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78475 Los(e)/Seite
Los 424
§ § Henry Moore O.M., C.H. (British, 1898-1986) Architecture (c.169), from the Album Homage to Rothkosoft ground etching and dry point, 1971,signed in pencil and dated '73, numbered 7/7515 x 15cm, visible sheet 23 x 23cm***CONDITION REPORT***Printed by Frélaut and Lacourière, Paris, published by Mark Rothko Memorial Trust, on Rives paper. Good clean condition, no faults noted, slight undulation of the paper showing, plain card mount and ebonised frame, Corporate Collection labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 389
Edgar Holloway (British, 1915-2008) 'The Afghan Hat'drypoint etchingsigned in pencil and numbered 36/40, with presentation 'For my friend Hans Behrens'28.5 x 19cm, sheet 38 x 28.5cm***CONDITION REPORT***Overall looks to be in good untouched condition, extreme lower right corner has a slight crease and there is a little discolouration down the extreme right margin near 4 o'clock, not mounted of framed, comes with an old loose mount and related ephemera.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 425
§ § Julian Trevelyan (British, 1910-1988) 'Self portrait'etching and aquatintsigned in pencil, 23/10048 x 35cm***CONDITION REPORT***Good untouched condition, some undulation of the paper showing, possibly a hint of discolouration in the paper particularly near the lower left corner, visible sheet 50 x 37cm, plain white card mount and glazed wooden frame, David Graham Framers label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 65
THREE FRAMED ARTWORKS: 20th Century Abstract - indistinctly signed and dated above, oil on board, 50 x 60 cm; After Hans Volkmann - 'Lord Seaham Boy', oleograph print, 50 x 40 cm, gilt frame; and William Monk (1863-1937) - 'Hampstead, May 98' etching, signed below in pencil, framed and glazed (3)
Los 83
FOUR FRAMED WORKS: Edna de Maurice - 'Tetbury in The Cotswolds', 1984, pen and watercolour, signed lower right, labelled verso, 22.5 x 25 cm; Chinese painting of birds and flowers, oil and gold paint on canvas; Felix Bracquemond - etching, titled and signed below; limited edition etching of Venice, indistinctly signed and numbered (28/99) in pencil below (4)
Los 27
TWO ETCHINGS BY DIFFERENT ARTISTS: Lionel Arthur Lindsay (1874-1961) - 'A Doorway, Castello Nouvo, Naples', drypoint etching, signed, titled and numbered '100 Proofs' in pencil below, 25 x 17.5 cm (excluding frame); and one other etching in colours indistinctly signed in pencil below, both framed and glazed (2)
Los 146
FIVE FRAMED PAINTINGS AND PRINTS: James Gillray (British 1757-1815) - The Bishop of a Tun's Breeches - Or The Flaming Eveque Purifying The House of Office, coloured caricature engraving, published May 14th `792 by H Humphrey, 26.5 x 37 cm approx visible sheet size; I. Wilton (19th century British school) - Country landscape with windmill, shepherd and flock, watercolour on paper, signed, 24 x 50.5cm approx; Port of Venice, initialled 'GM', oil on board; Fred Solcombe - etching; After William Ward Junior - engraving in colours, all framed and glazed (5)
Los 96
SEVEN FRAMED WORKS (local interest): Sydney Robert Jones (1881-1966) - 'Fleet Street/St. Pauls', etching, signed in pencil below; Evelyn Jane Rimington (1869-1958) - 'Pont-en-Royans', etching, signed and titled below; 'Steller's Eider Duck' c.1895, print with original colouring; J.C. Varrall - 'Matlock Bath', hand-coloured engraving; W. Gauci - 'Views in the City of Bath: Norfolk Crescent', lithograph; together with two 19th/20th century photographs including 'South Parade, Matlock Bath' (7)
Los 529
A BOX AND LOOSE PAINTINGS AND PRINTS ETC, to include an oil on canvas depicting Dubrovnik in Croatia signed Batinic, approximate size 19cm x 59cm, an unsigned modern oil on board depicting a 19th century maritime scene, an oil on board depicting a row of cottages signed T.O.V Hoult, an indistinctly signed watercolour landscape depicting a water landscape with boats, an etching in colours depicting working boats on the River Thames with St Pauls Cathedral beyond, indistinctly signed, published by Manzi Joyant & Co 1909, approximate size 53cm x 57cm including visible margins - some mould to the surface, together with other assorted prints
Los 526
A SMALL QUANTITY OF PICTURES AND PRINTS ETC comprising W. B. Twibell watercolour depicting an entrance to a factory with gasometer to the distance, signed and dated '23, approximate size 20cm x 29cm, a Richard Charles Riseley etching depicting Gawsworth Church in Cheshire, signed and titled to lower margin, a self-portrait print after the etching by Rembrandt, an indistinctly signed etching depicting Lucerne dated 1936 verso, three watercolour / gouache designs for wallpaper or fabric, and a print engraving after George Richmond (Box)
Los 25
18th century fencing etching, “Duel Between Lord Hervey And The Hon. William Pultney”, “A Consequence Of The Motion”. 26cm x 17cm. Lord John Hervey, 2nd Baron Hervey of Ickworth, PC, MP (1696-1743), William Pulteney, 1st Earl of Bath (1684-1764) and Sir Robert Walpole, 1st Earl of Orford, KG, MP (1676-1745). The duel between Pulteney and Lord Hervey (25 January 1731) shown in a courtyard with Walpole peering around an arch saying, "Let them cut one another's throats”. Published by T Kitchin (1719-1784), Holborn Hill, London. Mounted in Hogarth frame. Cf: For similar examples see National Trust Collection, Ickworth, Suffolk. British Museum, collection number: 1865,0114.385
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78475 Los(e)/Seite