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  • 78475 Los(e)
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David Duggleby Scarborough
Los 1

Lt.-Com. Rowland Langmaid (exh.1924-30): 'Westminster from the river', signed etching, 21cm x 26cm

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Charterhouse Auctioneers
Los 1

A Frank Short Artists Proof Etching, and five other etching (6)

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Lyon & Turnbull
Los 1

JACKSON SIMPSON SETTERS Etching, signed in pencil 14cm x 23cm and two others by the same hand 'A glimpse of Beinn Loyal' and 'Rising' (3)

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Lyon & Turnbull
Los 1

JACKSON SIMPSON THE DINGHY Etching, signed in pencil 22cm x 15cm and another by the same hand 'Leaving port' (2)

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Lyon & Turnbull
Los 1

WILLIAM LIONEL WYLLIE THE REGATTA Etching, signed in pencil 16cm x 37cm and another by the same hand 'Barges on the Thames' (2)

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Lyon & Turnbull
Los 1

JAMES ABBOTT MCNEIL WHISTLER LA VIEILLE AUX LOQUES Etching 21cm x 15cm

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Bellmans Auctioneers & Valuers
Los 1

Hester Frood, Userche, etching, signed in pencil, 22x19cm

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Bellmans Auctioneers & Valuers
Los 1

William Lionel Wyllie 'How the fleet came to anchor', etching, signed in pencil, 10x22cm

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Bellmans Auctioneers & Valuers
Los 1

M.Birket Foster; etching, sheep droving across a millstream, pencil signed and small facial study to margin, published Arthur Troth & Sons 1882, impressed K R mark, 19x26

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Andrew Hartley Fine Arts
Los 1

WILLIAM WALCOT, Liverpool, etching, artist proof, signed in pencil, plate size 3 3/4" x 6", ebonised frame

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Andrew Hartley Fine Arts
Los 1

WILLIAM WALCOT, Whitehall, London, etching, artist proof, signed in pencil, plate size 3 3/4" x 6", ebonised frame

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Andrew Hartley Fine Arts
Los 1

TATTON WINTER, Close Gate Salisbury, coloured etching, signed in pencil, 15" x 10", gilt frame

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Sotheby's Olympia
Los 1

Ben Nicholson, O.M., 1894-1982 untitled 1957 (E.290) signed, dated 1957 and inscribed drypoint only copy in pencil drypoint etching image: 17x13.5cm.; 6.75x5.25in. sheet: 22x17.5cm.; 8.5x7in.

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Wallis & Wallis
Los 1

A .177" BSA "Light" Pattern underlever air rifle, 391/2" overall, barrel 17", number L38238 (1932), "1" stamped between tap and rearsight, single hole trigger block as in the succeeding "A" series; walnut butt with impressed chequering. GWO & C (no chamber etching, re finished over slight pitting)

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Wallis & Wallis
Los 1

A German 1871 type undress bayonet, blade with traces of etching, WM crossguard with ring, brass grip with spring, but no button or slot, in its brass mounted leather scabbard, the crossguard and scabbard top mount marked "76.R.8.39". Basically GC (some wear, markings at forte erased, abrasion to blade).

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Rosebery's
Los 1

James Gilray- "French Liberty English Slavery", publ. December 21st 1792 by H. Humphrey; hand-coloured etching, 24.7x35.3cm: together with one other cartoon titled "War, John Bull in the Year 1800!, Peace, John Bull in the Year 1801!", and four etchings by W. L. Wyllie from "Our Fathers, To the Memory of the nameless Killed and Wounded" by Captain Ronald A. Hopwood. R.N., plates I, II, III and IV, each signed in pencil, and a further print, 'The Laws of the Navy', (7)

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Rosebery's
Los 1

B. Nahmi, 20th century- Three circus figures; lithograph in colours, signed and dated '952 in pen, 36.7x25.5cm: 20th Century School- Venetian view; hand-coloured etching, signed with initials 'MRT', numbered 66/100 and dated '65 in pencil, 39x29.5cm., (2)

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Rosebery's
Los 1

Frank Brangwyn- The accordion player; etching, signed with initials within the plate and signed in pencil, 22.3x16.2cm: John Fullwood- Lakeland scene; etching, signed in pencil: together with thirteen other prints by and after different hands, (15)

