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A pair of antique North African ceremonial dress daggers / knives. The first being a traditional North African ' Jambiya ' da

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East Bristol Auctions

Los 489

A pair of antique North African ceremonial dress daggers / knives. The first being a traditional North African ' Jambiya ' dagger having a brass capped pommel with floral etching and a wooden grip with green celluloid decoration to the collar. The curved double edge blade of typical form is housed within a intricately carved brass scabbard with suspension rings. The second a North African ' Wahhabite ' half sword having a characteristic white metal and brass mounted hilt. A curved double edged blade of typical form and housed within its original leather scabbard with decorated collar and brass tip. Highly detailed African knives. Measure approx 45 and 71cm

Live Auktion

Anthony Gross "Geese going out into the fields" (Herdman 5609), signed, inscribed with title and dated 1956 in pencil, colour

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Anderson & Garland Ltd. Newcastle

Los 1309

Anthony Gross "Geese going out into the fields" (Herdman 5609), signed, inscribed with title and dated 1956 in pencil, colour etching, numbered 4/50, 36.5 x 49cms (plate size), unframed.

Live Auktion

Anthony Gross "Plateau" (Herdman 5603, Reynolds 176), signed Artist's proof, inscribed with title in pencil, etching, printed

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Anderson & Garland Ltd. Newcastle

Los 1310

Anthony Gross "Plateau" (Herdman 5603, Reynolds 176), signed Artist's proof, inscribed with title in pencil, etching, printed c.1956, 40 x 50cms (plate size ), unframed.

Live Auktion

Anthony Gross "Landscape with Juniper (Paysage au Genévrier)" (Herdman 5801, Reynolds 189), signed and inscribed with title i

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Anderson & Garland Ltd. Newcastle

Los 1311

Anthony Gross "Landscape with Juniper (Paysage au Genévrier)" (Herdman 5801, Reynolds 189), signed and inscribed with title in pencil, etching, published 1958, numbered 24/50, 41.5 x 59.5cms (plate size), unframed.

Live Auktion

Anthony Gross "Thicket (Buissons)" (Herdman 5705, Reynolds 188), signed and inscribed with title in pencil, etching, publishe

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Anderson & Garland Ltd. Newcastle

Los 1312

Anthony Gross "Thicket (Buissons)" (Herdman 5705, Reynolds 188), signed and inscribed with title in pencil, etching, published 1957, numbered 15/50, 31 x 42.5cms (plate size), unframed.

Live Auktion

Anthony Gross "Edge of the Wood (Copse, la Garenne)" (Herdman 5903, Reynolds 192), signed and inscribed with title in pencil,

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Anderson & Garland Ltd. Newcastle

Los 1313

Anthony Gross "Edge of the Wood (Copse, la Garenne)" (Herdman 5903, Reynolds 192), signed and inscribed with title in pencil, etching, numbered 10/50, published 1959, 33 x 44.5cms (plate size), unframed.

Live Auktion

Anthony Gross "Children Going out to the Fields (Déart Aux Champs)" large plate (Herdman 5601, Reynolds 174", signed Artist's

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Anderson & Garland Ltd. Newcastle

Los 1314

Anthony Gross "Children Going out to the Fields (Déart Aux Champs)" large plate (Herdman 5601, Reynolds 174", signed Artist's proof, inscribed with title in pencil, etching, numbered 2/5, 53 x 45cms (plate size), unframed. NB: From the Le Boulvé Suite of eight plates depicting people and landscapes in and around the village of Le Boulvé, South-West France. Published by St. George's Gallery, London in 1956, as an edition of 50 with five Artist's proofs of each plate.

Live Auktion

Anthony Gross "Valley No. 2" (Herdman 5904, Reynolds 193), signed Artist's proof, inscribed with title in pencil, etching, pr

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Anderson & Garland Ltd. Newcastle

Los 1316

Anthony Gross "Valley No. 2" (Herdman 5904, Reynolds 193), signed Artist's proof, inscribed with title in pencil, etching, printed 1959, 37.2 x 49.3cms (plate size), unframed.

