78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

MARTEN VAN DER LOO (1880-1920) 'Brücke über die Nethe in Lierre'coloured etching, 39cm x 40cm

LUIGI LOIR (1845-1916) Bataliers on the banks of the Seinesigned in pencil to the margin, etching and aquatint in colours, the plate 29.5cm x 56.75cm

GEORGE VERNON STOKES (1873-1954) 'Well Over'signed lower right and numbered 12/75, coloured etching, 26cm x 30cm

*JOY GIRVIN (b. 1961) 'Evening in St. James's Park'1987, signed, dated, titled and numbered 1/20 in pencil to the margin, etching, 30.25cm x 42.5cmExhibited: Royal Academy Summer Exhibition, 1987, number 1244.

Rowland Hilder, 'Barn at High Halstead' colour etching, signed and numbered in pencil, 63/195, 27x57cm

Stanley Roy BADMIN (1906-1989) Fallen Mill Sails, 1931 Etching, signed, inscribed and numbered 31/35, plate 10.7 x 12.6cm, sheet 17.8 x 20.1cm (mounted 41 x 51cm)Collectors NoteBeetles 24. Edition 35. Published by the Twenty-One Gallery in 1931. An extremely rich impression with subtle tonal wiping, printed on cream wove paper. Signed, titled and numbered in pencil.Exhibited: Fine Art Society, 1933; Royal Society of Painter-Etchers and Engravers, 1981. Illustrated: Guichard: British Etchers. 1850-1940. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Graham Vivian SUTHERLAND (1903-1980) Warning Camp, 1924 Etching, signed, titled and annotated, plate 12.6 x 15.5, sheet 19 x 21.5cm (mounted 41 x 51cm)Collectors NotesTassi 9.ii; Cooke 15. Edition of 62 in two states. Published by Twenty-One Gallery, London. A fine impression printed on cream-coloured laid paper with wide margins. Excellent condition. A scarce early image printed by the artist.Warningcamp is a small village and civil parish in the Arun District of West Sussex, England. It is located to the north-east of Arundel, on the east bank of the River Arun. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. This charming etching is in very good condition. There are some very minor surface marks, which appear to be ink and we believe by the artist's hand during the printing process.

Bernard Eyre WALKER (1886-1972) Scheregate Steps, Colchester, 1921 Etching, signed and inscribed, plate 24 x 16.5cm, sheet 33 x 23cmTogether with Francis SEYMOUR-HADEN (1818-1910), 'The Mill Wheel' 1874, etching, signed, plate 18 x 26cm, sheet 25 x 31cmEach mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Dame Laura KNIGHT (1877-1970) Some Clowns, 1930 Drypoint, artist's proof, signed, titled and annotated '2nd state', plate 35 x 25cm, sheet 24.5 x 31cm, mountedIllustrated: Fine Prints of the Year, 1931 THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. This charming piece is in excellent condition, with no areas of concern.

Eleanor HUGHES (1882-1959) Rural View Watercolour, signed, 25.5 x 37cm, mounted THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Breon O'CASEY (1928-2011) Red Bird on Magenta, 1999 Etching/aquatint, signed, dated and numbered 8/15, plate 39 x 58cm, framed 58 x 76cm Purchased New Ashgate Gallery, 2008Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Isabel Beatrice MESHAM (1896-?) An etching/aquatint and two etching plates St Mary's Church with Starts, Torquay, Devon, etching, plate 20 x 15cm, mountedSt Mary's Church with Starts, Torquay, Devon, zinc etching plate, 20 x 15cmAbstract copper etching plate, 23 x 28cm(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Gerald Leslie BROCKHURST (1890-1978) Le Beguin, 1922  Etching, signed, plate 14 x 11.1cm, sheet 29.4 x 22.7cm (mounted 51 x 41cm) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Arthur BRISCOE(1920-1997) The Wheel, 1927 Etching, signed and numbered 1/75, plate 22.6 x 35.3cm, sheet 28.6 x 35.5cm (mounted 41 x 51cm)Collectors NoteHurst 196. 9 x 10 (sheet 11 1/4 x 16 5/8). File copy, apart from the edition of 75. A rich impression with tonal wiping. Printed on the full sheet of cream laid paper with deckled edges. Signed and annotated 'file copy' ink. Illustrated: Print Collector's Quarterly 25 (1938): 292 THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. Overall this charming etching is in good condition, with no particular areas of concern. There are a number of very light marks to the perimeter of the piece, yet these appear to be very faint finger prints of ink, from the artists hand.

