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78475 Los(e)/Seite
Los 486
Six 20th century prints, including Dale Devereux Barker (b. 1962), 'Lurking Legend', linocut printed in colours, signed, inscribed, numbered 8/12 and dated '90 (Lumley Cazalet Ltd label verso), 21 x 29cm; Barbara Jackson, 'Transcience', etching, signed, inscribed and numbered 21/40, 18.25 x 18.25cm; two lithographs/drawings by Ellen Graubart, 'Mother Figure' and 'Sitting Duck', Joanna Irvin, 'Leaf Study', A/P1, etching, 10 x 15cm and Mary Rodd, 'Kensington Gardens 1', etching, Artists Proof, signed, inscribed and dated 1980, 17 x 27cm
Los 497
Seven monochrome reproduction prints of etchings after Menpes and two satirical prints, comprising: Menpes, 'Bearing a Burdon' (2), 'Japanese Children', three other studies of children and a portrait of the Madonna; Rowlandson, 'Pot Fair Cambridge' (etching) and Gilray, 'The Monster going to take his Afternoon's Luncheon' (9, two unframed)
Los 90
ARTHUR WILLIAM HEINTZELMAN (AMERICAN 1891 - 1965), LA VIERGE ET L'ENFANT JESUS (Smith 155) drypoint etching on cream laid paper, 1929; edition of 70, signed in pencil 30cm x 23cm Mounted, framed and under glass Note: Born in Newark, New Jersey, Arthur William Heintzelman was a painter, etcher, copyist, teacher, and curator. Raised in Providence, Rhode Island, he first studied art at the Rhode Island School of Design, where he subsequently taught, and also in Europe. In 1921, the Heintzelmans moved to Paris and made their home in France, subsequently moving to Switzerland in 1931 and remaining there until 1934, when they returned to the United States. Already widely respected as a printmaker prior to his departure for Europe, he became internationally famous during his years abroad and was - and is - regarded as one of the greatest etchers of the Twentieth Century. During his years in Paris, Heintzelman met Eugène Delatre, who became his printer for the remainder of his stay in Europe, and who taught Heintzelman the intricacies of fine art printmaking for which his atelier was justly famous. In appreciation for his contribution to French art and culture, Heintzelman was named to the Legion of Honour by the French government. Following his return to the United States, Heintzelman became the first Keeper of Prints at the Boston Public Library and served there from 1941 to his retirement in 1960. Thanks to his close relationship with the Delatre family, Heintzelman coordinated the gift of the comprehensive collection of prints by both Auguste and Eugène Delatre to the Boston Public Library. He was succeeded as Keeper of Prints by Sinclair Hitchings. Heintzelman also headed the Fine Arts department of the Rhode Island School of Design. He was awarded numerous international prizes for his etchings, and his works are found in museum collections through the US and Europe. Heintzelman belonged to numerous professional associations both in the US and abroad. He lived and worked in Boston, Marblehead, and Rockport, Massachusetts and in New York City. He died at Rockport, Massachusetts. The works of Heintzelman are documented in The Prints of Arthur Wm. Heintzelman, the catalog raisonné compiled by Donald Eugene Smith and published by the Boston Public Library (USA) in 2004.
Los 212
Etching After Rembrandt (1609-1669), After the oil painting in the Norton Simon Foundation, portrait of a Boy, Rembrandt's son Titus, 'The Prince of Orange study from Rembrandt' , monogrammed CPS and dated 1880 lower left, framed. Note - After the oil painting in the Norton Simon Foundation, largest 56cm x 48cm (exc frame)
Los 186
Eight various pictures including prints, etching and photographs, to include limited edition ‘Cheetah’ print signed in pencil by Stephen Gayford. IMPORTANT: Online viewing and bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.
