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78475 Los(e)/Seite
A 19th Century Napoleonic French Cuirassier / Heavy Cavalry Troopers sword. Brass x3 bar hilt, leather grip with twisted copper bands, double fuller blade having remains of French script etching. Housed in brass scabbard with suspension rings. Various proof stamps to the hilt and blade. Measures approx 116cm. If this lot is required to be posted please see sale notes regarding age verification.
A vintage Colt Peacemaker bowie knife with coffin style hilt, brass crossguard and commemorative Colt's Peacemaker etching to the blade. Housed in a black leather scabbard with belt loop. Measures approx 40cm. If this lot is required to be posted please see sale notes regarding age verification.
A 19th Century British 1821 Pattern Light Cavalry Troopers sword. Pommel with ball final, wire bound ray skin grip with strap back and a x3 bar hilt with forward facing quillon. The ricasso with proof star and blade with Royal Artillery etching. Housed in a brown leather scabbard. Measures approx 105cm. If this lot is required to be posted please see sale notes regarding age verification.
A folio of mixed watercolours, inks and antique engravings, including after Anthony Van Dyck, King Charles I engraving, 19th century pencil sketch, a Rhine castle and a folio of George Crookshank engravings. Condition - varies, mostly fair to good Charles I paper laid on linen, 17th/18th century. Cruickshanks are 1871. Rhine Castle 1839. The Studio magazine Daumier & Gavarni cica 1910. Circa 1805 New Bravura etching with watercolour.No other historical figure portraits in this lot.
A GROUP OF BOXED GALWAY CRYSTAL AND BELEEK PORCELAIN to include a rose patterned trinket box (a chip to the underside lid), an ornamental rugby ball height 25cm, a patterned frame (slight scratch to the upper right hand side), a similar frame with a laser 40th anniversary etching to the upper band, an ornamental glass grandfather clock height 11cm (clock face loose), an ornamental glass mantel clock height 13cm x width 16cm, a group of Belleek ornaments with original boxes comprising a butterfly spill vase, a Tara votive candle holder, a Tara vase height 10cm, and a catalogue (10) (Condition Report: major damage listed above, original barcode stickers to the bases of some items)
A QUANTITY OF PAINTINGS AND PRINTS ETC, to include unframed oil on board portraits signed W. Ball, painted circa 1970's, largest size approximately 35cm x 25cm, unsigned pen and colour wash illustrations, a Picasso style oil on canvas depicting a Cubist style nude by Mike Brassington, two indistinctly signed oil on board nude female figure studies, dated 1965 verso, a dry point etching 'Avalon' signed Leslie Charles Jones, an indistinctly signed oil on board floral still life, an Amado Pena market place print etc
A LARGE GROUP OF LIMITED EDITION PRINTS to include Ruth Baderian (American b.1927), eleven limited edition colour prints of ‘Tulip Tunes I’, titled, signed and numbered in pencil, nos.49, 53, 56, 63, 69, 75, 78, 825, 826, 827 and 836 / 950, mounted and unframed, image size 10cm x 14.5cm, Jean Vyboud (1872-1944) 'Petit Chagrin', 'Fire Side' coloured print edition 29/75 artist unknown, Susie Perring 'Ripe Blackcurrants' edition 18/200, 'Nymphata' coloured etching print edition 39/75 and Rene Legrand ' Gitane-The Fringed Shawl' edition 550/575, all prints are card mounted, largest mount size 48cm x 53cm, some are signed, named and numbered to the bottom, six card mounted Valerie Christmas (British) prints to include 'Coot' edition 45/60, 'Patio Pots' edition 25/100, 'Dog Violet' edition 12/100, 'Kitchen Flowers' edition 35/100, 'Buttercups and Bullseyes' edition 10/200 and 'Sunflowers' edition 4/200, all are signed, named and numbered along the bottom in pencil, all card mounted, largest mount is 50cm x 54cm, (22) (Condition Report: minor knocks to some corners of the mounts, cellophane sleeves are dusty, all measurements are approximate)