Robert Sargent AUSTIN (1895-1973) Boy and Bull Calf, 1927 Etching, plate 11.6 x 14.5cm, sheet 27.5cm (Dodgson 68.iii) edition of 30Together with a second work by the same hand titled 'Bowley Cart Horse', engraving, plate 13 x 13cm, sheet 22 x 28cmEach mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Eleanor HUGHES (1882-1959) Four etchings  Lamorna Gate, c1937, etching, stamped signature, plate 9.5 x 8.5cmOld Watermill, 1938, stamped signature, plate 7 x 9cmRookery, 1939, stamped signature, plate 9 x 12.5cmSycamore Trees and Farm, 1939, stamped signature, plate 15 x 9.5cmA small calendar is mounted below each etchingEach mounted(4) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Frank SHORT (1857-1945) Thee works  The Timber Raft on The Rhine, 1896, mezzotint, signed, edition 100, image 18 x 28.2cmSt Mary Redcliffe, Bristol, 1888 (after Cotman), mezzotint, image 16.5 x 23.5cmThe Street, Whitstable, 1910, etching, signed, plate 24 x 35cm (Hardie 348)Each mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Herbert Gordon WARLOW (1885-1942) Farmyard, c1925   Etching, signed and numbered 54/75, plate 14 x 18cm, sheet 26 x 39cmTogether with Sidney TUSHINGHAM (1884-1968), Amalfi, 1926, etching and drypoint, signed, plate 24 x 31.5cm, sheet 30.5 x 44cm& James Duffield HARDING (c.1797/98-1863), At Dorking, c.1836, lithograph, sheet 38.5 x 28.5cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Eleanor HUGHES (1882-1959) Three small etchings  Lamorna Gate, 1937, stamped signature, plate 9.2 x 8.5cm,Trewoofe Orchard, stamped signature, plate 8.8 x 10.8cm,Cottage and Barm, stamped signature, plate 12 x 9cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Terry FROST (1915-2003) The Quay, St Ives (2003) Etching, signed and dated '03, numbered 37/200, plate size 42 x 14cm, 62 x 33cm framed.

Oliver HALL (1869-1957) Five Etchings & 1 Lithograph  Five etchings - 'Bolton Castle Vista', 1894, signed, plate 10.6 x 20cm, 'Border Castle', signed, plate 17.5 x 30cm, 'Broughton Moor Pits', c1920, signed, plate 20 x 30.2cm, 'Newbiggin', c1895, signed, plate 15 x 22.5cm, 'A Yorkshire Road' c1924, signed and titled, plate 12.5 x 18cmLithograph - 'Road into Town', sheet 19 x 26cmEach mounted(6) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Arthur BRISCOE (1920-1997) Winkle Picker, 1926 Etching (Hurst 149), edition 1/75, signed and numbered in ink, plate 14 x 22.5cm, sheet 22.5 x 28cm, mounted 41 x 51cm. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Edmund BLAMPIED (1886-1966) Loading Vraic, St Malo, 1927 Drypoint, signed, inscribed and numbered 91/100, plate 17.5 x 25.7cm, sheet 25.3 x 39cm (mounted 41 x 51cm)Appleby 122. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. Overall this charming etching is in good condition, with no particular areas of concern. There are a number of very light marks to the perimeter of the piece, yet these appear to be very faint finger prints of ink, from the artists hand. The etching is bonded to the backing by two hinges located in the top two corners of the sheet.

