78472 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Frank SHORT (1857-1945) Three etchings Polperro Harbour with Bridge, 1888, signed, plate 15 x 20cm, sheet 21 x 28cm (Hardie 227)Winchelsea Marshes, (H345) 1910, signed, plate 11 x 26.5cm, sheet 19.5 x 24.5cmStrolling Players, Lydd, 1907, signed, plate 18 x 25cm, sheet 22 x 30cm (Hardie 335)Each mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Eleanor HUGHES (1882-1959) Dry Dock, Penzance, 1937 Etching, stamped signature, plate 19 x 18cm, sheet 32 x 23.5cm, mounted THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

David Muirhead BONE (1876-1953) Hove, 1906 Drypoint, signed, plate 15.2 x 27.2, sheet 18.7 x 29.4cm (mounted 41 x 51cm)Dodgson 197, edition 36 plus 4 trial proofs THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

James MCBEY (1883-1959) Three etchings  'Mersea Sunset' 1924, signed, edition 76, plate 21.5 x 36cm (Hardie 222)'Surrey Downs' 1915, signed, edition 76, plate 17.5 x 25cm (Hardie 160)'The Timber Mill' 1913, etching & drypoint, signed, edition 50, plate 14.2 x 23.4cm (Hardie 142)Each mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Bryan INGHAM (1936-1997) Flower Bowl (1972) Etching, signed and dated 1972, numbered 18/50, plate size 14.5 x 31cm, sheet size 38 x 52cm, 54 x 67cm framed.

Edmund BLAMPIED (1886-1966) The Vraic Season, 1936 Etching, signed, plate 31 x 36.5cm, sheet 39 x 50.5cm, mounted (Appleby 181) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Michael PORTER (1948) Untitled, 1998 Etching, signed artist’s proof, plate size 16 x 14.5cm, sheet 23.5 x 23.5cm

Edmund BLAMPIED (1886-1966) Ostend Horse, 1926-27 Drypoint, signed, titled and numbered 96/100 in pencil, plate 18 x 22.8cm, sheet 23.6 x 32.1cm (mounted 41 x 51cm)Collectors NoteAppleby 125. Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on 'J Whatman' cream laid paper, on the full sheet with deckle edges. Signed and annotated 'B' in pencil. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. Yellowing is present around the perimeter of the plate (please see additional images). As with the other etchings in this impressive collection, marks are present to the corners and are thought to be by the artist's hand (please see additional images). The sheet is attached to the backing via two small hinges at both of the top corners of the sheet.

William Lionel WYLLIE (1851-1931) Fishing Boats Off Ryde, 1927 Etching and drypoint, signed, plate 17 x 38cm, sheet 29 x 45.5cm THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

William Lionel WYLLIE (1851-1931) Fishing Boats Etching, drypoint and aquatint, trial proof, signed, image 21.5 x 26.5cm, sheet 35 x 29cm, mounted THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Kenneth HOLMES (1902-1994) Two etching plates  To The Fields, copper etching plate, signed, 18 x 25.5cmTown Hall Steps, copper etching plate, signed, 19 x 26cm(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Robert Sargent AUSTIN (1895-1973) Stone Breaker, 1925 Etching, signed and inscribed, plate 10.7 x 13.5cm, sheet 21 x 27.2cm (mounted 41 x 51cm)Dodgson 37.iii THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Robin TANNER (1904-1988) Two etchings The Old Road: Elegy for the English Elm I, 1976, signed, plate 30 x 23.5 cmThe Full Moon, 1973, signed, plate 24 x 18.5 cmEach mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. Both etching are in very good condition. Each are signed, but neither are numbered.

