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Los 271

CHARLES TURNER AFTER J.M.W. TURNER MEZZOTINT ENGRAVING IN SEPIA `Demstandborough Castle` p Proof impression from Liber Studiorum published 1808 8 1/4" x 11 1/2" (21 x 29cm) plate, together with four other steel plate engravings after Turner, a small coloured print after J. D. Harding, also a folio containing 13 steel plate engravings after Turner, 2 others after Allom & Martin and an artist signed French etching (22)

Los 275

AFTER ALBRECHT DURER AN AUTOTYPE OF AN ETCHING `Knight, Death and the Devil` 9 1/2" x 7 1/4" (24 x 18.5cm) and AFTER REMBRANDT FIVE AUTOTYPE ETCHINGS `Beggar and his dog` and `Portrait of a Man` etc (6)

Los 279

ALBANY E. HOWARTH (1872-1936) ARTIST SIGNED ETCHING `Lincoln` Cathedral 12 1/2" x 14 1/4" (31.8cm x 36.2cm) AND TWO ARTIST SIGNED COLOUR PRINTS BY WILLIAM PORTER, DOBCROSS AND UPPERMILL (3)

Los 328

FRANK GREENWOOD ARTIST SIGNED ORIGINAL ETCHING `Manchester Grammar School` Signed in pencil 14" x 9" and LEONARD BREWER, ORIGINAL ETCHING ` Alderley Church from the Gate` Signed and titled in pencil 13 1/2" x 9 1/2" , both unframed (2)

Los 332

HERBERT THOMAS DICKSEE (1862-1942) ARTIST SIGNED ETCHING Portrait of a King Charles Spaniel Signed in pencil to the margin 9 3/4" x 7 3/4" (24.8cm x 19.7cm)

Los 336

WALTER DYKE CARTER (b. 1894) ORIGINAL ETCHING Old buildings, Market Place, Manchester signed in the print 8" x 7 1/4" (20.5 x 18.5cm) unframed

Los 337

D. Y. CAMERON ETCHING `A Northern Village` signed in the print and bears signature and title in pencil 5 1/4" x 7" (13.5 x 8cm) and AFTER EDWARD BAWDEN (1935) LINE ENGRAVING Abstract 7 3/4" x 4 1/2" (19.7 x 10.8cm) and AFTER GRAHAM SUTHERLAND ETCHING AND AQUATINT Abstract 7 3/4" x 5 3/4" (19.7 x 14.6cm) all unframed (3)

Los 633

An etching after Rowlandson, comical cartoons with script, in frame and another, highway scene, initialled J. F.

Los 646

C. F. Hock - watercolour, landscape, signed and dated 1903, 6 x 9in., two other watercolours, etching, etc.

Los 803

A collection of miscellaneous pictures and prints including a certificate from the Institution of Naval Architects dated 1952, a coloured print of kittens playing on a desk, black and white etching of the Town Hall, Paisley by James B Maxwell, dated 1937, a coloured print of Clifton Suspension Bridge, etc

Los 854

A collection of 19th century Baxter and similar prints and engravings, subjects including a young boy sweep, a family by the seashore, wood gatherers in winter together with a set of four coloured engravings of sporting subjects after H Alken including grouse shooting, partridge shooting, etc, an early 20th century pen and ink caricature titled I`m Coming Lads, I`m Coming, an American black and white etching of gun dogs signed F McCaleb, etc (mostly framed)

Los 880

An early 20th century gouache study of a mountainous lake view, signed bottom left J Rogers, 20 x 53 cm, a 19th century watercolour study of a spray of blossom, 24 x 16 cm, a small watercolour of a harvest scene with poultry, signed bottom right E Tuppy (all in gilt frames) also together with a black and white etching of a landscape signed David Strang in black frame and a mounted study of a garden with trellis

