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78472 Los(e)/Seite
Los 280
‡Colin Self (b.1941)Power & Beauty No. 2; Prelude to 1000 Objects No. 1Two, the first signed, titled and numbered 19/75, the second signed, titled, numbered 20/60 and dated 25/8/71 versoThe first screenprint and second etching with aquatint EA1052 and 1040, both unframed69 x 105cm and 54 x 68.5cm (sheet sizes) (2)Provenance:Private collection
Los 315
An Early 19th Century Moroccan Jambiya, the 23cm curved steel blade double edge for the last 12.5cm, the ricasso etched with a warrior on horseback, the silver covered hilt and scabbard worked with flowerheads and scrolling tendrils, with maroon suspension cord and tassels, 40cm. Blade with black patching and faint etching, a little jiggly at the hilt. Some loss of silver to hilt and decoration differs from scabbard, although seems a good fit.
Los 470
A group of pictures and prints to include a bookplate engraving of Monk's Rock, Tenby and St Michael's Mount, Cornwall, a drypoint etching of Amiens, monogrammed and dated 1918, a vintage Art Deco picture frame and photograph, a Japanese-inspired picture frame in fruitwood with incised carved and gilded decoration and a pastel portrait of a WWII soldier with pipe, indistinctly signed lower-left, height 44cm (7).
Los 67
Fine bindingsHamerton P.G. 'Etching and Etchers' ills., Roberts Brothers, Boston 1888, plates, the front board isdecorated with a design in black and gold taken from JW Turner 'Little Devil's Bridge' and the decorations on the back strip are taken from an etching by M. Bracquemond 'Vanneaux et Sarcelles'Pouchet F.A. 'The Universe...' Blackie & son Limited n. d. Thirteenth Edition, col frontis with tissue guard loose, col plates and others, black and white ills throughout text, red pictorial cloth with gilt art nouveau design to front board and back stripMorris, Rev F O"A History of British Butterflies", 3rd edition, Bell & Daldy 1870, colour plates with tissue guards, marbled ep, rebound with gilt pictorial boards and backstrip
Los 304
Leon Danchin (1887-1938) coloured etching, 'English Setter Watching a Duck', signed in margin, 58 cm x 41 cm; together with Robert Kennedy Abbett (1926-2015) limited edition lithograph, 'The Pups', signed and numbered in pencil to margin, no. 92/850, 41.5 cm x 63 cm; and John Trickett limited edition print, 'Black Labrador', signed in pencil to margin, no. 71/850, each framed and glazed (3)
Los 329
George Soper (1870-1942) drypoint etching, 'Timber Hauling, Devon I', signed in pencil to margin, 15 cm x 27.5 cm, framed and glazed; Literature: 'The Catalogue Raisonne of the Etchings of George and Eileen Soper' (London: Chris Beetles Ltd, 1995), no. 174; together with Circle of George Soper (1870-1942) drypoint etching, 'Runaway Cart', 35 cm x 22.5 cm, framed and glazed (2)
Los 330
George Soper (1870-1942) drypoint etching, 'Harrowing, 1919', signed in pencil to margin, 14 cm x 24 cm, framed and glazed; Literature: 'The Catalogue Raisonne of the Etchings of George and Eileen Soper' (London: Chris Beetles Ltd, 1995), no. 149; together with Circle of George Soper (1870-1942) drypoint etching, 'Outside a Barn', 25 cm x 32 cm, framed and glazed (2)
Los 894
PAINTINGS AND PRINTS ETC, to include 'Horse Running Through Yellow' by Henrietta Corbett, signed and dated (20)02, framed and glazed, approximate size 15cm x 25cm, a watercolour by Paul Purday of flowers before a country village, framed, John Snelling watercolour of boats on a lake, framed, R.Wortley watercolour of a water mill, framed still life study of fruit, indistinctly signed, over painted print of ballet dancers, a Richard Fozard etching and five Frank Brangwyn prints (12)
Los 448
An autographed etching featuring John McEnroe playing tennis, by Sarah Godsill, circa 1979the etching featuring John McEnroe playing tennis against himself, signed lover margin by the artist and in pencil by John McEnroe, Limited Edition 2 of 10, in a perspex mount, 34.5 x 27.8 cmJohn McEnroe was presented with one of the etchings after his victory in the 1979 Stella Artois CHampionship at the Queens Club.
Los 1041
T J Scott (19th century), Landscape with figures, oil on canvas; together with British school (19th century), Landscape with cattle, oil on canvas; a landscape watercolour with distant mill town; an etching after T M Richardson; an oil on board of Tynemouth Priory; and an early 20th century watercolour of a shipyard (6)
Los 128
Games.- Wallis (John) The New and Favourite Game of Mother Goose and the Golden Egg, showing episodes and characters from the pantomime of the same name, including the Clown and Harlequin as well as Mother Goose herself, with rules printed in three columns below, etching and letterpress with hand-colouring, sheet 535 x 390 mm. (21 x 15 3/8 in), dissected and mounted on linen, some damp-stains and surface dirt, minor areas of loss at folds with cockling to edges, some small nicks and tears, unframed, 1808.
