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Los 1

FRANK MOORE St. Ives harbour. Etching. Signed. 5 1/2 x 7ins. Together with an oil, Head of a fisherman, initialled E.D.P.

Los 1

Designs for Gold and Silversmiths drawn and etched by H. Welby Pugin published by Ackermann & Co London 1836: a collection of etched designs for domestic ware and Church Plate in two parts - bound in one volume (blue boards with applied etching).

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Roland Langmaid. Low Tide, Westminster. Etching, 7in x 12in. Signed in pencil by the artist. Mounted but unframed. Old labels preserved in an envelope attached to the verso.

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*Hoytema (Theodoor van, 1863-1917). Apes in the Zoo, 1900, lithograph on toned card, signed in pencil, image size approx. 420 x 510 mm (16.5 x 20 ins), some surface marks, together with Célos (Julien, 1884-1953), Dutch village scene in the evening, colour etching, signed in pencil, plate size approx. 450 x 585 mm (17.75 x 23 ins), some surface marks, plus Honoré (Paul, 1885-1956), Gentleman on horseback, distributing largesse, tinted woodcut, on japan, signed and inscribed 'To Hugh Walpole whose gifts are extended as greatly as this chap's', image size approx. 190 x 190 mm (7.5 x 7.5 ins) with margins, some marks, and two early 20th c. etchings (a landscape by Gertrude Martin Hodges, and a group of urchins with London in the distance, by Doris A. Davis, dated 1918), and a wood engraving of flowers and butterflies, entitled 'The Net', by B. Moray Williams, signed, titled and dated '34 (6)

Los 1

Sir Frank Brangwyn (1864-1956) etching Church of St Nicholas Paris signed in pencil full plate 20 x 24.5 ins.

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Sir David Young Cameron (1865-1945) etching Egyptian mirror handle signed in pencil 12 x 6 ins.

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GREEN (Reginald), etching, 'Rye from the Rother', pencil signed, 17 x 18cms.

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PATTISON (Edgar) etching, 'Dinant', captioned and signed in pencil, 13 x 20cms.

Los 1

GASKELL (Percival), 'Richmond Castle, Yorks', signed etching, 16 x 25cms; another mixed method print by Gaskell, signed, and a signed print by C. H. Rackett (3).

Los 1

[GOLDEN COCKEREL PRESS] [Prospectus for] The Song of Songs .... 1936, 4 pp. printed, plus proof etching (2 copies) 4 ff. pencil layouts signed 'C. S.',; & other G. C. Press items (small Q).

Los 1

WINSTON MEGORAM. Coloured etching, " Ploughed Pastures" , signed and titled in pencil, 9.5" x 13.5" , artists proof stamp, framed; another " Evening Shadows" , signed and titled in pencil, 9.75" x 13.75" , artists proof stamp, framed.(2)

Los 1

R.SELLICK. Etching of a standing goat, signed and titled in pencil to mount, 7.25" x 5.25" , framed.

Los 1

NORMAN WILKINSON (1878-1971) SPRING FISHING ON THE DEE Etching, signed 22.5cm x 30cm and another by the same hand (2)

Los 1

SAMUEL DUNKINFELD SWARBRECK (FL.1839-1863) THE ROYAL INSTITUTE, CASTLE AND EDINBURGH Etching 30cm x 42cm and seven others, Views of Edinburgh by the same hand, and of similar size (8)

Los 1

WILLIAM LIONEL WYLLIE (1851-1931) THE RIVER TYNE AND COAST Drypoint etching, signed 16cm x 37.5cm and five others, a complete edition, 89/160 with original folio (6)

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WILLIAM LEE HANKEY (1869-1952) THE TRIO Etching, signed and stamped 17.8cm x 17.5cm

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HENRY J. SIMPSON (1893-1963) ST MACHER'S TOWER AND ABERDEEN BAY FROM HILTON Etching, signed 9cm x 22cm and two others (3)

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STANLEY WILLIAM HAYTER (1901-1988) INVOCATION Softground etching with engraving, signed and numbered 88/100 18.8cm x 11.2cm

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IAN FLEMING (1906-1990) IN THE GARDEN OF GETHSEMANE Drypoint etching, signed and inscribed 34cm x 44cm

Los 1

ETCHING BY JOHN SLOAN. Winter scene of Boys Sledding. Titled, marked 100 Proofs and signed in pencil below the plate John Sloan (Hanover, New Hampshire, 1871-1951, N.A.) Also signed and dated on the plate John Sloan, NY-1920. Modern mat and frame. 15h. 19 3/4w. Not examined out of frame.