Los 657

Arnold Van Westerhout (Flemish, 1651-1725), Scenographia Machinae Qua Clemente XI Pont Max, etching, inscribed in the plate ""Arnoldus Van Westerhout, Antwerp...Sculpsit,"" lower left, image: 18""h x 38.5""w, overall: 31""h x 51.5""w

Los 659

Joseph Pennell (American, 1860-1926), ""Sacramento Street, the Way Up to the Fairmont, San Francisco,"" 1912, etching, signed, titled, and dated within plate lower center, from an edition of approximately 40, overall: 23""h x 19""w

Los 663

French School (20th c.), ""Chartres Cathedral,"" etching, pencil signed indistinctly lower right, overall: 23""h x 26""w

Los 666

Joseph Pennell (American, 1858-1926), ""From Telegraph Hill, San Francisco,"" 1912, etching, from an edition of 40, image: 9""h x 12.25""w, overall (with frame): 19""h x 21.5""w. Provenance: Barclay Simpson Fine Arts Gallery (Lafayette, CA).

Los 669

Lucien Marcelin Gautier (French, 1850-1925), ""Rue Mouffetard a Paris,"" etching, pencil signed lower right, titled within plate lower right, signed within plate lower left, overall (with frame): 18.5""h x 24""w. Provenance: Barclay Simpson Fine Arts Gallery (Lafayette, CA)

Los 671

Anders Zorn (Swedish, 1860-1920), Self portrait I, 1904, etching, state III of III, plate signed lower right, image: 7""h x 5""w, overall (with frame): 20""h x 17""w, Reference: Asplund, 180. Provenance: Barclay Simpson Fine Arts Gallery (Lafayette, CA).

Los 672

Félix Hilaire Buhot (French, 1847-1898), Embarcadère à Trouville, 1877, etching and drypoint, plate signed lower right, pencil signed lower center margin, image: 7.5""h x 10.5""w, overall (with frame): 17""h x 19""w. Provenance: Barclay Simpson Fine Arts Gallery (Lafayette, CA).

Los 673

Italian School (20th c.), ""La Citta di Lucca Capitale di quella Repubblica,"" etching, overall: 17.5""h x 29""w. Provenance: Unaccessioned items from Honolulu Museum of Art, Lending Collection

Los 676

Claude Lorrain (French, 1600-1682), L`Elèvement d`Europe, 1634, etching with drypoint, plate signed and dated lower right, image: 7.75""h x 10""w, overall (with frame): 16""h x 18""w. Reference: Mannocci, 14. Provenance: Barclay Simpson Fine Arts Gallery (Lafayette, CA).

Los 682

Paul Robert Geissler (German, 1874-1954), Archway to a Cathedral on an Old European City Block, etching, pencil signed lower right, overall: 17""h x 12.75""w

Los 684

French School (20th century), Standing Woman, etching, pencil signed indistinctly lower right, overall: 22.5""h x 18.5""w

Los 686

David Young Cameron (Scottish, 1865-1945), Two Bridges, c. 1888, etching, pencil signed lower right, sight: 8""h x 11""w, overall (with frame): 17""h x19.25""w. Provenance: Barclay Simpson Fine Arts Gallery (Lafayette, CA).

Los 689

In the manner of Louis Icart (French, 1888-1950), Woman in a Flat Brimmed Hat with Blue Ribbon, etching with aquatint and hand-coloring, pencil signed Georges Grellet lower right, overall (framed): 19.5""h x 23""w

Los 692

Josef Eidenberger (Austrian, 1899-1991), El Capitan, Yosemite, hand-colored etching, pencil signed lower right, overall: 21.5""h x 18.75""w

Los 693

Josef Eidenberger (Austrian, 1899-1991), San Francisco Wharf, hand-colored etching, pencil signed lower right, overall: 21.5""h x 18""w

Los 694

Josef Eidenberger (Austrian, 1899-1991), Old European Foot Bridge, hand-colored etching, pencil signed lower center, dedicated lower center, overall: 19""h x 15""w