Live Auktion

Graham Clarke "Latrès Chose", signed and inscribed in pencil, colour etching, Artist's proof, 34.5 x 27cms (plate size), in f

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Anderson & Garland Ltd. Newcastle

Los 1318

Graham Clarke "Latrès Chose", signed and inscribed in pencil, colour etching, Artist's proof, 34.5 x 27cms (plate size), in frame.

Live Auktion

Graham Clarke "Joe's Place", signed and inscribed in pencil, colour etching triptych, 22.5 x 27cms (plate size), 19.5 x 11cms

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Anderson & Garland Ltd. Newcastle

Los 1319

Graham Clarke "Joe's Place", signed and inscribed in pencil, colour etching triptych, 22.5 x 27cms (plate size), 19.5 x 11cms (plate size x 2), mounted together in one frame.

Live Auktion

Graham Clarke "Fish Merchant of Venice", signed and inscribed in pencil, colour etching, Artist's proof, 34.5 x 37cms, in fra

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Anderson & Garland Ltd. Newcastle

Los 1320

Graham Clarke "Fish Merchant of Venice", signed and inscribed in pencil, colour etching, Artist's proof, 34.5 x 37cms, in frame.

Live Auktion

Graham Clarke "Logger Rhythm", signed and inscribed in pencil, colour etching, numbered 261/400, 10 x 12.5cms, (plate size),

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Anderson & Garland Ltd. Newcastle

Los 1321

Graham Clarke "Logger Rhythm", signed and inscribed in pencil, colour etching, numbered 261/400, 10 x 12.5cms, (plate size), in frame.

Live Auktion

Anja Percival "Dusk Light VIII", signed, inscribed and dated 2014 in pencil, colour etching, numbered 28/50, 29 x 29.5cms, in

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Anderson & Garland Ltd. Newcastle

Los 1302

Anja Percival "Dusk Light VIII", signed, inscribed and dated 2014 in pencil, colour etching, numbered 28/50, 29 x 29.5cms, in frame.

Live Auktion

Anthony Gross "Death of Adonis", from the series Sixe Idyllia of Theocritus State 1 of 1 (Herdman 7005), published 1970, etch

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Anderson & Garland Ltd. Newcastle

Los 1303

Anthony Gross "Death of Adonis", from the series Sixe Idyllia of Theocritus State 1 of 1 (Herdman 7005), published 1970, etching, 23.5 x 16cms (plate size), unframed.

Live Auktion

Robin Tanner "Wiltshire Roadmaker (poor man)", signed in pencil, etching, published c.1928, 10 x 15cms (plate size), in frame

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Anderson & Garland Ltd. Newcastle

Los 1304

Robin Tanner "Wiltshire Roadmaker (poor man)", signed in pencil, etching, published c.1928, 10 x 15cms (plate size), in frame.

Live Auktion

Robin Tanner "The Drinking Trough", signed and inscribed with title in pencil, etching, 20 x 15.3cms (plate size), in frame.

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Anderson & Garland Ltd. Newcastle

Los 1305

Robin Tanner "The Drinking Trough", signed and inscribed with title in pencil, etching, 20 x 15.3cms (plate size), in frame.

Live Auktion

John Nicholls A house on a country lane, signed in pencil, etching, 9.5 x 12.4cms (plate size), in frame.

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Anderson & Garland Ltd. Newcastle

Los 1306

John Nicholls A house on a country lane, signed in pencil, etching, 9.5 x 12.4cms (plate size), in frame.

Live Auktion

Anthony Gross "Running Tree (Le Petit Bois)" (Herdman 5403, Reynolds 164), signed and inscribed with title in pencil, etching

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Anderson & Garland Ltd. Newcastle

Los 1308

Anthony Gross "Running Tree (Le Petit Bois)" (Herdman 5403, Reynolds 164), signed and inscribed with title in pencil, etching, second state of 2, numbered 19/50, published c.1954, 30 x 23.3cms (plate size), unframed.

