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Preisdatenbank abonnierenWILLIAM T RAWLINSON (1912-1993); a signed limited edition black and white etching, 'Graveyard of The Giants', signed and dated 1968 and no.20/50, 37.5 x 27.5cm, framed and glazed.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.ukAppears ok.
Edmund Blampied, R.E. (Jersey, 1886-1966), Work in the Fields, drypoint etching on wove paper, signed 'Blampied' in pencil lower left, signed and dated 1915 in plate, from an edition of sixty-five, 8¾ x 11¼in. (22 x 28.4cm.), laid down; together with 'Edmund Blampied, A Biography of the Artist 1886-1966' by Marguerite Syvret, pub. Robin Garton Ltd. for Societe Jersiaise 1986. (2), *Condition: Examined out of frame. Heavy mount burn to entire top margin outside plate and some time staining to paper inside the plate within upper and lower margins. Lighter time staining to centre of plate. A few minor fox marks. Laid down onto card.
Edmund Blampied, R.E. (Jersey, 1886-1966), Backing the Hay Cart, drypoint etching on wove paper, signed 'Blampied' in plate lower right, further signed 'E Blampied' in pencil outside plate to lower left, from an edition of thirty-eight, 4 x 5 7/16in. (10.2 x 13.8cm.)., *Condition: Examined out of frame. Laid down onto card. Paper lightly and evenly time stained. Some large fox marks just outside the plate margin and a few others to outer margins. Some dirt to surface of paper, mainly to upper and left halves of etching.
Edmund Blampied, R.E. (Jersey, 1886-1966), Driving Home in the Rain, drypoint etching on laid paper, signed 'Blampied' in pencil lower left, from an edition of forty, 7 3/8 x 10 1/8in. (18.75 x 25.7cm.), at fault., * This is widely considered to be Blampied's finest work in etching., *Condition: Poor to fair condition overall, ideally requiring conservation and restoration. Has been removed from frame for close examination. The paper is cockled, more notably to the upper margin within the plate, with the paper splitting in places to the left half of the upper margin. There is some foxing in places, modest time staining to the paper and mount burn. There are twelve insect holes to the paper - seven outside the plate to the margins, two to the lower left corner (one just outside the plate margin and another larger (2 x 3mm.) inside the plate) and the other two are small - one just below the front horse hoof and one near top centre.
Henry Wilkinson (British, 1921-2011), A retriever flushing a rabbit, coloured dry point etching, signed in plate and also signed and numbered 5/75 to the margin, 9¾ x 12in. (24.8 x 30.5cm.)., *Condition: Good condition, well framed and mounted. Slight cockling to paper and very light time staining.
Cruikshank, Isaac (1764 - 1811), A White Ghost in Ireland, pub. Thomas Tegg, circa 1807, etching after Woodward, contemporary hand colouring, 234 x 349mm.; together with A Rough Sketch of the Times as Deleniated by Sir Francis Burdett, by Thomas Rowlandson, pub. Tegg's Caricatures No.15, T. Tegg, 1819; plus twelve others, eleven with contemporary hand colouring, pub. by Tegg and others; and 'The Merry Gregs' sheet music for the flute; all unmounted. (15), *Condition: Seven in good condition, with light time staining and a few small fox marks - no tears or folds (comprising 'A White Ghost in Ireland / A Rough Sketch of the Times as Deleniated by Sir Francis Burdett / Practical Education / Sketches of Fairy Land or a Comparison between England & Lilliput Pl.1 / A Clerical Manoeuvre or the Way to Finish a Charity Sermon / The Yorkshire Bumkins Mistake / Dramatic Action Illustrated or Hamlet's advice to Players....), - 'A Shrewd Guess or the Farmers definition of Parliamentary Debates - good but small 1cm tear to lower margin, - 'The Betrothing interrupted by the Ghost of Sell - Hiss!! - Hiss!!!' - good, slightly trimmed, tiny tear to upper right corner, - 'The Two Journals' - fair, fold to upper left corner, two tears to upper margin, - 'A German Howl or the Emigrant Princes...' - trimmed, some foxing, small tear lower right corner, - 'Genial Rays, or John Bull enjoying the Sunshine' - large tear to lower left, plus another smaller, - 'A Thundering Castigation from the Woolsack; or the Light'ning of Eloquence smiting the Enemies of Reform' - three vertical folds, trimmed, - 'Wit's Last Stake, or the Cobling Voters and Abject Canvassers' - uncoloured, central fold and small marginal tears, - 'The Merry Gregs' - some foxing, 1in tear and creasing to lower left margin, 1cm insect hole to illustration
