78475 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenRembrandt van Rijn (1606-1669) Three oriental figures (Jacob and Laban?), etching with delicate plate tone, a well inked impression of New Hollstein's second state (of two), on cream laid paper without watermark, platemark 145 x 114 mm. (5 3/4 x 4 1/2 in), sheet 152 x 120 mm. (6 x 4 3/4 in), some small spots, the largest just above the figure furthest on the right, unframed, [circa 1641, but later].Literature:New Hollstein 190
Rembrandt van Rijn (1606-1669) The Circumcision in the Stable, etching, a richly inked impression of New Hollstein's final state (of five), on fine cream laid paper with partial watermark of Strasbourg lily (probably late 18th century), platemark 95 x 144 mm. (3 3/4 x 5 3/4 in), sheet 111 x 162 mm. (4 3/8 x 6 3/8 in), some small spots, unframed, [circa 1654, but later].Provenance:Unidentified collector's stamp verso, 'Collectie/ P. B. [?...]Man/ AmsterdamLiterature:New Hollstein 280
French and Spanish engravers.- Reverdy (Georges, ca. 1529-1557) The Holy family, after Parmigianino, after Schiavone, engraving, an excellent impression on thin laid paper without watermark, sheet 118 x 87 mm. (4 5/8 x 3 3/8 in), trimmed on platemark, inset at edges onto paper support, small repairs to nicks and tears at extremities, old ink attribution verso, unframed, [circa 1530-1550] § Audran (Gérard, 1640-1703) Christ hands over the keys to St Peter, after Raphael, etching on laid paper without watermark, sheet 105 x 175 mm. (4 1/8 x 6 7/8 in), trimmed to image with thread margin around borderline, inset at edges onto paper support, some browning and stains, rubbing and handling creases, with 'very scarce' inscribed on mount and verso, unframed, [circa 1660-1700]; Sorello (Miguel de, ca. 1700-1765) Christ hands over the keys to St Peter, after Raphael, etching and engraving, 265 x 370 mm. (10 1/2 x 14 1/2 in), central vertical fold, inset at edges onto paper support, unframed, [early to mid-18th century]; together with a good mixed group of various old master prints, including Sebastiano Fulcaro's (ca. 1612-1640) The Last Judgement, after Michelangelo, an anonymous 16th century Adoration of the Shepherds, published by Lafrery, Battista Franco's (1510-1561) An antique subject depiciting three men, [B. 71], Camillo Cungi's (fl. 1597-1649) The Pietà, and three others, all unframed, mainly 17th and early 18th century (10).Provenance:(Reverdy) William Esdaile (1758-1837), London [L. 2617]⁂ A group of scarce and unusual prints. We have been unable to find any other records at auction for the first three mentioned. Initially considered to be Italian by Bartsch, Reverdy was infact French, and worked as a printer in Lyon during the French Renaissance. For another impression of the Reverdy etching, of inferior quality, see the Mariette Album, held in the Met Museum, New York (acc. no. 27.78.2(312)), and at the BM (acc. no. W,1.82).
Parmigianino (Girolamo Francesco Maria Mazzola, 1503-1540) The Entombment, etching, a delicate impression, on laid paper with small watermark of a flower (not in Briquet, but 16th century), sheet 275 x 210 mm. (10 7/8 x 8 1/4 in), trimmed on the platemark with some still showing, inset at edges onto paper support, two areas of loss in the upper right quadrant with old restoration with printed facsimile, small nicks and tears to extremities, scattered ink spots in the upper centre, light horizontal fold and minor surface dirt, unframed, [circa 1503-1540].Literature:Bartsch 8cf. Popham, A.E., 'Catalogue of the drawings of Parmigianino', 1971, I, pp.13-17 ⁂ Previously thought by Bartsch to be a copy by Guido Reni after Parmigianino.
Printing plate.- Schulze (Christian Gottfried, 1749-1819) Portrait of Prince Alexander Mikhailovich Beloselsky, after Giovanni Battista Casanova (1728-1795) and Jacob Seydelmann (1750-1829), original copper plate with etching and engraving, plate 630 x 420 mm. (24 3/4 x 16 1/2 in), light abrasion in places, unframed, [circa 1770-1800].