Live Auktion

9CT GOLD WITH BRONZE CORE BANGLE, BY LAWSON WARD AND GAMMAGE LAGARMIC WITH SAFETY CHAIN, 65MM X 55MM X 15MM DECOR FERN ETCHIN

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Featonby's Auctioneers & Valuers

Los 144

9CT GOLD WITH BRONZE CORE BANGLE, BY LAWSON WARD AND GAMMAGE LAGARMIC WITH SAFETY CHAIN, 65MM X 55MM X 15MM DECOR FERN ETCHING 33.7G

Live Auktion

AN ETCHING BY GEORGE EDWARD HORTON (1859-1950) SEATON SLEUCE VILLAGE NORTHUMBERLAND SIGNED AND INSCRIBED 16 X 21CM

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Featonby's Auctioneers & Valuers

Los 202

AN ETCHING BY GEORGE EDWARD HORTON (1859-1950) SEATON SLEUCE VILLAGE NORTHUMBERLAND SIGNED AND INSCRIBED 16 X 21CM

Live Auktion

2 BOXES OF MISCELLANEOUS GLASS AND PORCELAIN INC ARTHUR WOOD TEAPOT SMALL ROYAL BRIERLEY VASE WITH GRAPE VINE ETCHING ETC

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Featonby's Auctioneers & Valuers

Los 403

2 BOXES OF MISCELLANEOUS GLASS AND PORCELAIN INC ARTHUR WOOD TEAPOT SMALL ROYAL BRIERLEY VASE WITH GRAPE VINE ETCHING ETC

Live Auktion

LEIGHTON, Clare, Wood Engravings and Woodcuts, The Studio, London, 1932. 8vo. Dec. binding, plus HOLME, Geoffrey. Ed. Modern

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Mallams Ltd. - Oxford

Los 469

LEIGHTON, Clare, Wood Engravings and Woodcuts, The Studio, London, 1932. 8vo. Dec. binding, plus HOLME, Geoffrey. Ed. Modern Woodcuts and Lithographs, The Studio London, 1919. And Modern Etching and Engraving. The Studio, 1902. Both 4to. lib. rebound in blue cloth. Plus 2 assoc. titles. 5

Live Auktion

Etching with hand-colouring, 39/50, signed and numbered in pencil to margin, titled to a label verso(50cm x 65cm (19.75in x 2

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Lyon & Turnbull

Los 28

Etching with hand-colouring, 39/50, signed and numbered in pencil to margin, titled to a label verso(50cm x 65cm (19.75in x 25.5in))

Live Auktion

Etching, Printer's Proof, signed and inscribed in pencil to margin(53.5cm x 56cm (21in x 22in), full sheet)

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Lyon & Turnbull

Los 37

Etching, Printer's Proof, signed and inscribed in pencil to margin(53.5cm x 56cm (21in x 22in), full sheet)

Live Auktion

Etching and aquatint, 9/25, inscribed and dated in pencil to margin 'For my friend Ifan Thomas - 1946,' signed and dated in p

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Lyon & Turnbull

Los 68

Etching and aquatint, 9/25, inscribed and dated in pencil to margin 'For my friend Ifan Thomas - 1946,' signed and dated in plate(32cm x 40cm (12.5in x 15.75in), plate size)

Live Auktion

Etching and aquatint, signed and inscribed in pencil to margin(61cm x 44cm (24in x 17.25in))Footnote: Provenance: From a priv

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Lyon & Turnbull

Los 70

Etching and aquatint, signed and inscribed in pencil to margin(61cm x 44cm (24in x 17.25in))Footnote: Provenance: From a private collection of Contemporary Art & Photography.