A GROUP OF LIMITED EDITION MOUNTED PRINTS to include Darren Barker (British 1976) 'On The Canal' edition 18 of 49, printed on canvas, 28cm x 40cm, 'Bright Lights' edition 31 of 195, in card mount, mount size 38cm x 42.5cm, five Natalie Collet card mounted Hand embellished water colour prints to include 'Fossils' edition 24/200, 'Fossils' edition 14/200, 'Fossils' edition 21/200, ' Water Dance II' edition 55/200 and 'Water Dance II' edition 28/200, all are card mounted and hand embellished with golden detail, all signed, numbered and named along the bottom in pencil, largest mount is 38cm x 28cm, a Ruth Baderian (American b.1927) 'Cascade' floral print edition 28/950, 'Tulip Tunes II' watercolour print edition 215/950, three Sally Winters coloured prints to include ' Old Ted' edition 221/250, 'Snowdrops and Calico Mug' edition 51/100 and 'French Kiss!' edition 44/160, and two Louise Southan (British Contemporary) coloured prints to include ' Daisies' edition 274/850 and coloured print 'Daffodils' edition 414/850, all prints are card mounted, largest mount is 33cm x 35cm, all are named, signed and numbered along the bottom in pencil, five etching prints by artist C. Maunder to include ' Fruit & flowers' edition 28/150, 'Rug of Contentment' edition 86/250, 'Soumak Rug' edition 4/180, 'Rose Rug' edition 30/250 and 'Fantasy' edition 7/150, all prints are hand embellished with golden detailing, all card mounted, largest mount size 35cm x 31cm, (qty) (Condition Report: all appear to be in good condition, light knocks to sharp edges and corners of some mounts, all in their cellophane wrapping, light dust to all cellophane , all measurements are approximate)
A LARGE GROUP OF MOUNTED LIMITED EDITION PRINTS to include two limited edition prints by Darren Barker, 'Ballet Shoes II' printed on canvas edition 1 of 195, 29cm x 28cm, signed and numbered in silver pen, 'Bright Lights' edition 40 of 195, in card mount, mount size 38cm x 42.5cm, signed and numbered in pencil, six coloured etching prints by A C Maunder to include ' Michaelmas' edition 18/150, 'Waterside' edition 12/150, 'Anemone' edition 22/150, 'Azaleas' edition 33/200, one unknown print depicting a garden with a bird table believe to be from the same artist and 'Fantasy' edition 23/150, most prints are named, numbered and signed along the bottom in pencil, all card mounted, largest card mount is 33cm x 32cm, a Sue Lewington (British Contemporary) card mounted A/P print 'Box of Shells', card mounted and signed and names to the bottom in pencil and a 'Daisyfield' coloured print edition 79/280, signed, named and numbered to the bottom in pencil along with four other prints from artist Sally Winter to include 'Koi' watercolour print edition 2/160 signed and named to the bottom in pencil, 'Greenhouse' watercolour print edition 35/150 signed and named to the bottom in pencil, 'French Kiss!' edition 30/160 signed and named to the bottom in pencil and watercolour print 'Snowdrops and Calico Mug' signed and named to the bottom in pencil, all inside their card mounts and cellophane wrapping, largest card mount is 33cm x 39cm, seven card mounted colour prints, to include a Sally Winter 'The Terrace' edition 56/180, Sally Winter ' Old Ted II' edition 26/250, R Baderian ' Tulip Tunes II' edition 75/210, R Baderian ' Petit Fleur' edition 17/950, Louise Southan 'Daffodils' edition 438/850, Louise Southan 'Daisies' edition 47/850 and Helen Rhodes 'Praline' edition 211/350 embossed to bottom left corner, all are signed, named and number along the bottom in pencil, all card mounted, largest card mount 37cm x 33cm,( qty) (Condition Report: all appear in good condition some with light knocks to corners and sharp edges of mounts, all wrapped in their cellophane wrapping, some tears to cellophane wrapping and light dust to all cellophane, all measurements are approximate)
A stunning clear and frosted bowl formed as rows of engraved leaves. The bowl captures the beauty of nature and Paris. Lalique France acid-etching and sticker on the underside. Artist: Marc LaliqueIssued: 1950sDimensions: 18"L x 10"W x 7.5"HManufacturer: LaliqueCountry of Origin: FranceCondition: Age related wear.