David TINDLE (1932) Open Doors,  Etching/aquatint, signed, titled and numbered 5/75, plate 32.5 x 53.5cm, framed 60 x 81cm Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Eleanor HUGHES (1882-1959) Two small etchings Lamorna Gate, 1937, stamped signature, plate 9 x 8.5cmPollarded Trees, c1937, stamped signature, plate 13 x 11cmTogether with greetings card 'Cornish Elms' with stamped signature, image 9.5 x 10.4cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

William WALCOT (1874-1943) Three works  The Tyne, 1922, etching & drypoint, signed, plate 14 x 19cmLondon Barges on the Thames, 1922, etching & drypoint, signed, plate 11 x 32.5cmGlasgow on the Clyde, 1922, etching & aquatint, signed, plate 9.4 x 25.8cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

William Lee HANKEY (1869-1952) Two works 'Counting the Fish' 1928, etching, signed and titled, edition 100, plate 20 x 23.5cm - illustrated: Fine Prints of the Year, 1928'Corner of the Fishmarket' 1919, drypoint, signed and titled, edition 100, plate 20.2 x 15cm (Hardie 165)Each mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Kenneth HOLMES (1902-1994) Town Hall Steps (Skipton, Yorkshire), 1929 Drypoint, signed, plate 19 x 25.5cm, sheet 29 x 39.5cm, mountedIllustrated: Fine Prints of The Year, 1929 THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Eleanor HUGHES (1882-1959) Two etchings  Woodland Farmyard, 1937, stamped signature, plate 20 x 15cmTall Trees, stamped signature, plate 25 x 20cmEach mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Eleanor HUGHES (1882-1959) Three small etchings Old Doorway Trewoofe, 1909, stamped signature, plate 7 x 8.5cmFarmhouse with Fields, c1937, stamped signature, plate 7 x 9cmCottage and Barn, stamped signature, plate 11.5 x 9cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

William STRANG (1859-1921) Fried Fish, 1912 Etching/drypoint, signed, plate 35 x 45cm, sheet 39 x 50cm, mounted THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Gerald Leslie BROCKHURST (1890-1978) Noemie (Marguerite), 1926 Etching, signed, plate 18.4 x 10.7cm, sheet 29.3 x 21.3cm (mounted 38 x 27cm)Catalogue Note One of only 4 proofs in this state (total 132 impressions). A fine impression printed on cream wove paper. An extremely rare proof, before the reduction of the plate. Printed on 'Van Gelder Zonen" laid paper. Signed and annotated '2nd state G.L.B. 4 proofs thus' in pencil. This is a portrait of the artist's first wife Anaïs Folin. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Eleanor HUGHES (1882-1959) Trees Overlooking Lamorna Cove, 1938 Etching, stamped artist's signature, plate 11.8 x 14cm, sheet 15.6 x 24.5cm (mounted 36 x 28cm) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Joe Tilson (RA) (1928-2023) - Sea Mantra 1977 A soft ground etching and aquatint paper. edition No 33 of 75 106 x 76cm  image 87.2 x 65cm Signed 1979 Lower right. Artist resale rights apply.

Matte porcelain figure of a lady in an elegant white dress on a black sofa. This figure was created in the likeness of the etching Le Sofa by Louis Icart (French, 1888-1950). Heirloom Traditions backstamp. Includes wood base 9.75"L x 5.25"W x 0.75"H. Issued: 1984Dimensions: 9.25"L x 4"W x 5.25"HEdition Number: 3830 of 10000 Manufacturer: Heirloom TraditionsCountry of Origin: JapanCondition: Age related wear.