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Rosebery's
Los 1

William Walcot- "Park Avenue, New York", publ. by A.C.& H.W. Dickins Inc., New York; etching, titled in pencil on mount, 11.4x17cm: together with three other drypoint etchings by the same hand titled: "Villa Quintilii", "Arc de Triomphe, Paris" and "St. Peter's, Rome", the latter two publ. by The Fine Art Society, (4)

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Rosebery's
Los 1

Victoria S. Hine- 'Ely'; hand-coloured etching, signed within the plate, 39x53cm

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Rosebery's
Los 1

Maresco Pearce- Cafe interior with figures; etching, 1st state, signed within the plate and again in pencil, 22.3x14.8cm: Leroy- "Promenades Aeriennes, after L. Garneray, pub. A Pair au Jardin Baujon et chez Ch. Bance; hand-coloured engraving: together with a 19th century engraved map of St. Petersburg and one other engraving titled "View of the Copper Works at Neath", (4)

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Rosebery's
Los 1

After Renoir- Portrait of two girls wearing hats; etching, bears signature, 11.5x8cm: William J. Allingham- Domestic scenes in the manner of Ward, publ. 1920 by G. G. Howell & Co.; stipple engravings printed in colours, ovals, a pair, both signed in pencil, (3)

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Canterbury Auction Galleries
Los 1

After Rembrandt - Etching - A sow tethered in a sty with children looking on, 5.75ins x 7.25ins, signed in plate and dated 1643, in oak frame and glazed

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Addisons Auctioneers
Los 1

JOHN FULLWOOD (1854-1931), "GRANGE BORROWDALE", 19th CENTURY ETCHING, inscribed lower left and signed in pencil lower right, framed. 22cm by 36cm

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Addisons Auctioneers
Los 1

JOHN G. MATHIESON, "A QUIET CORNER OF LOCH KATRINE", drypoint etching, signed in pencil lower centre, framed. 39cm by 18cm

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Addisons Auctioneers
Los 1

ENGLISH SCHOOL EARLY 20TH CENTURY, "TREE BY A STREAM", etching, signed indistinctly in pencil lower right, framed. 18.5cm by 27cm

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Keys - Aylsham Salerooms
Los 1

G VERNON STOKES, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (1/75), River landscape with bridge, 11" x 9" and DOROTHY WOOLLARD, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'The Old Curiosity Shop', 6" x 6", (2)

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Keys - Aylsham Salerooms
Los 1

ALBANY E HOWARTH, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed 'Stirling (Castle)', 10" x 13"

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Keys - Aylsham Salerooms
Los 1

HEDLEY FITTON, SIGNED ETCHING, 'London Bridge' (see various labels verso), 14" x 14"

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Keys - Aylsham Salerooms
Los 1

INDISTINCTLY SIGNED TO MARGIN, BLACK AND WHITE ETCHING, a performing dog, 8" x 5" and AN EARLY 19TH CENTURY COLOURED STIPPLE ENGRAVING, awaiting the sailors return, 11" diameter and three other framed prints, various sizes, (5)

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Keys - Aylsham Salerooms
Los 1

ROBERT MACBETH, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING PRINTED ON SILK, DATED 1908, a roadside incident at the 'No Hurry' Inn, 13" x 20"

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Keys - Aylsham Salerooms
Los 1

AFTER AVRIL BURLEY, ENGRAVED BY FRED MILLAR, SIGNED BY THE LATTER TO THE MARGIN, EARLY 20TH CENTURY COLOURED ETCHING, dated 1918, 'Magic Music', 11" x 8"

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Keys - Aylsham Salerooms
Los 1

CHARLES H BASKETT, SIGNED IN PENCIL TO MARGIN, ETCHING, Polperro Harbour, 5" x 8"

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Keys - Aylsham Salerooms
Los 1

AFTER ARCHIBALD THORBURN, ENGRAVED BY FRITZ KIRSTENIZ, SIGNED BY THE LATTER TO THE MARGIN, BLACK AND WHITE ETCHING, Pheasants and Kingfisher, 7" x 10"

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Keys - Aylsham Salerooms
Los 1

EDUARD WIRALT, SIGNED AND DATED 1926 TO MARGIN, BLACK AND WHITE WOODBLOCK PRINT, 'Leda and Swan', 11" x 9" and EDWARD WIRALT, LIMITED EDITION BLACK AND WHITE ETCHING (21/25), nude bathers, 16" x 15", (2)

