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Los 5

DAVID HOCKNEY (BRITISH, B. 1937) MYSELF & MY HEROES Etching and aquatint, signed, dated 1961, edition of 50 29.5cm x 49.5cm (10.2in x 19.5in) Notes: 'Myself and My Heroes' was David Hockney's first print which he made on arriving at the Royal College of Art, London. The work shows the artist beside a haloed Mahatma Gandhi and Walt Whitman.

Los 8

DAVID HOCKNEY (BRITISH, B. 1937) POSTCARD Etching, signed, edition of 100. From 'Eighteen Small Prints', a portfolio of 18 works in various media by artists including Peter Blake, Patrick Caulfield, Richard Hamilton and Edward Ruscha 21cm x 15cm (8.3in x 5.9 in)

Los 40

TESS JARAY (BRITISH, B. 1937) I SUPPOSE IT IS Coloured etching, signed and dated 2001, numbered 21/44. From the 'Rings of Saturn and Vertigo' portfolio, published in association with Purdy Hicks Gallery, London. 113cm x 75cm (44.5in x 29.5in)

Los 119

SEAN SCULLY (IRISH/AMERICAN, B. 1945) DESIRE Coloured etching, signed, titled and dated 1985, numbered 7/25 Plate size: 45cm x 60cm (17.75in x 23.5in)

Los 276

GAVIN JONES (BRITISH, CONTEMPORARY) STUDY OF A HEAD Etching, signed and dated 1991, numbered 1/1 Plate size: 43cm x 34cm (17in x 13.5in)

Los 20

A William Walcot marine etching; together with two drawings.

Los 269

William Lionel Wyllie (1851-1931), Saluting The Fleet , Etching, Published 1910 by the Art Union Of London, printed by C. Welch, Margin signed in pencil lower left, 40cm x 75cm

Los 51

Cundall (H.M.). Birket Foster, 1906, deluxe numbered ltd. edition, containing original pencil and sepia wash sketch of Scarborough under mount, original etching, t.e.g., decorative cloth.

Los 52

Cundall (H.M.). Birket Foster, 1906, deluxe numbered ltd. edition, containing original pencil and water-colour sketch of Swarthmoor Meeting House by Foster under mount, original etching, t.e.g., decorative cloth.

Los 498

G. Brindley, Etching, signed, number 27/50 and one similar, (2).

Los 510

After Alisdair MacFarlane, "Meadowside from Govan", etching, pencil-signed and inscribed.

Los 716

Frank Martin (1921-2005)-Coloured etching, "Adriana", titled and signed in pencil, edition 42/50, 49cm x 32cm, framed.

Los 717

Frank Martin (1921-2005)-Colour etching, "The Sands of Malibu", titled and signed in pencil, edition 37/40, 45cm x 29cm, framed.

Los 719

Frank Martin (1921-2005)-Coloured etching, "Lya de Putti", titled and signed in pencil, marked A/P for artists proof, 45cm x 29cm, framed.

Los 724

Frank Martin (1921-2005)-Colour etching, "Anita Page & Bessie Love", titled and signed in pencil, marked AP for artists proof, plate 47.5cm x 30cm, framed.

Los 240

Wyllie, William Lionel (1851-1931) - Etching - Bawden Boats, signed in pencil, 15cm x 20cm

Los 471

After DURER, etching the Adoration of the Magi h: 11.70 x w: 8.20 in.

Los 511

W DENDY SADLER & JAMES DOBIE; Etching of a Lady taking tea, signed in the margin by Sadler and Dobie. 15" (38cms) x 11" (28cms).

Los 544

CLAUDE ROWBOTHAM (1864-1949); "Unloading Fishing Smack", coloured Etching, signed and inscribed, plate size 5 1/2" (14cms) x 3 1/2" (9cms), another "Blue bells" 3" (7.5cms) x 2 1/4" (6cms) and 2 others.

Los 259

Frederick Cecil Jones (1891-1956): 'Gathering tattes - misty weather', etching 20cm x 29cm and seven other etchings, various subjects and sizes (8)

Los 145

A pair of C19th colour prints portraits and a colour etching landscape

Los 438

Kathleen Caddick (b.1937)-Wild grasses, oil on artists board, monogrammed lower right, 23.5 x 23cm. Kathleen Caddick published her first etching in the late 1970s and has become renowned in this medium. She has exhibited throughout the world and undertaken commissions for The National Trust and the Woodland Trust. This lot may be subject to Droit de Suite

Los 457

Theodore Roussel (Fr.1847-1926)-Cheyne Walk, Chelsea, etching, signed to the plate and margin, 34 x 22cm, and housed in an original penwork decorated frame, and one other-Battersea, London, signed to the plate and in pencil to the margin, 6.5 x 9cm, also housed in original penwork decorated frame (2) Roussel moved to England around 1874 where he become a part of Whistler’s circle and was greatly influenced by him.

Los 467

Donald Mattinson (Brit. C20th)-Airborne, study of the 1946 derby Winner, coloured etching, 39 x 58cm. Note: Airborne was the first grey to win the Derby.