Live Auktion

After N. R. Black, View of London, taken from Albion Place, Blackfryars Bridge, Vue de Londres, Prise d'Albion Place, Pont de

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Dreweatts 1759

Los 406

After N. R. Black, View of London, taken from Albion Place, Blackfryars Bridge, Vue de Londres, Prise d'Albion Place, Pont de Blackfryars, Etching and aquatint by Joseph Constantine Stadler, 56 x 90.5cm (22 x 35 5/8in.), Overall 76 x 111cm (29 7/8 x 43 5/8in.)

Live Auktion

Pictures to include Hughes Richardson - Evening Stanhope in Weardale watercolour signed, an etching of a lion, a portrait and

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Bourne End Auction Rooms

Los 273

Pictures to include Hughes Richardson - Evening Stanhope in Weardale watercolour signed, an etching of a lion, a portrait and others

Live Auktion

A presentation reproduction Rolling Stones poster, titled Gimme Shelter, relating to a concert in Livermore, California 1969,

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Golding Young & Mawer

Los 321

A presentation reproduction Rolling Stones poster, titled Gimme Shelter, relating to a concert in Livermore, California 1969, a print of trees and an artist signed etching after Walt Nygard titled New Century, artist proof No. 1/4, 36cm x 30cm.

Live Auktion

After D Deighton. Glory Hole Lincoln and Newport Arch Lincoln, artist signed etchings and a proof etching after Leonard Hamm

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Golding Young & Mawer

Los 334

After D Deighton. Glory Hole Lincoln and Newport Arch Lincoln, artist signed etchings and a proof etching after Leonard Hammond (3).

Live Auktion

20TH C SCHOOL, STILL LIFE WITH FLOWERS, SIGNED R. ROSSINI, ACRYLIC ON CANVAS, 89 X 59CM, HARRY WEBSTER, COTTAGES ON THE

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Mellors & Kirk

Los 598

20TH C SCHOOL, STILL LIFE WITH FLOWERS, SIGNED R. ROSSINI, ACRYLIC ON CANVAS, 89 X 59CM, HARRY WEBSTER, COTTAGES ON THE COAST, SIGNED, WATERCOLOUR, 27 X 37.5CM, PAT ROONEY, CARICATURE OF LOFTY OF THE GLOUCESTER REGIMENT, SIGNED AND DATED 1944, CHARCOAL AND AN ETCHING OF THE FALCON INN, CHESTER Y W. MACALISTER-TURNER Caricature stained, the others in good condition

Live Auktion

WILLIAM LIONEL WYLLIE, THE FISHING FLEET, ETCHING WITH MARGINS, SIGNED BY THE ARTIST IN PENCIL AND NUMBERED CCXIV, 19 X 27.5C

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Mellors & Kirk

Los 623

WILLIAM LIONEL WYLLIE, THE FISHING FLEET, ETCHING WITH MARGINS, SIGNED BY THE ARTIST IN PENCIL AND NUMBERED CCXIV, 19 X 27.5CM AND AN ETCHING OF LIVERPOOL BY ANOTHER HAND Wyllie etching in good condition, undisturbed in the original early 20th c narrow ebonised frame, the second etching stained and wanting glass

Live Auktion

DAVID FOGGIE, ST SALVATOR'S CHAPEL UNIVERSITY OF ST. ANDREWS, ETCHING, SIGNED BY THE ARTIST IN PENCIL, 24 X 18CM AND FIVE SMA

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Mellors & Kirk

Los 633

DAVID FOGGIE, ST SALVATOR'S CHAPEL UNIVERSITY OF ST. ANDREWS, ETCHING, SIGNED BY THE ARTIST IN PENCIL, 24 X 18CM AND FIVE SMALLER ETCHINGS BY OTHER CONTEMPORARY HANDS All in good original condition, some mounts slightly stained, some in the original or contemporary frames, glass of one cracked

Live Auktion

BENJAMIN WILLIAMS LEADER, THE LOCK GATES, ETCHING, SIGNED BY THE ARTIST IN PENCIL, 39.5 X 45CM, A MEZZOTINT OF DULCE DOMUM OR

