Redfern Gallery Ltd, 1959 ++ Each in good condition
ENGLISH SCHOOL "Seascape", coloured etching, indistinctly signed and dated '96, No'd. 46/50, bears indistinct signature, title and number in pencil to mount CONDITION REPORTS Size approx. 33 x 24 cm. Overall with some light general wear and dirt, and some marks to the mount, but overall appears in good condition. Frame has a few scuffs and scratches.
MichelAngelo's Sonnets by Eric Hebborn. No 41/60. Printed on antique laid paper and hand-bound in leather with marbled papers. This is the first time Hebborn's translation into English ver of Michelangelo - The Cavalieri Cycle (A Selection of Love Poems) appears in print with an illustration of Hebborn's recreation, in the form of an etching, of Michelangelo's lost drawing of Ganymede.
Daniel de Savoye (1654-1716) - Travellers resting Etching, on laid paper, with partial watermark of flowerhead Scratched signature lower right 15 x 19 cm (6 x 7 1/2 in) A rare example of the printed work of the Dutch artist de Savoye. The Rijksmuseum have three other examples of etchings by the artist, but his artistic output is otherwise largely unknown.
Giovanni Battista Piranesi (1720-1778) - Veduta della Basilica di S.ta Maria Maggiore con le due Fabbriche Laterali di detta Basilica, Etching with engraving Circa 1750, Rome edition, 3rd state with publisher's Strade Felice address and price [H.9 III; F.791; W-E. 140] 40 x 55 cm. (15 3/4 x 21 3/4 in)
Louis Auguste Mathieu Legrand (1863-1951) - La Loge; Fin de Soiree Etching and drypoint, with delicate plate-tone, on cream wove paper Published by The Beaux Arts, Paris, c.1895 19.5 x 14 cm. (7 3/4 x 5 1/2 in) Together with A Genoese Girl, by Jules Jacquemart (1837-1880), etching, on pale cream laid paper Published by Cadart, Paris (1877) [Gomse 388.II] 27.5 x 20 cm. (10 3/4 x 7 3/4 in), (2)
George Mackley (British, 1900-1983) Below the Bridge, Kingston; Foxgloves, wood engravings signed in pencil and numbered 10/75 and 13/15, 17 x 21cm and 26 x 20cm. Born in Tonbridge, Kent, George Mackley was educated at the Judd School, Tonbridge. He trained as a teacher of art at the Goldsmiths' College, London, specialising particularly in engraving and etching. However, it was not until the 1930s that George Mackley began to focus on wood engraving as his preferred technique. A true master of his craft, George Mackley produced some of the finest examples of white-line wood engraving of the post-war era and his book on the practical aspects of the subject (published 1948) is still one of the leading manuals on technique. He made his final wood engraving, The Bridge of St. Boniface in 1968, after which a stroke made it impossible for him to continue engraving.
Four musical subject prints from the collection of the late Christopher Hogwood CBE. Wenceslas Hollar after Holbein, portrait of a young man, etching, dated 1646 in the plate, 13.5 x 9cm; with William Hogarth, A Bold Stroke for a Wife, a Theatre Royal ticket, engraving, 15 x 11cm; Hendrick Goltzius (German 1558-1617), Clavichord-player and singer, two plates, text below, 17 x 12.5cm (4)
Six unframed prints and watercolours E. Herbert Whydale, View from a barn door, two figures returning, etching signed in pencil 19 x 16cm (image; unframed); together with two caricatures of Victorian gentlemen in top hats, largest 29 x 18cm; coloured aquatint 'Watering Cart' published by W.Miller, London 1805, 26 x 35cm; etc (6)
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