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Preisdatenbank abonnierenWilliam Walcot Church interior etching, with drypoint and aquatint, early 20th century, signed in pencil lower right, 475 x 545mm (18 3/4 x 21 1/2 in); with two architecural prints by Jean Reme and Decisy, 20th century, all unframed (3) Condition report: Surface dirt, handling creases and minor tears, slight browning.
Louis Whirter The Market Place etching, signed in pencil lower right, 20th century, 305 x 225mm (12 x 8 3/4 in); with another view in Brittany and Alsace, etchings, both signed lower right, each c.300 x 200mm (11 3/4 x 7 3/4 in) § Sir Muirhead Bone. Piccadilly Circus by night, etching, signed in pencil lower right, 20th century, 300 x 380mm (11 3/4 x 15 in); with an etched view of Wellington College by Wallace Hester, all unframed (4). Condition report: Bone`s Piccadilly Circus and the view of Wellington College are both laid down onto card support.
* William Heath, British 1794/95-1840- "Doing Homage", publ by T McLean 25 Haymarket; hand-coloured etching, 25x36cm: Thomas Rowlandson, British 1756-1827- "The Fall of Dagon_or rare news for Leadenhall Street", publ Jany 4 1784 by H Humphrey 227 Strand; hand-coloured etching, 22x30cm: William Heath, British 1794/95-1840- "Slugs in a Saw Pit hell to pay or the direful courage of Dolla Lolla", publ 1810 by S W Fores, Piccadilly, 24.3x37.2cm., (3) (unframed)
James Gillray, British 1756-1815- "Lilliputian-Substitutes, Equiping for Public Service", publ May 28th 1801 by H Humphrey No 27 St James`s Street; hand-coloured etching, 25.8x37cm., (recto), James Gillray, British 1756-1815- "Integrity retiring from Office!, publ Feb 24th 1801 by H Humphrey 27 St James`s St; hand-coloured etching, 25.536cm., (verso): James Gillray, British 1756-1815- "Preliminaries of Peace!_or_John Bull and his Little Friends `Marching to Paris`", publ Oct 6th 1801 by H Humphrey 27 St James`s Street; hand-coloured etching, 25x35.3cm., (recto), James Gillray, British 1756-1815- "Political Amusements for Young Gentlemen_or_The Old Brentford Shuttlecock between Old Sarum & the Temple of St Stevens", publ March 15th 1801; hand-coloured etching, 25.7x37cm., (verso): James Gillray, British 1756-1815- "The Reception in Holland", publ Sept 8th 1799 by H Humphrey St James`s Street; hand-coloured etching, 26x37cm., (recto), James Gillray, British 1756-1815- "Allied Powers Un-Booting Egalite", publ Sept 1st 1799 by H Humphrey No 27 St James`s Street; hand-coloured etching, 26x37cm., (verso): James Gillray, British 1756-1815- "Triumphal Procession of Little Paul the Taylor upon his new Goose", publ Nov 8th 1806 by H Humphrey St James`s Steet; hand-coloured etching, 25x35cm., (recto), James Gillray, British 1756-1815- "Monuments lately discovered on Salisbury Plain", publ June 15th 1782 by H Humphrey New Bond Street; hand-coloured etching, 25x35cm., (verso)., (4) (unframed)
James Gillray, British 1756-1815- "French Generals retiring on account of their health:_with Lepaux presiding in the Directorial Dispensary", publ June 20th 1799 by H Humphrey St James`s Street; hand-coloured etching, (recto), James Gillray, British 1756-1815- "Exit Liberte a la Francois!_or_Buonaparte closing the Farce a Egalite at St Cloud near Paris Nov 10th 1799", publ Nov 21st 1799 by H Humphrey 27 St James`s Street; hand-coloured etching, 25x35.5cm., (verso): James Gillray, British 1756-1815- "Patriot`s deciding a Point of Honour!_or_an exact Representation of the celebrated Rencontre which took place at Coombe Wood on May 2nd 1807 between Little Paul the Taylor & Sir Francis Goose", publ May 4th 1807 by H Humphrey 27 St James`s Street; hand-coloured etching, 26x36.5cm: James Gillray, British 1756-1815- "John Bull and the Sinking Fund_a Pretty Scheme for reducing the Taxes & Paying off the National Debt!...", publ Feby 29th 1807 by H Humphrey 27 St James`s Street; hand-coloured etching, 24.5x35.5cm: James Gillray, British 1756-1815- "La Belle Assemblee", publ May 12th 1787 by H Humphrey New Bond Street; hand-coloured etching, 25x35cm., (recto), James Gillray, British 1756-1815- "A Natural Crop_alias_A Norfolk Dumpling" and "Paille d`Avoine_Paille d`Avoine", after Sam Egerton-Leigh Esq., publ Nov 10th 1786 by H Humphrey new Bond Street, 19x14 and 21.5x16cm., (verso), (4) (unframed)