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Mellors & Kirk

Los 654

BENJAMIN WILLIAMS LEADER, THE LOCK GATES, ETCHING, SIGNED BY THE ARTIST IN PENCIL, 39.5 X 45CM, A MEZZOTINT OF DULCE DOMUM OR THE RETURN FROM SCHOOL AND TWO OTHER PRINTS Leader etching foxed. Dulce Domum in apparently good condition, mounted to image. The other prints stained and dirty

Live Auktion

F Bartolozzi (1728 - 1815), engraving and etching, Acis and Galatea, published 1787, image 8" x 11"Very slight paper discolou

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Burstow & Hewett

Los 1225

F Bartolozzi (1728 - 1815), engraving and etching, Acis and Galatea, published 1787, image 8" x 11"Very slight paper discolouration, no foxing

Live Auktion

Glynn Boyd Harte (1948 - 2003), coloured etching, still life, signed in pencil, from an edition of 75, image 16" x 23", frame

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Burstow & Hewett

Los 1267

Glynn Boyd Harte (1948 - 2003), coloured etching, still life, signed in pencil, from an edition of 75, image 16" x 23", framedA few fox marks in the margin

Live Auktion

SIR HUBERT VON HERKOMER - A FRAMED AND GLAZED PORTRAIT STUDY OF A YOUNG WOMAN 'IVY' SIGNED IN PLATE UPPER RIGHT, ETCHING ON P

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Cuttlestones Auctioneers

Los 3

SIR HUBERT VON HERKOMER - A FRAMED AND GLAZED PORTRAIT STUDY OF A YOUNG WOMAN 'IVY' SIGNED IN PLATE UPPER RIGHT, ETCHING ON PAPER. OVERALL SIZE INCLUDING FRAME 90.5 X 79 CM

Live Auktion

A folder of 19th Century and earlier Norfolk etchings, engravings, maps etc including Henry Davy (1793-1865), Mutford Church

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TW Gaze

Los 6047

A folder of 19th Century and earlier Norfolk etchings, engravings, maps etc including Henry Davy (1793-1865), Mutford Church Suffolk, 1822, printed area approx 33 x 24cm, mounted; circa 17th Century etching depicting the South Prospect of the Cathedral Church of Norwich, by Daniel King, printed area approx 20 x 31cm, mounted, etc etc, mainly mounted and all housed loose in folder

Live Auktion

A ROTA SPRAY PROCESSOR ETCHING MACHINE

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Ashley Waller Auctioneers

Los 1062

A ROTA SPRAY PROCESSOR ETCHING MACHINE

Live Auktion

Etching of cruiser, tug boats and other vessels in a river, indistinctly signed in pencil to margin, 17 x 30.5cm, a print of

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Ewbank's

Los 3014

Etching of cruiser, tug boats and other vessels in a river, indistinctly signed in pencil to margin, 17 x 30.5cm, a print of an etching by R. E. Roe of a ship, titled 'Off Gravesend', published in 1888 by Raphael Tuck & Sons, 17 x 11.5cm; a Dutch hand-coloured engraving of 'A View of Amsterdam taken from the Old Rampart', 26 x 38.5cm; and a Dutch hand-coloured print of figures by a lake titled 'Gezigt Van Krimpen Aan de Lec', 33.5 x 43.5cm (4 in lot)

Live Auktion

After C.E Holloway, 'The Victory at Rest', uncoloured print from the etching, 50 x 63cm approx. (B.P. 21% + VAT) Not good con

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Peter Francis

Los 169

After C.E Holloway, 'The Victory at Rest', uncoloured print from the etching, 50 x 63cm approx. (B.P. 21% + VAT) Not good condition.

Live Auktion

John Brunsdon (1933-2014), 'Rhossili Down', limited edition coloured etching, signed in pencil by the artist, with back stamp

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Peter Francis

Los 176

John Brunsdon (1933-2014), 'Rhossili Down', limited edition coloured etching, signed in pencil by the artist, with back stamp, no. 117/150. 59 x 45cm approx. Framed and glazed.(B.P. 21% + VAT)

Live Auktion

A Third Reich Naval officer's dagger, by WKC, in its' sheath with portepee. Basically GC (blade pitted obscuring the etching,

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Wallis & Wallis

Los 156

A Third Reich Naval officer's dagger, by WKC, in its' sheath with portepee. Basically GC (blade pitted obscuring the etching, sheath slightly dented, portepee worn).