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Keys - Aylsham Salerooms
Los 1

ALFRED R BLUNDELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'The Glory of Delft', 20" x 12"

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Keys - Aylsham Salerooms
Los 1

ALFRED G BURR, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING 'MENAI STRAITS', 10" X 7"; AFTER LAWSON WOOD, CHROMOLITHOGRAPH, A rainy day for Ducks, 11" x 9" and one other, (3)

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Keys - Aylsham Salerooms
Los 1

CECIL MARY LESLIE, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (3/10), 'Artemis' and a further UNSIGNED ETCHING by the same artist of Sleeping Cats, 6" x 8", (2)

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Keys - Aylsham Salerooms
Los 1

AFTER SIR ALFRED JOHN MUNNINGS, BLACK AND WHITE ETCHING, Preparing for the Start, 5" x 8"

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Keys - Aylsham Salerooms
Los 1

H JAMES STARLING, BLACK AND WHITE ETCHING, The Old Barge Inn; Together with four further framed prints, (5)

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Keys - Aylsham Salerooms
Los 1

LEON UNDERWOOD, SIGNED IN PENCIL TO MARGIN, DATED '27, BLACK AND WHITE WOODBLOCK PRINT, 'The Admiral', 11" x 8"; Together with Three further WOODCUTS AND ETCHING, various sizes, (4)

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Keys - Aylsham Salerooms
Los 1

LEONARD RUSSELL SQUIRELL, SIGNED IN PENCIL TO MARGIN, FIRST TRIAL ETCHING, 'Barn at Tuddenham', 6" x 9", mounted but unframed

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Keys - Aylsham Salerooms
Los 1

CHRISTOPHER HUGHES, SIGNED BLACK & WHITE ETCHING, 'In Marlborough', 9" x 6 1/2"

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Keys - Aylsham Salerooms
Los 1

AFTER WILLIAM LIONEL WYLLIE, BLACK & WHITE ETCHING, 'Shipping in the Mersey', (see label verso), 5" x 11"

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Keys - Aylsham Salerooms
Los 1

WILLIAM PALMER ROBINS, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Barn at Hemsby', 4" x 7"

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Keys - Aylsham Salerooms
Los 1

H D COLLINSON-MORLEY, SIGNED IN PENCIL TO MARGIN, ETCHING, figures and horses by a gypsy caravan, 6" x 7"

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Keys - Aylsham Salerooms
Los 1

HENRY MACBETH-RAEBURN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Dockland view, 7" x 11"

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Keys - Aylsham Salerooms
Los 1

LEONARD RUSSELL SQUIRELL, SIGNED IN PENCIL TO MARGIN, BLACK & WHITE ETCHING, view of a ruined Abbey across fields, 8" x 12"

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Keys - Aylsham Salerooms
Los 1

INDISTINCTLY SIGNED TO MARGIN, BLACK AND WHITE ETCHING, On the Train, 7" x 7"

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Keys - Aylsham Salerooms
Los 1

ALFRED R BLUNDELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'The Shepherdess', 6" x 7"

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Mellors & Kirk
Los 1

Dorothy Bradford - Piccadilly Circus, etching, signed by the artist in pencil and inscribed, 19 x 15cm; a small collection of other prints by the artist and others, including W B Wyllie and John Scrivener

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Mellors & Kirk
Los 1

Charles Frederick Tunnicliffe - The Slain Boar (Hercules and the Erymanthian Boar), etching c1925, signed in pencil and numbered 2/50, 28 x 17.5cm. Light time staining and some light surface dust

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Wingetts Auctioneers
Los 1

Boris O'Klein, hand coloured humerous etching, dogs and cats, signed and titled in pencil, 20.5 x 47.5cm

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Wingetts Auctioneers
Los 1

Viktor Stretti 1949, black and white etching, city streets, signed in pencil, 40 x 32cm

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John Nicholson
Los 1

FRANK H. MASON Clipper in full sail. Drypoint etching. Signed in pencil

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John Nicholson
Los 1

FRANK H. MASON American Packet off Blackwell. Drypoint etching. Signed in pencil

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John Nicholson
Los 1

TOM MAXWELL. The Queen Mary passing Henry Bells Monument on her maiden voyage. Etching signed in pencil

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John Nicholson
Los 1

E. W. COOKE. Etching COLLIER & (CALM) and a colour print Battle of Trafalgar (2)

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