Jyoti Bhatt (B.1934)Seaview Scenery signed 'Jyoti Bhatt 63' in Gujrati lower leftoil, cement and iron on jute, framed49.6 x 70cm (19 1/2 x 27 9/16in).Footnotes:ProvenanceProperty from a private collection, Denmark.Acquired from an Estate.PublishedDelhi Art Gallery, Jyoti Bhatt: Parallels that Meet, Pragati Offset Pvt. Ltd., 2007, pg. 34 (another edition) Note: There is a gallery Chemould label on the reverse with details of the artist, title of the work, medium, price, total price and exhibited at information.This as what could be called the 'textured surface phase' when I was taken over completely by the potential expressions of surfaces created with various materials. (Jyoti Bhatt, Parallels that Meet, Pragati Offset Pvt. Ltd., 2007, pg. 107)Bhatt is a multifaceted artist and is known for having experimented with various mediums throughout his career. A painter, printmaker and photographer, Seaview Scenery was created in 1963, the year after he completed his studies at the Academia di Bella Arti, Naples, Italy (1961-62). At the Academia he studied painting and etching and there was a shift towards depicting landscapes and simplified still life, as well as extreme close-ups of surfaces of seascapes, desert experiences and forts and monuments. Inspired by the abstract paintings of the Spanish and Italian artists, Antonio Tapies and Alberto Burri, Bhatt started emphasising the tactile quality of surfaces and experimented with non-art materials. He used pebbles, jute, sand, iron pieces, plywood, texture white, linoleum, brass sheets and polyvinyl alcohol adhesive to create multiple raised surfaces of varies textures and colour bands, where each painting evokes a bird's eye view of the subject under scrutiny via the constituent of distance. Seaview Scenery is a fine example of this style from this period, and beautifully showcases Bhatt's accomplishments.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Abdur Rahman Chughtai (1897-1975)The Courtesan signed 'Rahman Chughtai' lower left and titled 'The Courtesan' lower rightetching on paper, framed31.7 x 35.8cm (12 1/2 x 14 1/8in).Footnotes:ProvenanceProperty from a private collection, London;Acquired from a private collection, Lahore.Untitled (Courtesan) is steeped in the rich cultural traditions of South Asia, drawing inspiration from centuries-old artistic and literary sources. Beyond its surface beauty, the work carries layers of symbolism and subtext that invite deeper interpretation. The courtesan, with her enigmatic gaze and poised demeanour, becomes a symbol of femininity, desire, and agency. Devoid of clothing, and adorned with jewels, she challenges conventional notions of gender and power in traditional society.For further information on this lot please visit Bonhams.com

RAY BAN boxed 1980s gold-plated Arista sunglasses W0976 by BAUSCH & LAMB in original case with paperwork and cloths...Vintage Ray-Ban W0976 Classic Collection Style 1 sunglasses feature a gold plated Arista frame with its pinpoint etching around the entire perimeter of the lenses and down both ear stems. To produce an Arista frame, Bausch & Lomb permanently bonded a layer of almost pure 24k gold to the base alloy metal specially chosen by Ray-Ban for optimal strength and malleability. The unisex Ray-Ban W0976 Classic Metals frame measures approximately 5.125" temple to temple, and the Ray-Ban G-15 anti-glare lenses measure approximately 1.875" x 1.375" at the widest points with right lens laser etched Ray-Ban and both lenses laser etched BL near the hinges. The rear of the nose bridge is impressed B&L Ray-Ban USA in the gold plating, and on some production one ear pad is impressed W0976 NWAS. (www.vintagesunglassesshop.com)Condition Report: Excellent condition

JOHN TAYLOR ARMS (AMERICAN 1887-1953)  DAWN  Etching, signed lower right, numbered 17/100, 20 x 14.5cm  Together with a similar by the same hand (2) Condition Report:Available upon request

WILLIAM WALCOT RBA, RE(RUSSIAN 1874-1943)  ENTRY OF A CONSUL  Etching, signed lower right, 53 x 60cm  Together with 4 others smaller by the same hand (5) Condition Report:Available upon request

WILFRED CRAWFORD APPLEBEY (SCOTTISH 1889-1954)  GLASGOW UNIVERSITY  Etching, signed lower right, titled lower left, 28.5 x 35cm  Together with two others by the same hand titled 'Glasgow University gateway' and 'Glasgow University, Evening' (3) Condition Report:Available upon request

DAVID YOUNG CAMERON (SCOTTISH 1865-1945)  PAISLEY ABBEY  Etching, signed lower right, 15.5 x 19.5cm  Together with 4 similar by the same hand and 4 others (9) Condition Report:Available upon request

