78475 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenδ David Hockney (b.1937)Mo Asleep (Tokyo 116)Etching with aquatint, 1971, signed and dated in pencil, numbered from the edition of 75, published by Petersburg Press, London, on J. Green wove paper, with full margins, sheet 892 x 705mm (35 1/8 x 27 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Harland Miller (b.1964)In Shadows I Boogie (Blue)The complete box set, comprising the etching with letterpress relief printing in colours and monograph, 2019, the print signed recto and numbered from the edition of 100 verso in pencil, the monograph signed and numbered from the edition of 100 in black ink, all housed within the original blue presentation box, together with a second signed copy of the monograph (pink), overall 345 × 253 × 45mm (13 1/2 × 9 7/8 × 1 6/8 in) (folio) (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Antony Gormley (b.1950)FirmamentEtching, 2008, signed, titled, dated and numbered from the edition of 60 in pencil verso, on wove paper, with full margins, sheet 650 x 750mm (25 1/2 x 29 1/2 in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Peter Howson (b.1958)Muslim WomanEtching, 1994, signed, titled, dated and numbered from the edition of 50 in pencil, on wove paper, the full sheet 520 x 430mm (20 1/2 x 17in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Barry Flanagan (1941-2009)TransfixedEtching printed in colours, 1994, signed and inscribed Artists Proof, numbered from the edition of 10 in pencil, on wove paper, with full margins, 450 x 370mm (22 3/4 x 14 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Henry Moore (1898-1986)Mother and Child 4 (Cramer 704)Etching 1983, signed inscribed PL4 and numbered from the edition of XV, an artist's proof aside from the edition of 50, printed by James Collyer and John Crossley, published by Raymond Spencer Company Ltd., for the Henry Moore Foundation, Much Hadham, on Arches paper, with full margins, sheet 381 x 324mm (15 x 12 ¾in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Barry Flanagan (1941-2009)MinniEtching, 2003, signed, dated and numbered from the edition of 15 in pencil, on wove paper, with full margins, 565 x 485mm (22 1/4 x 19 1/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
A COLLECTION OF ANTIQUE ENGRAVING PRINTS ETC, to include Chaucers Canterbury Pilgrims by William Blake, Mrs Fitzherbert by Richard Cosway, the Judgement of Paris by Luca Giordano, Portrait of a Lady engraved by Valentine Green, Donna Plebia Di Piza by Jean-Baptiste Greuze, two others by the same hand, others assorted engravings and prints together with three modern Greek icons (two boxes and loose) Condition Report There is an oak slip around the print, the slip appears to be glued to the print, visible image size including rebate is approximately 20cm x 57.5cm, it is a vintage etching
CERAMICS, METALWARES AND PICTURES, ETC, to include Henry Wilkinson signed etching of a setter, signed John Trickett limited edition print, D M Sedgwick oil on board of a butterfly and flowers, silver hallmarked spirit cup, porringer, Doulton Lambeth stoneware, as found, Noritake tea wares, Masons storage jar, as found, other pictures and sundries etc (box and loose)
TREVOR HODGKISON (1928-2013) 'Libation for Orpheus', a dry point etching 17/40, and 'Above Sorrento Harbour' dry point etching with colours 4/40-, both signed to lower margins, together with 'Sexton Burrow, Devon' by David Harban, monochrome etching 2/10, 'Soar Valley' by Sandra Harris, etching with colours, garden watercolour by Shirley Easton and coastal watercolour initialed DM, largest size 42cm x 46cm including frame
A BOX AND LOOSE PRINTS etc to include Rolf Harris 'Self Portrait 2 - A La Van Gogh' 270/295 signed to lower margin, frame size approximately 29cm x 22cm, J Lewis Stant 'The Harbour Staithes 1948' etching, Neil Cawthorne print of Red Rum, signed by Donald Ginger McCain, Hilary Scoffield landscape print etc together with photo frames
PAINTINGS AND PRINTS, etc, to include a Robert King limited edition print 6/300, abstract oil on canvas by Suzan Hobday, Naomi Tydeman limited edition print, Shirley Trevena limited edition, indistinctly signed etching of a female figure 3/35, watercolour of a Geisha indistinctly signed TAM?, paintings by Michael Haswell, together with assorted paintings and prints by a variety of artists and an art folder (26)
