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78472 Los(e)/Seite
Los 236
Joseph Kirkpatrick (1872-1936), Hillside landscape with trees, etching, in colours, pencil signed in the margin and with `FATG` blind stamp, 10" x 7" and two further works to include after Keith Shackleton, Seagull in flight, colour print, pencil signed in the margin, 10" x 14 1/2". and an etching `Beech Woods` by Alice Barnwell (3).
Los 260
* Rice (Daniel & Clark James G. pub.). O-Hya-Wa-Mince-Kee, A Chippewa Chief, Philadelphia, 1843, litho. with orig. hand col., slight toning to paper, signs of earlier cleaning?, 510 x 355 mm, together with Gould (John & Elizabeth), Pied Wheatear, Saxicola Leucomela, [1832],litho. with orig. hand col., occ. spotting, 550 x 360 mm, with another similar, with Piranesi (Franco), Volta e Parete d"una delle Cammere appartenenti alla fabrica di delizia contigua al Circo di Caracalla, c.1860,uncoloured etching, 380 x 520 mm, with three others similar, together with a small collection of botanical engravings by Curtis, various sizes and condition. Sold as a collection of plates not subject to return. (14)
Los 261
* Scrutiny (Thomaso Esq. pseud. De Wilde, Samuel). [The School of Eloquence and Grace], pub. in "The Satirist", March 1st, 1808, etched caricature with orig. hand col., old folds, 180 x 340 mm, (BM Catalogue of Poitical and Personal Satires, vol. VIII, no. 10969), together with Rhezzio (D.), The Scotch Hurdy Gurdy or the Musical Boot, n.d., 1780,uncoloured etching, old fold and one small hole in image, 195 x 285 mm, with Williams (J. pub.) Excise, A Comical Hieroglyphical Epistle, April 1st 1763,eng. b & w comic hierglyphic letter from the Devil to George III complaing about excise tax on wines and spirits, and signed "Your constant Friend & Ally, Beelzebub", old folds, 290 x 195 mm, together with another eleven mid to late 18th century caricatures, an 18th century foreign topographical view and two pages of early 19th century sheet music with an ornate calligraphic title, various sizes and condition (16)
Los 593
Putnam (Samuel). The World of Jean de Bosschere, Fortune Press, [1932], colour woodcut frontis., numerous plates and illusts., untrimmed, orig. white cloth gilt, 8vo, limited ed. 660/900, this copy also containing the signed colour etching, numbered 24/100, normally reserved for the first 100 copies only, together with Nonesuch Press. The Confessions of J. J. Rousseau, illust. Reynolds Stone, 2 vols., 1938, wood eng. illusts. to text, t.e.g., remainder rough-trimmed, orig. tan goatskin morocco, spines darkened with slipcase, 8vo, limited ed. 86/800, plus Detmold (Edmund J., illust.), Fabre`sBook of Insects, New York, Tudor Publishing Co., 1937, tipped in colour plates, orig. cloth in d.j., a little rubbed and sl. creased to extrems., in orig. pubs. card bookbox, and other illustrated literature and first editions, including Isabella or The Pot of Basil by John Keats, illust. W. B. MacDougall, 1898, Pilgrimage by Dorothy M. Richardson, 4 vols., 1938, Sung to Shahryar, Poems from the Book of the Thousand Nights and One Night by E. Powys Mathers, pub. Casanova Society 1925, with limited ed. 31/50 large paper copies, signed, The Hieroglyphic Tales of Hermes Trismegistus by Horace Walpole, decorated by The Duchess, pub. Cypher, 1996, in an edition of six copies, etc. (21)
Los 750
William Lionel Wyllie R.A., R.I., R.E. (1851-1931). "The Tower and Tower Bridge with Dutch Eel-Schuits moored off Billingsgate". Signed artist`s proof, inscribed on an exhibition label verso, black and white drypoint etching with roulette work and pen and ink, 19.5cm by 25cm (pl), Provenance: Royal Exchange Art Gallery, 14 Royal Exchange, London
Los 537
