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Dominic Winter Book Auctions
Los 1

* Pott (Constance Mary, 1862-c.1930). A Kentish road, uncol. etching, signed in pencil by the artist, approx. 9 x 12 in (23 x 31cm), mounted, together with Womersley (Alfred, 20th c.), Westminster Cathedral, uncol. litho, signed and titled by the artist to lower margin, approx. 15 x 10 in (38 x 26cm), mounted, plus Maxwell (Tom, 20th c.), Untitled coastal landscape/River landscape, a pair of uncol. etchings, signed in the plt., each approx. 8 x 12 in (20 x 31cm), mounted, and one other (5)

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Dominic Winter Book Auctions
Los 1

* Renoir (Pierre-Auguste, 1841-1919). Le chapeau epingle (third plate), etching, signed in the image, plate size approx. 120 x 830mm (4.75 x 3.25ins), framed and glazed, together with Sur la Plage ˆ Berneval, etching, signed in image, plate size approx. 135 x 95mm (5.25 x 3.75ins), framed and glazed (2)

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Dominic Winter Book Auctions
Los 1

* Richards (Fred, 1878-1932). In Normandy, etching, signed and titled (a view of old buildings in Lisieux), plate size approx. 210 x 160mm , together with Webb (Clifford, 1895-1972), Portrait of a Cavalier, colour woodcut, signed in pencil, image size approx. 175 x 165mm , plus Haden (Francis Seymour, 1818-1910), trees on a hillside, etching, signed in pencil, approx. 75 x 75mm , and other various etchings, including works by Fred Richards, Harry Winslow, Luke Taylor, Martin Hardie, Isobel Mesham, etc. (30)

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Dominic Winter Book Auctions
Los 1

* Robertson (Percy, 1869-1934). Westminster from Vauxhall, etching, signed in pencil to lower margin, approx. 190 x 290mm (7.5 x 11.5ins), framed and glazed (1)

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Dominic Winter Book Auctions
Los 1

* Robins (William Palmer, 1882-1959). Landscape with cattle watering beneath trees, etching, signed in pencil to lower margin, plate size approx. 170 x 207mm (6.75 x 8.25ins), framed and glazed (1)

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Dominic Winter Book Auctions
Los 1

* Sharp (Miles Balmford, 1897-). Building Works, 1925, drypoint etching, signed, dated, and inscribed to Kenneth Holmes Esq., plate size approx. 180 x 263mm, mounted From the collection of the artist Kenneth Holmes. (1)

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Dominic Winter Book Auctions
Los 1

* Shepperson (Claude Allin, 1867-1921). The Studio Coat, 1911, etching, signed in pencil to lower margin, approx. 255 x 355mm (10 x 14ins), framed and glazed (1)

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Dominic Winter Book Auctions
Los 1

* Shepperson (Claude Allin, 1867-1921). Landscape with woman in ballgown, etching, signed in pencil, plate size approx. 205 x 255mm (8 x 10ins), together with Osborne (Malcolm, 1880-1963), An Old Quarry, Bannockburn, drypoint etching, signed in pencil, plate size approx. 175 x 230mm (7 x 9ins), mounted, plus Spensce (Robert, 1871-1964), Scenes from the Life of George Fox, six etchings, each signed in pencil, and six other etchings, including one landscape by L. Walker and five unsigned etchings by William Strang (14)

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Dominic Winter Book Auctions
Los 1

* Shirlow (John Alexander, 1869-1936). Distant View of Melbourne across the River Yarra with St. Pauls Cathedral, etching, signed in pencil, plate size approx. 210 x 235mm (8.25 x 9.25ins), framed and glazed (1)

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Dominic Winter Book Auctions
Los 1

* Sparks (Nathaniel, 1880-1957). The Black Knight, final proof etching, signed in pencil to lower margin, approx. 290 x 255mm (1)

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Dominic Winter Book Auctions
Los 1

* Stant (J. Lewis, 20th-c.). Bodinnick Ferry, Fowey, col. etching, signed and titled by the artist in pencil to lower margin, image approx. 12 x 9 in (30 x 23cm), framed and glazed (1)

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Dominic Winter Book Auctions
Los 1

* Strang (William, RA, RE, 1859-1921 ). Old Walls, Segovia, etching, artists proof, signed in pencil, plate size approx. 255 x 330mm (10.5 x 13ins), framed and glazed (1)

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Dominic Winter Book Auctions
Los 1