VALERIUS DE SAEDELEER (Belgian, 1876 - 1946) limited edition (125/250) etching with aquatint - snowy Oostvlaams landscape, titled on printed label verso 'Grandes Arbres', signed in the print and signed in pencil Hebbelinck, circa 1930s, 55 x 59cms Provenance: private collection, west Wales. Auctioneers Note: Saedeleer is among Belgium's most acclaimed 20th Century landscape painters. In 1914, he was among dozens of Belgian refugee artists who relocated to Wales under the patronage of the Llandinam sisters, Gwendoline and Margaret Davies. Saedeleer and his family lived in Aberystwyth for 6 years before returning to Belgium. At the height of the global economic recession, he collaborated with highly-skilled printmakers like Robert Hebberlinck, to make limited-edition colour etchings inspired by some of his most popular canvases Presentation & Condition: framed and glazed. Paper with slight yellow discolouration, frame with superficial paint spots
Johann Carl August Richter Johann Carl August Richter (1785 Dresden - 1853 ebenda) "Berg-Palais des verst. Lord Findlater von der Seite der Elbe". Originaltitel Altkolorierte Umrissradierung/Papier, um 1820-1825. Blattränder beschnitten. Darstellung 8,5 cm x 12,5 cm. Dargestellt ist das 1811 fertig gestellte Palais des James Ogilvy, 7. Earl of Findlater (1750 - 1811) in Dresden-Loschwitz; 1821-1850 war es ein beliebtes Ausflugslokal, bis dort 1861 die drei "Elbschlösser" erbaut wurden. Hand-coloured etching on paper, ca. 1820-1825. Trimmed to the platemarks.
Anton Graff Anton Graff (1736 Winterthur - 1813 Dresden) nach Porträt von Salomon Gessner Kupferstich und Radierung/Papier, 1784. Grafik von Matthias Gottfried Eichler (1748 - 1821) nach dem 1781/82 entstandenen Gemälde Anton Graffs (heute im Deutschen Historischen Museum, Berlin). Im breiten Blattrand ger. fleckig. Plattenmaß ca. 30,5 cm x 22,5 cm. Copper engraving and etching on paper, 1784, by M. G. Eichler after the painting by Anton Graff. Minor stains to the wide margins.
Friedrich Besemann Friedrich Besemann (1796 Göttingen - 1854 ebenda) attr.; "Göttingen vom Hagen ab". Originaltitel Altkolorierte Radierung. Monogr.; Um 1820-1830. Plattenmaß ca. 16 cm x 20,5 cm. Rahmen. Attributed to Friedrich Besemann (1796 - 1854). Hand-coloured etching with a view of Göttingen. Monogrammed in the plate.
Giovanni Battista Piranesi Giovanni Battista Piranesi (1720 Mogliano - 1778 Rom) Ansicht der Hadriansvilla in Tivoli Radierung, 1770. In der Darstellung betitelt "Veduta degli avanzi del castro pretorio nella Villa Adriana a Tivoli". Piranesi war selbst an Ausgrabungen in der Villa Hadrian in Tivoli beteiligt. U. l. bez. "Cavalier Piranesi delin. ed inc.". Breiter Papierrand, geglätteter Mittelfalz. Plattenrand 37,5 cm x 65,8 cm. Rahmen. Provenienz: Kunsthandlung Boisserée, Köln. Wvz. Hind 94 I (von IV). Etching. Titled and inscribed.
Jean-Honore Fragonard Jean-Honore Fragonard (1732 Grasse - 1802 Paris) nach "Die Schaukel". Originaltitel. Handkolorierter Kupferstich/Papier, 1792. Grafik von Nicolas de Launay nach dem 1767 entstandenen Gemälde von Jean-Honore Fragonard (1732-1806) in der Wallace Collection, London. Darstellung ca. 42 cm x 58 cm. Rahmen. Copper engraving and etching on paper, 1792, by Nicolas de Launay after the painting by Jean-Honore Fragonard.
Georg Daniel Heumann Georg Daniel Heumann (1691 Nürnberg - 1759 ebenda. 1740-1753 Hofkupferstecher in Göttingen) "Ritterspiel das in Sr. Königlichen Majestät Georg I. Gegenwart auf der Göttingenschen Universität den 1. August 1748 gehalten worden ist". Originaltitel Kupferstich (u. Radierung?)/Papier, 1748. Einblattdruck mit vielfiguriger szenischer Darstellung. Unterhalb-deutsch-lateinische Legende mit Sign.; 22 cm x 42 cm (Passepartoutausschnitt). Rahmen. Weitere Exemplare befinden sich im Germanischen Nationalmuseum in Nürnberg und in der Royal Collection in England. Copper engraving (and etching?) depticing the tournament for George II King of Great Britain held at the University of Göttingen, August 1748.
