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Los 640

AFTER TIM J GREENWOOD "Study of an eagle owl", black and white etching with dry point, signed in pencil, limited edition no`d. 28/50, AFTER PERCIVAL GASKELL "Stags and does in a wooded landscape", black and white etching and dry point, signed artist`s proof print

Los 666

AFTER M C ROBINSON "A London street scene with St. Paul`s rising in the distance", signed artist`s proof, black and white etching, AFTER ROWLES "A Thames scene with shipping", black and white etching, signed artist`s proof, AFTER SARAH YOUNG "Penberth Cove", a blue and white wood cut signed artist`s limited edition proof no`d. 26/300 and various other pictures

Los 700

19th CENTURY CONTINENTAL SCHOOL "Portrait study of a young woman wearing a blue dress", oil on canvas, AFTER MAURICE DUPUIS "Work labourers pushing a sack trolley", black and white dry point etching, AFTER K B DAVIS "Rabbit shooting" and "Retour de chasse", a pair of black and white prints, AFTER PATEL "An 18th Century rural mountainous landscape with classical ruins, figures in the foreground", engraved by Vivares and various other pictures and prints

Los 715

AFTER A G GOW "Vive l`Empereur", black and white etching, signed in pencil in the margin with remarque, also bears signature "A Nungry (?)", published by Tooth & Sons and Messrs Salmon and Ardait, Berlin, Published Graves and Co. "A naked young woman with mandolin strapped to her back crouched under the root of a tree, coloured print, Published Thomas McLean, "Four semi-clad ladies in a Classical interior", black and white engraved print and three further prints

Los 415

WWI – Marshal Joffre Memoires du Marechal Joffre Paris 1932 first edition one of 75 copies produced on Japon paper 2 vols half morocco marbled boards fine condition. Containing a number of tipped in items including an autograph letter signed by Joffre dated December 13th 1915 to Mon cher Hugnet discussing the changes in command of the British forces. This was shortly after the resignation of Sir John French and his replacement by Douglas Haig. Also tipped in is an original etching signed by the artist (2 of 15) showing two French soldiers in a trench; a ms letter on military matters to Joffre dated 1909; a fine letter identified as having been written to General Petain and dated August 1915 discussing the situation of the war almost certainly judging from the date at the height of Verdun; an original photograph showing a high ranking French officer and man in the trenches; a letter identified as having been sent to General Bonnal dated May 12th 1916; an autograph letter signed of Field Marshal Sir John French dated January 8th 1915 thanking the Central Committee of France and Belgium for the award to him of a medal; a typewritten letter signed by Joffre dated 1921 and an autograph letter signed by General de Castelnau dated 1920.

Los 41

L Ruet after Meissonier/ Napoleon at the Head of his Army/signed in pencil/ remark proof etching, 18cm x 26.5cm (7" x 10.5") /and sundry etchings

Los 133

A small etching of Caversham Mill after W. A. Ellison and signed in pencil and a miscellaneous assortment of other prints, water colours and pictures, some unframed (a lot, as viewed)

Los 6

HERBERT DICKSEE, R.E.( 1862 -1942 ) Raiders etching, pencil signed in margin Pl. 14 x 22in (35.6 x 55.8cm )

Los 12

ROBERT WALKER MACBETH (1848-1910) Ploughing pencil signed in lower right margin etching, published Jan 1st 1887, by Thomas Agnew Pl. 22 1/2 x 34in; sold together with a portfolio of unframed eighteenth century mezzotints (including a number of duplicates) after Raeburn and others. Sitters include The Honourable Henry Erskine, Sir David Baird and The Right Hon Charles Hope(qty)

Los 13

LESLIE MOFFAT WARD (1888-1922) `Poole Harbour from Ballard Down, an Artist working. Storm` trial proof, etching, pencil signed, inscribed and dated 1916 in lower margin Pl. 8 x 11 in (20.3 x 27.9cm)

Los 15

ABDUR RAHMAN CHUGTARI (1894-1975) Holy Man etching pencil signed (lower left) and inscribed as title pl. 18 x 11 1/2in (45.8 x 29.4cm)

Los 16

WILLIAM LEE HANKEY, R.E., R.W.S., R.O.I. (1869-1952 The Quiet Hour etching, signed in plate, pencil signed in lower margin 6 3/4 x 7in ; together with an etching by W. Walcot, depicting figures by Buildings; and an etching by J.M. Whistler inscribed The Little Putney (3)

Los 325

LEONARD ROBERT BRIGHTWELL (exh.1926 - 1938) - Babes in The Wood, etching, signed and titled in pencil by the artist, 30cms x 22cms

Los 84

Limited edition coloured etching Jo Barry "Dappled Sunlight", No 6/150, 25 x 26cm together with Watercolour drawing Christopher Hughes Still life study of fruit, 18 x 12.5cm

Los 73

PETER BLINCOW, "Shearer Stepping Forward", 2nd state aquatint etching, number 1 of 8, signed in pencil. 6" x 6".