* Strang (William, 1859-1921). The Ancient Mariner, etching, signed on behalf of the artist by David Strang, approx. 225 x 200mm (9 x 8ins), framed and glazed, together with Illustration to The Monk and Hangmans Daughter, etching with engraving, signed on behalf of the artist by David Strang, and printed by him, plate size approx. 150 x 175mm (6 x 7ins), mounted, plus Trees, soft-ground etching, signed on behalf of the artist by David Strang, and printed by him, plate size approx. 150 x 100mm (6 x 4ins), mounted (3)

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Dominic Winter Book Auctions
Los 1

* Taylor (Eric Wilfred, b. 1909). Daughters of Adella the Gypsy, uncol. etching, signed and titled in pencil by the artist, approx. 7.5 x 7 in (17 x 19cm), framed and glazed, together with Sweet (W.H.), Shakespeares House/Anne Hathaways Cottage/Mols Coffee House, Exeter, together three uncol. etchings, signed in pencil by the artist, approx. 7 x 11 in (17 x 28cm) and slightly smaller, framed and glazed, plus approx. forty-five misc. 20th-century etchings, many signed by the artist, all unframed (approx. 50)

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Dominic Winter Book Auctions
Los 1

* Tunnicliffe (Charles Frederick, 1901-1979). The Hayrick, etching, signed and numbered 50/75 in pencil to lower margin, plate size approx. 205 x 265mm (8 x 10.5ins), framed and glazed (1)

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Dominic Winter Book Auctions
Los 1

* Turnbull (Andrew Watson, 1874-). University College, London, etching, signed in pencil, plate size approx. 250 x 380mm (10 x 15ins), with margins, mounted, together with Aiken (John MacDonald, 1880-1961), Nelsons Column, Trafalgar Square, 1919, etching, signed and dated in the image, plate size approx. 380 x 250mm (15 x 10ins), framed and glazed, plus Law (W. Edwin), Edinboro Castle, sepia etching, signed and titled in pencil to lower margin, plate size approx. 350 x 235mm (13.75 x 9.25ins), framed and glazed (3)

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Dominic Winter Book Auctions
Los 1

* Wedgwood (Geoffrey Heath, 1900-1977). Trattoria Gatti, Rome, 1929, etching, signed in pencil to lower margin, plate size approx. 180 x 180mm (7 x 7ins), framed and glazed After Army service in the First World War, Geoffrey Wedgwood studied at Liverpool School of Art, and the Royal College of Art. He won the Prix de Rome for engraving in 1925, exhibited at the Royal Society of Etchers, the Royal Academy, the New English Art Club, Fine Art Society, and elsewhere. (1)

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Dominic Winter Book Auctions
Los 1

* Whistler (James Abbott MacNeil, 1834-1903). Billingsgate, 1859, etching, printed and published by P.G. Hamerton in Etching and Etchers, 1880, plt. size approx. 150 x 225mm (6 x 9 in), with margins (Kennedy 47), together with four other etchings, various, inc. an unsigned etching by William Strang of The Mother, 1884, and signed topographical etchings by Hanslip Fletcher, H.M. Blake, etc., all mounted (5)

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Dominic Winter Book Auctions
Los 1

* Whistler (James Abbott MacNeil, 1834-1903). The Little Pool [from A Series of Sixteen Etchings of Scenes on the Thames], 1861, etching, signed and dated in the image, plate size approx. 102 x 126mm (4 x 5ins), sheet size approx. 127 x 151mm (5 x 6ins), period Hogarth-style frame, glazedKennedy 74. (1)

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Dominic Winter Book Auctions
Los 1

* Wilkinson (Henry, b.1921). Two Pointers on a Hillside with Sportsman in the Distance, coloured etching, signed in pencil to the lower margin, approx. 10ins x 12ins (26 x 30cm.), mounted, (Limited edition 32/100), plus two others by the same artist, all framed and glazed (3)

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Dominic Winter Book Auctions
Los 1

* Wyllie (William Lionel, R.A. 1851-1931). Battle of Jutland - Torpedo Boats attacking the Fleet, etching, signed in pencil, plt. size approx. 900 x 330mm (3.5 x 13 in), framed and glazed (1)

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Dominic Winter Book Auctions
Los 1

* Nevinson (Christopher Richard Wynne, (1889-1946)). Nerves of an Army, 1918, drypoint etching on laid paper, signed in pencil, approx. 200 x 140mm (7.75 x 5.5ins), framed and glazed Leicester Galleries, Nash and Nevinson, The Graphic Work, 1914-1920 (1977), 9 (1)

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Dominic Winter Book Auctions
Los 1

