78472 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
78472 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
78472 Los(e)/Seite
Robert Charles Goff, British 1837-1922- View of Florence; etching, signed 'R. Goff' in pencil (lower right), faintly signed and dated 'R. Goff 1912' within the sheet, 20 x 30.5 cm.Condition Report: Framed and glazed, unexamined out of frame. Some marks and scuffs to the frame in areas. Light cockling to the sheet within the frame. Possible discolouration/browning to the sheet, and spots of foxing in areas. Otherwise in fair condition overall.
A GROUP OF SIX MODERN PRINTS. (d) Comprising `Portrait de Signac`, aquatint by Victor Joseph Roux Champion, 18.5 x 12.5cm.; `Moulin Debray a Montmartre`, etching by Eugene Delatre, 18.5 x 13.5cm.; `The Opera: The Harpist`, etching by Paul Renouard, 40.5 x 28.5cm., this unframed; `L'oiseau aet son Nid`, colour lithograph after Georges Braque, probably from `Derriere Le Miroir`, 33 x 49.5cm.; frame of five small wood engravings by Eric Ravilious, 3.5 x 4.5cm approx.; and a colour linocut, woman with an umbrella, in the style of William Nicholson, 17.5 x 20.5cm. (6). *CR Delatre, Renouard and Braque with foxing; Braque with central vertical fold as issued; the `Nicholson` fair only.
Axel Herman Haig - Statue of St John the Baptist (Baptismal Font in the Baptistry of St Mark's Basilica, Venice), etching on laid paper, signed in pencil, published by Robert Dunthorne 1899, 41cm x 27cm, within a stained wood frame, together with an etching by Alexander Joseph Finberg, 'Place d'Armes, Calais', and one further etching by Frederick Farrell, 'Westminster Abbey, London'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Antonio Francesco Gori - 'Livio Mehus Pittore', 18th century etching with engraving and hand-colouring, 27cm x 17.5cm, together with twelve similar portrait engravings depicting Old Master artists, all within matching ebonized and gilt frames. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Geoffrey Sneyd Garnier - 'The Seaweed Gatherer', 20th century etching with aquatint, signed and titled in pencil, sheet size 24.5cm x 28cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
John Bluck, after Henry Salt - 'The Town of Abha in Abyssinia', etching with aquatint and hand-colouring, published by William Miller circa 1809, 46cm x 60cm, within a gilt frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Stanley Anderson - 'Ightham Mote, Kent (East Front)', etching on laid paper, signed in pencil and with Fine Art Trade Guild blindstamp recto, label verso, published 1919, 36.5cm x 26.5cm, within a painted wood frame. References: Stanley Anderson online catalogue Raisonné no. 101; Martin Hardie, 'Print Collector's Quarterly' (vol. 20, 1933) cat no. 56.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Luigi Rossini - 'Veduta dell'Arco di Gallieno', 18th century etching with engraving on laid paper, published 1821, 39.5cm x 46cm, within a stained wood frame, together with another similar etching by the same hand, 'Interno del Pronao del Tempio di Vesta in Roma'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Eve Domy - 'Topologie IV', 20th century mixed media etching with embossing in colours, signed, titled and editioned 19/30 in pencil, sheet size 37.5cm x 28cm, within a silvered frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Rowland Langmaid - 'London, Westminster from the River', early 20th century etching, signed and inscribed in pencil recto, titled label verso, 16.5cm x 23cm, within an ebonized frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Ursula MacDonald - 'Howtown, Ullswater', watercolour, signed recto, titled artist's label verso, 16.5cm x 23.5cm, within a stained wood and gilt frame, together with an etching by Joseph Pennell and another etching by a different hand.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Sonia Rollo - 'Within a Hare's Breath', 21st century etching in colours, signed, titled, and editioned 12/160 in pencil, 32.5cm x 50cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Andrea Zucchi, after Silvestro Manaigo - 'Cibele coronata di Torri, opera dipinta a fresco sopra Palazzo Donato…' 18th century etching on laid paper, 45cm x 33cm, within an ebonized frame. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Frank Brangwyn - A Procession, Genoa, etching, signed in pencil, published circa 1924, 25cm x 26.5cm, within an ebonized frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
