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78472 Los(e)/Seite
Los 92
Collection of prints including Britannia Rules the Waves, lithograph after Frank Brangwyn, Rome, drypoint etching indistinctly signed pub. 1917 by W. R. Howell, Nasturtiums in Summer and Burnswall, artists proof and ltd.ed signed by Alan Hydes, Stained Glass Parish Church, watercolour singed by Annie Wood max 71cm x 45cm (qty) Condition Report Click here for further images, condition, auction times & delivery costs
Los 430
Herbert Dicksee (1862-1942), Etching, Lion by a lake, Signed in pencil, 49cm x 77.5cm, Framed and glazed Provenance: Yeaton Peverey Hall CONDITION REPORT: Please note that there are reflections within the extra images which have been uploaded. Slight 'ruffling' at edges - more so to the left hand edge, and some minor browning to edges. Frame with some minor wear. Overall size is 79.5cm x 108cm
Los 431
Herbert Dicksee (1862-1942), Etching, Raiders, Blind stamp - dated Oct 1st 1898, 42cm x 68cm, Framed and glazed (Not signed and paper with some damage)Provenance: Yeaton Peverey Hall CONDITION REPORT: Please note that there are reflections within the extra images which have been uploaded. Paper browned with a 'Y' shaped teat to the bottom edge and a small tear along the plate line to the left of this. There are five small red patches of repair to the main image on the left hand side. Frame with some wear. Overall size is 71.5cm x 98cm
Los 432
Herbert Dicksee (1862-1942), Etching, The Lion, Signed in pencil and with 'TB' blindstamp, dated April 1st 1898, 53.5cm x 67cm, Framed and glazed (some creasing occurring) Provenance: Yeaton Peverey Hall CONDITION REPORT: Please note that there are reflections within the extra images which have been uploaded. The paper is 'ruffled' throughout most of the edges, this is heaviest on the left hand side. Some attention might be needed to flatten back and remove potential creases. Overall size 84cm x 97cm
Los 433
Herbert Dicksee (1862-1942), Etching, Lion and Lioness, Signed in pencil by the artist and 'Goulding', 52cm x 72cm, Framed and glazed Provenance: Yeaton Peverey Hall CONDITION REPORT: Please note that there are reflections within the extra images which have been uploaded. The etching is browned throughout. Overall size is 82.5cm x 102.5cm
Los 410
Alken, Henry. The Art and Practice of Etching, First Edition, 1849. 8vo., orig. cloth gilt. Frontispiece and 8 plates - Flaxman, John, illus. The Odyssey… Iliad of Homer, 2 vols., 1805. Oblong folio, cont. half calf gilt (worn, upper covers detached). Outline engraved plates. Bookplates of Capt. John Henry Howard, RN, Rushett, and additional label "Given by Harriet Black. From the Library at No. 9 Russell Square…July 1890" (3)
Los 100
*Bone (Sir David Muirhead, 1876-1953). Construction of an Underground, London, 1915etching on laid paper, signed in pencil, plate size 17.3 x 14 cm (6.8 x 5.5 ins), sheet size 23.3 x 18.7 cm (9.2 x 7.4 ins), tab-mounted on card, together with Study of a Man in a Peaked Cap, etching, printed with plate tone, signed in pencil, plate size 10 x 6.5 cm (3.9 x 2.5 ins), sheet size 28 x 20 cm (11 x 8 ins), hinge-mounted on card Provenance: Mercury Gallery, London. (2)
Los 101
*Palmer (Samuel, 1805-1881). The Bellman, 1879, etching on antique laid paper, a fine 'Trio' impression, published in an edition of 60 impressions by the Cotswold Gallery in 1926, the Fine Art Society lettering of the 6th state removed, with the engraved triangle added to corner of lower left margin, and initialled in pencil by Frank Short, Martin Hardie and F. L. Griggs, additionally initialled by Griggs to lower right corner, image size 167 x 236 mm (6.5 x 9.25 ins), plate size 190 x 251 mm (7.5 x 10 ins), sheet size 289 x 386 mm (11.4 x 15.25 ins), hinge-mounted Lister 11 vii/vii. Alexander 11 vii/vii. In 1924 F. L. Griggs contacted Samuel Palmer's son, A. H. Palmer, who supplied him with eight of his father's uncancelled plates for printing. In consultation with Frank Short, Professor of Engraving at the Royal College of Art and Martin Hardie, Keeper of Prints & Drawings at the Victoria & Albert Museum, he oversaw the printing of editions of 50 to 75 impressions from five of the plates. Each impression had an engraved triangle together with the Trio's (as A.H. Palmer called them) pencil initials in the lower margin. These were published by the Cotswold Gallery, London, to coincide with Hardie's groundbreaking exhibition Drawings, Etchings and Woodcuts by Samuel Palmer and Other Disciples of Blake at the V & A in 1926. (1)