* Nevinson (Christopher Richard Wynne, (1889-1946)). Returning to the Trenches, 1916, drypoint etching printed in dark brown, a good impression, signed and dated in pencil, from the edition of 75 on laid paper, with wide margins, in good condition, apart from light mount stain, a few minor marks to margins, plate size approx. 150 x 201mm (6 x 8ins), sheet size approx. 212 x 275mm (8.3 x 10.75ins), together with the copy of Modern War Paintings by C. R. W. Nevinson, pub. Grant Richards, 1917, printed in a limted edition of 75 copies, this copy numbered 67 and signed by the publisher, in which the etching was originally published Provenance: From the collection of Samuel Courtauld, (1876-1947), the wealthy industrialist and art patron, with his bookplate (designed by Paul Nash) to front pastedown. Leicester Galleries Catalogue. Leicester Galleries, Nash and Nevinson, The Graphic Work, 1914-1920 (1977), 1. (1)

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Dominic Winter Book Auctions
Los 1

* Nevinson (Christopher Richard Wynne, (1889-1946)). A Dawn, 1914, drypoint etching, approx. 180 x 150mm, crudely trimmed to margins, touching the image along the length of the left hand margin, and without the lower margin containing the artists signature, laid down on old backing card Leicester Galleries, Nash and Nevinson, The Graphic Work, 1914-1920 (1977), 17. This print was produced by Nevinson in 1916, and shown in his first solo exhibition at the Leicester Gallery in London in the same year. Its Futurist technique is borrowed from the works of the Italian Futurists around Marinetti whom Nevinson met in Paris, prior to the First World War. As he told the Daily Express in 1915, Our Futurist technique is the only possible medium to express the crudeness, violence, and brutality of the emotions seen and felt on the present battlefields of Europe. (1)

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Dominic Winter Book Auctions
Los 1

* Nevinson (Christopher Richard Wynne, (1889-1946)). In The Cafe, 1919, drypoint etching, plate size approx. 223 x 150mm , signed and dated in pencil, with margins, sheet size approx. 375 x 280mm (14.75 x 11ins), tab-mounted Leicester Galleries, Nash & Nevinson, The Graphic Work 1914-1920 (1977), 68. (1)

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Dominic Winter Book Auctions
Los 1

* Lyme Regis, 1927, drypoint etching, signed in pencil to lower margin, plate size approx. 193 x 320mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Knaresborough, 1929, drypoint etching, published by James Connell in an edition of sixty proofs, approx. 247 x 245mm (9.75 x 9.75ins), mounted (1)

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Dominic Winter Book Auctions
Los 1

* Behind the Capitol, Rome, 1928, drypoint etching, signed in pencil to lower margin, pub. James Connell in an edition of sixty-eight proofs, plate size approx. 295 x 192mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* The Works, Linton, 1925, drypoint etching, signed in pencil to lower margin, plate size approx. 260 x 275mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Naples, 1928, etching, signed in pencil to lower margin, pub. by James Connell in an edition of sixty-eight proofs, plate size approx. 227 x 282mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Victoria Station, 1927, drypoint etching, signed in pencil to lower margin, pub. by James Cornell in an edition of fifty proofs, plate size approx. 278 x 213mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Pevensey Bay, 1933, drypoint etching, signed in pencil to lower margin, plate size approx. 1588 x 340mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Whitby, 1929, etching, signed in pencil to lower margin, pub. by James Connell in an edition of sixty proofs, plate size approx. 177 x 357mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Town Hall Steps, Skipton, 1929, drypoint etching, signed in pencil to lower margin, pub. by James Connell in an edition of sixty proofs, plate size approx. 193 x 256mm, mounted Reproduced in Fine Prints of the Year, 1929. (1)

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Dominic Winter Book Auctions
Los 1

* Tower Bridge, 1925, etching, signed in pencil to lower margin, pub. by James Connell 1927, in an edition of twenty proofs, plate size approx. 217 x 366mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Harbour Steps, Bridlington, 1929, drypoint etching, signed in pencil to lower margin, pub. by James Connell in an edition of sixty proofs, plate size approx. 215 x 283mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Old Courtyard, Rome, 1929, drypoint etching, signed in pencil to lower margin, pub. by James Cornell in an edition of sixty proofs, plate size approx. 250 x 165mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Marsascala, Malta, 1974, drypoint etching, pub. Malta Industries in an edition of seventy-five proofs, plate size approx. 257 x 352mm, mounted From a series of etchings of Malta begun in 1971. (1)

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Dominic Winter Book Auctions
Los 1