Los 167
Rembrandt van Rijn (Dutch 1606-1669) Woman of Samaria Etching, from the Millenium Edition, 1999, signed within the plate, from the edition of 2500 Plate: 11.5 x 10cm (4½ x 3¾ in.) Together with another titled The Golf Player, Plate: 9.5 x 14cm (3 3/4 x 5 1/2in.) (2) Condition Report: They are unexamined out of frame. The sheets are slightly uneven but appear to be in excellent original condition and there are no visible signs of damage or restoration. Condition Report Disclaimer
Los 5669
After Rembrandt van Rijn (1606-1669): The Baptism of the Eunuch, signed and dated 1641 within the plate but later, etching, 19cm x 22cm, (1); Lieven Willemsz. van Coppenol, Writing-Master, monogrammed and inscribed margin, 19th century drypoint etching, 30cm x 21.5cm, (1); Man in Oriental Costume, 16.5cm x 13.5cm, (1); C. Phillips (fl. 1750-87, engraver), Rembrandt's Sister, [London: n.d., c. 1770], pink mezzotint engraving, 19.5cm x 16cm, (1); Pieter de Bailliu (1613-1660, engraver) S. Anastasius, later strike, no watermarks, 30.5cm x 24cm, (1); A.L. Stein (18th century, engraver), Portrait of a Young Man, Leipzig?: 1769, dated within the plate, drypoint etching, 34cm x 27cm, (1); etc, [8]
Los 125
Three Etchings including Morton Matthews, The Guildhall Kitchen Boston, signed bottom left, measurements 25.5 x 32 cm (PL), frame 45 x 49 cm.Together with Edgar James Maybery etching of Shakespeare's School, signed bottom right, measurements 20 x 12.5 cm (PL), frame 42 x 32 cm, Leslie Austin etching of a Piper Boy, signed bottom right, measurements 15.5 x 10 cm, frame 32 x 27 cm and a print of London scenes- Old St Pauls, The Globe Theatre and Old London Bridge Three 20th century paintings including R. Herring, Cottage by the wood, Flatford, oil on board, signed bottom right, measurements 39 x 50 cm,together with a watercolour of a tree-lined street, signed G. Jackson, dated 1942, measurements 26 x 25 cm and a picture of a fairy leaning over a pool, measurements 25 x 19 cm (3)
Los 186
A Collection of signed contemporary prints, including two prints titled 'Guardian Angel', limited edition of 175, by Sylke Claridge (2) together with two etching aquatints from edition of /100, titled 'The Waning Train' and 'Fading Happiness' by K Gryaseva (2) Plus two novelty eye test prints (6 total)
Los 190
A collection of etchings and watercolours including Joseph Gray (1890-1963) North Sea etching, measurements 20 x 28 cm (PL), together with a further etching by the same hand of the High Street John Knox's House, measurements 26.5 x 20 cm (PL) John Mathieson Edinburgh label verso, also H. Magernis watercolour of a country stream measurements 20 x 14 cm, frame 33 x 28 cm, Maria Birchwood print of Machynlleth Town Clock numbered 61/250, measurements 36.5 x 24 cm, watercolour by G.F. Hayes of Tin Ghaut Whitby, signed and dated '37, measurements 25 x 17.5 cm and Laura Beaumont etching of a Dutch Street, measurements 28 x 22 cm (PL) (7)
Los 204
After Edward King, Etchings of London, etched by Eugene Tily after watercolours by Edward King, signed by King bottom left, including Richmond Birdge measuring 28 x 36.5 cm (PL), frame 53 x 65 cm, W.M. Whitely Ltd Fine Art Department label versotogether with etching of St Pauls Cathedral and Buckingham Palace monument (3)
Los 1094
William Tatton Winter RBA (British 1855-1928): 'Sudbury Watch Tower Canterbury' and three other town views, four etchings signed in pencil two with blind stamps approx 28cm x 31cm & 38cm x 23cm and another etching of Glasgow University and Tower, signed in pencil (5)Click here to view further images, condition reports, sale times & delivery costs for this lot.
Los 1101
Collection of mostly 19th century engravings and lithographs including 'A Row in the Play Ground' after John 'HB' Doyle, 'St Edmund's Hall' Oxford after Pugin, 'Sandsend', 'King's Chapel', an etching of Richmond by Margaret Rudge and a print after Heath Robinson, max 28cm x 36cm (9) (some unframed)Click here to view further images, condition reports, sale times & delivery costs for this lot.