British School - 'Mr Emblin's Academy', 19th century etching with aquatint, 30cm x 44cm, within a gilt frame, together with four other prints and an architectural drawing. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Aimée Birnbaum - 'Nocturnal Dance', 20th century soft-ground etching, signed, titled and editioned 8/95 in pencil, 25.5cm x 42.5cm, within a silvered frame, together with another etching by the same hand, 'Spring Procession', and one further etching by a different hand, 'Spring'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
John Bowles (publisher) - 'Charlotte, Queen of Great Britain &c, &c', late 18th century mezzotint, 36.5cm x 26cm, within an ebonized and gilt frame, together with an etching by Richard Dighton, 'The Father of the Corporation of Oxford Omnibus Carus'. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Abraham Blooteling, after Peter Paul Rubens - Profile Portrait of Peter Paul Rubens' Son, 17th century etching with engraving on laid paper, 26.5cm x 19.5cm, within a Hogarth style frame, together with another similar etching by the same hand, 'Earl of Burford'. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
John Rogers, after A.M. Huffam - King George IV wearing Scottish Dress, oval miniature 19th century engraving with later hand-colouring, 12.5cm x 9.5cm, within an ebonized frame with gilt mounts, together with a 19th century stipple engraving by Thomas Fryer Ranson, after Charles James Scott, ''His Most Gracious Majesty, George the Fourth', within an ebonized and gilt frame, and a 19th century etching with aquatint by Joseph Stadler, after Rosenberg, 'His Most Excellent Majesty, George the Third', within an ebonized and gilt frame. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Rembrandt van Rijn - The Golf or Kolf Player (Het Klosbaantje), etching on laid paper, circa 1654, second state, 9.5cm x 14.5cm. References: Biörklund's second state (of 2); Usticke's second state (i) (of 3), with the rust spots to the left and above the player; White and Boon's second state (of 2).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
William Daniell - The South-east View of Windsor Castle from the Deer Park, 19th century lithograph with hand-colouring, 28cm x 49.5cm, within a gilt frame, together with another similar lithograph by the same hand, Scene on the Virginia Water, and Laurent Guyot, after Louis Bélanger, 'A View of the Adelphi & Somerset House', an etching with aquatint and hand-colouring, published circa 1791, within a gilt frame, and a late 18th/early 19th century engraving with hand-colouring, within a Hogarth style frame. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Thomas Rowlandson - 'The Sculptor' (Preparations for the Academy, Old Joseph Nollekens and his Venus), etching with hand-colouring circa 1800, 29.5cm x 23.5cm, within a Hogarth style frame. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Full title: A varied collection of three maps relating to Brabant, Sluis and the County of Artois, 17th C.Description: Work: 52,3 x 42 cm Paper:ca.: 56 x 47 cm Frame: 72,5 x 65,2 cm Michael Floris Van Langren (1598-1675): 'Tertia Pars Brabantiae qua continetur Marchionat. S.R.I. horum urbs primaria Antverpia', hand-coloured copper engraving, published by J. Blaue in 'Novus Atlas, Das ist Abbildung und Beschreibung von allen Ländern des Erdreichs...', Amsterdam, 1642. Another version is part of the collection of the Bibliothèque nationale de France, object no.GE DD-2987 (4306) (link). Work: 50 x 38 cm Paper:ca.: 55 x 45 cm Frame: 57,3 x 47 cm W. & J. Blaue (16th-17th C.), 'Artesia Comitatus - Artois', copper engraving, ca. 1650. The former province of Artois in the northwestern part of France was located between Flanders (north) and Picardy (south). Joannes Janssonius excud. Work: 28,2 x 20 cm Paper:ca.: 31,5 x 24 cm Frame: 43 x 36,2 cm Workshop of Franz Hogenbergh (Frans Hogenberg, 1540-1592), 'Eigentliche Abbildung, der starcke Statt Sluys, mit allen ihren Forten, Schanßen, und durchgegraben Teychen, und Polders, wie sie ietzlauffend 1621. anzusehen sein, sampt des Konings Leger darumben',hand-coloured etching, 1621. Another, uncoloured print, is part of the collection of the Rijksmuseum, object no.RP-P-oB-78.785-381 (link).
Full title: Four various graphic works, 20th C.Description: Paper: 52 x 46,5 cm Work: ca. 30 x 20,5 cm Gustave Moreau (1826-1898): 'L'apparition', chalcography Paper: 44 x 33,4 cm Work: 24 x 17 cm Fernand Khnopff (1858-1921): 'Sir Halewyn', chalcography Work: 19,5 x 15 cm Paper: 33 x 25,1 cm Marc Maet (1955-2000): Untitled, etching, ed. 58/75 B, dated (19)88 Work: 14,6 x 9,5 cm Paper: 38 x 27 cm Gaston Bertrand (1910-1994): Untitled, etching, ed. 173/200
Full title: Jules De Bruycker (1870-1945): 'Cathedrale d'Audenaerde' (oudenaarde Cathedral), etching, ed. E.A., (1920)Description: Work: 39,4 x 42 cm Paper: 61,2 x 48 cm The etching is an 'epreuve d'artiste'. Ref.: - J.D.B. 117(B) (the etching also known as 'Autour de la cathedrale d'Audenaerde',link) - Le Roy, 82.
