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Preisdatenbank abonnierenδ Salvador Dali (1904-1989)Plaza Mayor (Field 73-11)Etching with pochoir printed in colours, 1973, signed and inscribed from the edition of CL in pencil, on Japan paper, printed and published by Ateliers Rigal, published by Vison Nouvelle, Paris, with full margins, plate 405 x 590mm (16 x 23 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Flung out like a Fag-end by the Big-wigs (Field 74-8A; M&L 668d)Etching with extensive handcolouring, 1974, signed, inscribed 'F' and numbered in numerals for the edition of 35 in pencil, on Japan Nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artist verso, sheet 652 x 500mm (25 5/8 x 19 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)The Descent from the Cross by TorchlightEtching and drypoint, 1654, but a later early 19th century impression of New Hollstein's fourth state (of four), on laid paper without watermark, platemark 209 x 158 mm (8 1/4 x 6 1/4 in), sheet 213 x 170 mm (8 3/8 x 6 3/4 in), signs of wear in the densely hatched areas, blue ink 'colportage' duty stamp verso (unframed)Literature:Bartsch 280; New Hollstein 286 iv/iv
Rembrandt van Rijn (1606-1669)Self Portrait with SaskiaEtching, 1636, a good but later impression on laid paper without watermark, New Hollstein's third state (of four), some wear to the shadows beneath the hat and the artist's ear, even toning, trimmed to or just within the platemark, tipped in at corners onto paper support with some associated cockling, sheet 106 x 93mm (4 1/8 x 3 5/8in) (unframed)Literature:Hind 144; New Hollstein 158 iii/iv
Rembrandt van Rijn (1606-1669)Beggars Receiving Alms at the Door of a HouseEtching and drypoint, 1648, a very good bold but later impression of the third state (of five) on laid paper without watermark, before re-work to the shadows and arch, trimmed to or just within the platemark, sheet 165 x 130 mm (6 1/2 x 5 1/8 in), sheet 169 x 134 mm (6 5/8 x 5 1/4 in), small nick to lower right edge (unframed)Literature:Bartsch 176; New Hollstein 243 iii/v
Rembrandt van Rijn (1606-1669)Clement de Jonghe, PrintsellerEtching and drypoint, 1651, but a later impression of New Hollstein's eight state (of ten), platemark 208 x 164 mm (8 1/8 x 6 1/2 in), sheet 215 x 170 mm (8 1/2 x 6 3/4 in), expert repairs to the upper left and lower right corners (unframed)Literature:Bartsch 272; New Hollstein 264 viii/x
Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, a good detailed impression of New Hollstein's fourth state (of eight) printing with clarity, on thick laid paper without watermark, with little sign of wear in the plate and before any re-working by later hands, featuring the publisher's name of Hendrick Gerritszoon van Uylenburgh in the lettered margin, sheet 525 x 410 mm (20 3/4 x 16 1/4 in), trimmed within the platemark, with left, right and upper margins restored, several handling creases with old repairs verso to splitting and marginal tears, careful restoration to upper corners, other small repairs to nicks and minor loss (unframed)Literature:Bartsch 103; New Hollstein 119 iv/viii
Leslie Duxbury (1921-2001)/Lancashire Characters/six black crayon sketches, various sizes, 42cm x 29cm and smaller/unframed (6)Note: Artist, teacher and writer, Leslie Duxbury's early years were spent in Lancashire where he studied at Accrington School of Art. Initially his sketches and paintings focussed on scenes of working class life, capturing the characters of his childhood from care-worn miner's widows to farmers and pigeon fanciers in the style of the Kitchen Sink School whose more famous members included John Bratby and Derrick Greaves. Duxbury gained a place at the Royal College of Art and, after serving in the RAF, he settled in London with his wife and family. A holiday cottage in Dyfed, southwest Wales, provided the opportunity for endless walks and the source of inspiration for landscape painting. In later years, he concentrated his interest in etching and he created an impressive portfolio which come to the market directly from his estate. CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Elisabeth Frink RA (1930-1993)/Man (1986)/signed in pencil and numbered 42/100/etching, aquatint on wove paper, 30cm x 27.5cm CONDITION REPORT: Paper impressed with K monogram lower right and has an uneven bottom edge. Condition overall appears to be excellent.ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Mila Furstova (Contemporary)/Trees/signed and dated 2006/etching and collage, 45cm x 33cm/Provenance: Martins Gallery, Cheltenham CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Leslie Duxbury (1921-2001)/The Parish School/signed, inscribed and numbered 1/50/coloured etching, plate size 16.5cm x26cm/Llansadwrn Church/etching, plate size 20.5cm x 29.5cm/Welsh Cottage/etching, plate size 20.5cm x 24cm/unframed [3] CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Leslie Duxbury (1921-2001)/The Bather/etching, plate size 12.5cm x 32cm and/Molly on the Shore/colour screenprint, sheet size 50.75cm x 75.5cm/both unframed [2] CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Leslie Duxbury (1921-2001)/View of Ammanford/etching, plate size 30cm x 45cm and/Back of Houses, Llandovery/etching, plate size 25cm x 40cm/unframed (2) CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Leslie Duxbury (1921-2001)/Farmhouse in Winter/etching, plate size 23cm x 26.5cm/unframed CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Leslie Duxbury (1921-2001)/Breconshire Farmhouse/coloured etching, plate size 23.75cm x 29.5cm and/Llwyn Celyn/etching, plate size 23.5cm x 23.5cm/unframed (2) CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Leslie Duxbury (1921-2001)/Out of Town/etching, plate size 12cm x 19cm/View from a Gate/etching, plate size 12cm x 16cm and/View over Llansadwrn/etching, plate