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Los 7113

A BSA STANDARD MODEL .22 AIR RIFLE serial No S54588, circa 1934/35, etching visible to air chamber, stock stamped with C.H. WESTON, BRIGHTON, very good condition.

Los 77

William Lionel Wyllie (1851-1931) Fishing Fleet In A Swell Etching Signed in pencil lower left and NoLXXVII 19cm x 27cm

Los 86

William Lionel Wyllie (1851-1931) Shipping And Barges In An Estuary Etching Signed in pencil lower left and N9LXXVII lower right 10.5cm x 33cm; Harold Wyllie (1880-1975) Sailing Ships And Fishing Boat Off A Harbour Etching Signed in pencil lower left and N2XCVIII 15.5cm x 30cm (2)

Los 1

Winifred Marie Louise Austen (British 1876-1964) Widgeon Alighting, signed lower right, Winifred Austen, etching, 24 x 30cm. Provenance:Private collection, Dorset

Los 1

Attributed to Norman Alfred Williams Lindsay (Australian 1879-1969) Torment etching 14 x 17cm. Provenance:Christies, London, 4 April 1990 Private collection, UK, An unrecorded proof with remarque, possibly unique

Los 1

Pierre-Auguste Renoir (French 1841-1919) Baigneuse Debout a Mi-Jambes, 1910 etching, 20 x 26cm. Literature: Loys Delteil, No.23, Stella, No.23

Los 1

Pierre-Auguste Renoir (French 1841-1919) Femme Nu Couche Tournee a Droite, No.2, circa 1895, probably from the edition of 1923, etching, 21 x 16cm. Literature: Loys Delteil, No.14, Stella, No.14

Los 1

Pierre-Auguste Renoir (French 1841-1919) Le Chapeau Epingle, No.8, 1894, second state of two, probably from the edition of 1921, etching, 21 x 15cm. Literature: Deltiel, No.8, Stella, No.8

Los 1

James Abbott McNeill Whistler PRBA, (American 1834-1903) The Punt, 1862, original etching, 12 x 17cm. Literature: Kennedy, 85, IV/IV, published 1862, Whistler is classed with Rembrandt and Goya as one of the greatest masters of etching

Los 1

James Abbott McNeill Whistler PRBA, (American 1834-1903) Sketching, original etching, 12 x 17cm. Literature: Kennedy, 86, No.1, IV/IV, published 1862

Los 1

Stanley William Hayter, (British 1901-1988) Le Couple, 1952, signed lower right, S W Hayter 52, titled and numbered and dated in pencil, and on Japon paper, original engraving and soft ground etching with scorper work, signed proof aside from the normal edition, printed in black, pinkish orange, lime green, and bistre on smooth Japon paper, 46 x 31cm. Literature: Black and Moorhead, No.206

Los 1

David Hockney (British b.1937) Two boys in a Bed, aged 23 and 24, signed lower right, David Hockney 66 and numbered 1/75, etching, 38 x 25cm. Provenance:Private collection, Cambridgeshire

Los 246

William Lionel Wyllie RA (1851-1931), Glasgow , etching, signed in pencil, 22cm x 37.5cm

Los 247

William Lionel Wyllie RA (1851-1931), HMS Victory , etching, signed in pencil, bears The Graves Gallery, Birmingham label on reverse, 27cm x 19.5cm

Los 248

William Lionel Wyllie RA (1851-1931), Newcastle upon Tyne , etching, signed in pencil, 22cm x 37cm

Los 250

Robert Henry Smith (ex. 1906-1909), The British Fleet in action , etching, signed in pencil, 21cm x 27cm

Los 256

Herbert Dicksee (1862-1942), The timber wagon , etching, signed in pencil, signed with initials and dated 1911 in the plate, published by Frost and Reed Ltd, Bristol 1911, 40cm x 67cm

Los 217

A RARE ETCHED PARTISAN OF THE GUARD OF THE ELECTOR FRIEDRICH AUGUST I OF SAXONY, 'THE STRONG', CIRCA 1694-97 with central blade of flattened-diamond section, broad base formed of a pair of flat notched flukes, etched at the base with a pattern of scrolling foliage on each side and surmounted on the respective faces with the crowned electoral arms and the initials CFA for Friedrich August Churfürst, moulded collar, faceted socket and a pair of long straps, on a wooden haft painted with an inventory number 61.2cm; 24 1/8in head PROVENANCE The Saxon Electoral Armoury, Dresden Friedrich August I ruled as Elector of Saxony (1694-1733) and twice as King August II of Poland (1697-1704 and 1709-1733). Similar partisans are preserved in the Wartburg (inv.no. 461) and the Wallace Collection (inv. Nos. A1002 & A1003). Another partisan from this group with the same notable style of etching is preserved in the Museum für Deutsche Geschichte, Berlin. See H. Müller and H. Kölling1981, p.311 no. 395.

