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Preisdatenbank abonnierenAR VALERIE THORNTON, RE (1931-1991) "Nedging" coloured etching and aquatint, signed, dated 81, numbered 64/75 and inscribed with title in pencil to lower margin 37 x 60cms, together with "Kersey" coloured etching and aquatint, signed, dated 85, numbered 40/70 and inscribed with title in pencil to lower margin 36 x 25cms, both unframed (2)
AR JOHN COPLEY (1875-1950) "Italian Ice woman" pencil drawing, with studio stamp to reverse 30 x 21cms NB: This is believed to be the preliminary pencil sketch for the 1927 dry point etching, see cat no 8 in the Fine Art Society's catalogue, 1998 of John Copley etchings (catalogue included within this Lot)
Percy Robertson ARE (1868-1934) ''St Michael's Mount'' Signed and inscribed in pencil, etching, together with four further etchings entitled ''The Houses of Parliament'', ''The Lighthouses'', Scene in Whitby and Boatyard, 21cm by 35.5cm, 25.5cm by 32cm, 19.5cm by 24.5cm 26cm by 35.5cm and 23.5cm by 32.5cm (sh) (5)
Frederick (Fred) Cecil Jones RBA (1891-1966) ''A Dark Day in the West Riding of Yorkshire'' Signed in pencil, a black and white etching, together with two further etchings by the same hand ''February Sunshine'' and ''Mill and Cottage at Wormhoudt, France'', 14.5cm by 19cm, 17cm by 19.5cm and 12.5cm by 20cm respectively (3) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Percy Robertson ARE (1868-1934) ''Trafalgar Square, Gordon Memorial'' Signed and inscribed, etching, together with four further signed etchings and one unsigned etching by the same hand, entitled; St. Paul's Cathedral, ''Strath Tay'', ''Grand Canal - Venice'', ''Edinburgh'' and ''Cowgatehead, Edinburgh'', 29cm by 23cm, 27cm by 33.5cm, 34cm by 28cm, 28cm by 25.5cm, 32cm by 25.5cm & 29.5cm by 23cm respectively (sh) (6)
Frederick (Fred) Cecil Jones RBA (1891-1966) ''From the Old Shed'' (1929) Signed in pencil, etching together with a further example by the same hand ''Thackley'', 22.5cm by 15cm and 7.5cm by 22.5cm respectively (2) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Percy Robertson ARE (1868-1934) ''Westminster from Vauxhall'' Signed and inscribed, etching, together with three further signed and inscribed etchings and one unsigned etching by the same hand, entitled; ''St. Paul's Cathedral'', ''Customs House Quay'', ''Greenwich'' & ''St. Martin's Lane'', 27cm by 40cm, 29cm by 20cm, 21cm by 26.5cm, 23cm by 29cm & 35.5cm by 28cm (sh) (5)
FRANCES ST. CLAIR MILLER limited edition (46/90) etching entitled 'Cafe Near Beaubourg' together with two prints AFTER RICHARD SHORT of Cardiff shipping Condition reports are provided on request by email only for this type of auction, otherwise purchase 'as seen'. Condition reports done week commencing January 7th.
MICHAEL OGDEN "Cat in a Boat", watercolour and gouache, initalled lower right, inscribed and dated May 2003 verso together with H. GOFFEY "Alert", study of a German Shepherd's head, black and white etching, signed in pencil lower right to the margin together with five assorted prints, RIITTA SINKKONEN "Landscape with trees in background", coloured flax and four boxed model buses
AFTER LOUIS ICART (1888-1950) "Montmartre - Le Marchand de Marrons", a woman in fur wrap, a gentleman roasting chestnuts before her, coloured etching, limited edition No'd. AO75/500, signed in pencil to the margin lower right, inscribed on an "Editions Graphiques Gallery" label verso, inscribed within the print "Copyright 1928 by L Icart" top left, bears blind stamp lower left (ARR) CONDITION REPORTS Has general wear and tear commensurate with age and use. Some discolouration to the silk style covered mounts and a split to the corners where it has been folded. Some signs of foxing particularly evident in the top centre of the image.
AFTER LOUIS ICART (1888-1950) "Arc de Triomphe", study of a lady with flower seller, coloured etching, No'd. A108 lower left, signed lower right, inscribed on "Editions Graphiques Gallery" label verso, bears blind stamp lower left (ARR) CONDITION REPORTS Has general wear and tear, discolouration to the print itself throughout. Some areas of foxing, some discolouration and cuts to the silk style mount in the corners. The frame has wear and tear to include some losses to the corner edges.