Los 102
*Palmer (Samuel, 1805-1881). The Sleeping Shepherd, 1857, etching on chine appliqu‚, with artist's name printed lower left and numbered 5 centre of lower blank margin, as published in Etchings for the Art Union of London by the Etching Club, 1857, image size 9.5 x 7.8 cm (3.75 x 3 ins), plate size 12.3 x 10.2 cm (4.9 x 4.1 ins), sheet size 30.5 x 22.3 cm (12 x 8.75 ins), hinge-mounted Lister 6, iv/iv. (1)
Los 108
*Palmer (Samuel, 1805-1881). The Herdsman's Cottage, or, Sunset, 1850, etching on pale cream laid paper, the second and final state, with printed initials S P to lower left, as issued in The Portfolio in 1872, image size 97 x 76 mm (3.8 x 3 ins), plate size 124 x 102 mm (4.8 x 4 ins), sheet size 302 x 217 mm (12 x 8.6 ins), hinge-mounted Lister E3 ii/ii. (1)
Los 109
*Palmer (Samuel, 1805-1881). The Lonely Tower, 1879, etching on Whatman pale cream wove paper, with watermark, from the edition of 25 impressions printed by Mary Sholten in 1954, numbered 23/25 lower left and initialled M. S. lower right, plate size 187 x 251 mm (7.3 x 9.9 ins), sheet size 295 x 465 mm (11.6 x 18.3 ins) Lister E12, vii/vii. (1)
Los 111
*Griggs (Frederick Landseer, 1876-1938). Lanterns of Sarras, 1932, etching printed in black ink on heavy laid paper, the 4th state (of 4), with the etched text below the image removed, signed in pencil F.L. Griggs lower right, and marked Nov: lower left, plate size 25.9 x 18.3 cm (10.25 x 7.25 ins), sheet size 27 x 18.6 cm (10.6 x 7.4 ins), mounted Comstock 47, iv/iv. The artist's diploma work on election to full membership of the Royal Academy. (1)
Los 112
*@Drury (Paul, 1903-1987). September, 1928, etching on wove paper (with partial watermark to upper edge), signed and dated Paul Drury ' fec. et imp. 28, and additionally inscribed by the artist in pencil to lower margin 'Personal print 6/6. Turkey Mill. (Walker 25) Plate destroyed', a fine, rich impression, plate size 102 x 130mm (4 x 5.1ins), sheet size 17 x 23 cm (6.75 x 9 ins), hinge-mounted Garton 24. (1) Note: It appears that, despite the inscription by the artist on this print, that the plate for this work was not destroyed, as a second edition was issued by Garton & Cook in 1987, in an edition of 100.
Los 113
*@Drury (Paul, 1903-1987). Canal Scene, Bishop's Stortford, 1936, etching on pale cream wove paper, plate size 16 x 19.7 cm (6.25 x 7.75 ins), sheet size 23.7 x 28 cm (9.3 x 11 ins), framed and glazed, with handwritten inscription to verso 'Bishops Stortford by Paul Drury. Exhibited at Royal Society of Painter-Etchers & Engravers first show at their new Bankside Gallery, 17th January to 12th February 1981' Garton 46 (probably 5th state). No published edition. This work was created from a drawing made at Bishop's Stortford in the summer of 1936 when the artist was staying with William Larkins, and first exhibited at the Royal Society of Painter-Etchers in 1937. (1)
Los 114
*Goya (Francisco de, 1746-1828). Self Portrait, (Plate 1 from Los Caprichos), 2nd edition of circa 1855, etching with aquatint on off-white wove paper, probably the 5th edition, published by the Calcografia de Real Academia, Madrid, between 1881 and 1886, some light marks and minor soiling, mainly to margins, plate size 21.5 x 15.4 cm (8.4 x 6 ins), sheet size 32.7 x 24.2 cm (12.8 x 9.5 ins), hinge-mounted Harris 36, III, 2. Delteil 38 iv/iv. (1)
Los 115
*Griggs (Frederick Landseer, 1876-1938). Memory of Clavering, 1934, etching on laid paper, the third state (of 4), printed in an edition of 68 signed proofs in this state, with the etched text of the sonnet by W. Browne below the image, signed in pencil, plate size 177 x 240 mm (7 x 9.5 ins), sheet size 183 x 240 mm (7.25 x 9.4 ins), framed and glazed Comstock 51, iii/iv. A very good, rich impression with the lettering printed clearly (the artist told Harold Wright of Colnaghi that the verses were only lightly etched, and would consequently wear out, so much so that the fourth and final state removes the text entirely). (1)
Los 116
*Griggs (Frederick Landseer, 1876-1938). Tattershall, 1932, etching printed on heavy laid paper, the 3rd state (of 4), printed in an edition of 65 proofs, signed in pencil F.L. Griggs lower right, inscribed in ink to verso 28 and 'D.H.P.' (for Dover's House Press), the full sheet, plate size 17.7 x 26.3 cm (7 x 10.4 ins), sheet size 32.5 x 42.2 cm (12.75 16.6 ins), hinge-mounted Comstock 44, iii/iv. (1)
Los 125