Los 1

Claude Robotham, artists proof etching, Clifton Suspension Bridge, and another similar (2)

Los 1

'The Blue Umbrella' hand coloured etching 1/50 signed 18cm x 13cm

Los 1

Joseph Kirkpatrick - Landscape with Horses ploughing near a Figure, early 20th Century sepia etching, signed.

Los 1

Stanley Anderson - 'Merrily, Merrily, We Welcome the Year' (Study of a Ewe and Two Lambs beside an Openwork Wood Cage containing Straw), early 20th Century sepia etching, signed and editioned No. 40 in pencil, approx 14cm x 14.5cm.

Los 1

Follower of Teniers - Interior with a Merchant Counting Coins, 19th Century oil on wood panel, approx 9cm x 8.5cm, within a gilt frame, together with an etching after Adriaen van Ostade, Portrait of an Elderly Woman, within a maple frame.

Los 1

After Js Gillray - 'The Union Club', early 19th Century coloured etching, published 1801 by H. Humphrey, together with another colour print.

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Cyril E. Power - 'Lambeth Bridge No 17/186', softground etching, signed and titled in pencil.

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Elaine Marinoff - Marine Fish swimming amidst Seaweed, screenprint printed in colours, signed, titled and editioned 18/24 in pencil, together with an etching.

Los 1

Percy Thomas - Figures at a Blacksmiths, monochrome etching, signed in pencil, within an oak frame.

Los 1

Geoffrey Sparrow - 'Old Wiggy, the Smith', monochrome etching, signed, titled and dated '51 in pencil, approx 27cm x 21.5cm.

Los 1

Roger Harris - 'Blackbird', monochrome etching, signed, titled, editioned 5/25 and dated 1977, together with a drawing and two monochrome prints and four other prints.

Los 1

Harold Wylie, A tall ship off the coast, etching, pencil signed to the margin, 16.5 x 30.5 cm.

Los 1

Koehler, S.R. Etching. An Outline of its Technical Processes and its History, first edition, Cassell, London 1885. Brown cloth gilt, thirty plate illustrations, quarto.

Los 1

E.L.Lami (19th/20th Century), A woodland track, Watercolour, Signed, 12cm x 17.5cm Together with a study of a nude by Joe Reed and a frames etching after Corot, (3). Best Bid

Los 1

Continental coloured etching, of an arched bridge, with cathedral with twin spires beyond, indistinctly pencil signed.

Los 1

A Geo V 1912 pattern cavalry officer sword, straight fullered blade 35", by Wilkinson, No 53639 (1916), etched with crowned R Arms, crowned GVR cypher within foliate panels, regulation nickel plated, solid, scrolled pattern bowl guard, ornamental stepped pommel, wirebound fishskin pistol grip, in its leather FS scabbard with leather knot. GC the hilt generally good. (blade reseated and worn, much of the etching faint)

Los 1

A Vic 1827 rifle officer's type sword of the Bengal Police, almost straight, fullered blade by Harman & Co Calcutta (very faint), etched with crowned VRI cypher and crowned BP within scrolled panels, regulation steel hilt incorporating crowned BP, wirebound fishskin grip, in its steel scabbard. QGC (blade worn, etching faint, grip AF, hilt and scabbard lightly pitted, throat missing)

Los 1

George Horton, etching, titled in pencil Whittle Mill Prudhoe on Tyne, signed in pencil in margin, mounted and framed. (6.75in x 9in)

Los 1

Marcel Jacque, dry point etching depicting interior with lady sewing beside child, signed in pencil in margin, pencil label to verso, framed. (7in x 9.5in)

Los 1

Sigmund Winge, dry point etching, landscape titled Tirée Par L’artiole, signed in pencil in margin and numbered, mounted and framed. (11.75in x 20in)

