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Los 1

William Monk RE (1863-1937), The Rialto Bridge, Venice, etching and aquatint, signed in pencil, 28 x 38 cm (11 x 15 in), together with another etching by the same hand

Los 1

Felix Buhot (French, 1847-1898), 'Une Matinee d'Hiver au Quai de l'Hotel Dieu', etching, proof before letters, signed and inscribed in pencil, 24 x 32 cm (9 1/2 x 12 1/2 in)

Los 1

Sir Francis Seymour Haden (1818-1910), 'Shere Mill Pond II', etching, 18 x 33 cm (7 x 9 in), together with another etching

Los 1

Giovanni Battista Piranesi (1720-1778), The title page from 'Vedute di Roma disegnati e incise da Giambattista Piranesi Architetto Veneziano ...', etching, 41 x 55 cm (16 x 21 1/2)

Los 1

Giovanni Battista Piranesi (1720-1778), 'Veduta del Mausoleo d'Elio Adriano ...', etching, 44 x 56 cm (17 x 22 in)

Los 1

Giovanni Battista Piranesi (1720-1778), 'Veduta della Piazza di Monte Cavallo', etching, 47 x 70 cm (18 1/2 x 27 1/2 in)

Los 1

Francesco Piranesi (1758-1810), 'Veduta della porta e peristilio del Tempio di Vesta ...', etching, 68 x 48 cm (26 1/2 x 19 in)

Los 3

Collection of four pictures of windmills - 'Rye Mill' - lithograph, 14 x 9.5 cm; 20th century woodblock print by Herke W. Hubbard, 15 x 14 cm; reproduction of an original pen and ink by Gwyn of Post Windmill at Sprowston Norfolk, 32 x 33.5 cm; and etching of windmill, 20.5 x 29.5 cm (4)

Los 6

Etching - 'Bootham Bar' - pencil signed and titled to margin, 16.5 x 16 cm to/w pair of coloured prints 'Alarming Prospect The Single Ladies off to the Diggings', and 'The Quiet Street - A Sketch from a study window', both 18.5 x 24 cm (3)

Los 13

Gerald Maurice Burn (1862-1945) - 'Etching 'Return of the Iris and Daffodil' from Zeebrugge, pencil signed to the margin and titled, 27.5 x 36 cm Note: The Royal Iris and Royal Daffodil were instrumental in the success of the British raid on Zeebrugge 23rd April 1918

Los 24

Folio of 3 unframed pictures - gouache of The Grand Canal, Venice; Eastern town scene, watercolour signed Giovanni Barraro, and one etching signed E. van Muyden

Los 80

Hedley Fitton - Etching 'City Cross, Winchester', pencil signed and titled to the margin, 53.5 x 35 cm

Los 1

SIDNEY ROBERT JONES (1881-1966). Etching "Middle Temple Hall and Fountain Court", signed in pencil to mount, 32cm x 28cm, framed.

Los 1

Robinson (C.E.). A Royal Warren or Picturesque Rambles in the Isle of Purbeck, Typographic Etching Co., 1882, five etched and five "photograved" plts. by Alfred Dawson, full-page map, other illusts., slight foxing, orig. buckram, gilt, together with Eyton (R.W.), A Key to Domesday... an Analysis and Digest of the Dorset Survey, 1888, orig. cloth, a little rubbed, and St George (Henry, and Lennard, Sampson), The Visitation of the County of Dorset, Taken in the Year 1623. Edited by John Paul Rylands, Harleian Soc., 1885, nine plts. of seals and signatures, orig. cloth, spine worn, and Foster (J.J.), Wessex Worthies (Dorset). With an Introductory Note by Thomas Hardy, 1920, 216/325 copies, thirty-one plts., light foxing, orig. cloth-backed boards, a trifle rubbed, and Nightingale (J.E.), The Church Plate of the County of Dorset, Salisbury, 1889, sixteen plts. and text illusts., name on title-page, orig. cloth, a trifle rubbed, and three others, 4to and royal 8vo (8)

Los 1

M Johnson 19/20th Century- 'Ben Ridding, Ullswater'; oil on board, signed, 17x27cm: Lionel Bethell 19th Century- London Street Scene; etching, signed and dated 1891 within the plate: together with a collection of 18/19th and 20th century watercolour, oil and engravings by and after various hands, (a lot)

Los 1

After G D Giles- 'The Blue Riband', publ June 1st 1892 by Raymond Groom & Co; photogravure, 52.5x58cm: British School circa 1900- 'Gone to Grief'; etching, 22x35cm., (2)

