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78472 Los(e)/Seite
Los 220
After Joseph Mallord William Turner RA (1775-1851), 'Coteaux de Mauves', framed, mounted, and under glass, 15cm x 22cm, & 24cm x 32cm overall, together with an engraving of 'Abbeville, France', after David Roberts R.A (1796-1864), an architectural photographic print of the Tomb in Amiens Cathedral, & a drypoint etching of 'Greek Canal, Venice' by Barry Pittar (1880-1948)
Los 44
Carminio I (Crimson I) is an abstract color etching by artist Janine Cox. Signature in pencil lower right: Cox. Title in lower center: Carminio I. Numbered on lower left: 250/250. Housed in a gilded wood frame with light cream matting. Sight size: 20"L x 16.25"H. Frame size: 29.25"L x 26.25"H x 1.25"W. Certificate of Authenticity included. Artist: Janine CoxIssued: 1994Edition Number: 250 of 250 Condition: Age related wear.
Los 1023
After Piers Browne (b.1949)"From Ellerking, Wensleydale: September Afternoon"Signed, inscribed, dated (19)96, numbered 25/75, colour etching, together with a signed limited edition print of Bolton Abbey, by Joy Godfrey and a screen print of Deepdale, by John Degman, 33.5cm by 61cm and other sizes (3)
Los 27
* DAWSON MURRAY ARE RSW RGI, DRIFTING artist's proof limited edition coloured etching on paper, signed, titled and numbered mounted, framed and under glassimage size 37cm x 48cm, overall size 54cm x 68cmLabel verso: The Open Eye Gallery, Edinburgh.Note: Dawson Murray studied at Glasgow School of Art from 1961 - 66. After his post-diploma year a number of prestigious awards permitted him to spend two years in Italy where he studied under Giuseppe Santomaso in Venice. He then moved to Sicily where his painting reflected the heat and fertility of the northern coast. Returning to Scotland he spent 35 happy years involved in art education. A member of the Glasgow Group for 30 years, he was closely involved with the Richard Demarco Gallery in the 1980s. He now lives in North East Fife and is married to the painter Liz Murray. His passion for watercolour springs from the innate volatility of the medium, the constant vigilance required when painting wet-into-wet and the critical scrutiny necessary while watching paint dry. Dawson Murray's portfolio includes a 50ft high painting; a permanent feature in the Buchanan Galleries, Glasgow. After living with multiple sclerosis for 22 years he is now quadriplegic but is still able to create prints with the aid of an assistant, using his own version of the traditional sugar-lift technique, allowing him to “replicate the bleeding edges of areas of colour” that he so enjoyed in watercolour painting. Dawson Murray's work has won many awards, has been exhibited widely and is held in prestigious public, corporate and private collections.
Los 50
Anders Zorn (Swedish, 1860-1920). Etching on paper titled "On the Sands" depicting a nude woman in an outdoor setting laying down on sand, 1916. 3rd state printing. Pencil signed along the lower right. Signed and dated in plate along the lower left.Reference:Karl Asplund, "Zorn's Engraved Work, Vol. 2" (Alan Wofsy Fine Arts: San Francisco, 1990), page 426, plate 271.Image; height: 7 in x width: 9 3/4 in. Sight; height: 8 1/4 in x width: 10 1/2 in. Framed; height: 15 1/2 in x width: 19 in.
Los 59
Anders Zorn (Swedish, 1860-1920). Etching on paper titled "Dalecarlian Peasant (Lavards Anders)" depicting an elderly man with long facial hair wearing a hat, 1919. Pencil signed along the lower right. Signed in plate along the lower left. Inscribed on the plate is "LAVARDS ANDERS" along the upper right.Reference:Karl Asplund, "Zorn's Engraved Work, Vol. 2" (Alan Wofsy Fine Arts: San Francisco, 1990), page 446, plate 283.Image; height: 6 in x width: 4 1/2 in. Sheet; height: 9 in x width: 6 in. Matted; height: 20 in x width: 16 in.
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78472 Los(e)/Seite