CHARLES TURNER AFTER J.M.W. TURNER MEZZOTINT ENGRAVING IN SEPIA `Demstandborough Castle` p Proof impression from Liber Studiorum published 1808 8 1/4" x 11 1/2" (21 x 29cm) plate, together with four other steel plate engravings after Turner, a small coloured print after J. D. Harding, also a folio containing 13 steel plate engravings after Turner, 2 others after Allom & Martin and an artist signed French etching (22)
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D. Y. CAMERON ETCHING `A Northern Village` signed in the print and bears signature and title in pencil 5 1/4" x 7" (13.5 x 8cm) and AFTER EDWARD BAWDEN (1935) LINE ENGRAVING Abstract 7 3/4" x 4 1/2" (19.7 x 10.8cm) and AFTER GRAHAM SUTHERLAND ETCHING AND AQUATINT Abstract 7 3/4" x 5 3/4" (19.7 x 14.6cm) all unframed (3)
A collection of miscellaneous pictures and prints including a certificate from the Institution of Naval Architects dated 1952, a coloured print of kittens playing on a desk, black and white etching of the Town Hall, Paisley by James B Maxwell, dated 1937, a coloured print of Clifton Suspension Bridge, etc
A collection of 19th century Baxter and similar prints and engravings, subjects including a young boy sweep, a family by the seashore, wood gatherers in winter together with a set of four coloured engravings of sporting subjects after H Alken including grouse shooting, partridge shooting, etc, an early 20th century pen and ink caricature titled I`m Coming Lads, I`m Coming, an American black and white etching of gun dogs signed F McCaleb, etc (mostly framed)
An early 20th century gouache study of a mountainous lake view, signed bottom left J Rogers, 20 x 53 cm, a 19th century watercolour study of a spray of blossom, 24 x 16 cm, a small watercolour of a harvest scene with poultry, signed bottom right E Tuppy (all in gilt frames) also together with a black and white etching of a landscape signed David Strang in black frame and a mounted study of a garden with trellis
Richard Bosman (American, b. 1944), ""Forced Entry,"" 1983, sugarlift aquatint etching, pencil signed lower right, edition 13/20, Dart Gallery, Chicago, IL, label affixed verso, overall (with frame): 29.5""h x 24.75""w. Provenance: The David C. and Sarajean Ruttenberg Collection (Chicago, IL)
(lot of 2) Ira Yeager (American, b. 1938), Mr. Green Man, watercolor on paper, pencil signed lower right, overall: 12.5""h x 9.5""w, and John Dunlop (American, 20th c.), Red, Orange, Blue, and Green, etching with aquatint and carborundum, pencil signed lower right, overall: 11""h x 11.5""w. Provenance: From the private collection of Jose Ramon Lerma (American, b.1930)
Rembrandt van Rijn (Dutch, 1606-1669), ""A Peasant in a High Cap, Standing Leaning on a Stick,"" 1639, etching, late 18th/early 19th century, mid-basan impression, plate signed and dated lower center, plate: 3.2""h x 1.8""w, overall: 18""h x 16""w, Minotour Galleries, Las Vegas, NV label affixed verso. Reference: Bartsch, 133; Hind, 164; White-Boon, 133

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78472 Los(e)/Seite