Los 869

A painted miniature c 1850, of John Searle, RN (1788 - 1852), head and shoulders, wearing Naval General Service medal with clasp, black lacquered frame, 6¾” x 5½” with gilt inner, GC; together wtih his 1805 pattern sword, straight fullered blade 28”, with traces of etching, regulation brass stirrup hilt, the langets engraved with fouled anchor, plain pommel and grooved backstrap, wirerbound fishskin grip, in its brass mounted leather scabbard, QGC; with vendor’s note showing family descent of picture and sword. Note: This item requires further research; it is sold with a family tree. A John Searle commanded HMS Victory from 28th January 1808 to 22nd March 1808 and 20th November 1808 to 3rd February 1809

Los 918

A Geo infantry light company officer’s sabre, curved, shallow fullered blade 27½” with traces of etching, brass stirrup hilt with small feathered langets, plain single stepped pommel and backstrap, wirebound ebony grip. QGC

Los 948

A 1796 pattern infantry officer’s sword, straight shallow fullered blade 32”, with traces of etching, copper gilt hilt with double shell guard, the inner turning down (spring AF), knucklebow, urn shaped pommel, simulated copper wirebound grip. Basically GC for age, the hilt retaining a little gilt (blade worn and cleaned over pitting)

Los 1044

A .177” BSA Cadet Major break action air rifle, number CC 11763 (1955-57), with faint air chamber etching. GWO & C, retaining some original finish overall.

Los 610

A collection of thirty five hand tinted etching prints of hunting scenes View on www.staceyauction.com

Los 155

Carriage Print 20"x10", BRUGES VIA HARWICH from an original etching by Frank Mason R.I. from the LNER original etching series issued in 1936. This unframed print has its original mount and is in mint condition. An extremely rare print with none being recorded as being sold before at a Railwayana auction.

Los 199

Carriage Print 20"x10", THE RHINE VIA HARWICH from an original etching by Frank Mason R.I. from the LNER original etching series issued in 1936. This unframed print has its original mount and is in mint condition. An extremely rare print with only one being recorded as being sold before at a Railwayana auction.

Los 753

A pencil sketch "Maunders Fish shop Chelsea" 260 mm x 180 mm label to verso from Gerald M. Norman Gallery. James Abbott MacNeil Whistler pencil drawing from an etching

Los 804

An etching entitled State II trial proof no 8 la Poursuite and signed OROVIDA 1917 paper size 24cm x 18cm under glass (broken) Orovida Camille Pissaro 1893-1968

Los 805

An etching entitled State II trial proof no 2 La Proll and signed OROVIDA 1917 paper size 17cm x 22cm Orovida Camille Pissaro 1893-1968

Los 806

An etching entitled trial proof no 18 La Poursuite to Camilla Wedgewood OROVIDA 1917 paper size 26cm x 20cm Orovida Camille Pissaro 1893-1968

Los 807

An etching entitled trial prod to Rosamund with Best wishes for 1917 signed OROVIDA 1916 paper size 27cm x 22cm Orovida Camille Pissaro 1893-1968

Los 808

An etching entitled 13/20 signed OROVIDA 1914 paper size 16cm x 20cm Orovida Camille Pissaro 1893-1968

Los 809

An etching entitled trial no 13 Curves best wishes to Ros + Doge from OCP signed OROVIDA 1919 Xmas 1920 paper size 22cm x 16cm Orovida Camille Pissaro 1893-1968

Los 2729

"G.M. Robert, Oostende Quay, signed inscribed and dated `23 in pencil in the margin, etching, 20x 15cm"

Los 2782

"Japanese etching of a Geisha, other pictures and prints inc. pen and ink nude"

Los 378

*St. Helena. Van Linscoten (Jan Huygen), Insula D. Helenae sacra coeli clementia et aequabilitate......, Amsterdam, 1589 [or slightly later], uncoloured engraved profile of the island, three highly elaborate cartouches, decorative compass rose and sailing ships in the foreground, old folds, 365 x 500mm, mounted, framed and glazed, together with, Hollar (Wenceslas), A True Relation of Capt. Kempthorn’s Engagement in the Mary-Rose with Seven Algier Men of War, 1669, uncoloured etching, descriptive text below image, toned overall, closed tears, central fold restored and discoloured, 360 x 400mm, mounted, framed and glazed (2)

Los 328A

ANNIE FRENCH ROMAUNT OF THE ROSE hand-coloured etching, signed in pencil and with inscription verso in the artist`s hand 27cm x 19cm

Los 561

Sir Frank Brangwyn (1867-1956), "Coffee Stall - Hammersmith", signed in pencil in the margin, published in 1919, etching, plate size 23.5 x 29.5cm.; 9.25 x 11.75in.

