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Los 1154

Suzanne Meunier (1888-1979) - Les Amis, etching with aquatint printed in colour, published by Camilla Lucas, 1935, signed by the artist in pencil and numbered 821, 44 x 53cm Sporadic foxing, unexamined out of the present art deco style frame

Los 1209

Boris O'Klein (1893-1985) - Dirty Dogs of Paris  - An original hand coloured etching print entitled Champs Elysees'. Signed by the artist in pencil. Framed and glazed. Measures 43cm x 31cm. 

Los 1222

Boris O'Klein (1893-1985) - Dirty Dogs of Paris  - A pair of original hand coloured etching prints. Signed by the artist. To include 'Riviens Chouquette' and 'A la Queue'. Framed and glazed. Measures 48cm x 22cm. 

Los 1229

Boris O'Klein (1893-1985) - Dirty Dogs of Paris  - A pair of original hand coloured etching prints. Signed by the artist in pencil. To include 'Mort aux Chats' and 'Oh! Liberte'. Framed and glazed. Measures 48cm x 22cm.

Los 1233

Boris O'Klein (1893-1985) - Dirty Dogs of Paris  - A pair of original hand coloured etching prints. Signed by the artist in pencil. To include 'Sus aux Curiex!' and L'Inauguration!'. Framed and glazed. Measures 48cm x 22cm.

Los 1330

Bruce Onobrakpeya - (1932 - present) Deep etching (plastograph) 4/40 Ekuorefbe IV (yellow base). Depicting Nigerian men in their traditional ropes. 39cm x 53cm. 

Los 61

ELIZABETH TAGGART (Irish, b.1943) 'Mirror, Mirror', etching and aquatint, signed, titled and A/P in pencil, 20cm x 15cm, framed. (Subject to ARR - see Buyers Conditions)

Los 49

Sir FRANK BRANGWYN (British, 1867-1956) 'Port St. Jacques, Parthenay', etching, signed in pencil, 27cm x 25cm, framed. (Subject to ARR - see Buyers Conditions)

Los 322

A pencil signed limited edition etching by Alfred Blundell AF by 

Los 617

MIXED PICTURES TO INCLUDE WILLIAM MILLER, 'HOLYROOD PALACE' ETCHING, PHILIP RICKMAN, WATERCOLOUR OF DUCKS AND VARIOUS OTHERS

Los 1657

Breon O'Casey (1928-2011), etching, Stylised bird, signed, dated MMI, 11/20, full sheet overall 40 x 55cm

Los 1665

Bryan Pearce (1929-2006), etching, Still life with jug, signed and dated 2001, 9/75, sheet 28 x 28cm

Los 1680

James McNeill Whistler (1834-1903), etching, 'Billingsgate', signed in the plate and dated 1859, 16 x 22cm

Los 1689

Isabel Florrie Saul (1895-1982), hand-coloured etching, Queen Elizabeth I, signed in pencil, 20 x 18cm

Los 1693

Eric Gill (1882-1940), etching, The Holy Family, signed in pencil, 4/15, 11 x 7cm

Los 1721

Paul Carlani, coloured etching, La Pont St Denis, signed in pencil, 24 x 30cm and an Italian etching of chess players

Los 107

Henry Mortikar (Mortecai) Rosenberg (1858 - 1947) "Fruit of the Vine" Signed lower left. Oil on Canvas. Label verso on stretcher. Henry Rosenberg was an American painter and print maker during the end of the 19th C. and beginning of the 20th C. He was recognized as an impressionist, a tonalist and a symbolist painter. His artistic training started in Chicago where he was to become an early member of the Academy of design. He then went to Munich to study under Frank Duveneck at the Royal Academy. He then studied in Florence and Venice, Ital where he learned the art of etching from none other than James Abbott McNeil in 1880. They boarded and worked together. He painted and learned from William Merritt Chase in Venice. He was strongly influenced in Venice by his artist friend Arnold Bocklin. For 10 years he was a recognized painter at Pont-Aven, Brittany. Here he painted alongside Paul Gauguin in 1886 with whom he befriended. He studied or worked with many important artist of his day. Henry Rosenberg was a principal of the Victoria school of art in Halifax, Nova Scotia, from 1898 to 1910. He also was an honorary president of the Nova Scotia Museum of Fine Arts. He lived in Alabama towards the end of his life for health reasons. After his death in 1947 the Museum of Mobile, Alabama. Was granted the Rosenberg estate, consisting of his life's collection of paintings and prints. Making this the Mobile Museum of Arts first acquisition. Provenance: Deaccessioned from Museum to benefit their collections, care and acquisition fund. Sight Size: 16 x 20.5 in. Overall Framed Size: 22.25 x 25.5 in.