Los 696

Josef Eidenberger (Austrian, 1899-1991), San Francisco Bay Bridge, hand-colored etching, pencil signed lower right, overall: 22""h x 25""w

Los 697

Josef Eidenberger (Austrian, 1899-1991), Doors at the Shore, hand-colored etching, pencil signed lower right, overall: 19""h x 24""w

Los 698

Josef Eidenberger (Austrian, 1899-1991), Old Faithful Inn Yellowstone National Park, hand-colored etching, pencil signed lower right, overall: 22.5""h x 18.5""w

Los 700

Josef Eidenberger (Austrian, 1899-1991), California Street, San Francisco, hand-colored etching, pencil signed lower right, dedicated in pencil lower left and dated 1975, overall: 24""h x 19.25""w

Los 701

In the manner of Josef Eidenberger (Austrian, 1899-1991), Vienna, Grinzing, hand-colored etching, overall: 23.5""h x 19""w

Los 702

Robert Kasimir (Austrian, 1914-2002), City Gate, color etching, pencil signed, overall (with frame): 26.5""h x 18.25""w

Los 703

Luigi Kasimir (Austrian, 1881-1962), Hamburg, hand-colored etching, pencil signed lower right, edition 92/100, overall: 28.5""h x 21.5""w

Los 704

European School (20th century), River by the Village, hand-colored etching, edition 240/350, signed in pencil lower right, overall (with frame): 30.5""h x 31.5""w

Los 705

Josef Eidenberger (Austrian, 1899-1991), Venice, hand-colored etching, pencil signed lower right, overall (largest/framed): 23""h x 21.75""w

Los 706

Robert Kasimir (Austrian, 1914-2002), Fountain at the Plaza, 1992, hand-colored etching, pencil signed lower right, titled indistinctly lower left and dated, overall: 27.5""h x 22""w

Los 707

After George Inness (American, 1825-1894), ""Early Morn,"" etching with aquatint and hand-coloring, pencil signed ""after George Inness"" lower right, titled lower left, overall: 22""h x 17.5""w

Los 708

Luigi Kasimir (Austrian, 1881-1962), Ye Olde Tuffe Shoppe, etching, pencil signed lower right, titled indistinctly lower left, overall: 26.5""h x 23.5""w

Los 715

(lot of 2) Ynez Johnston (American, 1920), ""Dynastic Scene,"" color etching, aquatint and carborundum, edition 11/50, and American School (20th century), Children in the Square, pastel on paper, signed ""Lepe,"" lower right, overall (framed/largest): 21""h x 16.75""w

Los 731

Daniel Weaver (American, 20th/21st c.), Revenge of the Dead, 1988, etching, pencil signed lower right, edition A/P, exhibited: Mission Cultural Center Day of Dead Exhibition Dia De Los Muertos Nov. 1988, overall: 14""h x 18""w

Los 754

Richard Bosman (American, b. 1944), ""Forced Entry,"" 1983, sugarlift aquatint etching, pencil signed lower right, edition 13/20, Dart Gallery, Chicago, IL, label affixed verso, overall (with frame): 29.5""h x 24.75""w. Provenance: The David C. and Sarajean Ruttenberg Collection (Chicago, IL)

Los 770

Priscilla Hoback (American, b. 1939), ""Early Morning in June,"" color etching, signed and dated in pencil lower right, titled in pencil lower left, overall (with frame): 38.75""h x 50.5""w

Los 797

American School (20th century), Untitled, 1979, etching, signed lower right ""Colleen Wendell"", overall with mat (unframed): 36""h x 28""w; Provenance: The David C. and Sarajean Ruttenberg Collection (Chicago, IL)

Los 818

(lot of 2) Ira Yeager (American, b. 1938), Mr. Green Man, watercolor on paper, pencil signed lower right, overall: 12.5""h x 9.5""w, and John Dunlop (American, 20th c.), Red, Orange, Blue, and Green, etching with aquatint and carborundum, pencil signed lower right, overall: 11""h x 11.5""w. Provenance: From the private collection of Jose Ramon Lerma (American, b.1930)