A scarce, or possibly unrecorded, Georgian Valentine's Day publication: Cupid's Telegraph, A New and Fashionable Valentine Writer, With Verses to and from Ladies & Gentlemen, Composed for the Amusement of that Loving Day, St. Valentine, When all the Feathered Tenants of the Air go a Courting and Build their Nests, London: Published and Sold by J. Ker, 9, Hercules Buildings, Lambeth, no date [c.1800]. Featuring grotesque caricature etching of a lady with three faces as frontispiece, inscribed by George Cruikshank in pencil, 'not by any of the Cruikshank family - G Ck'. Publisher's original stitched blue paper wrappers bearing woodcut illustration of a men begging on his knees (reminiscent of Thomas Bewick), 26 pages complete. Housed in a protective blue card wallet bearing armorial bookplate for Albert M. Cohn (author of George Cruikshank's catalogue raisoneé), and a typewritten label, 'Cupid's Telegraph. London. J.Ker. N.D. Autograph Note by G.C. that the Front is "not by any of the Cruikshank Family."' Very good, clean and bright for age, especially given the almost ephemeral nature of the publication
A collection of mostly 20th Century prints and watercolours, including Abraham Mark Datz (1889-1969) drypoint etching, 'Artist's Holiday', signed and dated in pencil to margin, 27 cm x 32 cm, Simon Drew (b. 1952) lithograph, 'Puffin Nuffin', signed in pencil to margin, 27.5 cm x 37.5 cm; Elise Rosen screenprint, 'Bryonia Alba', 30.5 cm x 23 cm, and 17 others, mostly framed and glazed (19)
Graham Evernden (b. 1947):'The Pastoral Quartet', a set of four Limited Edition colour etchings, each hand-signed & numbered, impression sizes each 17.5 x 11.5 cm; together with further pictures to inc 'Houghton Mill', etching & aquatint by Kathleen Caddick, hand-signed Rowland Hilder print, watercolour etc
James Abbott McNeill Whistler (American, 1834-1903):Fulham (wrongly labelled 'Chelsea' by the Printsellers Association), etching, signed with butterfly within plate, published by The Fine Art Society, London, 1880, H 13 x W 20 cm; together with Walter William Burgess (British, 1856-1908): The Adam & Eve, Chelsea, etching, signed with monogram in plate, hand-signed in pencil to margin, H 17 x W 28 cm. Provenance: Both with Michael Parkin Gallery labels verso (2).
Collection of Flower Studies - pair mixed media on paper, indistinctly signed, 19th century watercolour signed J. Bromley, two coloured lithographs after Louis Van Houtte, 'Fuchsias', ltd.ed colour etching, etc max 46cm x 35cm (7) Condition Report Click here for further images, condition, auction times & delivery costs
Set of six crystal tumblers with hobnail panels, champagne bowls with greek key etching and faceted body, decanter, amethyst glass jug and glass set, set of four champagne flutes, Edwardian cut glass scent bottle & centrepiece bowl, and other glassware in two boxes Condition Report Click here for further images, condition, auction times & delivery costs
English School, 19th century, portrait of a girl, watercolour, 29 x 24cm, together with a 19th century etching, The Black Brunswick, a yachting print and three Vanity Fair prints of the Rothschilds, a signed limited edition Russell Flint lithograph and a collection of prints from the Expo '70 (8)
Two colour etchings of Edward King paintings, Blackfriars Bridge by C H Barraud and Horse Guards etched by Eugene Tily, both signed in pencil, both approx 45cm x 54.5cm overall frame size, Horse Guards etching generally in good condition but with some foxing, other etching with some water damage
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