Los 1

Thomas Miles Richardson, a coloured etching published by Longhurst, and engraved by Whishaw, a numbered edition (51), signed in pencil in margin, mounted and gilt framed. (15.75in x 10in)

Los 1

A coloured lithographic etching of Newcastle after Richardson, depicting St Nicholas’s, the Side, and Dean Street, the engraving by Whishaw, signed in margin and numbered (106), published by J J Longhurst, mounted and framed. (10.75in x 13.75in)

Los 1

M Rudge, sepia etching, Queen’s College Bridge Cambridge, titled in margin and signed in pencil, mounted and framed. (5.75in x 4.25in)

Los 1

A lithographic coloured etching of St Nicholas Cathedral Newcastle, published by Longhurst and engraved by Whishaw, the limited edition signed in margin and numbered (56), mounted and framed. (10in x 13.75in)

Los 1

Tom Carr, a signed coloured etching, titled “Goodnight”, numbered 38/75, signed in margin in pencil, mounted and framed (12in x 10.5in); and another similar titled “Full Cry”. (2)

Los 1

George Horton, etching, titled in pencil On the Northumberland Coast, signed in pencil in margin, mounted and framed. (7in x 5in)

Los 1

Malcolm McLennon, oil on board, still life with jug and roses; a signed and numbered limited edition Irish etching; and a framed sepia etching by Preston Cribb, titled ‘The Bull Inn, Rochester’. (3)

Los 1

A coloured etching of Newcastle Keep and Blackgate, engraved by Whishaw and published by Longhurst, signed and numbered in margin (59), mounted and gilt framed. (13.75in x 10.75in)

Los 1

Alice Bamwell, a coloured etching of St Mary’s Church Warwick with street scene, with embossed print sellers mark and signed and titled to pencil in margin; and another by the same hand of a Warwickshire lane; and another Cheshire coloured etching by James Pridday with print sellers embossed stamp, signed and titled in margin. (3)

Los 1

AFTER JOHN BARCLAY SELF PORTRAIT OF THE ARTIST proof etching signed in pencil plate size 22cm x 27.4cm and another possibly by the same hand 'The Swilcan (sic) St. Andrews' plate size 20.1cm x 25cm (2)

Los 1

HENRY WILKINSON. Terriers Hunting, coloured etching, signed and numbered 4/250 in pencil, unframed, 11 x 12 1/2 in

Los 1

Manner of Thomas Sutherland early 19th century- 'Eleanor, Property of Sir Charles Bunbury Bart', etching with aquatint, 39x50cm: Dadley 18th century- Chinese cobbler, hand-coloured lithograph, after publ-Qua, set of three,various trades, Publ: May 1799 by W Miller, Old Bond Street, London. (4)

Los 1

Soichi Hasegawa, b.1929- 'Palais Orient'; etching with aquatint printed in colours, signed, titled and numbered 21/110 in pencil,. 65x54cm: together with one other etching in colours by the same hand titled 'L'Ile au Soleil', signed, titled and numbered 81/110 in pencil, 65x54.5cm., (2)

Los 1

British School 18th century- 'A Poor Man Loaded with Mischief, or Matrimony'; hand-coloured engraving, 33x24cm: W S Fores 21 Piccadilly publ. Feb 9th 1827- 'D_d Angelic pon honour-fascinating Creature monstrous hansome!! D_m me if she isn't a Divinity!!; hand-coloured etching: D Hodgson, 111 Fleet St, publ.- 'Master says I aint to let you go out till you pays for the four basins of Soup & three Plates of Weals& Taters!...'; hand-coloured lithograph, (3)

Los 1

Charles William Cain 1893-1962- 'Baghdad 1919'; etching, signed and numbered 27 90 in pencil, signed with monogram within the plate, 27x34cm: British School early 20th century- Riverside buildings; etching signed in pencil, dated Oct 1909 within the plate, 15.5x25cm., (2)

Los 1

A mahogany pole-screen with tripod base, the rectangular screen with humerous etching pub. by G.Humphrey. a/f

Los 1

After Ernest George; etching "Dordrecht", 19 x 24cm, framed and glazed

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  • 78472 Los(e)
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