Frank SHORT (1857-1945) after J.M.W. TURNER Four mezzotints Sheep-washing, Windsor, 1920, signed by Short, image 18.5 x 25.5cmMill near The Grand Chartreuse, Dauphiny, 1886, signed by Short, image 19 x 25.5cmRaglan Castle (Berry Pommeroy Castle), 1885, signed by Short, image 19.5 x 27cmThe Watermill, 1885, signed by Short, image 18 x 25.5cmEach mounted(4) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

James MCBEY (1883-1959) Two etchings  'Hastings' 1925, signed, edition 80, plate 20 x 25cm (Hardie 225)'April in Kent' 1912, signed, proof E apart from the edition of 40, plate 15.8 x 29cm (Hardie 114)Each mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Gerald Leslie BROCKHURST (1890-1978) The Dancer (Anais), 1925 Etching, signed, titled and annotated, 1st state, plate 25 x 15.2cm, sheet 41.5 x 23cmTrial proof before the plate was reduced with the signature upper right.Illustrated: Fine Prints of the Year, 1926; Salaman - Modern Masters of Etching THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Eleanor HUGHES (1882-1959) Two etchings Trees with Two Birds, 1937, stamped signature, plate 15 x 17.5cmThree Trees, 1937, stamped signature, plate 12.5 x 15cmEach mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Eleanor HUGHES (1882-1959) Three small etchings  'The Folly Seen Through the Trees' c1936, stamped signature, plate 8.5 x 9cm'Farmhouse with Fields' c1937, stamped signature, plate 7 x 9cm'Old Windmill' 1938, stamped signature, plate 7 x 9cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Dame Laura KNIGHT (1877-1970) Gilding the Lily, 1926 Soft ground etching, signed, titled and annotated, from an edition of 35, plate 29.5 x 19cm, 39 x 26cm (mounted 51 x 41cm)Bolling/Withington 47Collectors NoteThe subject is probably the dancer, Vanda Edina, of whom the artist made a pen and ink drawing in 1924. At this time, Knight was becoming increasingly interested in the life - especially the back-stage life - of theatre and circus performers. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. This delightful etching is in excellent condition. The sheet may have changed in tone over the years, yet we cannot say this for certain.

Joseph Mallord William TURNER (1775-1851) Isis, 1819 Etching and mezzotint, image 18 x 26cm, sheet 30 x 43cm, mountedDrawn and etched by Turner, engraved by W Say THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Eleanor HUGHES (1882-1959) Quarry Etching & drypoint, stamped signature, plate 17.5 x 20cm, sheet 23.5 x 32cm, mounted THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

James MCBEY (1883-1959) Penzance, 1913 Etching & drypoint, signed, edition 51, plate 21 x 30.5cm, sheet 24 x 36.5cm (Hardie 13), mounted 41 x 51cm THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. Overall this charming etching is in good condition. Minor discolouration can be found to the edges of the page, which cannot be seen when the piece is placed behind the mount.

Eleanor HUGHES (1882-1959) Old Watermill, 1937 Three small etchings in three states, each with stamped signature to verso, plate size 7 x 9cm, mounted together THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Arthur BRISCOE (1920-1997) The Seine Net, 1925 Etching, signed, annotated 'Trial V', plate 18.2 x 27.9cm, sheet 24.6 x 37.4cm (mounted 41 x 51cm)Hurst 143.iii, trial VI, apart from the edition of 75 THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Eleanor HUGHES (1882-1959) Three etchings  From Below the Farm, etching with soft ground, stamped signature, plate 17.5 x 12.5cmSycamore Trees, c1935, stamped signature, plate 15 x 9.5cmThree Trees, c1937, stamped signature, plate 12.5 x 15cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Edmund BLAMPIED (1886-1966) Night Time, Dieppe, 1926-27 Drypoint, signed, inscribed and numbered 92/100, plate 20.1 x 27.9cm, sheet 36.4 x 26.6cm (mounted 41 x 51cm)Collectors NoteAppleby 123. Edition 100. A fine impression printed on cream laid paper with full margins. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. Slight yellowing is present around the perimeter of the plate (please see additional image). Ink marks can be found in the corners of the sheet, these appear to be caused by the artist's finger tips and not a particular conditional issue (please see additional image). The piece is attached to the back board via two small hinges which can be found in the two top corners of the sheet.