Los 417

Tavik Frantisek Simon, Signed Etching "Notre Dame Effect de Neige", signed in pencil, in gilt frame, 34cm x 34cm

Los 407

William Walcot La Bacchante et Jeune Farum etching, signed 22cm x 23cm

Los 474

Arthur Briscoe Bound For the Rio Grand etching, signed and numbered 59/75 24.5cm x 27cm

Los 565

Thomas Paterson Jamaica Street Bridge, Glasgow etching 21cm x 25.5cm

Los 849

* A small watercolour "windy day" and a coloured etching of Cockenhatch

Los 829

A coloured print, Royal Horse Artillery at military tournament by George Scott, a 19th Century colour engraving "Waterloo", and an etching of soldiers on horseback

Los 642

Freda Marston: A black and white etching "In the Cotswolds Near Broadway" and "Dedham Vale, Cotswold Country". 23 cms. by 17 cms. Each titled lower left and signed lower right. (The former water marked)

Los 2544

CJ Bauer (German), etching, Portrait of Greta Garbo, incribed in pencil

Los 425

Cornelius Schut (17th Century), Pyramus & Thisbe, etching, inscribed "Cornelius Schut inventor cum privilegio", 7" x 9", a further etching "St Martin" by the same artist, together with three etchings by Guilel Panneels and Roelant Roghman, all mounted, unframed (5)

Los 64

WILHELM KUHNERT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, A Bison, 11” x 15”

Los 66

LOUIS ORR, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Interior Trophime Cathedral, Arles, France, 13” x 9”

Los 71

DAVID SMY, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (12/55), A Mountain Pool, 11” x 16”; and one other (2)

Los 91

ADELINE S ILLINGWORTH ARE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “North Ambulatory, Westminster Abbey”, 15 ½” x 11 ½”; plus one other (2)

Los 93

WILLIAM RENISON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Scottish Street Scene with Figures, 18” x 12”; and ALFRED HARTLEY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE AQUATINT, Silver Birches by a Bridge over a River with Figures, 12” x 9” (A/F) (2)

Los 98

JAMES ROBERT GRANVILLE EXLEY, RE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Hovdan Fowls” (also with presentation inscription to Douglas Ion Smart – see lots 166-174 in this sale)

Los 107

INDISTINCTLY SIGNED TO MARGIN, BLACK AND WHITE ETCHING, Portrait, 6” x 6”

Los 108

WILLIAM STRANG, SIGNED AND DATED ’84 TO IMAGE, BLACK AND WHITE ETCHING, Mother Feeding Baby and further Figure in a Cottage Interior, 9” x 7”

Los 109

E M WILLIS, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (1/100), Cottages by River, 8” x 9”; EDWARD J CHERRY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “The Landgate, Rye”, 5”x 3”; and two others (4)

Los 113

INDISTINCTLY SIGNED TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (20/75), Harbour Scene with Tug and Sailing Ship, 10” x 13”

Los 114

EARLY 20TH CENTURY EAST ANGLIAN SCHOOL, BLACK AND WHITE ETCHING, A View on the Norfolk Broads, 3 ½” x 5 ½”; and two further framed Etchings (3)

Los 123

RICHARD D WINTER, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, CIRCA 1905, “The Tranquil Thames”, 11” x 28”

Los 129

H P EVANS, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Tugs Passing under London Bridge, 7” x 12”

Los 130

ALPHONSE LEGROS, SIGNED TO IMAGE, BLACK AND WHITE ETCHING, A Tramp Hunched under a Heavy Coat on Windswept Road, 6” x 10”

Los 133

FRANK GILLETT, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (46/75), “Next Pair Out” (Master of the Hunt Seated outside an Inn, Holding Mug and Whip). 8” x 6”

Los 134

GEORGE VERNON STOKES, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED ETCHING (25/75), “Golden Pheasant”, 10” x 12”

Los 135

ELYSE ASHE LORD, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION DRY POINT ETCHING (5/75), A Chinese Acrobat on a Tightrope, 4 ½” x 4 ½”

Los 139

J A McNEILL WHISTLER, BLACK AND WHITE ETCHING, PUBLISHED 1878, “St James’s Street – June 1878”, 11” x 6” – Note – believed to be the only drawing by Whistler for the Publication “Vanity Fair”

Los 140

JAMES PRIDDEY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Packington Bridge”, 7” x 4 ½”

Los 159

AFTER MURILLO, (BEARING A FACSIMILE SIGNATURE), BLACK AND WHITE ETCHING, Portrait of a Saint, 4” x 3”

Los 165

SHEPPARD NEALE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, PUBLISHED 1913, “Norwich Market Place”, 9” x 6 ½”

Los 187

18TH CENTURY BLACK AND WHITE ENGRAVING, “Le Passage due Rhin”, 15” x 13”, and TATTON WINTER, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, Shepherd and Sheep in Landscape, 12” x 14”; together with three further framed coloured and black and white prints, various sizes (5)

Los 243

WILLIAM STRANG, SIGNED TO THE IMAGE AND DATED ’85, SEPIA ETCHING, “The Cotter’s Family”, 6 ½” x 8 ½”, mounted but unframed

Los 244

FRANK PATON, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, Two Puppies in a Barn Interior, inscribed with Christmas vignettes to the margins, 3 ½”x 4 ½”, mounted but unframed (A/F)

Los 305

LAURA SYLVIA GOSSE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Two Figures Conversing in a Kitchen, 9” x 6”

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