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Preisdatenbank abonnierenSigned in pencil in the margin, published by Frost & Reed, 1907, etching.plate size 30cm x 47.5cm (11.75in x 18.75in)Condition report: The print is in good, original condition. There are some very slight scuffs to the surface of the paper in the margins and some minor spots of foxing. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Francis Edgar Dodd RA (British 1874-1943) Portrait of the Reverend A. J. Donkin signed and dated '1911' pencil 37 x 27cm Donkin was a Mathematics Fellow at Exeter College, Oxford and Housemaster and Maths Teacher at Rugby School (1875 to 1920). Dodd subsequently used this study for an etching of Donkin
Various parts for Third Reich daggers, comprising Red Cross Leaders scabbard; plain blade for similar (does not fit in scabbard); Government official’s scabbard; Army officer’s scabbard (incomplete); very worn blade for SA or SS dagger (no etching); and 3 sets of liner springs. Generally GC £200-225.
A Continental 50 bore double barrelled over and under flintlock boxlock pistol, c1780, 10" overall, turn off cannon barrels 2½”, the muzzles starred for barrel key, with two separate pans beneath a single frizzen, the sliding cover of one pan operated by the sliding trigger guard, the frame retaining traces of etching, the rounded flat sided butt inlaid with white metal scrolls and wavy lines. QGC (action AF, worn and lightly pitted overall, vice marks to butt, the jaw screws a crude replacement) £300-350
MICHAEL MCVEIGH (Scottish b.1957): "When the People are Away". Etching and aquatint 12/50. Signed in pencil. McVeigh is well know in Edinburgh. He has exhibited at The Scottish Gallery and his work is in many collections including The Scottish , Parliament. Purchased directly from the artist. 23cm x 42cm
Edmund Blampied R.E. (Jersey, 1886-1966), "The Centenarian", drypoint etching, signed "Blampied Jan. 1931" at foot of plate in the centre, signed in pencil lower centre and numbered 18 of an edition of one hundred, 1930-31, 10 5/16 x 10 3/16in. (27 x 26.3cm.). . * Appleby & Arnold Catalogue Raisonné 144
Edmund Blampied R.E. (Jersey, 1886-1966), "The Cider Barrel", drypoint etching, signed "Blampied" at the foot of the plate, right of centre and left of centre, signed faintly in ink ? and numbered 95 of an edition of one hundred, 1928-29, 10 5/8 x 10½in. (27 x 26.7cm.).. * Appleby & Arnold Catalogue Raisonné 134
James Abbott McNeill Whistler PRBA (American, 1834-1903), Annie Seated, etching and drypoint on Whatman laid paper with a watermark, signed in the plate "Whistler" and inscribed "Annie", third state of three, 58 known impressions, 5¼ x 3¾in. (13.3 x 9.5 cm.). . * Provenance: Michael Parkin Fine Art Ltd, Chelsea, London. 20th December 1973. Purchased by Miss S.B. Crutchlow.. ** References: (K.30) Edward G. Kennedy, The Etched Work of Whistler, . New York, The Grolier Club, 1910. (G.32). MacDonald, Petri, Hausberg and Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2012.
Edmund Blampied R.E. (Jersey, 1886-1966), "The Potato Planters", drypoint etching, signed in the plate and in pencil lower left, edition of one hundred (according to Campbell Dodgson the plate was destroyed), 9 15/16 x 12 13/16in. (25.4 x 32.6cm.).. * Provenance: Purchased from Langlois, Jersey, 29th March 1990
Theodore Casimir Roussel (French, 1847-1926), The Saw Mill, Putney, London, etching and drypoint on ivory laid paper, signed in pencil on the tab indicating that this impression was printed by the artist, also signed in the plate, 1888-89, 4 5/8 x 3 1/8in. (11.6 x 7.8cm.), unframed.. * Provenance: Michael Parkin Fine Art Ltd, Chelsea, London.. ** References: (20 1/1) The Prints of Theodore Roussel: A Catalogue Raisonné by Margaret Dunwoody Hausberg 1991. There is another example of this rare etching in the Art Institute of Chicago. .
Edmund Blampied R.E. (Jersey, 1886-1966), "L'Apéritif", drypoint etching, signed "Blampied Dec. 1927" at the foot of the plate, left of centre, signed in pencil lower centre and numbered 6 of an edition of one hundred, 1926-27, 7 x 10¼in. (18 x 26cm.).. * Appleby & Arnold Catalogue Raisonné 129
Edmund Blampied R.E. (Jersey, 1886-1966), "Births, Marriages and Deaths", drypoint etching. Signed "Blampied Oct. 1929" at the top of the plate in the centre, signed in pencil lower centre and numbered 21 of an edition of one hundred, 1929-30, 8 x 10¼in. (20 x 25.9cm.).. * Appleby & Arnold Catalogue Raisonné 140
Edmund Blampied R.E. (Jersey, 1886-1966), "Leisure", drypoint etching, signed "Blampied" at foot of plate, right of centre, signed in pencil lower right, edition of one hundred (according to Campbell Dodgson, the plate was destroyed), 1923, 7 7/8 x 11 7/16in. (19.9 x 29cm.).. * Appleby & Arnold Catalogue Raisonné 90.
Edmund Blampied R.E. (Jersey, 1886-1966), "Village News", drypoint etching, signed "Blampied Jan. 1931" at foot of plate, right of centre, signed in pencil lower centre and numbered 33 of an edition of one hundred, 1930-31, 9 x 12¼in. (22.9 x 31.1cm.).. * Appleby & Arnold Catalogue Raisonné 148
Edmund Blampied R.E. (Jersey, 1886-1966), "A Street by Night", drypoint etching, signed "Blampied 1927" at the foot of the plate, left centre and also signed "Blampied" in the centre above the shaded area between the horse's legs, signed in pencil lower centre, numbered 15 of an edition of one hundred, 1926-27, 8 x 11in. (20 x 28cm.).. * Appleby & Arnold Catalogue Raisonné 128
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