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78475 Los(e)/Seite
Los 1621
A COLLECTION OF DUTCH ETCHINGS to comprise works by or after Abraham Hondius (see illus.), Adriaen van de Velde, Karel Dujardin, Jan van Goyen (?), Pieter van Laer, Aelbert Cuyp, Hendrik de Goudt, Allart van Everdingen, Adriaen Verboom and other hands; also a soft-ground etching by John Crome (`Wagon wheels, tree trunk and beams`), two framed (34 images) ++ Mixed; a little worn; some with pale stains; some trimmed to within image; foxing etc
Los 1822
WALTER RICHARD SICKERT (1860-1942) THE OLD BEDFORD (THE SMALL PLATE) (Bromberg 135) Etching, 1910, the only state, on tan wove paper 11 x 8.2cm. * This image was etched in 1910 but the music hall had been pulled down 12 years before. The venue had been a particular favourite of Sickert's and he had produced etchings of it as early as 1888. Selective wiping has varied the tone of some of the impressions but the tightly-pressed crowd - some eager and attentive, some perhaps inclined to rowdier participation - capture well the artist's obsession with the spirited atmosphere of a music hall. The total edition size is unspecified as there was a numbered edition of 50 impressions on wove and also unnumbered impressions on laid (some of which were signed). ++ Wide margins, folded to fit the frame; slightly rubbed on the platemark; characteristic discolouration of the paper
Los 1810
•MICHAEL CANNEY (1923-1999) RHINOCEROS Etching with aquatint and plate tone, 1947, signed and dated 14.5 x 21cm. * Evidently inspired by Albrecht Durer's famous woodcut of 1515. The animal in Dürer's print was a gift from an Indian sultan to King Manuel of Portugal and was the first to have been seen in Europe for nearly 1500 years. The King donated the rhino to Pope Leo X but the beast died en route to Italy. Durer never saw a rhino and based his famous print upon a sketch and a descriptive letter. ++ Slight time toning
Los 1270
WILLIAM LIONEL WYLLIE (1851-1931) An early 20th century Victorian etching of London Thames barges entitled Londons River 1900 being set in a good ornate wooden frame with glaze to front. Signed by artist in pencil with notation around picture. William Lionel Wyllie (5 July 1851 – 6 April 1931) also known as W L Wyllie was a prolific English painter of maritime themes in both oils and watercolours.[1] He has been described as "the most distinguished marine artist of his day."[2] His work is in the Tate, the Royal Academy, the Imperial War Museum, the National Maritime Museum and many other institutions around the world. 36x51cmd
Los 12
A collection of prints and drawings by or after Old Masters and others The Judgement of Paris engraved by R. G. Woodman after Rubens, 1813; and another similar; Circle of Michel Corneille the Younger, Landscape with huntsmen and a barge, red chalk on laid paper, 20 x 30 cm; Luca Giordano, 'Sancta Anna', engraving on laid paper, 31 x 22 cm, framed, with folds, heavy creasing and staining throughout; After Honoré Daumier, Court Scene, photogravure, François Perrier, two engravings after ancient statues in Rome, no. 62 from a set of 100 and a Roman consul from the Villa Ludovisi; After Guercino, The Guardian Angel, by Stephanie Keeth Goldman, 1994, no. 2/30, signed lower right, etching, After Albrecht Durer, The Knight, Death and the Devil, later impression, engraving on laid paper, 22.5 x 16.5 cm; Giovanni F. Venturini after Galles, Polidoro, etching on laid paper, 18 x 18 cm; together with some portrait engravings, mostly 18th and 19th century; few watercolours of London river views and other hand-coloured prints, some modern including Hedley Fitton etc. (a quantity, approximately 100)
Los 4
Six portrait or figural engravings. L. J. Cathelin after Vanloo. Joseph Vernet, Peintre du Roi, engraving, 1770, 39 x 30cm , moulded gilt frame; D. Martin after A. Carpantiers, portrait of D. F. Roubiliac, mezzotint, 1765, 38 x 26cm; J. Simon after Lancret, Spring, a reverse glass coloured print, c.1758, 25 x 36cm; R. Dighton, 'A Walk from Bridge Street to St John's Hall', coloured etching 1815, 36 x 26cm; After Reynolds, Caroline Duchess of Marlborough, mezzotint, for Robert Sayer, 37 x 25cm; one other (6)
Los 510
James Macintyre, Glasgow street scene with St. Vincent's Church, signed in pencil, uncoloured etching, together with J. Alphege Brewer, York Minster (the Oak Leaf window), signed in pencil, uncoloured etching. Framed. (2)(B.P. 24% incl. VAT) CONDITION REPORT: Both etchings are good overall. Odd minor foxing spots on the Macintyre - the other has foxing on the mount. Brewer - 25 x 12.25cms.
Los 201
Louis Szanto (Spanish, 1889-1965), Spanish Fiesta, signed in pencil 'L Szanto' (in lower margin), etching, 25 x 30cm, together with a 20th century oil of flowers signed 'A Toni', an oil of a man drinking with a woman, signed 'S Ostman' and a reproduction print of a skier after L David, (4) May be subject to ARR
Los 789
Kriegsmarine Officers Dress Dagger, white celluloid grip retaining the original wire binding, gilt brass eagle pommel top with swastika to the centre. Cross guard with the original button release catch in working order. Brass scabbard with etched decoration and two hanging rings. Original Kriegsmarine issue silver bullion wire dress knot (portepee) loosely tied to the grip. Double edged blade with etching of foliage and anchors etc measuring 24 ½ cms in length. E u F Horster, Solingen makers trade mark to the base of the blade. Some surface staining to the blade but otherwise good untouched example.
