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Preisdatenbank abonnierenIan Laurie (1933 - 2022) - A 20th-century limited edition etching, titled 'Mounts Bay Storm' in pencil to the reverse. No. 7 out of 25, signed to the bottom right in pencil by the artist. The etching depicts a figure and a boat in a stormy seascape, with intense blue, red, and purple colouring. Mounted, measuring approx. 31cm x 40.5cm.
Description: Norman Ackroyd (British, 1938-2024) Cartmel in Winter Etching Signed and dated '05 in the margins, numbered 11/90 37cm x 29cm Provenance: Purchased directly from the artist, 23 June 2005 Artist Resale Right may apply Buyers premium: All lots are subject to 25% Buyer's Premium plus VAT
James Robert Granville Exley (1878-1967),'But Cocking Fits a Man for Peace or War', signed in the margin lower right, etching, 17.2 x 15.1cm (PL), frame 45 x 41cm, glazed. The title reads in full: 'BUT COCKING FITS A MAN FOR PEACE OF WAR: IT MAKES MEN BOLD AND FORWARD FOR THE FIELD, AND LEARNS THEM THERE RATHER TO DIE THAN YIELD'. With another inscription in the lower part of the plate: 'A Match in Strength, in Courage, and in Age, And with keen Weapons Arm'd alike engage'.
1 “Gevaar & Schoonheid: Turner en de traditie van het sublieme”•A Dutch book exploring the themes of danger and beauty in J.M.W. Turner’s works, focusing on his interpretation of the sublime in art.2.“Turner”•A catalog or book focusing on the art of J.M.W. Turner, highlighting his mastery of light, color, and dramatic landscapes.3.“Lucian Freud: Paintings”•A collection of paintings by Lucian Freud, emphasizing his intensely realistic and raw portrayal of the human form.4.“Lucian Freud on Paper”•A focus on Lucian Freud’s works on paper, showcasing his talent in drawing, sketching, and etching. 5.“ David Hockney Portretten”•A book about David Hockney’s portraits, featuring his unique approach to capturing human likeness in vibrant and expressive ways.6.“Lucian Freud: The Painter’s Etchings”•A detailed look at Freud’s etchings, offering insight into his process and techniques in this medium.7.“Lucian Freud: The Studio”•A book that provides an intimate glimpse into Lucian Freud’s studio space and his working environment, featuring his work and life as an artist.
James Abbott McNeill Whistler RBA (1834-1903) - La Marchande de moutarde, signed within the plate, etching and drypoint, 15.6 x 8.9cm, with margins, with idem - The Rag Gatherers, signed and dated 1858 within the plate, etching, 15.3 x 8.9cm, with margins, (2) Good condition. The first browned/toned, one or two very minor surface scuffs to the sheet. The second a fine impression, with a handful of minor foxed spots across the sheet, including its margin, but displaying well overall.
Caricatures. John Lewis Marks (fl. 1814-1832) - Chesterfield sent to Coventry, or a Display of Military Education; Drumming Out, or Cupid giving the Word of Command. Finale Decimi; Symptoms of Humility, or The Tenth - eh - Do Bow, to - eh- superior orders, three, London: Published by Samuel William Fores, April 1824, hand-coloured etchings, 24 x 34.5cm; Samuel William Fores (publisher; 1761-1838) - The Crack't Regiment, or new Regulation Caps by appointment, [London], May 1824, hand-coloured etching, 23.5 x 32.5cm; William Heath (1795-1840) - The Battier Rabbit sent to Coventry!!, s.l., s.n., n.d. [London: Samuel William Fores, 1824], hand-coloured etching, 23 X 32cm; Irish? Caricaturist, c 1820 - A Riding School! or The Tenth taking a Lesson!!, s.l., s.n., n.d. [Ireland?], hand-coloured etching, 21.5 x 33cm, uniformly mounted and framed by The Parker Gallery, labels, in Hogarth style frames, (6) As a lot in good condition, some sheets with minor marks or an occasional foxed spot. Crack't Regiment toned and browned. Riding School with some surface grime and minor scuffs, but good. Battier Rabbit with two stable tears to lower-margin, one just affecting the image. Unexamined out of frames.