Los 295

AN ETCHED GERMAN COMB-MORION, NUREMBERG, CIRCA 1580 formed in one piece with a hemispherical crown rising to a high roped medial comb, and an integral brim turned down at each side, rising to an obtuse point at the front and rear (the front one slightly bruised), decorated around its edge with a file-roped inward turn, the front struck with the quality-control mark of the city of Nuremberg (the rear and sides each pierced with later wiring-holes), the base of the crown encircled by twelve round-headed lining-rivets with rosette-washers of iron (one washer missing), finely etched on each side of the crown with a circular cartouche enclosing, on the right, a representation of the Sacrifice of Isaac, and on the left, a mounted huntsman carrying a spear, in each case overlaying a pattern of alternating vertical bands respectively comprised of arabesque interlace and scrolling foliage inhabited by birds of prey, the latter design repeated on the comb and the brim and involving in the case of the former, oval cartouches enclosing, on the right, a soldier holding a banner, and on the left, a drummer, each in contemporary dress, the etching executed throughout on a blackened and stippled ground (light wear and patination overall) 29.1cm; 11 1/2in high The decoration of the helmet anticipates that found on a distinctive group of Nuremburg morions of the early 17th century formerly preserved in the armoury of the Dukes of Saxe-Coburg in the Wartburg, Thuringia. The scrolling foliage and birds are similar in execution to those found on a series of morions of about 1570 made for the Schurff family, hereditary huntsmen of the Tyrol, examples of which are to be found in the Royal Armouries Museum, Leeds, and the Musée de l'Armée, Paris. See J-P. Reverseau 1982, p. 50, fig. 2. A morion of similar form decorated with arabesque interlace is preserved in the Historisches Museum, Dresden (Schöbel 1976, fig. 40)

Los 1

Flemish school early 19thC etching, figures by a canal in Winter time, signed

Los 1

Kurt Meyer-Eberhardt, etching, 'A study of three Terriers', inscribed in pencil

Los 87

George Fothergill-"The L & S Factor", foxhounds, black and white etching, signed and inscribed, one of fifty proofs.

Los 31

AFTER HEYWOOD HARDY, ENGRAVED BY A GRAVIER, AND SIGNED BY THE LATTER TO THE MARGIN, BLACK AND WHITE ETCHING DATED 1885, The Loose Horseshoe, 16” x 23”; and a further similar ENGRAVING, Published 1885 “Stand and Deliver”, 13” x 19” (2)

Los 50

WALTER DENDY SADLER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (also signed by the engraver) DATED 1895, Published 1895, The Lawyers Office, 13” x 18”

Los 51

WALTER DENDY SADLER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Published 1889, Gentleman in Morning Suit with Cat in attendance by a cottage door, 10” x 6”

Los 52

WALTER DENDY SADLER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Published in 1913, Huntsman and Cottage Interior, 11” x 8”

Los 53

WALTER DENDY SADLER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Published in 1889, The After Dinner Conversation, 11” x 16”

Los 60

AFTER REMBRANDT, BLACK AND WHITE ETCHING, Portrait of a Lady seated, 6” x 4 ½”; and AFTER C SCHUT, PAIR OF ANTIQUE BLACK AND WHITE ENGRAVINGS, Madonna and Child, 3” x 2 ½” (3)

Los 180

M GUPTE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Toilet” (two wading birds), 5” x 8”

Los 207

HERBERT DICKSEE, INITIALLED TO THE IMAGE, COLOURED ETCHING, Published 1899, “Anxious Hearts”, 26” x 19”

Los 208

HEDLEY FITTON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Amborise”, 16” x 9”

Los 209

ALFRED HARTLEY, SIGNED IN PENCIL TO MARGIN, SEPIA ETCHING, A lakeside promenade, 12” x 15”

Los 224

MORTIMER MENPES RI RBA RE, SIGNED TO IMAGE, BLACK AND WHITE ETCHING, DATED 1884, Portrait of an Old Lady with Cloth Headress; and 19TH CENTURY BLACK AND WHITE ETCHING, A Brigand, 10” x 7” and 8” x 5” (2). 225. JOHN CYRIL HARRISON, SIGNED IN PENCIL TO MARGIN, A FOLDER OF LIMITED EDITION COLOURED PRINTS, (FOR THE NORFOLK NATURALISTS TRUST), Published 1981, “Brent Goose”, “Shoveler”, “Shelduck”, “Pintail”, 10” x 6” (4)

Los 226

AFTER W JOY, BLACK AND WHITE LITHOGRAPH, “The Killarney Steamer”, 8” x 12” (A/F); and JOHN SELL COTMAN, BLACK AND WHITE ETCHING, St Benet’s Abbey, 9” x 14” (A/F) (2)

Los 227

INDISTINCTLY SIGNED TO MARGIN, COLOURED ETCHING, “Indian Sarode”, 11” x 9”

