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78472 Los(e)/Seite
Los 536
André Dunoyer de Segonzac (French, 1884-1974) The garden signed 'A. Dunoyer de Segonzac' (lower right), further signed and dated 'A.Dunoyer de Segonzac/16 sept. 1959' (lower right) and variously inscribed (lower left) etching 12¼ x 9 1/8 in. (31.2 x 23.2 cm.); and one etching of studies at Scheveningen by Walter Sickert and two lithographs of landscapes by Roger Fry (4) View on Christie's.com
Los 385
Peter le Cave act 1769-1816- "Figures and Cattle by a Stream"; watercolour, 18x24cm: William Blake 1757-1857- "Beggar`s Opera, Act III...", after William Hogarth, publ July 1st 1790 by J & J Boydell Cheapside & at the Shakespeare Gallery Pall Mall London; etching and copper engraving, 44.5x56cm., (2)
Los 416
John Latham, British, early 20th century exh 1926- Portrait of Sir George Frampton, RA, PRBS; oil on canvas, 43x32cm: together with two other paintings by the same or similar hand of Sir George Frampton`s mother and father; oil on canvas, in matching frames, 46x36.5 and 46.5x36.4cm: John Seymour Lucas, British 1849-1923- Portrait of Sir George Frampton; red chalk on paper, signed, dedicated to Sir George Frampton and dated July 27 1903, 28x25cm: Rowland Langmaid, British 1897-1956 exh 1924-1930- `Peter Pan in Kensington`; etching, signed in the plate and in pencil, 17x8.6cm., (5) (a lot)
Los 429
* Christopher Penny, British 1947-2001- `Late October`; etching, aquatint in colours, artists proof, signed, titled, 47x34.5cm: Angela Newberry, 20/21st Century- `Fish Pond`; etching in colours, proof, signed, titled, 44.2x37.5cm., (2) Provenance: Paintings in Hospitals cat. no 10790 & HS0147 (may be subject to Droit de Suite)
Los 433
Leonard Russell Squirrell RE RI RWS, British 1893-1979 exh 1913-1940- "Stoke by Nayland, Suffolk"; aquatint on paper, signed, titled, 21.6x33cm: together with `Bridgemount`; pencil sketch on paper, signed L.R.Squirrel, and titled, dated 28.7.34, 11.6x17.5cm: and a Church in Winter; etching, signed Leonard Squirrel, numbered 4/20, mounted, 10x7.1cm., (all by the same hand) (part unframed) (3)
Los 466
Frederick Carter ARE 1885-1967- `Le Dons Du Diable`; etching, signed and dated 1908 within the plate, signed and dated 1909 in pencil, 21x13.4cm: together with two other etchings by the same artist, `Two Dancers`, signed and dated 1909 in pencil and `Will o` the Wisp`, signed and dated 1909 in pencil, 8x5.5cm and 9.7x12.6cm, (3)
Los 467
Attributed to Henry Percy Huggill ARE 1886-1957- A French Cathedral, publ by The Gainsborough Galleries, Albert Building, Pressons Row, Liverpool Copyright 1919; etching, signed in pencil, bears blind stamp `Artist`s Proof`, 32x23cm: together with one other etching of a Northern European town square by the same hand, similarly signed in pencil, bears blind stamp `Artist`s Proof`, 21x26cm: Camille Foncé 1867-1938 exh 1896-1909- "Leon Cathedral" and "Rheims Cathedral", publ 1918 by Arthur Tooth & Sons 155 New Bond Street, London W, imp Ad Valcke Paris; etchings printed in colours, a pair, both signed in pencil, both bear labels for Grindley Palmer Exchange Street West Liverpool attached to the reverse of the frame, 40x35cm., ea: William Henderson exh 1886-1914- Sol del Venezia, publ by The Gainsborough Galleries Fine Art Publishers Liverpool copyright 1923; mezzotint printed in colours, signed in pencil, bears bind stamp `Artist`s Proof`, 29x40cm: George Sydney Hunt exh 1880-1917- "The Laughing Cavalier"after F Hals, publ 1915 by G J Howell& Co 26 Museum St London WC; mezzotint printed in colours, signed in pencil, 39.5x32cm., (6)
Los 488