Johannes "Jan" Kip (1652/53-1722) after Leonard Knyff/Knijff (1650-1722) - Doddington Hall, Lincolnshire, the seat of the Honourable Sir Thomas Hussey, Baronet, double-page bird's eye view, signed, lettered and numbered 63 within the plate, s.l., n.d. [London, c. 1707-24], etching, 41 x 53.5cm A broad-margined example. Good condition, but for visible foxing and a blemish to the upper-right margin. Unexamined out of 20th c gilt frame and pink mount.
Horse Racing. T.L. Sangar (fl. 1855-1875) after Henry Barraud (1811-1874) - Punchestown Races 1867, signed in pencil by both the engraver and artist, Published by T. Cranfield, 115 Grafton St, Dublin Septr. 1870, stipple engraving and etching, 61 x 117cm Typically toned and foxed. Contemporary gilt composition frame in 'country house' condition, with typical losses but displaying well.
Charles Robertson A.R.W.S. (British, 1844-1891) -Eastern scene at a market -Watercolour -53.5 x 40cm - 58.5 x 45.5cm framed -Signed and date '76' in pencil to the reverse -Together with an etching of an Arab slave market with an odalisque after the same artist, dated 1875, 15 x 20cm -Provenance: By family descent (2)
A collection of three 19th century prints The first Charles Turner after John Singleton Copley, His Royal Highness The Prince Regent on horseback, mezzotint, 81cm x 60cm. The second Frances Howard after Sir Joshua Reynolds RA, His Royal Highness George Prince of Wales, mezzotint, 49cm x 51cm to the mount. The third Charles Waltner after Thomas Gainsborough, The Dutchess of Marlborough, etching, signed to the margin 'C H Waltner' and a doodle of a figure with a sword, 57cm x 39cm.81cm x 60cm; 49cm x 51cm; 57cm x 39cm.Qty: 3His Royal Highness The Prince Regent on horseback - with the plate not visible within the frame except from the lower edge. Notable foxing and toning throughout. Two notable tears up the right-hand side. Some light creasing. His Royal Highness George Prince of Wales - the plate mark not visible within the mount. A tear to the top centre and the lower left. Notable toning throughout and some light foxing. The Dutchess of Marlborough - notable foxing throughout and some toning. The plate mark is not visible within the mount. Embossed with Printmakers Association mark to the lower left in the margin. Damage to the gilt slip along the top.
ERNEST HERBERT WHYDALE (BRITISH, 1886-1952) (5)Ploughing signed 'E Herbert Whydale' (lower margin) etching 16 x 24cm together with Old Windmill at Steenvoorde, etching by Cyril Henry Barraud; Bridge over a river, etching by Edward Millington Synge; Sweeping the Leaves, a lithograph by Claire Leighton; and The fighting Temeraire, etching by S. Mayers after JMW Turner (5)
ABU BAKAR IBRAHIM (MALAYSIAN, 1925-1977) (5)Sunlight through the forest signed 'A. B. IBRAHIM' (lower left) watercolour 27 x 36cm together with Temple, woodcut by another hand; Dorian Ker, Irises, watercolour, 55 x 36cm; Nightmare, an etching (no. 40/40) by the same hand; and Pierrette, a print in colour after Gaspar Camps Y Gunyent (5)
A QUANTITY OF FRAMED PRINTS AND PHOTOGRAPHS, the photographs are mostly African landscapes, African animals and African people taken by renowned photographer David Keith Jones, non-photographic prints include botanical studies, Margaret Preston reprints, four signed Franca Ghitti prints, Edward J. Cherry dry point etching of St Pauls Churchyard, a James Wyld map of Africa circa 1820, assorted other prints etc
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