Live Auktion

A framed and glazed limited edition etching of a seated figure, signed Elizabeth Stuart Lee, retailed by Heal's, Tottenham Co

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Criterion Auctioneers Ltd

Los 333

A framed and glazed limited edition etching of a seated figure, signed Elizabeth Stuart Lee, retailed by Heal's, Tottenham Court Road, label verso. H.34cm W.27cm

Timed Auktion

A MODERN CREAM PAINTED RECTANGULAR FLOOR MIRROR, together with another wall mirror and framed Castellucci Atri etching (3)

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Richard Winterton Auctioneers

Los 1254

A MODERN CREAM PAINTED RECTANGULAR FLOOR MIRROR, together with another wall mirror and framed Castellucci Atri etching (3)

Live Auktion

A pencil signed black and white etching depicting a river scene

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Clarke and Simpson Auctions

Los 207

A pencil signed black and white etching depicting a river scene

Live Auktion

An 18th Century Dutch etching of St Jerome, by Francisco Banni and other engravings

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Clarke and Simpson Auctions

Los 418

An 18th Century Dutch etching of St Jerome, by Francisco Banni and other engravings

Live Auktion

A seated nude etching; together with a pencil nude study by James Govier etc.

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Clarke and Simpson Auctions

Los 431

A seated nude etching; together with a pencil nude study by James Govier etc.

Live Auktion

Charles Naillord (1876-1941), drypoint etching, 'The Trellis', signed and numbered 1/350, 42 x 28cm and three other Boudoir e

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Gorringes

Los 550

Charles Naillord (1876-1941), drypoint etching, 'The Trellis', signed and numbered 1/350, 42 x 28cm and three other Boudoir etchings

Live Auktion

R A Letgas, etching, A carpenter's bench, signed, 53/75, 19 x 12cm, unframed

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Gorringes

Los 568

R A Letgas, etching, A carpenter's bench, signed, 53/75, 19 x 12cm, unframed

Live Auktion

Walter Richard Sickert, RA, RBA, NEAS, (1860-1942) framed etching, The Lion of Saint Mark, Venice. 1915. (Bromberg 172) plate

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Gorringes

Los 578A

Walter Richard Sickert, RA, RBA, NEAS, (1860-1942) framed etching, The Lion of Saint Mark, Venice. 1915. (Bromberg 172) plate 18 x 26cm.

Live Auktion

Louis Icart (1888-1950), drypoint etching, Broken blue jug, signed, 45 x 33cm and a later signed photolithograph, 23 x 17cm

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Gorringes

Los 595

Louis Icart (1888-1950), drypoint etching, Broken blue jug, signed, 45 x 33cm and a later signed photolithograph, 23 x 17cm

Live Auktion

Walter Richard Sickert, RA, RBA, NEAS, (1860-1942) Sussex Place, Regents Park, London. 1920, with personal dedication to 'Fai

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Gorringes

Los 604A

Walter Richard Sickert, RA, RBA, NEAS, (1860-1942) Sussex Place, Regents Park, London. 1920, with personal dedication to 'Fairbanks', first state, initialled by hand, framed etching, (Bromberg 197) plate 18 x 26cm.

Live Auktion

* ROY FAIRCHILD-WOODARD (BRITISH b 1953), FLORENCE etching and aquatint, signed, titled and numbered 37/175 28cm x 25cm Mount

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McTear's

Los 707

* ROY FAIRCHILD-WOODARD (BRITISH b 1953), FLORENCE etching and aquatint, signed, titled and numbered 37/175 28cm x 25cm Mounted, framed and under glass.