Similar Royal Navy Elizabeth II Officer’s sword by Wilkinson of London. A good clean example, the blade etched with a Crowned EIIR cypher and fouled anchor. To the forte the cutler’s details of Wilkinson sword. Solid gilt metal folding guard with white shagreen grip and lion’s head pommel. Housed in leather scabbard with gilt metal mounts. Etching to blade clear, some pitting to the point of the blade. Number ground from back of the blade. Gilt mounts have been professionally flash gilded during its working life. INVOICE PAYABLE ON PRESENTATION BY BANK TRANSFER

Royal Navy Officer’s sword. A good example, the blade etched with a King's Crowned fouled anchor device. The solid gilt metal folding guard with a Victorian Crowned device enclosing a white shagreen grip and lion’s head pommel. Housed in leather scabbard with gilt metal mounts. Etching to blade clear. Number ground from back of the blade. Gilt mounts have been professionally flash gilded during its working life. INVOICE PAYABLE ON PRESENTATION BY BANK TRANSFER

Royal Navy Elizabeth II Officer’s sword by Wilkinson of London. A good example, the blade etched with a Crowned EIIR cypher and fouled anchor. To the forte the cutler’s details of Wilkinson sword. Solid gilt metal folding guard with white shagreen grip and lion’s head pommel. Housed in leather scabbard with gilt metal mounts. Etching to blade clear, some age wear to scabbard mounts. Number ground from back of the blade. INVOICE PAYABLE ON PRESENTATION BY BANK TRANSFER

Similar Royal Navy Elizabeth II Officer’s sword by Wilkinson of London. A good example, the blade etched with a Crowned EIIR cypher and fouled anchor. To the forte the cutler’s details of Wilkinson sword. Solid gilt metal folding guard with white shagreen grip and lion’s head pommel. Housed in leather scabbard with gilt metal mounts. Etching to blade clear, but faint to parts, some minor pitting to the point of the blade. Number ground from back of the blade. Gilt mounts have been professionally flash gilded during its working life and now dulled to the scabbard. INVOICE PAYABLE ON PRESENTATION BY BANK TRANSFER

Φ Gerald Leslie Brockhurst RA (1890-1978)By the WindowSigned G L Brockhurst (in pencil to margin)Etching13.7 x 10.1cm (plate)Provenance:By family descent for at least two generations

Φ Robyn Denny (1930-2014)Graffiti 7Signed, dated, numbered and inscribed 15/28 Graffiti 7 Denny '77 (in pencil to margin)Etching69.5 x 56.9cm (sheet)Unframed

Φ Edgar Holloway (1914-2008) Henry Moore at 80 Signed and numbered 14/50 Edgar Holloway (in pencil to margin) Etching 28 x 15.7cm (plate)Provenance: The Collection of the Late Howard Duckworth

Φ John Wells (1907-2000) Topsail Inscribed p/p (in pencil to margin) Etching, 1950 14.5 x 12.5cm (plate)Provenance: The Art Hound Gallery where purchased by the present private collector

Φ Kjeld Ulrich (Danish b.1942)Bird and cactusSigned and numbered 42/60 Kjeld Ulrich (in pencil to margin)Etching and aquatint24 x 59cm (plate)

Φ Bryan Pearce (1929-2007)Indian BirdsSigned, dated and numbered 21/75 Bryan Pearce/2000 (in pencil to margin)Etching19 x 22cm (plate)Together with Janet Axten; Bryan Pearce: The Artist and his Work; Signed, inscribed and dated with best wishes/janet Axten/21 October 2000 (Sansom & Company, 2000) (2)

Φ Sir Howard Hodgkin (1932-2017) Books for the Paris Review (Heenk 100)Signed with initials and dated HH 99 (in pencil lower right) and numbered XVI/XX (in pencil lower left)Lift-ground etching and aquatint with carborundum in colours and extensive hand-colouring, one of twenty artist's proofs, aside from the edition of one hundred, published by The Paris Review, New York, 1998, printed and hand-coloured by Jack Shirreff at the 107 Workshop38.3 x 42.1cm (sheet)Provenance:Alan Cristea Gallery, London;Private Collection, London