John Fullwood FSA 1854-1931- "The Hour of Nightfall, Staines-on-Thames"; etching, artists proof, signed in pencil, 26x36cm: together with one other similar etching by the same hand: British School, late 19th century- Portrait of a woman, bust length wearing a black dress and bonnet; oil on canvas, 70x60cm: together with two 19/20th century frames of various styles, (5)
Los 538
German School, early 20th century- "Ein Platzchen An Der Sonne..."; drypoint etching, monogrammed `LH` and indistinctly signed in pencil, 30x13cm: Maurice Blieck 1876-1922- "Bruges..."; dry point etching, signed and titled in pencil: Chas, c.1914- "Near Kew Bridge"; etching signed and titled, together with three other similar views by the same hand, (6)
Los 553
European/British School, early 20th century- Portrait of a gentleman quarter-length turned to the left in a black coat; black chalk and watercolour heightened with white on buff paper, 39.5x27.8cm: European School, late 19th century- A fortuneteller and a musician; pen and brown ink on buff paper, 50.5x37.7cm: English School, early 20th century- "In an Eastern Bazaar"; etching printed in colours, signed in pencil, 17.5x20.5cm: together with a mixed folio of drawings and prints by various hands, (a lot), (unframed)
Los 608
After StÚphano Mulinari 1741-1790- Roman Soldiers, after Caravaggio; etching, this being a late 20th century example, 37x26cm: together with four further decorative etchings depicting classical scenes after the antique, all late 20th century examples and in matching decorative ebonised frames, (5)
Los 633
Post War School, mid 20th century- The Sun; pen and black ink on two joined pieces of tissue thin tracing paper of orange and beige colouration, signed and dated 69, 36x48.7cm: Post War School, mid 20th century- Sculptural form; etching with aquatint printed in green/black, 50x42cm: Post War School, mid 20th century- Window with trees and cats; pen and black ink and watercolour: together with five other various late 20th/early 21st century works on paper by different hands, (8), (unframed)
Los 737
Bartolomeu dos Santos, Portuguese b.1931- "Atlantis"; aquatint printed in colours, signed, titled, inscribed and dated 72 in pencil, 50x67cm: Brigitte Coudrain b.1934- Untitled; etching with aquatint in colours, signed and numbered 15.50 in pencil, 31x35cm., (2) (may be subject to Droit de Suite)
Los 798
Thomas Sutherland c.1785-1820- "Table Bay, Cape of Good Hope"; published by W J Huggins, London, January 1824, hand-coloured etching and aquatint, After William John Huggins 1781-1845, 55x75cm: Edward Duncan 1803-1882- "Launch of the Steam Ship Forth...."; published London, March 12th 1842, hand-coloured aquatint, 55x75cm, After James Wilson Carmichael 1800-1868, both in matching decorative glazed gilt frames, (2)
Los 831
C Cobby, British Provincial School c.1890- "Moors Pig Farm, 1720-1890"; watercolour, signed and dated 1890, 24x28cm, oval mount: together with other 19/20th century studies, various mediums and subjects: Anthony Gross RA 1905-1984- "Paysage du Sol"; etching, signed within the plate, signed, titled, dedicated and inscribed `Epreuve d`Artiste` in pencil, 24.5x34cm: Modern British School, circa 1930`s- Portrait of a lady half-length in a red coat; oil on unstretchered canvas, 74x62cm: together with one other similar portrait study in oils on unstretchered canvas by the same or related hand, (a lot) (unframed)
Los 836
Patrick Procktor RWS RE RA 1936-2000- "Yellow Dragon Cave"; etching with aquatint printed in colours, signed and numbered 53/75 in pencil, 44.5x59.5cm: Alison Neville b.1945- "The Mathematical Bridge, Cambridge"; etching with aquatint printed in colours, signed, titled and numbered 4/50 in pencil, 47x65cm., (2). Provenance: Paintings in Hospitals, London (may be subject to Droit de Suite)
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78472 Los(e)/Seite