Jack Coburn Witherop, British 1906-1984- "Dawn III": etching, signed with initials within the plate, signed, titled and dated 40 in pencil, 13x11.2cm: Terry Haass, Czech/American b.1923- Untitled abstract form; etching with aquatint, signed and dated 1960 in pencil, 10x6.5cm: Gunnar Aagaard Andersen, Danish 1919-1982- Fisherman`s huts; etching, signed, dedicated and dated 39 in pencil, 13x17cm: Ernst Wolfhagen, German 1907-1992- Woman undressing; etching with aquatint, signed, dedicated, numbered 3/V and dated 1967/1979, 39.2x24.5cm: Peter Arnold, British b.1949- Market scene, lithograph, signed, dedicated and numbered 20/100, 22.6x30.5cm: Peter Arnold, British B.1949- Figure in a wooded landscape; lithograph, signed, dedicated, numbered 3/100 and dated 1981 in pencil, 38x56cm: Keiser, mid-late 20th century- Three figures; etching, signed, inscribed, dedicated and dated 1965 in pencil, 29x35cm: together with seven other artist`s prints by different hands, all mid-late 20th century, signed, many dedicated, various sizes, (a lot) (unframed) Provenance: J P Hodin
Georges Manzana-Pissarro, French 1871-1961- Mandarin Ducks, c.1930; hand-coloured woodcut on buff paper, inscribed `Epreuve d`Etat` and stamped with signature within the plate, 32x49cm. Provenance: with Browse & Darby, London according to label attached to the reverse of the frame: Leo Horst, early-mid 20th century- Views in Prague; etching with aquatint, both signed in pencil, one inscribed in pencil, one signed within the plate, 18x18 and 14.5x18cm., (3)
* William Hogarth, British 1697-1767- `France Plate 1st`, Published according to Act of Parliament, March 8th 1756; etching and engraving on paper, 31.4x38.5cm: William Hogarth, British 1697-1767- ``England Plate 2nd` Published according to Act of Parliament, March 8th 1756; etching and engraving on paper, 31.4x38.5cm: J. Bell, British 19th/20th Century, After William Hogarth, British 1697-1767- `Cruelty in Perfection/The Four Stages of Cruelty`; woodcut/linocut, signed within the plate, 53x41cm: J. Bell, British 19th/20th Century, After William Hogarth, British 1697-1767- `The Reward of Cruelty/The Four Stages of Cruelty`; woodcut/linocut, 45x37.5cm., (unframed) (4)
Albany E Howarth ARE, British 1872-1936- View of a ruined castle and stone bridge; etching, signed in pencil, bears Fine Art Trade Guild blind stamp, 40x55cm: together with five further etchings by the same hand, to include the following: "The West Doorway, Rochester"; etching, signed and titled in pencil, 32.3x19cm., "Roslyn Chapel, Edinburgh", publ by Alfred Bell & Co Ltd London W1 Nov 1st 1928, titled within the plate, signed in pencil, 39x20.2cm: "The Monastery of St Francis Assisi", signed and titled in pencil, 19x18.2cm: View of a Medieval Gateway, signed in pencil, 39.5x27.5cm and one other similar, signed and dated 1918 within the plate, signed in pencil, 37x30cm: Louis Conrad Rosenberg, 1890-1983- Church tower; etching, signed in pencil, 25x11.2cm: Frank Henry Mason RBA RI, British 1876-1965- Shipping in Valletta harbour, Malta; etching, signed with monogram within the plate, signed in pencil, 12x17cm., (8) (part mounted) (unframed)