* Market Day, Skipton, 1927, etching, signed in pencil to lower margin, pub. by James Connell in an edition of fifty proofs, plate size approx. 212 x 300mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Ponte San Angelo, Rome, 1932, etching with drypoint, pub. by James Connell in an edition of four proofs (with twenty further proofs printed later), plate size approx. 190 x 221mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Mdina, Malta, 1971, drypoint etching, signed in pencil to lower margin, pub. by Malta Industries, in an edition of 75 proofs, plate size approx. 225 x 350mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Pig Ring (Prix de Rome plate), 1928, drypoint etching, signed in pencil, pub. by James Connell in an edition of sixty proofs, plate size approx. 195 x 235mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Berne, 1930, drypoint etching, signed in pencil, pub. by James Connell, in an edition of forty proofs, plate size approx. 205 x 307mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* San Giorgio, Maggiore, Venice, 1930, drypoint etching, signed in pencil to lower margin, pub. by James Connell, in an edition of forty proofs, plate size approx. 207 x 307mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Wooden Road, 1927, etching, signed in pencil to lower margin, dated Xmas/25, published by James Connell, 1927, in an edition of twenty proofs, plate size approx. 200 x 280mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Horse Fair, Skipton, 1928, drypoint etching, signed in pencil to lower margin, pub. by James Connell, in an edition of sixty proofs, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Skating - Groby Pool, 1938, drypoint etching, final proof (unpublished), signed in pencil, and marked Final Proof, plate size approx. 302 x 465mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Riva, Venice, 1930, drypoint etching, signed in pencil to lower margin, pub. by James Connell in an edition of forty proofs, plate size approx. 215 x 378mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Shot Tower, Waterloo Bridge, 1931, etching, signed in pencil to lower margin, pub. by James Connell in an edition of sixty proofs, plate size approx. 240 x 380mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Autumn Reflections, 1931, drypoint etching, signed by the artist in pencil to lower margin, pub. by James Connell in an edition of sixty proofs, plate size approx. 252 x 380mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Amsterdam, 1934, drypoint etching, signed in pencil by the artist to lower margin, pub. by James Connell, 1935, in an edition of sixty proofs, plate size approx. 252 x 353mm, mounted (1)

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Dominic Winter Book Auctions
Los 1

* Icart (Louis, 1888-1950). New Friends, 1925, oval colour etching, pub. Les Graveurs Modernes, Paris, 1925, signed in pencil, and numbered 127, image size approx. 380 x 460mm (15 x 18 in), framed and glazed (1)

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Dominic Winter Book Auctions
Los 1

* Tupke-Grande (Helene, 1871-1946). Sailing Boats, colour woodcut, signed in pencil to lower margin, image size approx. 130 x 150mm (5 x 6ins), mounted, together with Ritter (Karl, 1888-1977), Imaginary Execution, 1919, etching, signed, dated 1919, and titled in pencil to lower margin, approx. 90 x 180mm (3.5 x 7ins), mounted, plus Jungnickel (Ludwig Heinrich, 1881-1965), Tierfabeln, 1919, colour lithograph, signed in pencil to lower margin, image size approx. 130 x 100mm (5 x 4ins), mounted, and four other early 20th c. German signed etchings and similar, including Max BrŸning, P. Hayn, Sepp Frank, etc. (7)

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Bellmans Auctioneers & Valuers
Los 1

James Beale, The Voyage - Baudelaire, artists Proof, Pencil signed, titled and dated 1973 to the margin, etching and aquatint, 37.5 x 49 cm, and another by the same artist of the same title, 49 x 34.2 cm (2).

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Bellmans Auctioneers & Valuers
Los 1

A quantity of cut glassware by Walsh, grapevine etching, including a pair of decanters.

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Dreweatt Neate Bristol Salerooms
Los 1

Eileen Alice Soper, RMS (1905-1990) ‘In School 1922’ Etching Signed in pencil within the margin lower right S. 12cm x 19cm

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Dreweatt Neate Bristol Salerooms
Los 1

Eileen Alice Soper, RMS (1905-1990) ‘The Go-Cart Race 1923’ Etching Signed in pencil within the margin lower right S. 12cm x 18.5cm

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Dreweatt Neate Bristol Salerooms
Los 1

Eileen Alice Soper, RMS (1905-1990) ‘Playtime 1922’ Etching Signed in pencil within the margin lower right S. 12cm x 19cm

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Dreweatt Neate Bristol Salerooms
Los 1

Harold Wyllie (1880-1973) Harbour scene with shipping; Ships at anchor off the coast Each etching Each signed in pencil within the margin lower left The first s. 16.5cm x 16.5cm The second s. 10.5cm x 12.5cm (2)

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Dreweatt Neate Bristol Salerooms
Los 1

William Lionel Wyllie, RA, RE (1851-1931) ‘Portsmouth Harbour showing HMS Revenge Flag-ship’ Etching Signed in pencil within the margin lower left Titled to typed label to backboard S. 17.5cm x 39cm Provenance: W. R. Howell & Co. (of London), Manchester Gallery, 9 Albert Square

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