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78472 Los(e)/Seite
Los 116
A GERMAN EXECUTIONER'S SWORD, LATE 17TH/ 18TH CENTURY with broad flat blade formed with a blunt near square tip, cut with a short fuller on each side and etched with the inscription 'Justicia' above the figure of Justice and a scrollwork panel, one side decorated with a wheel at the end of the fuller and a bladesmith's mark at the forte, and the other with a Gibbet (the etching worn), steel hilt comprising a pair of straight tapering quillons with moulded bud-shaped finials, plummet-shaped pommel, and banded grip with later leather covering, in a modern scabbard 80cm; 31 1/2in blade
Los 121
FOUR GERMAN HUNTING SWORDS, 18TH/19TH CENTURIES the first with etched blade double-edged towards the point, decorated with a doe and the inscription 'Weidmans Heil' on the respective sides, steel hilt including down-turned shell-guard and a pair of short moulded quillons, natural staghorn grip, and in its original leather-covered wooden scabbard with large steel mounts; the second with straight fullered blade double-edged towards the tip, retaining traces of etching at the forte, brass hilt, and natural staghorn grip, in its brass-mounted leather scabbard with suspension frog; the third with straight blade inlaid with brass ornament on its upper portion on each side, steel hilt, and natural staghorn grip, in its leather scabbard complete with two buckled loops for suspension; the fourth with robust blade, steel hilt including down-turned scalloped shell and a pair of acorn quillons, in its steel-mounted leather-covered wooden scabbard the first: 51.2cm; 20 1/8in (4)
Los 216
A COMPOSITE GERMAN ARMOUR FOR FIELD AND TOURNAMENT USE, LATE 16TH CENTURY AND LATER comprising close helmet with heavy rounded one-piece skull rising to a low comb (one small internally patched repair), fitted at the nape with conical plume-holder, and formed with a hollowed rim to fit over a collar, visor with prominent step beneath its centrally divided vision-slit, prow-shaped upper bevor pierced at each side with a circular arrangement of eight holes around a further central hole, later bevor fitted at its right side with forked support for the upper bevor and formed at its neck with a hollowed rim continuing that of the skull, the bevor and upper bevor each secured at the right side by spring catches, the visor secured by a wing headed screw, gorget of three lames front and back, hinged on the left and secured at the right, medially-ridged breastplate projecting forward over the belly, boxed at each side, flanged outwards at its V-shaped lower edges to receive a single fauld lame, fitted with a pair of gussets formed en suite with the neck-opening, the inside thickened over the left of the chest, a pair of tassets of five lames, Italian late 16th Century backplate stamped with the letters GP for Gioco del Ponte at the base, a pair of full arm-defences, each comprising large pauldron of five lames, vambrace with tubular upper cannon surmounted by a turner, fully enclosed articulated couter with small pendant-shaped wing, tubular two-piece lower cannon, a pair of fingered gauntlets each formed of a long flared and pointed cuff embossed over the ulna, and fitted with a separate inner plate, five metacarpal-plates, a knuckle-plate decorated with a roped transverse rib, shaped finger-lame, scaled finger-defences and hinged thumb-defence with matching scales, a pair of leg-defences, each comprising cuisse of a main plate and short upper extension plate, winged poleyn of three lames, tubular two-piece greave with integral broad-toed sabaton of ten lames, the armour finely etched in its main bands and borders with scrolling leafy tendrils and flowerheads on a stippled ground, and in its subsidiary borders with narrow guilloche bands, the principal edges with finely roped turns, and the etching retaining some gilding: on a fully articulated stand on an oak plinth (expertly releathered throughout) Provenance The Roselius Haus, Bremen The helmet with its distinctive upper bevor is similar to those worn in the Saxon tournaments of the latter part of the 16th Century. See L. Rangström 1992, p.98, no. 80 and p. 351.
Los 128
William Lee-Hankey (1869-1952) 'Le Connaisseur des Fleurs Etaples', etching, signed in pencil, and bears blind stamp monogram, 21cm x 16cm . Lee-Hankey was born in Chester and studied at the Royal College of Art and later in Paris. He produced a series of etchings of Breton subjects including architectural and figure studies.
Los 306
FOLLOWER OF MONTAGUE DAWSON - Figures in a rowing boat looking out to a ship in full sail, oils on board, 8" x 15", together with a 19th century pencil drawing of a tree; a pair of bisque tablets, each moulded with a Classical scene (one re-stuck); and an album of choco wafer 'Film Star' cards; an etching of an Abbey by Hawksworth and a pen and ink sketch (the latter two items unframed) (7)
Los 1186
After James Gillray 1757-1815- "Titianus Redivivus; or The Seven Wise Men......."; publ. Nov 2nd 1797, by H Humpherys, St James's Street, hand-coloured etching, 59x43cm: Thomas Girtin 1775-1802- The Water Works at Marli"; published Jan 15th 1803, by J N Girtin, Newport St, London, soft ground etching with aquatint, aquatinted by J B Harraden, with margins, scattered foxing and staining to the entire sheet, otherwise good condition, 33x67cm: William Walker 1729-1793-"The Reverend Joseph Stennett, DD"; engravings, two examples of the same plate, after Andrea Soldi 1703-1771 and two further later examples after James Gillray and other 17/18/19th century etchings and engravings by and after various hands, (unframed)
Los 1294
C Maxwell, mid 20th century- Portrait of a woman head and shoulders in a blue hat and a black veil; gouache, signed, 35x25cm: together with two other portrait studies, both signed, one dated 1923, 36x26 and 34x24cm: European School mid 20th century- Head study; etching printed in colours, signed with monogram within the plate, 38x55cm., (4), (unframed) (may be subject to Droit de Suite)
Los 1303
Nigel Lambourne RE 1919-1988- Woman doing her hair; etching, signed, dedicated 'To M & R', numbered R/7 and dated 1962 in pencil, 30x16.5cm: Dorothea Braby 1909-1987- The Hand of God; wood engraving, signed and dated '44 in pencil, 16.5x13.5cm: Rudolf Harold van Rossem, Dutch b.1924- "Solome's Death'; etching, signed with initials within the plate, signed, titled, inscribed and dated '49 in pencil, 15.4x10cm: Marcel Vertes 1895-1961- The Lovers; lithograph printed in colours, signed and inscribed 'Epreuve d'Artiste' in pencil, 20.5x13cm: trogether with one other wood engraving by Dorothea Braby, an etching of lovers in an interior by an unknown hand and a further quantity of small wood engravings, nine of which are mounted in two common mounts and frames, (qty)
Los 1317
Michael Rothenstein RA RE 1908-1993- "The Drill"; lithograph in colours with silver, signed and numbered twenty-four/twenty-five in pencil, 73.2x59.7cm: Norman Stevens ARA 1937-1988- "Tree-Flower"; etching, signed, titled, numbered 15/15 and dated 71 in pencil, 19.3x28.7cm: William Turnbull b.1922- "Composition"; lithograph in pink, signed, numbered 73/100 and dated 68 in pencil, 53.5x53.5cm: Alan Kaprow, American 1927-2006- "Yard"; lithograph, 41.5x54.5cm: After Ronald Searle b.1920- "Evasion"; reproduction print, signed, numbered 142/200 and dated 1998 in pencil, 48.2x63.5cm., (5)
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78472 Los(e)/Seite