Late 20th/Early 21st Century- Portrait; mixed technique on paper, signed indistinctly and dated 84 in pencil, 61x45cm: Late 20th/Early 21st Century- "The Quintet"; etching with drypoint and aquatint printed in colours, signed, titled, numbered 2/50 and dated 88 in pencil, 43x30cm: After Judy Boyes b.1943- "After Rain in Torriden"; colour reproduction print, signed, titled and numbered 414/750 in pencil, 36x27cm., (3) (may be subject to Droit de Suite)
Los 543
John Wright II c.1770-1820- Hunting Scene, after George Morland, publ Nov 20th 1800, Random, Stainbank & Sayer, 17 Old Bond Street; hand coloured soft ground etching, 29.5x37.7cm: together with four other hunting scenes from the same series, in matching frames (one missing glazing): together with a number of other prints, (a lot)
Los 563
* Johannes Sadeler I 1550-1600- "Boni et Mali Scientia.."; c.1585, engraving, good impression, minor scattered staining and other defects, trimmed into the platemark, 20.4x25.5cm: After Antonio Lafrery, (Lafrerei) 1512-1577- Allegorical scene; c.1655, engraving, good impression, trimmed on the platemark, some staining and other defects: Quirinus Boel 1622-1686- "St Jerome"; engraving, after D. de Feraero, etching and engraving, fairly good impression , laid down, trimmed into the platemark: Giovanni Battista Galestruzzi 1618-1661- Bacchanalian fresco; etching and engraving, and others, (a lot) (unframed)
Los 590
* After Jean Francois Millet 1814-1875- "Depart Pour le Travel"; c.1863, etching, this possibly a example a later impression, unidentified state, signed within the plate, on cream wove with margins, overall good impression, thin spot top right, handling marks and other minor defects, 45x35cm, (unframed)
Los 613
Late 20th/Early 21st Century- Man drinking alone in a bar; oil on canvas, 60.3x76.2cm: French Surrealist School, late 20th century- `L`oiseau Jaune IV`; etching with aquatint, signed, numbered 14/73 and dated 80, 25.1x33.3cm: After Jean-Michel Folon 1934-2005- `Le Nid`; reproduction printed in colours, 53x45.8cm: together with a further quantity of other prints and reproductions, (a lot)
Los 630
Ann Hewson b.1933- Cat on a chair; pastel, signed and dated 1990, 40x30cm: Elizabeth Duncan Meyer b.1942- "Lands End"; pastel, signed, titled and dated 97, 38.5x47cm: Tanya H, British, late 20th century- "Mother Nature Wants You"; watercolour, signed, bears inscription on the reverse `"Mother Nature Wants You, Stephen Bartley Gallery, 62 Old Church Street, London SW3 Dec 1989 Exhibited", 76x60cm.:Dawn Matthews, British late 20th century- Untitled composition; monotype, 120x89cm: Elizabeth Duncan Meyer b.1942- "Homage to V+A Pisa Doors"; etching with aquatint, signed, titled and numbered 1/10 in pencil, 56.5x57cm: Gabriela Zalewska, Polish late 20th/early 21st century- Untitled composition with figures; woodcut printed in colours on two sheets of buff paper, signed, inscribed `A/P` and dated 2002, 39x49cm: After Jock Leyden 1908-2000- Cartoons, composite group; reproduction prints/collage in shared frame, 69x69cm: Late 20th/Early 21st Century- Figure, untitled; mixed technique print with mixed media, 75x60cm.: Stewart MacKinnon b.1948- Untitled; pencil, signed and dated 72, 48.5x36cm: Anne Dunn b.1929- Untitled composition; watercolour, signed and dated 1989, 43x58.5cm., (10) (may be subject to Droit de Suite)
Los 48
NEIL CAMERON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Wells Cathedral”, 4” x 6”; INDISTINCTLY SIGNED, HAND COLOURED ETCHING, “ ...... Matterhorn”; INITIALLED AND DATED 1887, SEPIA ETCHING, Fisherfolk on a Beach; and AFTER JACQUEMART, BLACK AND WHITE ETCHING, Flower Study, 11” x 8” (4)
Los 62
BLACK AND WHITE PRINT, CIRCA 1868, (FROM A PUBLICATION), “The Royal Meet of the West Norfolk Hunt at Snettisham ……”, 9” x 14”; BERTHA GOOSE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, PUBLISHED 1911, “Llangollen Bridge”, 8” x 12”; and LARGE BLACK AND WHITE PHOTOGRAPH, Racing Yachts on the Norfolk Broads, 15” x 35” (3)
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78472 Los(e)/Seite