Los 364
After Rembrandt van Rijn (1606-1669) Dutch Return of the Prodigal Son Etching, 15cm by 13.5cm . Light to moderate time staining throughout sheet. Slightly more pronounced towards outer edges towards margin. Some evidence of subtle cockling. Broadly otherwise in a fair to good state of repair. Not examined out of the frame.
Los 248
NO RESERVE Rome.- Trevi Fountain.- Morel (François) Veduta della Fontana dell acqua Vergine Detta Di Trevi..., from Views of Rome, engraving with etching, on wove paper without watermark, platemark 370 x 475 mm (14 1/2 x 18 3/4 in), sheet 435 x 580 mm (17 1/8 x 22 3/4 in), some handling creases, minor spotting and surface dirt, unframed, [circa 1800]; together with a miscellaneous group of British topographical prints and others, including a disbound collection of plates and leaves from Vernor and Hood's 'Select Views of London and its Environs' 1804, 20 plates from Thomas McLean's 'Don Quixote', and three framed works, including Havell's 'View of the Pantheon, &c. , Stourhead Gardens', Bunbury's 'The Gardens of Carleton-House', and T. Dixon's small steel-engraving 'View of Quebec, The Capital of British America', engravings, various sizes, all unframed, 19th century (sm. qty.)
![NO RESERVE St Paul's.- Dayes (Edward) The Royal Procession [of King George III] in St. Pauls on St. George's Day, 1789, etchi](https://cdn.globalauctionplatform.com/960a367b-77bc-499c-8192-ac9500f328a1/1c9794b7-c0d3-4375-92f1-ac9800d93d56/468x382.jpg)
Los 266
NO RESERVE St Paul's.- Dayes (Edward) The Royal Procession [of King George III] in St. Pauls on St. George's Day, 1789, etching and engraving by James Neagle, on laid paper without visible watermark, platemark 480 x 700 mm (18 7/8 x 27 1/2 in), sheet 520 x 740 mm (20 1/2 x 29 1/8 in), small loss restored in margin at centre right, spotting and browning, minor nicks to extremities, unframed, 1793; together with a group of 14 portraits, including mezzotint portraits, a portrait of the blind German-born Indonesian-based botanist Georg Eberhard Rumphius (1627-1702), four portraits of Russian interest, one lettered in Cyrillic, another of Alexis Michailovich, Tsar of Russia, and others similar, engravings, mezzotints, various sizes, all unframed, 18th and 19th century (15)
Los 386A
A Elizabeth II hallmarked silver limited edition commemorative plate, no.1/1003, Princess Anne and Captain Mark Phillips, to commemorate their wedding on 14th November 1973 at Westminster Abbey, produced by John Pinches with and etching of the original work created by Harry Ecclestine, cased and with certificate, diameter 25cm, London 1973, approx 9.3ozt.
Los 200
Paul Cezanne (French, 1839 - 1906) "Guillaumin au Pendu" Etching. Composed 1873. Printed later from the original plate. The original edition was c.1,000. Cream wove paper. Full margins (deckle edges). Very good impression. Fine condition. Literature/catalogue raisonne: Cherpin 2. Comment(s): Cezanne made only nine prints during his lifetime, five etchings and four lithographs. All of the etchings date from July 1873 when he was experimenting with etching techniques with his friend, the painter Armand Guillaumin, who is portrayed in the etching offered here. Guillaumin is sitting under the sign of the inn "Le Pendu" (The Hanged Man). [3460-2-300] Image Size: 6 x 4.75 in. Overall Framed Size: 10.25 x 8.25 in.
Los 37
Martin Lewis (New York, Connecticut, Maine / Australia, 1881 - 1962) "Winter on White Street" Drypoint etching and sand ground on cream wove paper, 1934. Full margins. Third state (of 3). Edition of 41. Signed in pencil, lower right. A brilliant, richly-inked impression. Lucile Deming Lewis (wife of the artist) collection stamp and inscription verso. Kennedy Galleries label verso. Image Size: 10 7/8 x 6 7/8 in. (276 x 175 mm) Sheet Size: 15 x 10 in. Unframed.
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78475 Los(e)/Seite