A. Grell, "Der Markt in Halle", Radierung, 1837, unten in der Platte signiert, betitelt und datiert, Plattenmaß H*B 10*12,5cm, Blatt unten rechts mit jüngerer Widmung (Bleistift)A. Grell, "Der Markt in Halle", etching, 1837, signed, titled and dated at the bottom of the plate, plate size H*W 10*12,5cm, sheet lower right with recent dedication (pencil)
Moritz Bernhard Pretzsch (1885-1945), "Abendstille", Farbradierung, u.l. in der Platte monogrammiert, u.r. handsigniert, unten links betitelt, Plattenmaß H*B ca. 11*11cm, außerhalb des Motives partiell stockfleckig, verglast gerahmt (Altersspuren, Leiste neu zu leimen), Gesamt-H*B 24,5*19,5cmMoritz Bernhard Pretzsch (1885-1945), "Evening silence (Abendstille)", color etching, monogrammed on the plate, signed by hand on the lower left, titled on the lower left, plate size H*W approx. 11*11cm, outside of the motif partially foxed, framed glass (signs of age, strip to be glued again), total H*W 24.5*19.5cm
Max Slevogt (1868, Landshut - 1932, Neukastel), "Gottesdienst der Georgiritter", um 1920, Radierung/Papier, unten rechts handsigniert, Motivmaß H*B 23*17cm, Blatt gebräunt, leichte Altersspuren, verglast gerahmt, rückseitig mit Etikett "Original-Radierung von Max Slevogt", Gesamt-H*B 35,5*29cmMax Slevogt (1868, Landshut - 1932, Neukastel), "Divine Service of the Georgiritter", c. 1920, etching/paper, signed by hand at lower right, motif size H*W 23*17cm, leaf browned, slight signs of age, framed by glass, reverse with label "Original etching by Max Slevogt", total H*W 35.5*29cm
nach Giandomenico Tiepolo, "Die heilige Familie in der Nähe der Stadtmauer (La Sacra Famiglia in prossimità delle mura di una città)", 20. Jh., Radierung, Blatt 8 aus der Folge "Die Flucht nach Ägypten (Idee Pittoresche sopra la fuga in Egitto" von 1753, in einfachem Passepartout, lichtes Maß H*B 19*24,5cm, Ausschnitt gebräuntafter Giandomenico Tiepolo, "The holy family near the city wall (La Sacra Famiglia in prossimità delle mura di una città)", 20th century, etching, sheet 8 from the series "The flight to Egypt (idea Pittoresche sopra la fuga in Egitto)" from 1753, in simple passe-partout, clear measure H*W 19*24,5cm, browned cutout
Walter Herzog (*1936, Dresden), "Buhnen und Steine", um 1985, Radierung auf Farblithografie/Bütten, unten rechts signiert und datiert (ebenso in der Platte), mittig betitelt, Ex. 41/75, Blattmaß H*B 39*36cmWalter Herzog (*1936, Dresden), "Groins and stones (Buhnen und Steine)", c. 1985, etching on color lithograph/paper, signed and dated (also in the plate) at lower right, titled in the middle, ex. 41/75, sheet size H*W 39*36cm
Walter Herzog (*1936, Dresden), "Boot am Strand", um 1985, Radierung auf Farblithografie/Bütten, unten rechts signiert und datiert, mittig betitelt, Ex. 68/75, Blattmaß H*B 39*35cmWalter Herzog (*1936, Dresden), "Boat on the beach (Boot am Strand)", c. 1985, etching on color lithography/paper, signed and dated on the lower right, titled in the middle, ex. 68/75, sheet size H*W 39*35cm
Hans Ruprecht Leiß (1954 in Husum geb.) Ovoides Gebäude, 1992, aquarellierte Radierung, u.r. bleistiftsign. u. dat., Ex. 6/30, ca. 12,5x10cm, Blattmaß (ca. 27x19cm), ungerahmt Hans Ruprecht Leiß (b. 1954, Husum) ovoid building, 1992, etching/watercolour, signed a. dated in pencil bottom right, Ex. 6/30, ca. 12,5x10cm, sheet (ca. 27x19cm), unframed
Daniel Nikolaus Chodowiecki (1726 in Danzig, Polen - 1801 in Berlin) Fridericus Magnus Rex Borussiae, 1758, Radierung, ca. 31,5x22cm, gerahmt (ca. 46,5x36cm), Blatt gebräunt, lichtrandig Daniel Nikolaus Chodowiecki (1726, Danzig - 1801, Berlin) Fridericus Magnus Rex Borussiae, 1758, etching, ca. 31,5x22cm, framed (ca. 46,5x36cm), discoloured, fading