Los 266

AFTER J M W TURNER, ENGRAVED BY FRANK SHORT, SEPIA ETCHING, (SIGNED IN PENCIL TO MARGIN BY FRANK SHORT), ‘Sheep washing, Windsor’, 7” x 10”

Los 271

THOMAS DANIEL, BLACK AND WHITE ETCHING, “Norwich Castle”, 13” x 19”; AFTER DAVID HODGSON, ENGRAVED BY D GAUCI, BLACK AND WHITE LITHOGRAPH, “Norwich Cathedral”; and AFTER H NINHAM, ENGRAVED BY L HAGHE, BLACK AND WHITE LITHOGRAPH, “Norwich Cathedral”, 10” x 7” (3)

Los 317

FRANCIS KELLY, LIMITED EDITION BLACK AND WHITE ETCHING (5/15) ‘Triptych’, 15” x 19”

Los 334

E HERBERT WHYDALE, SIGNED IN PENCIL TO MARGIN, ETCHING, Nearing the Hilltop, 8” x 10” (unframed)

Los 335

WILLIAM PALMER ROBINS, SIGNED AND DATED 1924 IN PENCIL TO MARGIN, ETCHING, Inscribed “Near Stalham”, 5” x 9” (unframed)

Los 336

WILLIAM PALMER ROBINS, SIGNED AND DATED 1922 IN PENCIL TO MARGIN, ETCHING, Inscribed “Stokesby”, 4 ½” x 7 ½” (unframed)

Los 337

WILLIAM PALMER ROBINS, SIGNED AND DATED 1924 IN PENCIL TO MARGIN, ETCHING, Inscribed “Haymaking on the Waveney”, 7 ½” x 13” (unframed)

Los 338

WILLIAM PALMER ROBINS, DATED 1920 IN PLATE, ETCHING, Haystack by a Windmill (inscribed in pencil to margin “4th State”), 9” x 14” (unframed)

Los 339

WILLIAM PALMER ROBINS, SIGNED AND DATED 1919 IN PENCIL TO MARGIN, ETCHING, Flatford Lock, 5” x 8” (unframed)

Los 340

SIR FRANK SHORT, SIGNED IN PENCIL TO MARGIN, ETCHING, Inscribed “Walberswick Pier September 1890”, 6” x 9” (unframed)

Los 341

CHARLES J WATSON, SIGNED IN PENCIL TO MARGIN, ETCHING, Hotel De La Poste 1913, 8” x 9” (unframed)

Los 342

CHARLES J WATSON, SIGNED IN PENCIL TO MARGIN, ETCHING, Inscribed “Arles 1894”, 7” x 9 ½” (unframed)

Los 344

CHAS CHAPLIN, SIGNED AND DATED 1963 IN PENCIL TO MARGIN, ETCHING, Inscribed “New Forest Glade 45”, 7” x 10”

Los 347

CATHERINE MAUD NICHOLLS, SIGNED IN PENCIL TO MARGIN, ETCHING, Vicarage Hill, Alton, Hants, 6” x 9 ½” (unframed)

Los 351

MARTIN HARDIE, SIGNED IN PEN TO MARGIN, TRIAL PROOF ETCHING, Port Manchin, 7 ½” x 6 ½” (unframed)

Los 352

TOM MAXWELL, SIGNED IN PENCIL TO MARGIN, ETCHING, The Scottish Provident Building, 11” x 10”; and E M PAIGE, SIGNED IN PENCIL TO MARGIN, ETCHING, A Fortified Town, 5 ½” x 9 ½” (2) (unframed)

Los 358

REVEREND EDWARD THOMAS DANIELL, BLACK AND WHITE ETCHING, A Continental River Scene with Bridge and Castle, 5” x 7 ½”

Los 361

FRANK HENRY MASON, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, Scarborough, 6” x 16”

Los 363

CONSTANCE MARY POTT, SIGNED IN PENCIL TO MARGIN, ETCHING, The Stand October 1905, 7 ½” x 9”

Los 364

WILLIAM PALMER ROBINS, SIGNED IN PENCIL TO MARGIN, ETCHING, Mercury Lane, Canterbury, 9” x 6”

Los 365

W LAIDLAW, SIGNED IN PENCIL TO MARGIN, FOUR ETCHING, Bake House Close; St Giles Cathedral; Hollywood Palace; Advocates Close (all Edinburgh), assorted sizes (4)

Los 369

INDISTINCTLY SIGNED IN PENCIL TO MARGIN, ETCHING, Old London Bridge, 6 ½” x 12; plus S FORDWAY, SIGNED IN PENCIL TO MARGIN, ETCHING, Unicorn Inn, Shrewsbury, 8” x 7 ½” (2)

Los 371

WILLIAM LIONEL WYLLIE, SIGNED IN PENCIL TO MARGIN, ETCHING, HMS Orion, 10 ¾” x 7 ¾”

Los 375

FRANK HARDING, SIGNED IN PENCIL TO MARGIN, ETCHING, Waterloo Bridge, 6” x 14”

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