KERR EBY (1889-1946) Scout Planes at Dawn, etching, pencil signed in the margin from an edition of 90, 33 x 22cm; and two further to include: Henry Rayner - 'Waterloo Bridge Construction 1936', etching, pencil signed in the margin, 14 x 22cm; and John Coleman - 'HMS Auckland', lithograph, pencil signed in the margin, titled and dated 1939, 20 x 25cm (3)
WALTER WILLIAM BURGESS (1856-1908) 'Lindsey Wharf and Jetty, Old Chelsea', etching, pencil signed and titled in the margin, 13 x 26cm; another by the same hand - 'Madame Venturi's House, Kings Road, Chelsea', also signed in pencil to the margin and titled, 9 x 24cm; and one further by Herbert Menzies Marshall - The Thames with Tower of London, 15 x 22cm (3)
EDWARD BOUVERIE HOYTON (1900-1988) 'Wooda Bay', etching, pencil signed in the margin and inscribed with title on the mount', 13 x 14.5cm; another attributed to the same hand - Figure approaching a cottage, inscribed in pencil to the margin and numbered 1/100, 25 x 35cm; and Alfred Richard Blundell (1883-1968) - 'The End of The Glade', mezzotint, pencil signed in the margin, 16.5 x 25cm, all mounted but unframed (3)
William Wilson OBE RSA RSW (Scottish 1905-1972), fishing nets drying, with boats and figure in a coastal village, etching, printed signature and signed and dated in pencil, 1930, 23cm by 28cm, together with another similar etching of a fishing village with nets drying, signed in pencil, 17cm by 17cm
* Clifford Cyril Webb [1895-1972]- Seahouses,:- linocut in colours signed, inscribed and numbered 1/20 in pencil along the bottom margin image size 38.5 x 53cm. * Clifford Webb was born in London. He enlisted into The Wiltshire Regiment in 1914 serving at Mons, Gallipoli and Mesopotamia, was Mentioned in Despatches, wounded and then gained a commission and promotion to Captain in The India Army [1917-19]. He studied at Westminster School of Art under Walter Bayes and Bernard Meninsky. In the mid-1920s he began lecturing in drawing at Birmingham School of Art and later lectured and taught drawing and engraving at St Martins and Westminster Schools of Art. He first exhibited in 1925 with the Artist Craftsmen's Group, held his own show in 1926 at the Ruskin Galleries in Birmingham and in 1927 organised The Modern Group's third exhibition, borrowing work from Vanessa Bell, Duncan Grant and Paul Nash. He specialised in engraving and etching contemporary landscape and animal subjects illustrating a number of books, notably for the Golden Cockerel Press and Arthur Ransome's Swallows and Amazons and Swallowdale.
Loading...
![* Clifford Cyril Webb [1895-1972]- Seahouses,:- linocut in colours signed, inscribed and numbered 1/20 in pencil along the bo](https://cdn.globalauctionplatform.com/80f622ab-2de0-4dce-b64b-a8ff00aff9bf/fa73ebbf-041d-420d-d112-0a314311e85f/468x382.jpg)
![* Clifford Cyril Webb [1895-1972]- Kid,:- etching signed and inscribed in pencil along the bottom margin image size 13 x 13cm](https://cdn.globalauctionplatform.com/80f622ab-2de0-4dce-b64b-a8ff00aff9bf/cd516aff-0ab4-4583-a57e-1e3f4b6ca683/468x382.jpg)
![* Stanley Anderson [1884-1966]- Hedge laying,:- etching, signed in pencil image size 19 x 15cm.](https://cdn.globalauctionplatform.com/80f622ab-2de0-4dce-b64b-a8ff00aff9bf/96367542-9aff-40cf-e377-7bf6b681a886/468x382.jpg)
![Christopher Richard Wynne Nevinson [1889-1946]-La Butte, Montmartre,:-etching [1922]signed in pencil lower right marginimage](https://cdn.globalauctionplatform.com/80f622ab-2de0-4dce-b64b-a8ff00aff9bf/73b71ec6-c0b0-46ee-baf6-b57e10a17432/468x382.jpg)
![* Claude Francis Barry [1883-1970]- Old Bordighera from Monte Verde,:- signed and inscribed in pencil in the bottom margin et](https://cdn.globalauctionplatform.com/80f622ab-2de0-4dce-b64b-a8ff00aff9bf/9c00f414-3eaf-4f65-d64b-79ab3e367282/468x382.jpg)
![Sir David Young Cameron [1865-1945]-Sound of Kilbrannan and Entrance to Loch Fyne:-etching, signed in pencil in the margin13.](https://cdn.globalauctionplatform.com/80f622ab-2de0-4dce-b64b-a8ff00aff9bf/47308040-d8c3-4197-dffd-603cdab193c5/468x382.jpg)