Los 1

After Gunter Huniat b.1939- 'Blick uach Juney'; screenprint in colours, signed, titled and numbered 103/200 in pencil, bears blind stamp, 35.5x35cm: Lesbia Thorpe b.1919- 'The Sea Bed'; linocut printed in colours, signed, titled and numbered 3/9 in pencil and with stamped initials: L Binder late 20th Century- Abstract form; etching, signed, dated 89 and titled, numbered 103/200: together with six other late 20th Century screen prints, etchings and lithographs by various hands, (9) (unframed)

Los 1

Claude Francis Barry RBA 1883-1970- ''St Marks, Venice''; etching, signed and titled in pencil, 73x64cm: After Helen Bradley 1900-1979- 'Hot Pies, Now Ready', published by the Adam Collection 1975; reproduction printed in colours, with blind stamp for the Fine Art Trade Guild, signed in pencil: A Fawcett late 20th Century- 'Haze Liegh Post Box'; aquatint, artist's proof, signed, titled and dated 87 in pencil, (3) (part unframed)

Los 1

James Alphege Brewer act.1909-1938- 'Amiens Cathedral' published Sept 2nd 1918, Alfred Bell & Co., Old Bond St London; etching with aquatint, signed and titled in pencil, bears blind stamp, 65x46cm: together with one other etching with aquatint by the same hand titled 'The North Transept Rheims Cathedral', published Jan 1st 1918, Alfred Bell & Co., signed and titled in pencil, bears blind stamp, (2)

Los 1

Sir David Wilkie RA 1785-1841- 'The Sedan Chair', etching, 13x8.5cm: together with two further etching by the same hand, in a common mount: Note: bears label for The Scottish Fine Arts And Print Club, Loan Exhibition, Royal Scottish Academy Galleries, Edinburgh, 1937 verso: Victoria Goaman b.1951- 'Rosaceae'; watercolour, signed and titled in pencil: together with one other 19th century hand-coloured etching depicting part of the Forum, (NOTE:3 NOT4)

Los 1

Abraham Krol, French 1919-2005- 'Elsinore'; etching, initialed within the plate, 25x20cm: Note: This print is from the suite of etchings on the theme of Hamlet executed by the artist circa 1950

Los 1

European School mid 20th Century- Figures and head; lithograph printed in colours, signed in pencil, 60x42cm: together with one other etching with aquatint after the same hand, signed and dated 64, (2) (part unframed)

Los 1

Arnold Chapman, late 20th Century- 'Irish Dinner'; etching with aquatint, artists proof, signed, dated 77 and titled in pencil, 27x27cm: M Oliver Rae late 20th Century- 'Trinity Great Court, Cambridge'; etching, signed and titled in pencil: Helen Duley Late 20th Century- Mother and child; mixed media, initialed and dated 98: together with other 20th century etchings, drawings and reproductions by and after various hands, (a lot)

Los 1

Fabio Berardi 1728-1782- 'L'eta che Non Divora, Se Strgge I Sassi Ancora'; etching, after Antonio Canal Canaletto 1697-1768, 22x29.6cm., (unframed)

Los 1

Robert Baker (1909-1992). A group of assorted drawings and etchings, including a pen and ink sketch of farm labourers, a pen sketch of gleaners and an etching of the same subject, an etching of a head study after Durer, a pen and ink scene from Macbeth, and a drawing of figures, squared for transfer. All unframed (5). (see illustration on our website)

Los 1

Frank Henry Mason (1876-1965). The American Black X Packet off Blackwall. Dry Point Etching. Rigned in pencil lower left 17cm x 25cm . Note: This is one of an edition of 75 sanctioned by the Fine Art Trade Guild and was published in 1927 . (see illustration on our website)

Los 1

Feliks Topolski ‘This England'. Rcreenprint. R. 49cm x 75.5cm. Reginald Green ‘Friars Crag, Derwentwater';. Lake District view. Each etching. Each signed in pencil within the margin lower right. Each p. 16.5cm x 26.5cm. And two other prints (5). (see illustration on our website) . Best Bid

Los 1

A group of assorted pictures and prints. Including a large engraving entitled 'When the hours od day are numbered', a colour etching of Notre Dame, a head study, a set of framed photographs of Egyptian antiquities, and others. (qty). (see illustration on our website)