Live Auktion

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), BASS ROCK FABLE etching, signed and numbered 27/100 24cm x 16cm Mounted, f

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McTear's

Los 779

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), BASS ROCK FABLE etching, signed and numbered 27/100 24cm x 16cm Mounted, framed and under glass.

Live Auktion

(See English version below)„Die Fragwürdigkeit des Ruhmes“. 1980Radierung auf Velin. 46,8 × 33 cm (76 ×&

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GRISEBACH GmbH

Los 1171

(See English version below)„Die Fragwürdigkeit des Ruhmes“. 1980Radierung auf Velin. 46,8 × 33 cm (76 × 56 cm) ( 18 ⅜ × 13 in. (29 ⅞ × 22 in.)). Signiert.Wesselowski 33.–Einer von 80 nummerierten Abzügen. Paris, Galerie Aimé Maeght. [3033]Zustandsbericht: Ex. 28/80. In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld."Die Fragwürdigkeit des Ruhmes". 1980Etching on wove paper. 46,8 × 33 cm (76 × 56 cm) ( 18 ⅜ × 13 in. (29 ⅞ × 22 in.)). Signed.Wesselowski 33 .–One of 80 numbered prints. Paris, Galerie Aimé Maeght. [3033]Condition report: No. 28/80. In good condition. The sheet edges without tears or losses. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.

Timed Auktion

(See English version below)„Selbstbildnis“. 1912Aquatinta und Vernis Mou auf Papier. 14 × 10 cm (31,5 ×&

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GRISEBACH GmbH

Los 1180

(See English version below)„Selbstbildnis“. 1912Aquatinta und Vernis Mou auf Papier. 14 × 10 cm (31,5 × 23,3 cm) ( 5 ½ × 3 ⅞ in. (12 ⅜ × 9 ⅛ in.)). Signiert.von dem Knesebeck 126 VII.c. (von d).–Einer von 30 Abzügen. Dresden, Emil Richter, um 1920. [3268]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen, die Ecken minimal bestossen. Der breite Rand mit leichten Spuren vom Anheben. In der linken oberen Ecke und rechten unteren Ecke schwache bräunliche Flecken. Im unteren Randbereich mittig ein länglicher, schmaler Fleck. Unter UV-Licht sind vereinzelt weiße Flecken erkennbar. Rückseitig an den oberen Ecken Reste alter KlebemontierungWir berechnen auf den Hammerpreis 30% Aufgeld."Selbstbildnis". 1912Aquatint and soft ground etching on paper. 14 × 10 cm (31,5 × 23,3 cm) ( 5 ½ × 3 ⅞ in. (12 ⅜ × 9 ⅛ in.)). Signed.Von dem Knesebeck 126 VII.C. (of d).–One of 30 prints. Dresden, Emil Richter, circa 1920.. [3268]Condition report: Fine harmonious overall appearance. The sheet edges without tears or losses, the corners minimally bumped. The wide margin with light traces caused by lifting. In the upper left corner and right lower corner faint brownish stains. In the lower margins in the centre a longish, narrow stain. Ultraviolet light reveals isolated white stains. On the reverse in the upper corners remains old mounting residueWe charge 30% premium on the hammerprice.

Timed Auktion

(See English version below)„Gartenallee mit Haus“. 1922Radierung auf Papier. 20 × 14,8 cm (26,6 × 2