Los 108

Henry Mortikar (Mortecai) Rosenberg (1858 - 1947) Oil on Canvas. Signed and dated (1937) lower left. Artist to the Mobile, Alabama Museum of Art. Henry Rosenberg was an American painter and print maker during the end of the 19th C. and beginning of the 20th C. He was recognized as an impressionist, a tonalist and a symbolist painter. His artistic training started in Chicago where he was to become an early member of the Academy of design. He then went to Munich to study under Frank Duveneck at the Royal Academy. He then studied in Florence and Venice, Ital where he learned the art of etching from none other than James Abbott McNeil in 1880. They boarded and worked together. He painted and learned from William Merritt Chase in Venice. He was strongly influenced in Venice by his artist friend Arnold Bocklin. For 10 years he was a recognized painter at Pont-Aven, Brittany. Here he painted alongside Paul Gauguin in 1886 with whom he befriended. He studied or worked with many important artist of his day. Henry Rosenberg was a principal of the Victoria school of art in Halifax, Nova Scotia, from 1898 to 1910. He also was an honorary president of the Nova Scotia Museum of Fine Arts. He lived in Alabama towards the end of his life for health reasons. After his death in 1947 the Museum of Mobile, Alabama. Was granted the Rosenberg estate, consisting of his life's collection of paintings and prints. Making this the Mobile Museum of Arts first acquisition. Provenance: Deaccessioned from Museum to benefit their collections, care and acquisition fund. Sight Size: 15.5 x 19.5 in. Overall Framed Size: 19.25 x 23.25 in.

Los 125

Louis Icart "Le Robe de Chine" Etching. Pencil signed lower right. Chop mark lower left. Plate Size: 40 x 48 cm Image Size: 27 x 29 in. Framed behind glass.

Los 126

Louis Icart "Flower Seller" Etching. Pencil signed lower right. Chop mark lower left. Toning throughout image. Plate Size: 48 x 40 cm Image Size: 28 x 23 in. Framed behind glass.

Los 127

Louis Icart "Don Juan" Etching. Pencil signed lower right. Chop mark lower left. Plate Size: 54 x 36 cm Image Size: 30 x 24 in. Framed behind glass.

Los 137a

Marie Laurencin (French, 1883 - 1956) Seated GirlSigned in pencil lower right, numbered (6/22) and inscribed (II/III) in pencil, 2nd state of 3 Etching. Image Size: 5.25 x 5.25 in. Overall Framed Size: 14.5 x 14.5 in. Framed behind glass.

Los 196

Georges Braque (1882 - 1963) "Les Fleurs Violets (Purple Flowers)", c. 1960 Pencil Signed Color Etching and Aquatint. Pencil signed and numbered (XXXIII/L) in lower margin. Image Size: 18.5 x 11.5 in. Overall Framed Size: 30 x 22.5 in. Framed behind glass.

Los 197

After Fernand Leger "Femme Tenant un Vase," Jacques Villon (1875-1963) "Femme a la Cruche" 1928, etching and aquatint on paper. Image Size: 18.25 x 12 in. Overall Framed Size: 28 x 21.25 in. Framed behind glass.

Los 826

William Lionel Wyllie, after, an etching, The Needles Isle of Wight, signed, 11 x 34cm,mounted framed and glazed, 30 x 52cm (yellowing) Staining to top right and left of print, surface paper ok

Los 81

Original vintage art advertising poster for an exhibition of rare Pablo Picasso engravings (from 1905 to the present day) / Gravures Rares (de 1905 a nos jours) at Galerie 65 Cannes from 9 April to 12 May 1966 featuring Picasso's 1904 etching The Frugal Meal / Le Repas Frugal printed in 1913 of a thin man with his arms around a lady sitting behind a table with a small piece of bread and bottle of wine for their meal set within a border, the exhibition information text above and below with Picasso's signature. The notable Spanish artist and sculptor Pablo Picasso (1881-1973) was one of the founders of Cubism in the early 20th century. Good condition, creasing, tears, staining, tape on bottom edge. Country of issue: France, designer: Pablo Picasso, size (cm): 76x53, year of printing: 1966.

Los 163

A collection of 19thc prints including those by E Rooker of architectural interest, also J Basire, landscapes, The Greek Girl after JF Lewis, also an etching RH Monaham, The Abbots Stairs Kirkstall (a lot)

Los 179

Muirhead Bone Leon, etching, signed bottom right, measures 40cm x 31cm

Los 176

Lewis Weirter RBA, Edinburgh Castle, etching, signed bottom right, measures 36cm x 25cm

Los 166

After George Moreland, The Fruits of Early Industry and Oeconomy, engraved by William Ward, (measures 58cm x 44cm) also an etching of Bargate, Southgate, signed Hayward Sumner RA and an etching The Back of Notre Dame, Paris, signed C Stanley Pollitt

Los 149

A 1930's / 40's mirror with etching of a sail boat, measures 41cm x 64cm

Los 131

D Murray Smith, coloured etching, signed and dated 1936 bottom right measuring 27cm x 37cm

Los 4093

Carl March (British 1959-): 'Heaven's Scent', artist's proof soft ground etching signed and titled 29cm x 51cmProvenance: Purchased from RA Summer Exhibition 1985

Los 4125

Brenda Harthill (British 1943-): 'Girl with Cat', limited edition colour etching on embossed paper signed titled and numbered 73/150 in pencil 74cm x 56cmProvenance: Purchased from RA Summer Exhibition 1985

Los 180

Percy J Westwood etching of Bruges singed to bottom right

Los 194

William Monk 1863 - 1937 'View of Rouen Cathedral' coloured etching 28 x 19'' signed in Pencil to margin

Los 180

Sir Frank Brangwyn (British, 1867-1956): 'The Gate of St. Vincent, Avila,' etching, 1913, 'edition of 125 (Gaunt 223)' hand written to the back, signed lower margin, 39 by 30cm, framed and glazed, 69 by 53.5cm.