Los 1

E. Piper. Ten views of Harrow. Each etching. Each p. 19cm x 24cm (10). (see illustration on our website)

Los 1

English School (circa 1800). Wooded landscape. Pen, ink and bodycolour. Circular 11cm diameter. D. Nee after H. Gravelot ‘Zulime'. Engraving. P. 23cm x 16cm. C. Howard. Garden and lake at Versaille. Hand coloured etching. Rigned in pencil within the margin lower right. Inscribed No. 157 lower left. P. 48cm x 62.5cm. And three Redoute prints (6). (see illustration on our website) . Best Bid

Los 1

Rupert Shephard (1909-1992). Birds in trees. Limited edition linocut. Rigned in pencil within the margin lower right. Inscribed 'To Ginelle' and II 6/50 lower left. P. 48cm x 38cm. Reven botanical aquatints, each p. 45.5cm x 29.5cm, D. Docherty, 'Untitled after Grunerwald', etching and screenprint, p. 25.5cm x 28cm, unframed (9). (see illustration on our website)

Los 1

Roland Langmaid (1897-1956). Westminster. Etching. Rigned in pencil lower right, inscribed lower left. P. 15.5cm x 19.5cm. Together with. An etching of Rochester by Willie Rawson (2). (see illustration on our website)

Los 1

Eric Gill (1882-1942) ‘Gordian G'. Etching. Limited edition 373/480. R. 20cm x 14.5cm . Provenance: Sally Hunter Fine Art, 11 Halken Arcade, London. (see illustration on our website) . Best Bid

Los 1

CHARLES PHILIP SLOCOMBE (1832-95), AFTER JOHN PETTIE R.A. (1839-93), PORTRAIT OF CHARLES I, ETCHING ON SILK, signed by both engraver and artist and inscribed, final proof, framed. 57cm by 36cm

Los 1

DAVID HOCKNEY R.A. (b. 1937), THE PRINCESS WHEN OLD, ETCHING, from Illustrations for Six Fairy Tales for the Brothers Grimm, single image taken from the portfolio edition bound as a concertina folder and signed on the title page, framed with the artists signature in pencil with dedication, David Hockney for Heiner. 38cm by 29cm. Note: the dedication of the portfolio is highly likely to refer to Heiner Bastian, the credited translator of the text.

Los 1

MARTIN HARDIE (1875-1952), FORT NATIONAL, ST. MALO, ETCHING, dated 1927 in the plate and signed in ink in the margin, framed. 22cm by 31cm

Los 1

ENGLISH SCHOOL, ST. MARYS HOSPITAL, ETCHING, early 20th century, indistinctly signed in pencil, framed. 11cm by 15cm

Los 822

After Charles H. Clark A PUBLIC SCHOOL RUGBY FIELD signed in pencil and numbered 83/150, an etching, unframed, the image 17.5 by 30cm., 7 by 12in.

Los 112

SIR HENRY RUSHBURY St. Olave's, from Crutched Friars. Etching. Signed. 10 3/4 x 10 1/2ins.

Los 125

ALBANY E. HOWARTH Eastern street. Etching. Signed. 12 1/2 x 9 1/2ins.

Los 130

E. BOUVERIE HOYTON A Somerset farm landscape. Etching. Signed and inscribed. 5 1/4 x 6ins.

Los 180

GERALD LESLIE BROCKHURST Cypriano. Etching. Signed. 6 1/2 x 3 3/4ins.

Los 183

WILLIAM HEATH Coloured etching. "And if I have got a pension have I not a right to it?" A caricature of Wellington. 14 3/4 x 10 1/4ins.

Los 184

ANDREW WATSON TURNBULL Loch Katrina. Etching. Signed and inscribed. 12 x 9ins.

Los 223

NATHANIEL SPARKS The Tate Gallery. Etching. Signed. 7 x 14ins.

Los 281

BREON O'CASEY Bird nesting. Etching. Signed, dated 1999 and numbered 7 from an edition of 15. 17 1/2 x 23 1/4ins.

Los 323

ROLAND LANGMAID Shipping on The Thames. Etching. Signed. 11 1/2 x 9ins.

Los 347

JOHN WELLS Untitled. Etching. Signed, dated 1950 and numbered 10/25. 7 x 5ins. (See illustration)

Los 348

JOHN WELLS Untitled. Etching. Signed and dated 1950. Numbered 14 from an edition of 25. 5 3/4 x 4 3/4ins.

Los 359

ANTHONY GROSS Etching. Signed. Unframed. Together with one other unframed etching.