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GRISEBACH GmbH

Los 1193

(See English version below)„Gartenallee mit Haus“. 1922Radierung auf Papier. 20 × 14,8 cm (26,6 × 20,3 cm) ( 7 ⅞ × 5 ⅞ in. (10 ½ × 8 in.)). Signiert.Schiefler 346 IV c (von c).–Einer von 200 Abzügen. Für die Vorzugausgabe zu Hans Wolff: Zeichnungen von Max Liebermann. Dresden, 1922. Arnolds Graphische Bücher, Zweite Folge, Band 4. [3210]Zustandsbericht: In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Oben links ein winziger, brauner Fleck. Rückseitig in den Ecken und oben mittig Reste von der alter Papiermontierung und in den oberen Ecken mit Japanpapier auf den Unterlagkarton montiert. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld."Gartenallee mit Haus". 1922Etching on paper. 20 × 14,8 cm (26,6 × 20,3 cm) ( 7 ⅞ × 5 ⅞ in. (10 ½ × 8 in.)). Signed.Schiefler 346 IV c (of c).–One of 200 prints. For the special edition by Hans Wolff: Zeichnungen von Max Liebermann. Dresden, 1922. Arnolds Graphische Bücher books, second set, volume 4. [3210]Condition report: In good condition. To the upper left a minuscule, brown stain. On the reverse at corners and at the top in the centre residue of former mount. On the reverse mounted in the upper corners with Japan tissue on cardboard. Fine harmonious overall appearance. (SP)We charge 30% premium on the hammerprice.

Timed Auktion

(See English version below)„Un cavaliere“. 1954Radierung auf Velin. 35,3 × 29,5 cm (51 × 38 cm

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GRISEBACH GmbH

Los 1199

(See English version below)„Un cavaliere“. 1954Radierung auf Velin. 35,3 × 29,5 cm (51 × 38 cm) ( 13 ⅞ × 11 ⅝ in. (20 ⅛ × 15 in.)). Signiert.Guastalla 97.–Einer von 6 nummerierten Künstlerabzügen außerhalb von 68 Exemplaren. [3197]Zustandsbericht: Ex. E.C. 5/6. Schöner harmonischer Gesamteindruck. Unten rechts ein kleiner Einriss (3 cm). Das Papier im Passepartoutausschnitt minimal gebräunt. Vereinzelt winzige hellbraune Fleckchen. Das Blatt entlang der Blattkanten mit Papierklebeband am Unterlagekarton montiertWir berechnen auf den Hammerpreis 30% Aufgeld."Un cavaliere". 1954Etching on wove paper. 35,3 × 29,5 cm (51 × 38 cm) ( 13 ⅞ × 11 ⅝ in. (20 ⅛ × 15 in.)). Signed.Guastalla 97.–One of 6 numbered artist's proofs outside of 68 copies. [3197]Condition report: No. E.C. 5/6. Fine harmonious overall appearance. Lower right one small tear (3 cm). The paper within the passepartout cut out shows minimal time staining. Isolated minuscule light brown stains. Along the sheet's edges mounted with paper tape on cardboardWe charge 30% premium on the hammerprice.

Timed Auktion

(See English version below)Ohne Titel. Farbradierung auf Velin. 69,3 × 79,2 cm (76,1 × 99,7 cm

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GRISEBACH GmbH

Los 1212

(See English version below)Ohne Titel. Farbradierung auf Velin. 69,3 × 79,2 cm (76,1 × 99,7 cm) ( 27 ¼ × 31 ⅛ in. (30 × 39 ¼ in.)). Signiert.Einer von 25 nummerierten Abzügen. [3218]Zustandsbericht: Ex. 17/25. Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Das Papier unterhalb des Passepartouts schwach gebräunt. An den Blattkanten vereinzelt schwache Knickspuren. Unten rechts 2 kurze Kratzspuren (max. 3 cm). Rückseitig an den Seitenrändern auf den Unterlagekarton montiertWir berechnen auf den Hammerpreis 30% Aufgeld.Untitled. Colour etching on wove paper. 69,3 × 79,2 cm (76,1 × 99,7 cm) ( 27 ¼ × 31 ⅛ in. (30 × 39 ¼ in.)). Signed.One of 25 numbered prints. . [3218]Condition report: No. 17/25. Fine harmonious overall appearance. The sheet edges without tears or losses. The paper below the passepartout shows minor browning. Along the sheet's edges isolated faint creases. At the bottom right 2 short scratch marks (max. 3 cm). On the reverse mounted along the margins on cardboardWe charge 30% premium on the hammerprice.

Timed Auktion

78472 Los(e)

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