Limited edition, elegant animal figure of a feline stalking. The figure features the essence of grace and strength. Beautiful details on the crystal fur and spots. Lalique France acid-etching on the underside. Artist: Marie-Claude LaliqueIssued: 20th centuryDimensions: 14.5"L x 2.5"W x 4.25"HEdition Number: 797 of 888Manufacturer: LaliqueCountry of Origin: FranceCondition: Age related wear.
John Bryce (1936-2012), ‘’Past Power and Glory’’, Battersea Power Station, engraving, Ed. 2/100, signed and dated in pencil 2008, 19 x 13.7cm; K. Carter (British 20th/21st Century), ‘’Lobster Pots’’, etching Ed. 2/15, 16.6 x 16.7cm; M. Sudwell (British, 20th/21st Century), ‘’Vortex’’, etching AP, 19.1 x 17.8cm (3)
English School, Early 20th Century, Rural dirt track with a gate, cockerel, hens, and trees, indistinctly signed lower right (obscured by mount), watercolour, 33.5 x 48cm; Glynn Thomas (b.1946), "Lavenham", signed, titled and numbered "10/150" in pencil in the margin, lithograph, 32 x 22.5cm; Anthony John, 2 squirrels, signed in pencil, etching, 17 x 24cm, and 2 doormice. (4)
H.M. Queen Elizabeth II, four handwritten and signed letters to Angela Lascelles, one on Sandringham headed paper, dated February 2006, regarding Ascot Royal Box, second paragraph: 'I don't see any problem to your coming to the box as usual but it would help Charles Richards to organise more efficiently if you could let him know which days you would like to come. So far, the box doesn't yet exist so we are working on plans which doesn't help much!... I do hope you are better now - Margaret told me you had a bad time at Christmas', signed 'With love from Elizabeth R' (some water damage to the signature and last two lines); one on Buckingham Palace headed paper, dated June 1989, ‘I hope you will be very careful and do everything that the doctors tell you – especially not do anything! I can imagine that will be a boring directive, but necessary.’; two on Windsor Castle headed paper, dated June 1979, 'Dear Angela, Having now approved Henry's marriage at the Privy Council this week, the way is now clear, I hope for the wedding. I am sure it would be quite all right for them to be married in the Park Chapel at Royal Lodge...', signed 'Yours very sincerely Elizabeth R'; the other with etching of Windsor Castle, dated November 1979, responding to an invite 'to come and see the house', with two accompanying envelopes. (6).PROVENANCE:Private collection of Angela Lascelles (wife of The Hon. Gerald Lascelles, First Cousin of Queen Elizabeth II) and thence by descentCondition: June 1979 letter: horizontal fold and crease from top to bottom, another crease to lower right corner, stain to the word 'Chapel', smudging or possibly water damage to the word 'and' at the bottom of the page.November 1979 letter: smudging to the word 'asking', central crease and another loose fold two thirds down the page.June 1989: central fold, no other issues found.Feb 2006: stain at the top of the page, and another on the word 'him' towards the bottom of the page, some marks to the right of the page just above the central fold, the reverse has water damage.No tears to the folds.Please refer to additional images.
Three pieces: 1. Marie Adler (Austrian, 1863-1947) - two etchings of Austrian architectural subjects, both signed and inscribed, approx. 15 x 9¾ in (38.4 x 25.1 cm), one stained and cockled. 2. Sidney Tushingham, RE (British, 1884-1968), 'Menai Straits', signed etching, stained to mount. All in plain ebonised frames.
Roland Batchelor RWS (1889-1990) - Pub Garden Invaded by Pan, drypoint etching, signed, titled and numbered 18/40 in pencil to the margin, bearing gallery label verso, visible sheet dimensions 12 x 17.5cmA slight wave to the sheet. No tears, holes or creases. No staining, fading or discolouration.Some dirt trapped under glass, a few minor knocks to the frame.
§ Henry Moore OM CH FBA (1898-1986) - Storm at Sea, etching and drypoint on Rives paper, signed and numbered 34/50 in pencil to the margin, printed by Atelier Lacourière et Frélaut, Paris, published by the Henry Moore Foundation, Much Hadham, 1974, visible sheet dimensions 16.5 x 25.5cmThe sheet has a slight wave to it.No tears, holes or creases.Colour of both image and sheet are good.Overall in good original condition.

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78475 Los(e)/Seite