Los 939
Victorian / Edwardian 1827 Pattern Royal Navy Warrant Officers Sword, brass dish guard having fouled anchor with Victorian crown above. Black grip retaining the original grip wire. Plain top pommel incorporating the back strap. Bullion Royal Navy sword knot attached to the guard. Blade with Kings crown above anchor and foliage etching. W Chappell & Co Ltd 267 Commercial Road Portsmouth trade mark to the forte and spine stamped London Made. Housed in its original leather scabbard with brass mounts. Blade 80cms. Some light surface wear to the blade but otherwise a very good example.
Los 940
George V 1827 Pattern Royal Navy Officers Dress Sword Attributed to Lieutenant Albert Edward Major Royal Navy, regulation pattern example with brass dish guard incorporating crowned anchor. Fish skin grip retaining the original wire binding. Gilt lion head pommel with backstrap. Officers bullion dress sword knot. Locking plate catch to the reverse of the sword. Housed in its original leather scabbard with gilt brass mounts. Top mount is engraved “A.E.MAJOR”. The blade remains in very good condition with much of the original polished finish and etching. Edwards & Gittings, High Street Gillingham retailers mark to the base. Spine of the blade numbered 6937 and his initials A E M also engraved. Accompanying the sword is his original certificate of service which indicates WW1 service and awards of the 1914-15 star medal trio. Very good example.
![* Charles William Cain [1893-1962]- A Persian Bazaar:- signed in ink and numbered 10 of 90 etching, image 24.5 x 36.5cm.](https://cdn.globalauctionplatform.com/d0a10959-a422-4dd1-8da8-a7980108cbf2/cde95ca4-975e-446d-8ad7-7dc85e5e1e2e/468x382.jpg)
![Sir David Young Cameron [1865-1945]-Sound of Kilbrannan and entrance to Loch Fyne:-etching, signed in pencil in the margin13.](https://cdn.globalauctionplatform.com/d0a10959-a422-4dd1-8da8-a7980108cbf2/176de495-667d-4ef1-a556-f3e6a8528e75/468x382.jpg)
![* Ernst Hansen [1882-1968, Danish]- A Young Woman, a stylised head profile:- signed in pencil bottom right and dated 1918 etc](https://cdn.globalauctionplatform.com/d0a10959-a422-4dd1-8da8-a7980108cbf2/5c5d7249-61a1-41a4-eed9-c6cc7471d283/468x382.jpg)
![Mortimer Luddington Menpes [1855-1938]-Cathedral entrance:-signed in pencil in the margin etchingimage size 34.5 x 27cmtogeth](https://cdn.globalauctionplatform.com/d0a10959-a422-4dd1-8da8-a7980108cbf2/dc641298-d7c0-49fd-940c-a81496487a83/468x382.jpg)
![Francis Seymour Haden [1818-1910]-A sunset in Ireland:-drypoint etching, circa 1863signed in pencil in the marginimage size 1](https://cdn.globalauctionplatform.com/d0a10959-a422-4dd1-8da8-a7980108cbf2/ec48d673-e4a8-4fa7-e3bf-2cf8539602e2/468x382.jpg)
Los 118
London.- Banks (J.H.) A Cosmoramic View of London, a bird's-eye panorama, looking north from above Elephant and Castle, from Vauxhall Bridge to St Katherine's Dock, etching and aquatint, with early hand-colouring, 470 x 1065 mm. (18 1/2 x 41 7/8 in), dissected and mounted on linen, varnished with discolouration, minor surface dirt, handling creases with occasional minor surface wear, folding with brown cloth endpapers, without slipcase, E. Wallis and J.H. Banks, 1843. ⁂ This is the first edition of this view, re-issued slightly later in 1845 as 'A Panoramic View'. The composition is similar to that found in cosmorama rooms as public attractions, but this version has been adapted for a smaller scale environment, such as libraries and coffee houses.
Los 363
Film Poster.- 'Jane Eyre by Charlotte Brontë', directed by Robert Stevenson, starring Orson Welles, and Joan Fontaine, colour lithograph, 920 x 350 mm. (36 1/4 x 13 3/4 in), central horizontal folds, nicks and tears, some restoration visible, surface dirt, Twentieth Century Fox, [1944]; together with an opera poster of Wuthering Heights composed by Bernard Hermann, signed by the artist Carey Wong, offset-lithograph, 600 x 440 mm. (23 3/4 x 17 1/4 in), and with the original artwork for the poster, acrylic on canvas board, 980 x 680 mm. (38 1/2 x 26 3/4 in) § Whitman (Rosalind, 20th century) Lockewood's Dream, etching and aquatint, signed and dated lower right, a proof impression, 340 x 250 mm. (13 1/2 x 9 3/4 in), 1997, (4).
Los 306
Austen (Jane).- Thomson (Hugh, 1860-1920) Fanny was obliged to introduce him to Mr. Crawford, original drawing for 'Mansfield Park', pen and black ink with watercolour over graphite, on wove paper, signed and dated lower left, c.295 x 190mm., framed and glazed, old manuscript label to verso, 1897. ⁂ For Macmillan's edition of Mansfield Park published in 1897 but with the artist's later addition of watercolour, as in a similar drawing for the work which is in Jane Austen's house at Chawton (see Gilson E88). The original illustrations were reproduced in the book (much smaller) as black and white line drawings but the artist then added watercolour to sell the designs separately. Gilson notes that the illustration offered here was reproduced by the Birmingham Mint in 1975 as an etching on a mounted and framed silver plaque, one of a set of six produced to mark the bicentenary of Austen's birth. It was recaptioned 'Fanny introduces Henry Crawford to her father'.
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78475 Los(e)/Seite