John MILLER (1931-2002) Figure in Landscape Etching, signed, numbered 9/10, 30 x 23cm, 55 x 45cm framed.

Eleanor HUGHES (1882-1959) Three small etchings  Sycamores with Farm in the Distance, 1939, stamped signature, plate 15 x 9.5cmLamorna Gate, c.1930, stamped signature, plate 9 x 8.5cmFarmhouse with Fields, stamped signature, plate 7 x 9cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Eleanor HUGHES (1882-1959) Pendant Branches, 1937 Etching, stamped artist's signature, plate 25 x 20cm, sheet 39.5 x 27cm (mounted 51 x 41cm) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Allan GWYNNE-JONES (1892-1982) Three etchings  'Lambs on a Hillside' 1927, 1st state, signed and dated, plate 21.5 x 29cm'Lambs on a Hillside' 1927, 2nd state (Bassett 120.ii) signed and dated, plate 21.5 x 29cm'The House at the Crossroads' 1926, (Bassett 113) signed, dated and titled, plate 16 x 20.2cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Robin TANNER (1904-1988) Easter, 1970 Etching, signed and numbered 44/50, plate 39 x 26.5cm, sheet 51 x 44cm, mounted THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. Light foxing is present throughout, as is some minor yellowing to the sheet. The etching is signed, but not numbered.

Robert Sargent AUSTIN (1895-1973) Donkeys of Selva, 1928 Engraving, plate 13.2 x 16.5cm, sheet 18.7 x 24.5cmAn early proof before the drypoint work, Dodgson 78Together with an etching of the same image, Dodgson 78.iiEach mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Edmund BLAMPIED (1886-1966) Through the Storm, 1923 Drypoint, signed, plate 10 x 17.7cm, sheet 20.6 x 26.8cm (mounted 51 x 41cm)Collectors NoteAppleby 97. Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with deckle edges. Signed in pencil. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Eleanor HUGHES (1882-1959) Two works Cottage with Trees, 1937, linocut, stamped signature, image 18 x 20.5cm, sheet 26 x 39cmMill Wheel with Sycamore, 1937, etching, plate 20 x 15cm, sheet 29 x 23cmEach mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Edmund BLAMPIED (1886-1966) Ostend Shrimper, 1926-27 Drypoint, signed, titled and numbered 46/100 in pencil, plate 19.5 x 25.8cm, sheet 24.5 x 33cm (mounted 41 x 51cm)Appleby 126. 7 3/4 x 10. Edition 100, Illustrated: Print Collector's Quarterly 24 (1937): 372. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Stanley Roy BADMIN (1906-1989) Sorting Potatoes (Potatoe Clamps), 1931 Etching, signed and inscribed, plate 10.2 x 17.9cm, sheet 24.6 x 31.6cm (mounted 41 x 52cm)Trial proof before the edition of 25 for the Twenty One Gallery. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Kurt JACKSON (1961) Sunflowers for Ukraine (2022) Etching, signed, inscribed and dated 2022, numbered 28/50, plate size 18 x 12cm, 32 x 26cm framed.