NO RESERVE Skittles.- Kearsley the Elder (George, publisher, 1739-1790) Rules and Instructions for Playing at Skittles. By a Society of Gentlemen, broadside with a hand-coloured etching at the top of eight men playing at skittles, with three columns of letterpress rules below, followed by a section of 'Instructions', on laid paper with watermark of a jug, sheet 455 x 295 mm. (17 7/8 x 11 3/4 in), minor nicks to extremities, small repairs to upper left and upper right edges, even browning, unframed, 1786 [but later].*** Please note that the description for this lot has been amended. The broadside was printed in the 19th century, and not as originally described.
Samuel Palmer (1805-1881) The Lonely Tower, etching, 22.5 x 28.5cm (sheet), a 20th century impression on laid paper taken by Iain Bain, unframed; The Herdsman's Cottage, signed below, 23 x 10.5cm (visible). Rowley Gallery label verso; The Rising Moon, later printed, trimmed to image, 11.5 x 19cm, Rowley Gallery label verso. (3)
Charles Chaplin, RE, 'New Forest Glade', etching, numbered 19, signed, dated 1963 and inscribed with title in pencil to margin, unframed; a 19th Century hand coloured photograph of Mount Sinai, mounted and framed, together with a coloured photograph of a Middle Eastern street scene, published by the American colony, Jerusalem, framed (3)
Léopold Flameng after John Collier, portrait of Charles Darwin, etching published 1883, The Fine Art Society, London, bearing 'signature' lower right; 53 x 40cm (text rubbed in places) ; and seven Vanity Fair prints of British scientists; one other - an 18th century print of Archbishop James Ussher
Charles Keene (1822-1891) Two small watercolour figure studies and an etching of a seated gentleman; three monochrome landscape watercolours by the Rev. James Bourne; a small pen and ink illustration by Hugh Thomson; together with 7 small 19th century drawings and sketches by other hands. Provenance: Mostly acquired from Abbott and Holder.
Frederick Landseer Maur Griggs St. Botoloph's Bridge, etching, 1937, 25 x 20cm (plate); John Piper, India Love Poems by Tambimuttu, London: Paradine 1977, unnumbered, 3 colour reproductions; Leo Wyatt, St George, signed engraving, edition of 50, and 12 signed loose engravings of caligraphy; also other loose signed prints by John O'Connor, R H Middleton, etc. and a signed pen and ink cartoon by Nicholas Bentley 1938
Leslie Moffat Ward (British, 1888-1978), The Langdales From Tarn Hows, etching signed and inscribed below, 28 x 35cm (image); another, loch fishing, signed, trial proof, 18 x 25cm; John Greenwood, College quad scene, wood engraving, 12.5 x 14cm (slightly stained); a Grant of Arms dated 1919 to John Evelyn Ansell, boxed, and framed crest (4)
A 19th century coloured aquatint, View from Mont St Jean, The Battle of Waterloo, published by R Bowyer, 14ins x 23ins, together with three satirical historical limited edition coloured etchings after James Gillray, coloured etching, Wife & no Wife or A trip to the Continent, published by William Holland, designed by Carlo Khan, 15ins x 18.75ins, Temperance Enjoying a Frugal Meal, 14.5ins x 11.5ins and Voluptuary Under The Horrors of Digestion, 14.5ins x 11.5ins (two framed together), all with blind stamp ST
Salvador Dali, Spanish (1904 - 1989) Color Etching "Samson and Delilah,1972" Pencil Signed and Numbered 887/1000 on Lower Margin. Measures 13-1/2" H x 16-1/4" W, frame measures 25-1/8" H x 28" W. Condition: very light spotting overall good condition Domestic Shipping: $165.00 Min Est. $500.00 Max Est. $700.00
Led Zeppelin - 2, 3 4 and Physical Graffiti. 2 (588198) red/plum, Lemon Song record appears Ex, wear to sleeve, 2 x 1/4 inch tears to front opening.3 (2401002) red /plum Do What Thou Wilt, Peter Grant credit, record and cover appear Ex, less etching on side 1.4 (2401012) red/plum, misty Mountain Top, record and inner appear Ex, cover VG.Physical Graffiti (SSK 89400) A1, B4, C1, D1. Kings Road address. Records, inners and fold around appear Ex, some wear to cover
The World of Jean de Bosschere by Samuel Putnam with a Letter of Paul Valery, The Fortune Press (1932) First Limited Edition on Kelmscott handmade paper, Illustrated. This copy with a signed etching in colour - intended for the 100 Special copies, white cloth gilt in dust wrapper with an exhibition catalogue of the artist's work 1918 (2)
Arthur William Heintzelman (American, 1891 - 1965), by, The Prelude, signed in pencil by the artist to margin of plate, drypoint etching, 26.5cm x 28cm, inscribed gallery label to verso; Percival Gaskell (1868 - 1934), by, Torcello, signed in pencil by the artist to margin of plate, drypoint etching, 20cm x 26cm, inscribed gallery label to verso [2]
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