Los 823

European School (20th century), View of Heidelberg, etching, signed indistinctly lower right; American School (20th century), ``Grant and California Street, San Francisco,`` etching, signed ``Anthony Palmer`` lower right, largest overall (each unframed): 15.75``h x 13``w

Los 2277

Rembrandt van Rijn (Dutch, 1606-1669), ""A Peasant in a High Cap, Standing Leaning on a Stick,"" 1639, etching, late 18th/early 19th century, mid-basan impression, plate signed and dated lower center, plate: 3.2""h x 1.8""w, overall: 18""h x 16""w, Minotour Galleries, Las Vegas, NV label affixed verso. Reference: Bartsch, 133; Hind, 164; White-Boon, 133

Los 2278

Rembrandt Van Rijn (Dutch, 1606-1669), Jan Uytenbogwert, Preacher of the Remonstants, 1635, etching and drypoint, image: 8""h x 7""w, overall: 20""h x 16.75""w. Provenance: Purchased from Frost and Reed, Bristol, England from the Dr. Poynton Collection

Los 2279

Francisco de Goya (Spanish, 1746-1828), The Picador Rouses the Bull, plate 13 of La Tauromaquia, c. 1816, etching with burnished aquatint and engraving, printed 1921, plate: 9.75""h x 13.75""w, overall: 19.5""h x 23.5""w. Provenance: Barclay Simpson Fine Arts Gallery (Lafayette, CA)

Los 2280

Giovanni Battista Piranesi (Italian, 1720-1778), Scenographia Campi Martii, pl. II (from Campo Marzio dell`Antica Roma), c. 1762, etching, image: 19""h x 38""w, overall: 32""h x 50.5""w. Provenance: Barclay Simpson Fine Arts Gallery (Lafayette, CA)

Los 2281

Giovanni Battista Piranesi (Italian, 1720-1778), Veduta della Curia Ostilia, 1757, etching, plate: 15.5""h x 23.5""w, overall: 30""h x 37.5""w. Reference: Hind, 43. Provenance: Barclay Simpson Fine Arts Gallery (Lafayette, CA)

Los 2283

Édouard Manet (French, 1832-1883) (after Velázquez), Little Cavaliers, 1860, etching on chine colle paper, sight: 9.75""h x 15.25""w, overall: 19.25""h x 24.5""w

Los 2287

Armin Carl Hansen (American, 1886-1957), ""Snug Harbor,"" 1928, etching, pencil signed lower right, titled lower left, titled and dated within plate lower left, image: 4""h x 8""w, sheet: 9.75""h x 12.25""w. Reference: White, 109

Los 2290

Gene Kloss (American, 1903-1946), ""A Road to Taos,"" drypoint etching, pencil signed lower right, titled lower left, image: 5""h x 4""w, overall (sheet): 7""h x 6""w

Los 2291

Samuel L. Margolies (American, 1897-1974), ""Men of Steel,"" c. 1940, drypoint etching, pencil signed lower right, titled lower left, from an edition of 250, published by AAA, image: 14.75""h x 11.5""w, overall: 22.25""h x 18.25""w

Los 2312

Antoni Clave (Spanish, 1913-2005), Gloves, etching with embossing, signed in pencil lower right, edition 19/80, sight: 31.5""h x 24.5""w, overall: 32.25""h x 25""w

Los 2313

Salvador Dalí (Spanish, 1904-1989), Plaza Fountain: New York City, 1964, etching, pencil signed and dated lower right, edition E.A.V/X, published by Jean Schneider, image: 17""h x 25""w, overall: 32.25""h x 37.75""w. Reference: Field, 64-30

Los 2320

Henry Moore (British, 1898-1986), Girl Writing at Her Desk, etching with aquatint, pencil signed lower right, edition 10/50, image: 8""h x 7""w, overall: 19""h x 15""w

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