Full title: Roland Devolder (1938): Beach cabin, mixed media on paper; added an etching (ed. 43/50) and the accompanying etching plate, dated (19)72 and (19)73Description: Work: ca. 35,5 x 27 cm Paper: ca. 53 x 36,5 cm Frame: 54,5 x 38,2 cm The etching plate: ca. 36 x 27 cm Frame:54,5 x 38,2 cm Work: ca. 34,5 x 24,7 cm Frame: 61,7 x 53,5 cm The etching plate with the following note by the artist: 'Van deze plaat zijn 50 afdrukken gedrukt genummerd van 1 tot 50 en 10 epreuves d'artistes'.
J William Hepburn (British, early 20th Century) – A pair of miniature etchings, to include; ‘Cramond Brig’ black and white etching signed in pencil ‘J William Hepburn’ 10cm x 8cm and ‘Chipping Norton’ black and white etching signed in pencil ‘J.W.H.’ 7cm x 10cm. Both framed. (2)
Miscellaneous pictures and prints, including Bob D*** - Crepe bandages and lavender oil, indistinctly signed in pencil, titled, pen-and-ink caricature, 10 x 9cm, other 'cartoons' by the same hand, Mabel Oliver Parker - Looe, Cornwall, signed and titled in pencil by the artist, etching, various other 20th c mixed method etchings, Arthur Rackham book illustrations, etc., (approx. 16) Mixed condition. Unexamined out of frames.
Anthony Gross (1905 - 1984) - La Soupe, signed, titled and dated 1925 in pencil by the artist, etching, 24.5 x 33.5cm, Valerie Thornton (1931 - 1991) - Farm Buildings at Vauracon, the margin signed, titled, dated '86 and numbered 2/70 in pencil by the artist, etching with aquatint, 27 x 38cm, Goldmark Gallery label to verso, and two other signed etchings, by J. Reginald Taylor and Graham Dudley Page, (4) Unexamined out of frames. The first two etchings good, the other two browned and foxed.
A Royal Worcester plate by Harry Davis, 1885-1970, circa 1950, with a view of Stratford on Avon, his own etching painted over by Harry Davis and with the rare signature 'H Sivad' (pseudonym of Harry Davis), 27.5cm/Note: Harry Davis told Henry Sandon that he had painted himself as the artist sketching on the right of the plate/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Overall in good order. Minute glaze fault to gilt rim, very minor scratching to enamels at the well.
NINE FRAMED WORKS: R. Davies - Coastal Scene, drypoint etching, signed in pencil lower right; G. Malloue - Street Scene, signed in pencil lower right; R. N. Banning - watercolour on paper, signed below; Stilt Houses by the River - watercolour on paper, unsigned; Viktor Stretti - two lithographs, signed in pencil lower right, 30 x 38 cm; After Marjorie C. Bates - 'Stratford-on-Avon' and 'Winchester', three prints with pencil inscriptions below (9)
Domenico Maria Bonavera (c.1630-1731) After Guercino - Bust of a Man Wearing a Hat and Chain, etching in brown ink, inscribed below 'Ioan. F. Barbieri f', production date 1675-1731, later printed and published by Boydell in 1764), plate mark 24 x 19 cm, framed and glazed.Another of these etchings belongs to The British Museum Collection.
SEVEN WORKS: E. J. Wilson - oil on board, 22 x 29 cm; Christopher Penny - 'Reed Landscape', limited edition etching in colour, titled, signed and numbered '84/150 in pencil below; Roy Virgoe - 'Tewkesbury by the Mill, acrylic on board, signed, 30 x 40; together with George Holland (local artist) - two pen sketches of Lincoln; Floral still life, acrylic on paper, gilt framed; and a mountainous landscape with trees, watercolour on paper (7)
Seven Works: Helena Gleichen (1873-1947) - 'Lady Barbara Smith and the Croome Hunt' signed print; After Elizabeth Thompson - 'Scotland Forever!', framed print; May Hernes? - Windmill, etching, signed and dated '15' below; Cavalle (20th Century) - two prints: 'Hommage' and 'Retour Faisille'?, both signed, one with personal note from artist in pencil below, 44.5 x 34 cm; After Marjorie C. Bales - two offset prints of Bristol and Salisbury, pencil inscriptions below (7)

-
78472 Los(e)/Seite