* Attributed to Sir John Everett Millais RP PRA HRI HRSA, British 1829-1896- Portrait of a Girl standing three-quarter length; etching on paper, 23.5 x 17.5cm: Jan Lauwryn Krafft, Flemish 1694-1765- "Comes Arundelis APP Rubenis Memoriter Designaturn non coram"; etching/trimmed on paper, 25 x 17cm, (unframed), (2)
Nicholas de Launay, French 1739-1792- `La Bonne Mére` After Jean Honoré Fragonard 1732-1806, Published in Paris 1779; engraving and etching on paper, 58x45cm: Jean Mathieu, French 1749-1815- `Le Serment D`Amour` After Jean Honoré Fragonard 1732-1806, Published in Paris 1764-1815; etching and engraving on paper, 58x45cm: `Citus Laurifolius` `Hypericum Arborescens` `Alcea Vesicaria Æthiopica` `Rubus Non Spinosus Major Odoratus`; hand-coloured botanical engravings, re-strikes, in matching frames, 31x20.5cm (each) (4): Ferdiando Ruggieri, Italian 1831-? `Secondo ordine dell antecendente Palazzo posto al num: 71 segnato colla letteria A` together with three other architectural plates; engraving, with later hand-colouring, in matching frames, 41x29cm (each) (4): (10 in the lot)
James Barry RA, Irish 1741-1806- "King Lear", 1796; engraving with etching on wove, 52x55cm: Bartolomé Vazquez, Spanish 1749-1802- "Mausoleo erigido en Manila para honrar el mérito del Coronel D. Antonio de Pineda", after Fernando Brambila, originally publ 1796, this example from a later edition; engraving on wove, 32x45.5cm: Vincenzo Maria Coronelli, Italian 1650-1718- "Somerset House Westminster-Hall; copper engraving on laid, 42x26.5cm: Andrea Scacciati, Italian 1725-1771- Figures worshipping in the temple, after Federico Zuccari; etching with aquatint on laid, 34x49.7cm., (sheet): together with a small quantity of further prints, engravings and reproductions, mostly 18th & 19th century, (various sizes) (a lot) (unframed)
Orlando Greenwood, British 1892-1989- "Spires"; aquatint, signed, numbered 4/150 and titled in pencil, 38x43cm: Charles Bartlett, British b.1921- "Eventide"; etching and aquatint in colours, signed, titled and numbered 56/175, 23.7x32.6cm: Glynn Thomas, British b.1946- "Tuscan Window"; aquatint, signed, titled and numbered 6/150 in pencil, 13.7x12.7cm: together with three further aquatints by the same hand: Michael Fairclough, British b.1940- Cornfield with church in the distance; aquatint, signed, dated `75 and numbered 46/175 in pencil, 12.7x17.4cm: together with a small quantity of aquatints and others by various hands, (a lot) (unframed) (may be subject to Droit de Suite)
Michael Blaker, British b.1928- "Rainy Evening in Piccadilly"; etching, signed, titled and numbered X/X in pencil, 21.8x22.5cm: Wilfred Fairclough, British 1907-1996- Punting on the Venice Canal; etching, signed and dated 1989 in pencil, 17.5x23.5cm: together with another etching by the same hand depicting a beggar man: Jamed Henry Starling, British 20th century- Maddermarket Theatre, Norwich; etching, signed, dated `80, titled and numbered 67/100 in pencil beneath the plate, 19.5x14cm: Karoly Reich, Hungarian 1922-1988- "Njar"; lithograph printed in colours, signed, titled, inscribed EA and numbered 3/15 in pencil, 42.5x61cm: together with a small quantity of late 20th/early 21st century etchings, lithographs and reproduction prints, by and after various hands, (a lot) (unframed) (may be subject to Droit de Suite)
SAMUEL AND NATHANIEL BUCK "The northwest view of Walmer Castle in the county of Kent", "The northwest view of Deal Castle in the county of Kent" and "The south view of Sandown Castle in the county of Kent". three engravings, handcoloured, 7 1/2" x 14 1/2"; Francis Wells - interior of a cathedral, etching, pencil signed in the margin; a pen and ink sketch signed Shepperton; and a French engraving, all unframed (6)
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