Salvador Dali (1904 in Figueres, Spanien - 1989 ebda.) Hl. Georg und der Drache, Kaltnadelradierung mit Pochoirs auf Arches, u.r. bleistiftsign., Ex. LII/CL, ca. 39,5x58,5cm, gerahmt (ca. 59,5x78cm) Salvador Dali (1904, Figueres, Spain - 1989 ibid) George and the dragon, drypoint etching with pochoirs on arches, signed in pencil bottom right, Ex. LII/CL, ca. 39,5x58,5cm, framed (ca. 59,5x78cm)
Salvador Dali (1904 in Figueres, Spanien - 1989 ebda.) Espejo Vivo, 1973, Farbradierung auf Japan, u.r. bleistiftsign., Ex. 72/175, ca. 64x49,5cm, Blattmaß ca. 76x56cm, gerahmt (ca. 88x68cm), min. fleckig Salvador Dali (1904, Figueres, Spain - 1989 ibid) Espejo Vivo, 1973, colour etching, signed in pencil bottom right, Ex. 72/175, ca. 64x49,5cm, sheet ca. 76x56cm, framed (ca. 88x68cm), min. stained
Wilhelm Schlote (1946 in Lüdenscheid geb.) Zwei Figuren mit Hund und Herzchen, Radierung und Wachsmalstift, u.r. bleistiftsign. "Schlote", Ex. 26/200, ca. 15,5x12,5cm, gerahmt (ca. 47x36cm) Wilhelm Schlote (b. 1946, Lüdenscheid, Germany) two figures with a dog and a heart, etching and crayon, signed in pencil "Schlote" bottom right, Ex. 26/200, ca. 15,5x12,5cm, framed (ca. 47x36cm)
(See English version below)Georg Baselitz (Deutschbaselitz/Sachsen 1938 – lebt in Basel, Salzburg, am Ammersee und Imperia). „Der Hirte“. 1965Radierung, Kaltnadel und Aquatinta auf Velin. 31,7 × 23,5 cm ( 12 ½ × 9 ¼ in.). Bezeichnet, signiert und datiert: Probe Baselitz 65.Jahn/Gachnang 28. Probedruck außerhalb einer Auflage von 60 nummerierten Abzügen. München, Edition Heiner Friedrich, 1972. [3391] Gerahmt. Provenienz: Ehemals Privatsammlung, London / Sammlung Thomas und Raffaela von SalisWir berechnen auf den Hammerpreis 30% Aufgeld.Georg Baselitz (Deutschbaselitz/Saxony 1938 – lives in Basle, Salzburg, am Ammersee and Imperia). ”Der Hirte”. 1965Etching, drypoint and aquatint on wove paper. 31,7 × 23,5 cm ( 12 ½ × 9 ¼ in.). Inscribed, signed and dated: Probe Baselitz 65.Jahn/Gachnang 28. Trial proof outside of an edition of 60 numbered prints. Munich, edition Heiner Friedrich, 1972. [3391] Framed. Provenance: Formerly Private Collection, London / Collection Thomas and Raffaela von SalisWe charge 30% premium on the hammerprice.
Salvador Dalí. L'Art d'aimer. Mit 13 ganzseitigen plattensignierten Holzstichen, 1 plattensignierten Lithographie, 1 plattensignierter Radierung und einer Extrasuite mit 4 handsignierten Holzstichen. Paris, Centre Culturel de Paris, 1979. Gr.-Folio. Brauner Orange-brauner Ziegenledereinband mit blindgeprägter Titelvignette Signiert: Renaissance du Livre, Innendeckel mit Moiré Seide und Hldr.-Mappe im OSchuber. Michler-Lopsinger, 1525-1538. - Eins von 100 Exemplaren auf Grand vélin d'Arches. Der Band zusätzlich im Impressum von Dali handsigniert. - Eindrucksvoller breitrandiger Pressendruck. Die Grafiken mit intensivem Kolorit. - Wohlerhalten. With 13 full-page plate signed wood engravings, 1 plate signed lithograph, 1 plate signed etching and an extra suite of 4 hand signed wood engravings. Brown orange-brown goatskin binding with blindstamped title vignette Signed: Renaissance du Livre, inner cover with moiré silk and half calf portfolio in original slipcase. One of 100 copies on Grand vélin d'Arches. The volume additionally signed by Dali in the imprint. - Impressive wide margin press print. The prints with intensive colouring. - Well preserved.
Loading...