Los 179

Sir Frank Brangwyn (British, 1867-1956): 'The Rialto', etching of a Venetian scene, 1906, signed lower margin, 39 by 32.5cm, framed and glazed, 64.3 by 55.8cm.

Los 181

After Sir Frank Brangwyn (British, 1867-1956): 'Church of St Nicholas, Dixmuden', etching, 1908, 53 by 62.5cm, framed and glazed, 67.5 by 77cm.

Los 511

Cecil Aldin (1870-1935) - Etching - "My Face is My Fortune" - Seated dog, 17ins x 13.5ins, signed in pencil in margin, and bears another signature, published by Thomas McLean 1899, in ebonised frame and glazed

Los 516

***Roland Hilder (1905-1993) - Limited Edition coloured etching - "Calm Water/Still Sails", 89 of 480, signed and numbered in pencil, 19ins x 26ins, in gilt moulded frame and glazed

Los 1043

Elizabeth Morris - Unmade Bed, etching, contemporary school - The Abbey, St Albans, watercolour, together with various other pictures and prints

Los 1054

R Robertson - The Thames at Tower Bridge, etching signed in pencil to the margin, 17x21cm

Los 1069

After Meissonier - Young man reading, engraving; together with one other etching; and a monochrome print (3)

Los 1117

English school - The Tower, etching, indistinctly signed in pencil to the margin, together with two other topographical etchings (3)

Los 1118

James Grant - The Gateway of the Church, St Bartholomew The Great, etching, signed in pencil to the mount, together with three other topographical etchings (4)

Los 1123

Reproductions of prints in the British Museum 3rd Series Part 1, specimens of etching by German masters 1475-1575, published by Order of The Trustees 1907

Los 1130

After Rembrandt - The Three Trees, etching, and a pencil profile portrait study (2)

Los 334

A German limited edition 2/11 etching of bird with human face and eggs, 26 x 33 cm

Los 324

After Valerie Thornton - Patterns of stone and brick, gouache, 28 x 38 cm with 1974 exhibition label to reverse from Guildford Borough COuncil to/w artist proof print - 'Cloister Santo Domingo de Sites', etching, pencil signed and dated '78 to lower margin, 66 x 37 cm (2)

Los 304

After Greenwood - artist's proof colour etching 'Waterlilies', pencil signed, 54 x 47 cm

Los 2076

A wooden framed Etching titled 'Kings Passage from the Castle to the Cathedral' by Zofia Stankie Wicz, 20 1/4" x 13 1/2".

Los 2187

A small framed and mounted Etching depicting Tauranga N.Z. along with a framed print depicting a continental countryside scene.

Los 2059

Two Engravings, one drawn by E. Caldwell titled 'Frost Breaking', A. Thorburn 'The First far away echo' and a coloured etching of Shepperton Middlesex.

Los 2054

A framed Oil painting of a still life of flowers, signed lower right C. Veronesi, information verso, 11 1/4" x 13 1/4", together with a framed print of Saundersfoot Harbour and a mounted etching 'The Pleasures of Hope' by G.L Harrison

Los 1067

After Piers Brown (b. 1942)"Kit Calvert MBE"Signed, inscribed, dated (19)83 and numbered 59/100, etching; together with a small group of further pictures and prints to include a coastal landscape watercolour by Alan Powers, landscape near Verona, watercolour by A H Williamson, an indistinctly signed etching beach scene, signed etching of landlady Nellie Burton, and a print after Rothenstein (6)

Los 1075

Richard Beer (1938-2017)"Brasenose College, Oxford"Signed, inscroibed and numbvered 59/100, ethcing and aquatint, together with a further etching "Town Hall, Leeds" by Alan Flood, 74cm by 55cm and 28cm by 17.5cm (2)

Los 695

St. Louis Excellence 6 Champagnerflöten, crystal champagne flutes,Kristall, Frankreich, am Boden mit Ätzstempel, Serie Excellence, 6x H 27 cm x D 6,5 mcrystal, France, with etching stamp, Excellence series, 6x H 27 cm x D 6.5 m

Los 5505

Sydney Buckle (British 19th century): Ludlow, etching together with an etching of Pembroke Castle, river landscape, 19th century engraving of 'The Blind Fiddler' and 1901 exhibition diploma (5)

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