*Meryon (Charles, 1821-1868). Le Petit Pont, 1858, etching on wove paper, a 19th century impression, trimmed to plate margin, 262 x 190 mm (10.3 x 7.5 ins), hinge-mountedtogether with Claude (Le Lorrain, 1600-1682), Le Pont de Bois (Rebecca and Eliezer), circa 1638-41, etching on wove paper, a 19th century impression, trimmed to plate margin, 130 x 195 mm (5.1 x 7.7 ins), hinge-mountedSchneiderman (Meryon) 20-3 (9). One of Meryon's best-known works, depicting the Hotel Dieu de Paris before its destruction. (2)
Los 137
*Ray-Jones (Raymond, 1886-1942). Self-portrait wearing a hat, 1915-21, etching on laid paper, with watermark F.J. Head & Co. partially visible to extreme upper edge of the sheet, signed in pencil, and additionally titled in pencil by the artist 'Portrait of the Artist' to lower edge, plate size 33 x 24.7 cm (13 x 9.75 ins), sheet size 40.5 x 32.5 cm (16 x 12.75 ins) (1)
Los 142
*Taylor (Charles William 1878-1960). Beyond Chadwell St Mary (Essex), etching, signed and numbered 5/53 in the margin, plate size 23 x 18cm (9 x 7ins), framed and glazed, together with Mason (Henry Frank, 1876-1965), Church ruins, etching, signed in margin, plate size 14.5 x 23cm (5.75 x 9ins), framed and glazed, plus a pair of dry point etchings by E. Sharland, Dunster Castle and Windsor Castle, each signed and titled in margin, 13 x 24cm (5 x 9.5ins), framed and glazed (limited edition of 50) (4)
Los 144
*Amarasekara (Abraham Christopher Gregory Suriarachi, 1883-1959). Evening, 1928, etching on laid paper, printed in red-brown, signed, dated and titled in pencil to lower margin, plate size 10.6 x 15.1 cm (4.2 x 6 ins), discolouration to margins, hinge-mounted on thick paper Sri Lankan artist Amarasekarera came to England in the early years of the 20th century, and exhibited at the Adelphi and the Royal Academy. A lecturer in fine arts at Ceylon Technical College, he was also honorary vice president of the Ceylon Society of Art between 1926 and 1958, and president of the Society between 1959 and 1969. (1)
Los 145
*@Tunnicliffe (Charles Frederick, 1901-1979). Cattle Market, Waters Green, Cheshire, circa 1935, etching on cream laid paper, from the published edition of 75 impressions, signed in pencil, and numbered 34/75 to lower margin, a few light spots, plate size 20.8 x 27.7 (8.2 x 10.9 ins), with margins, framed and glazed (1)
Los 147
*Walcot (William, 1874-1943). The Thames from Waterloo Bridge, 1913, etching on cream wove paper, with plate tone, from the published edition of 100, signed in pencil lower right, plate size 95 x 180 mm (3.75 x 7 ins), framed and glazed, with label of Henry Whitley, Printseller, Scarborough to verso (1)
Los 152
*Clarke (Graham, 1941-). Are They? 1984, colour etching, showing the artist's home at Christmas, signed, titled and numbered 60/300, plate size 34.5 x 40cm (13.5 x 15.75ins), together with another by the same artist 'Excelsior', 1984, colour etching, showing the artist's wife and daughter at home, signed, titled and numbered 60/300, plate size 34 x 39.5cm (13.25 x 15.5ins), both framed (2)
Los 155
*Clarke (Graham, 1941-). Lady of Shallot, 1992, colour etching, signed, titled and numbered 167/350, plate size 35 x 44cm (13.75 x 17.25ins), framed and glazed, together with another by the same artist, Sage of Onions 1992, colour etching, signed, titled and numbered 167/350, plate size, 35 x 44cm (13.75 x 17.25ins), framed and glazed (2)
Los 172
*@Frink (Elisabeth, 1930-1993). Ganymede (from the series Children of Gods), 1988, etching with aquatint, on wove paper, from the edition of 70, printed by Kelpra Studio, London, with their blindstamp, published by the artist, signed and numbered 1/70 in pencil, plate size 56 x 39 cm (22 x 15.25 ins), sheet size 72 x 55 cm (28.3 x 21.7 ins), framed and glazed Wiseman 146. (1)
Los 180
*@Inshaw (David, 1943-). Honeystreet (from the series Wiltshire Landscapes), 1992, etching and aquatint in 9 colours on Moulin Gue paper, an artist's proof aside from the published edition of 45 impressions, signed, dated, inscribed AP and numbered 4/6 in pencil, plate size 40.4 x 26 cm (15.9 x 10.25 ins), with margins, mounted (1)
Los 181
*@Inshaw (David, 1943-). Woodborough Hill Canal, (from the series Wiltshire Landscapes), 1992, etching and aquatint in 14 colours printed on Moulin Gue paper, an artist's proof aside from the published edition of 45 impressions, signed, dated, inscribed AP and numbered 4/6 in pencil, plate size 40.2 x x33cm (15.8 x 13.2 ins), with margins, mounted (1)
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78472 Los(e)/Seite