Los 168
British Surrealism.- Penrose (Roland) Bon Jour Max Ernst, soft-ground etching printed in colours on wove paper, a proof aside from the edition of 100, signed in pencil with dedication note by the artist 'for Jocey/ with Maximum love, Roland', platemark 380 x 250 mm. (15 x 9 3/4 in), under glass, framed, [1976].⁂ 'Jocey' was Joyce Reeves, Penrose's secretary and lover, who was also the editor for some years of the British translation of XXe siècle magazine.
Los 235
Piranesi (Francesco, 1758-1810) A bound collection of 45 plates, including 'Teatro di Ercolano', 32 double-page plates, with one folding, and 13 single-page, with vedute, architectural details, plans, columns, bound with the title and 4 pp. of text for 'Teatro di Ercolano', engravings with etching on thick laid paper, various sizes, one or two marginal repairs and light spotting, 19th century diced russia, rebacked, edges scuffed, folio, [circa 1780s].
Los 306
Hardy (Thomas).- Strang (William, painter and printmaker, 1859-1921) Portrait of the author, signed by Hardy in pencil under image, etching with drypoint, presentation inscription in pencil: "Lionel Johnson from Elkin Mathews and John Lane", signed by all three men, framed and glazed, portrait 230 x 152mm., [c. 1900].⁂ [Strang's] "etching of the novelist became in the late twentieth century something of an icon." - Oxford DNB.Lionel Johnson (1867-1902), poet and literary scholar; author of The Art of Thomas Hardy, 1894.
Los 4
Canada.- Quebec.- Peachey (Attributed to James William, surveyor, draughtsman, army officer, and artist, d. 1797) The Montmorency Falls, with figure drawing in the foreground, watercolour over pencil on J. Whatman laid paper with partial watermark without date, sheet 330 x 505 mm. (13 x 19 7/8 in), faint squaring in pencil for possible transfer, extensive pencil inscription verso by a later hand describing the particulars of the waterfall, noting that the height was taken in 1785, the text initialled 'E.G.G.', minor handling creases with nicks and tears to edges, some surface dirt, unframed, [late 18th century].⁂ The present view closely relates to the etching and aquatint that Peachey produced with John Wells in 1785 [for an example see BL Maps K.Top.119.44.c]. The major difference is that the solo artist sketching in the foreground of the present work is replaced in the aquatint by two men holding fishing rods and looking outwards. Other small alterations in the aquatint can be noted such as removal of the man fishing on the left, yet the figures in the distance on the right are also found in the aquatint. The National Archives of Canada hold another version of the watercolour with slight variations (see MIKAN no.: 2833913).Peachey was a known associate and friend of the young Joseph Bouchette [see subsequent lot], with the two men meeting through the Surveyor General Samuel Johannes Holland (1728-1801); Peachey was assistant to Holland, who was Bouchette's uncle.
![Greece.- War of Independence.- Reinagle (George Philip) [Illustrations of the Battle of Navarin], 12 plates only, etching and](https://cdn.globalauctionplatform.com/9e4f9f33-b24b-4ad2-ac71-aa4200fef8e1/07c24dfd-b3ae-4242-86d9-aa42010db5a1/468x382.jpg)
Los 70
Greece.- War of Independence.- Reinagle (George Philip) [Illustrations of the Battle of Navarin], 12 plates only, etching and engraving Chine-collé on Whatman wove paper, four sheets with watermark dates of '1827', each sheet approx. 340 x 490 mm. (13 1/2 x 19 1/4 in), some careful restoration to upper left quadrants, mainly in margins, plate 13 appears to have been re-mounted on later paper support, loose and unframed, [Not in Abbey], published by Colngahi, 1828.⁂ Fought off the west coast of the Peloponnese on 20th October 1827, The Battle of Navarino effectively ended Ottoman resistance to Greek independence; it resulted in the destruction of the allied Turkish-Egyptian fleet by a British-French-Russian fleet commanded by Vice Admiral Sir Edward Codrington.
Los 87
West Indies.- Antigua.- Stobwasser (L., active c.1830s) Ansichten von Missions-Niederlassungen der evangelischen Bruder-Gemeinde, four views of Antigua by Hurlimann and Hegi after Stobwasser, including 'Mission buildings at St. John's in the Spring Garden area', 'Grace Hill, from the northeast side', 'Grace Bay from the West side', and 'Cedar Hall from the northwest side', aquatint and etching with original hand-colouring on cream wove paper, excellent rich impressions, each sheet approx. 320 x 460 mm. (12 1/2 x 18 1/8 in), minor spotting and rough edges, in original green wrappers with engraved pictorial title to upper cover, oblong 4to, issued for the Evangelical Missionary Society, Birman et Fils, Basel, [circa 1830-1835]⁂ Scarce. A particularly fine example of the suite commissioned by the Moravian Church, who intended using it as a way of promoting their work on the island.Saleroom notice: Please note, this copy is without text.
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78472 Los(e)/Seite