Nathaniel SPARKS (1880-1957) Two works  Alys Cockin, 1925, drypoint, signed, plate 25 x 23.5cm (Barclay 140)Marble Arch, London, 1911, etching, signed and titled, plate 13 x 29cmEach mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Stanley Roy BADMIN (1906-1989) Swinbrook Bridge, 1931 Etching, signed, titled and numbered 28/45, plate 9.4 x 14.6cm, sheet 19 x 25.2cm (mounted 41 x 51cm)Collectors NoteBeetles 22. Edition 45. Published by the Twenty-One Gallery. A rich impression with plate tone printed on cream wove paper, probably Basingwerk Parchment. Signed, titled and numbered in pencil. Exhibited: Royal Society of Painter-Etchers and Engravers, 1931; Royal Academy of Arts, 1932. Illustrated: Fine Prints of the Year, 1931. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Gerald Leslie BROCKHURST (1890-1978) Fabian (The Ideal Head), 1921 Etching, signed, plate size 17.5 × 12.5 cm, sheet size 29.5 x 24cm (loose mounted 51 x 41 cm) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Gerald Leslie BROCKHURST (1890-1978) Amanda No. 1 (Marguerite), 1920 Etching, signed, plate 8.8 x 6.1cm, sheet 16 x 13cm (mounted 36 x 28cm)Collectors NoteFletcher 19.Edition 55. A rich proof printed with plate tone on cream laid paper with full margins. Signed in pencil. This is a striking portrait of Brockhurst's first wife, Anaïs Folin THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Edmund BLAMPIED (1886-1966) Bathing Machine, 1926 Drypoint, signed, titled and numbered 97/100, plate 17.8 x 22.4cm, sheet 23.5 x 30.8cm (mounted 41 x 51cm)Collectors NoteAppleby 119. Edition 100. Printed by David Strang on cream laid paper. Wrinkling in the margins; otherwise fine condition. A rich impression with tonal wiping and drypoint burr. Signed and numbered in pencil. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons’ now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. Overall this delightful etching is in good condition. There is some very minor discolouration to the sheet, but nothing of major concern. The sheet simply sits in four corner pockets and is not attached to the backing.

Joseph Mallord William TURNER (1775-1851) Windmill and Lock, 1811 Mezzotint, image 18 x 26cm, sheet 21 x 28.5cm, mountedDrawn, etched and published by Turner, engraved by W Say THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Gerald Leslie BROCKHURST (1890-1978) The Dancer (Anais), 1925  Etching, signed, plate 23.7 x 14cm, sheet 36.5 x 26cm, (mounted 51 x 41cm)Catalogue NoteFletcher 52.i/viii. 9 3/4 x 6 1/16. Edition 107. Early proof before the published state, before the plate was reduced, with the signature in reverse, upper right, before the signature and date were added in the lower left. An extremely rich proof printed on cream 'J. Whatman' paper. \Signed in pencil and annotated "1st state G.L.B." in pencil. IllustratedSalaman, Modern Masters of Etching: Brockhurst, Print Collector's Quarterly 21 (1934): 319; and Fine Prints of the Year, 1926. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Sir Terry FROST (1915-2003) Escargot (Kemp 125), 1991 Etching and aquatint on wove paper, signed and dated '91, plate 37.5 x 52 cm, framed 62 x 73cm This etching is in excellent condition with no stains and no foxing.

William Lee HANKEY (1869-1952) Two works 'Loup de Mer', etching, signed and titled, plate 15.8 x 12.5cm'Meditation' 1923, drypoint, signed and titled, plate 22.5 x 18.5cmBoth mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

William Lee HANKEY (1869-1952) Three drypoints  'La Vielle' 1920, signed and titled, plate 21 x 16cm (Hardie 186)'Widow' 1913-14, signed and titled, edition 100, plate 22.2 x 12.5cm (Hardie 122)'Le Vieux', signed and titled, plate 20 x 15.5cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Edmund BLAMPIED (1886-1966) Shore Harvest, 1921 Drypoint, signed and titled in pencil, 23.6 x 30.1cm, sheet 29 x 45cm (mounted 41 x 51cm)Appleby 78, edition 100. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. This delightful etching is in very good condition.

Edmund BLAMPIED (1886-1966) Sunday Afternoon, 1922 Etching, signed and titled, plate 22.8 x 30.4cm, sheet 32 x 43.9cm (mounted 41 x 51cm)Collectors NoteAppleby 85. Edition 100. Slight mat line, otherwise good condition. A subtly inked impression printed on cream laid paper with full margins. Signed in pencil. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. This charming etching is in very good condition. There are a number of very faint surface marks present along the edges of the sheet (please see additional images).

James MCBEY (1883-1959) Two etchings 'The Thames Barge Race - The Start' 1936, signed, number 38/80, plate 18.2 x 36.5cm (Hardie 272)'Thames Barge Race, the Sarah winning' 1936, signed, number 33/80, plate 16.5 x 31.5cm (Hardie 273)Each mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.