Los 363

Newlyn Harbour. A photograph by Robert H. Preston, Penzance. Together with a pencil drawing, St. Michael's Mount and a Convoy etching, signed R. W. A. Smith(?). Each unframed.

Los 380

JOSEPH PENNELL The Avenue, Valenciennes. Etching. Signed and inscribed. 9 1/4 x 12 1/2ins., unframed.

Los 1

Brangwyn, Frank By the docks, drypoint etching, signed in pencil, 55 x 72cm

Los 1

Etching & Engraving - Furst, H. The decorative art of Frank Brangwyn. London, 1924, 4to, colour plates, original cloth, a good copy; Belleroche, William De Brangwyn talks. London, 1944, 8vo, number 190 of 500 copies, illustrated, original cloth, some foxing, bookplate; Rinder, F. D.Y. Cameron, An illustrated catalogue of his etched work. Glasgow, 1912, 8vo, original cloth, offsetting; Hind, A. The etchings of D.Y. Cameron. London, 1924, 4to, frontispiece, original cloth gilt, foxed; Salaman, M. The etchings of Sir Francis Seymour Haden, P.R.E. London, 1933, 4to, illustrated, original cloth gilt, a good copy; and 18 others (23)

Los 1

McBey, James A deserted oasis. 1919, etching, signed, approx 36 x 21cm, number XXXVI of 50 [MH 187]; Ibid Approach to Tetuan. 1913, etching, signed, number XXXIII of 50, approx 30 x 20cm, laid down onto card, trimmed [MH137]; Ibid. Ras-el Ain. 1919, signed, approx 37.5 by 24cm, number XIV of 76, some foxing [MH 180] (3)

Los 1

Medworth, Frank C. Bullfighting, etching, numbered 2/40 and signed in pencil, 26 x 21cm; The dead man, etching, signed in pencil, 22 x 25cm; Rivers, E.I. The reel. Arran Island, wood-engraving, numbered 8/50, captioned and signed in pencil, 21 x 27cm; Carter, Frederick Figure outside the window, etching, numbered 13/25 and signed by the artist, 26 x 17.5cm; Buckland-Wright, John Venus and the sea gods, captioned, dated 1930, and signed by the artist, 25 x 16.5cm, all mounted (5)

Los 1

Strang, David Untitled etchings: Rustic gate, Gate and field, Farm barns; Harbour scene; Wooded landscape, all signed by the artist; and a quarry view, signed David Strang and marked 'Wm . Strang fec. D.S.', all 23 x 18.5cm, mounted; Matthews, D. Maaslins, etching, numbered 4/25 and signed by the artist; Brooks, J.L. The bird feeder, etching, inscribed to G.S. Sandilands, dated 1941 and signed by the artist, 11.5 x 10cm; and 26 other miscellaneous etchings and lithographs (34)

Los 1

Illustrated - Robinson, W. Heath The works of Mr. Francis Rabelais. London, 1904, 4to, 2 volumes, illustrated, original cream cloth gilt, slight fading to backstrips, some light foxing; Dulac, Edmund Stories from the Arabian nights. London, 1907, second edition, 8vo, 50 tipped in colour plates, original decorative cloth gilt, chipped at head and tail of backstrip, interior clean; Mulock, Dinah John Halifax, gentleman. London, 1912, 8vo, number 78 of 250 copies, signed by the publisher, original vellum cloth gilt, t.e.g., some foxing to edges [Inman 237]; Menpes, Mortimer Whistler as I knew him. London, 1904, 8vo, number 227 of 500 copies, signed by Menpes, original etching of Menpes children as frontispiece, original white cloth gilt, rubbed, discoloured, foxing and staining throughout [Inman 261]; Flaubert, Gustav Salammbo. London, [no date], 4to, illustrated by Haydn Mackey, colour frontispiece and title, original blue cloth gilt, a clean copy; Collin, R. Daphnis and Chole. London, 1896, number 29 of 100 Japan paper copies, original morocco gilt, rubbed, interior clean; Reynolds, Frank Mr Pickwick, pages from the Pickwick Papers. London, [no date], 8vo, colour plates, original decorative cloth gilt, sunned, upper board stained; and 3 other illustrated volumes (11)

Los 1

Lam, Wifredo Wifredo Lam. Paris: Denoël, 1970, folio, number 30 of 100 copies, with original signed etching as frontispiece, loose in original cloth cover, some staining to cloth, interior clean

Los 1

A Black and White Etching “View from the New Court”, plate size 6 ½” x 9 ¾”

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  • 78475 Los(e)
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