Los 562

Sir Frank Brangwyn (1867-1956), "Caravans", signed in pencil in the margin, published in 1923, etching, plate size 28 x 50cm.; 11 x 19.75in.

Los 565

Sir Frank Brangwyn (1867-1956), "Pub Landlord", signed in pencil in the margin, published in 1920, etching, plate size 40 x 28.5cm.; 15.75 x 11.25in.

Los 566

Sir Frank Brangwyn (1867-1956), "Tramps Resting", signed in pencil in the margin, published in 1923, etching, 30.5 x 38cm.; 12 x 15in.

Los 568

Sir Frank Brangwyn (1867-1956), "Return from the Hunt", signed in pencil in the margin, published in 1923, etching, plate size 35.5 x 38cm.; 14 x 15in.

Los 628

Vernon Thomas, early 20th century, "The Swing", signed in pencil in the margin, coloured etching, plate size 26 x 19.5cm.; 10.25 x 7.75in.

Los 277

An etching of a dog, after Herbert Dicksee, titled `Ready`, coloured, modern maple frame

Los 347

ZSI CHIMERA (b.1978, Hungary), `Dressing deer`, photo etching on Somerset paper, 29.5cm x 21cm, limited edition of 20, signed and numbered 3/20, in black frame.

Los 348

ZSI CHIMERA (b.1978, Hungary), `Squid stool`, photo etching on Somerset paper, 29.5cm x 21cm, limited edition of 20, signed and numbered 3/20, in black frame.

Los 352A

TRACY EMIN RA (b.1963), `For You`, polymer etching, 20cm x 24cm, signed by artist in pencil, framed. (Please note Clause 6 of Buyer`s Conditions)

Los 363

LOUIS C ROSENBERG (1890-1983), `Aya Sophia, Constantinople`, drypoint etching, 30cm x 14cm, framed.

Los 364

MARTEN HEEMSKERCK (1498-1574), `Last supper` and ` Christ on the road to Calvary`, etching, 25cm x 20cm, framed.

Los 713

George Vernon Stokes (1873-1954) Sheep dogs Coloured etching, signed in pencil, 10/75, 21cm high x 26cm wide

Los 714

George Vernon Stokes (1873-1954) Spaniels and Partridge Coloured etching, signed in pencil, 70/75, 27cm high x 32cm wide

Los 715

George Vernon Stokes (1873-1954) Pointers No. 2 Coloured etching, signed in pencil, 73/75, 27cm high x 32cm wide

Los 716

George Vernon Stokes (1873-1954) Golden Retriever and Mallard Coloured etching, signed in pencil, 20/75, 27cm high x 32cm wide

Los 717

George Vernon Stokes (1873-1954) Well Over Coloured etching, artists proof, signed in pencil, 27cm high x 31cm wide

Los 816

After Rowland Langmaid Plymouth Harbour Drypoint Etching, signed LR; Rowland Langmaid, 10 x 33cm

Los 834

James McNeill Whistler Purney Bridge Etching, unsigned, 13 x 20cm

Los 835

James McBey Sinai, 1919 Etching, signed in pencil, 13.2 x 22.8cm

Los 843

WITHDRAWN W Donaldson Seagulls above a coastal shore Watercolour with white heightening, 25 x 36cm; together with an etching of Victoria Bridge by James MacIntyre, and a Still Life of Flowers by Una Strachan (3)

Los 557

Etching Nathaniel Sparks (1880-1957) Cathedral from meadow of haystacks, signed in pencil, 23 x 30cm

Los 292

James Alphege Brewer. An etching/aquatint of St. Paul`s Cathedral, titled bottom left on the print and signed in the margin J. Alphege Brewer. 29 x 44 cm.

Los 2600

A Whitehead etching, 1915, landscape watercolour and two further prints.

Los 346

6 large Victorian and Edwardian prints An English Merry-Making in the Olden Time by Holl after William Powell Frith engraving 600 x 885mm. trimmed within the plate but outside image and title some cracking to corners even toning 1852; Waiting for Master and a farmyard scene (proof before title) both after Herring 1849 and 1859 respectively; Irish Courtship by Bromley after Topham 1849; a City of London street scene by Charles Watson signed hand-coloured etching 560 x 260mm. 1884; and a horse racing scene after G.D. Giles photogravure 470 x 765mm. laid on contemporary board support 1909 (6)

Los 379

0 The Fig after Reubens mezzotint on copper by Richard Earlom 550 x 640mm. a few small surface defects 18th century; with The Rat Catcher etching on copper 250 x 350mm.; and The Temple of Apollo Didymaeus 2nd View engraving on steel-faced copper by Byrne 305 x 490mm. some surface pitting (3)

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