size 12cm x 17.5cm/unframed (3) CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Leslie Duxbury (1921-2001)/Flooded Pasture, Llandovery/signed in pencil, inscribed with title and A/P/coloured etching, plate size 28.75cm x 41cm/unframed CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Leslie Duxbury (1921-2001)/Music Lesson/signed in pencil, inscribed with title and A/P/etching, plate size 10.25cm x 8.5cm/Levon Chilingirian/signed in pencil, inscribed with title and A/P/etching, plate size 15cm x 10cm/Cellist/etching, plate size 11.5cm x 7.5cm and/Pianist/etching, plate size 17.5cm x 10.5cm/unframed [4]/Note: After retirement from teaching at Kingston-upon-Thames School of Art, Leslie Duxbury often frequented lunchtime concerts around London, sketching the musicians including noted violinist and Royal Academy professor Levon Chilingirian CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
John Brunsdon (1933-2014)/Helmsley Heritage 'Round the Rye'/signed and numbered 108/200/coloured etching, 63cm x 47.5cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Richard Beer (1928-2017)/Wadham College, Oxford/signed, limited edition 1/100/colour etching, 60cm x 41cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
John Brunsdon (1933-2014)/Welsh Estuary/signed/coloured etching, 60cm x 45cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Gerald Leslie Brockhurst (1890-1978)/Chiquita (1923/4)/signed in pencil/etching, 16.5cm x 13.25cm/Brockhurst attended Birmingham School of Art, winning prizes which enabled him to travel widely in Europe, where he studied and was influenced by the works of the Renaissance artists. His early portraits were often modelled on his wife, but he soon gained prominence as a portrait painter of important society figures including the Duchess of Windsor. His fame grew when he moved to New York in 1939, and in 1951 he was elected into the National Academy of Design. CONDITION REPORT: Print looks a little grubby but otherwise fair condition - there is a small patch of foxing to the top right. There is more noticeable foxing to the mount and some thunderbugs under the glass. The bottom section of the frame has snapped off and has been temporarily stuck back however the whole structure of the frame is no longer sound.ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Gerald Leslie Brockhurst (1890-1978)/Genevieve (1922)/signed in pencil/etching, 20cm x 15cm CONDITION REPORT: Print seems a little grubby but otherwise fair condition. Some water damage and other marks to mount. Frame shabby and a little unsound. There is an affixed paper label to the back which is inscribed in pencil (see additional images). As well as the pencil signature on the print, there is a pencil inscription to the mount: W30 pubd state ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Elisabeth Frink RA (1930-1993)/Ganymede/from the series Children of the Gods, 1988/signed in pencil and numbered 40/70/etching with aquatint, 56cm x 39cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
John Howard (born 1958)/Birmingham Canal - West Smethwick/signed and dated 1991/drypoint etching, 47cm x 41cm/and two other similar views of industrial Birmingham/each from editions limited to 25 copies [3] CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Valerie Thornton (1931-1991)/Etruscan Encounter/signed, titled and dated '83 in pencil, artist's proof/etching with aquatint, paper size 39.5cm x 57cm, unframed CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Hans Brasch (1882-1973)/Portrait Head/initialled and dated HB 1906 within plate/etching, plate size 22cm x 16cm, unframed/Provenance: gallery stamp/code CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Felix Mixelle after Claude Louis Desrais TWO 'DE SAINT SAUVEUR' PLATES Paris: Chez Pavard, 1788 Hand coloured line and aquatint etching on laid paper, bottom left: Desrais del., bottom right: Mixelle sculp., tanning along edge of window mount, top edges taped to backing, framedPlate titles: Hottentote; Hottentotfrom de Saint Sauveur's, Costumes Civils actuels de tous les Peuples connus, vol 4plate size: 17,3 by 11,4cm each
David Inshaw (British B.1943) - Moonlit scenes with crouching figures and a wild beast, black and white artists proof etching, signed and with presentation inscription dated 90, 19 x 16cm approx visible sheet size, together with a sepia coloured monochrome etching understood to be by Harry Snook (20th century school) of a surrealist style scene of grotesque animals and birds after Hieronymus Bosch (16th century Dutch) 10 x 12.5cm approx visible sheet size, both framed (2)
Pablo Picasso (Spanish 20th Century, 1881-1973), Taureau aile Contemple par Quatre Enfants (Winged Bull Watched by Four Children), Etching from the Vollard Suite, on laid paper with Vollard watermark, signed Picasso bottom right, full margins, from 260 edition, French inventory number '377' in pencil bottom left, mounted and framed. Measurements 23.5 x 29.5 cm (PL), frame 48 x 54 cm Consigned from a Deceased Estate
Pablo Picasso (Spanish 20th Century, 1881-1973), Femme Torero II (Female Bullfighter II), from the Vollard Suite, Etching on laid paper with Vollard watermark, signed Picasso in pencil bottom right, from edition of 260, French inventory number '378' bottom left corner, full margins, mounted and framed. Measurements 29.5 x 23.5 cm (PL), 45 x 34 cm (SH), frame 54 x 46 cm Label verso- The Alpha Gallery, Boston. Consigned from a deceased estate
Harry Becker (British 1865-1928), Toilers of the Field, Women in Wartime, Etching and Drypoint, 1914, mounted and framed. Measurements 14.5 x 30 cm (PL), frame 31.5 x 36 cm Featured in and together with a copy of Thompson, Loftus and Bell, 2002, Harry Becker 1865-1928, The Wildlife Art Gallery, Suffolk, page 74
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