Φ Peter Laszlo Peri (Hungarian 1899-1967)A CND protestSigned and dated Peri 1962 (in pencil to margin)Etching and drypoint27.5 x 60.8cm (plate)Provenance:The Collection of the Late Jack and Dora Black

Φ Julian Trevelyan RA (1910-1988)The Well of Loneliness (Turner 384)Signed, numbered and inscribed 2/50 The Well of Loneliness Julian Trevelyan (in pencil to margin)Etching and soft-ground with hand colouring, 1984, from Late Dream City series17.3 x 24.8cm (plate)

Φ Robert Austin RA, PRE, PRWS (1895-1973)Study of a skeletonSigned Austin (upper right), signed and dated Austin 22/April and April '22/Austin RS (lower right), inscribed sketch for etching (lower left), and with studio stamp (lower left)Pencil and white bodycolour27.6 x 17.1cmProvenance:The Fine Art Society, London, 2002;The Collection of the Late Robin de Beaumont (1926-2023)Exhibited:London, The Fine Art Society, Robert Austin, 2002, no.72

Φ Sir Terry Frost RA (1915-2003)Sun Bow (Kemp 239)Signed, dated and inscribed P/P II Sun Bow Terry Frost 02 (in pencil to margin)Etching, dustgrain gravure and aquatint, a printer's proof in addition to the edition of 50 and further proofs49 x 80cm (sheet)Provenance:Gallery 17, Shrewsbury, where purchased by the present private collector, June 2005

Φ Julian Trevelyan RA (1910-1988)Pebble Mill '83 (Turner 382)Signed, numbered and inscribed 2/50 Pebble Mill Julian Trevelyan (in pencil to margin)Etching and softground with hand colouring, from Late Dream City Series14.6 x 25cm (plate)

Φ Julian Trevelyan RA (1910-1988)Chiswick Mall (Turner 281)Signed, numbered and inscribed 21/52 Chiswick Mall Julian Trevelyan (in pencil to margin)Etching, aquatint and soft-ground, 197459.3 x 78.3cm (sheet)Unframed

Φ Leon Kossoff (1926-2019)The LetterSigned, dated, numbered and inscribed 76/100 The Letter L Kossoff 82 (in pencil to margin), and with Studio Prints blindstampEtching37 x 40.9cm (sheet)Unframed

G.W. Birks, a limited edition print, "S.E.E and M. Pullem" dentist surgery scene, signed in pencil by artist and numbered 320 of 375, with artist's proof stamp, framed, overall 44cm x 34cm, and a framed, signed and numbered limited edition hand coloured etching by Tim Bulmer, entitled "Bon Appetito", numbered 91 of 150 and signed in pencil, overall 34cm x 28cm (2)

Various pictures and prints including needlework pictures, watercolour portrait of a woman, Shih tzu paintings, Fort Baker- Golden Gate National Parks poster, etching, etc.

Etching of boys under a tree by C. Fleming. Not available for in-house P&P

Louise Waugh, 'British Summertime', etching; Jean Kreiser, 'Kitchen Cabinet', ink; Jean Kreiser, 'The New Bye-Pass', print; another framed print and two unframed watercolours

A signed etching by René Allenbach (1889-1958) dated 1918. 35x46cm

Thomas Rowlandson (1757-1827) An Early 19th Century ‘Dr Syntax Losing His Way’ coloured etching, leather bound cigarette case. Circa 1810. 15x11x6cm

A collection of framed abstract prints including Adrianne Wortzel Gift of the Nile 1993 etching. This lot cannot be posted

Jessie Marion KING (1875-1949), Enchanted Cottage etching, signed in pencil lower left. 41cm x 33cm.

David Hockney (b. 1937), 'Home (1969)', etching, Goldmark Gallery label verso, 17.75" x 12.25" (45 x 31cm).

Henry George Gawthorn, 'Sleeping Leopard Cub', etching, gallery label verso, plate size 4.25" x 7" (11 x 18cm).