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Preisdatenbank abonnierenVictorian / Edwardian RAMC Officers Sword. An unusual transitional example. The 32 1/2 inch blade is decorated with a crowned reverse entwined VR cypher and to the forte the retailers details of Hawkes & Co. London. The hilt with open brass guard incorporating a Crowned EVIIR cypher. The shagreen grip with twist wire binding. Housed in polished brown leather field service scabbard. A good clean example etching clear
Victorian 1885 Liverpool Rifle Brigade Presentaion Sword. An example of the Light Infantry pattern, the blade with etched decoration of crowned VR cypher, strung bugle and a presentation panel PRESENTED TO Cr SERGT E STEWARD ON HIS PROMOTION TO QM SERGEANT FROM THE OFFICERS AND MEMBERS OF B COMPANY LIVERPOOL RIFLE BRIGADE. The hilt of the regulation pattern incorporating a strung bugle device. Scabbard absent. The sword has been professionally restored showing some service pitting. etching faint to parts.
Royal Navy Sword of Commander R.G. Liveing Comprising: Royal Navy George V period Levee pattern sword, a scarce narrow blade example of the regulation pattern. The blade with etched decoration of a GVR crowned cypher and to the forte the retailers details of Gieves. The hilt with shagreen grip, surmounted by a lionhead pommel. The folding locking guard with engraved name R.G.LIVEING RN. Complete with scabbard. Small rust spots to the blade, otherwise etching clear and clean. The leather is dry and with a part break. ... Commander Robert George Liveing entered Royal Navy service in January 1919 and was appointed a Sub Lieutenant 1926 with Lieutenant 1929. He served with the Submarine Service and in 1928 was posted to the Submarine L3 on the China Station. He transferred to the Emergency list in 1931 and was recalled for service during WW2. The Royal Navy list of 1968 shows him as the Senior Command Naval Auxiliary Officer Royal Naval Auxiliary Service.
Bob Dylan (American 1941-), 'Box Set Of 10', 2008, a complete box set of ten giclee prints on 350gsm Hahnemuhle Museum Etching Paper, all signed and numbered from an edition of 295 in pencil, published by Washington Green Fine Art; sheets: 70 x 56cm each (10) Titles: Sidewalk Cafe Sunday Afternoon Woman On A Bed Vista From Balcony Lakeside Cabin Cassandra Statue Of Liberty Dad's Restaurant Two Sisters Bragg Apartment, New York City
*Norman Ackroyd RA (b.1938)'Chateau Cheval Blanc'etching and aquatint, signed 'N... A...' in pencil l.r., also bears signature by a different hand l.l., inscribed as titled and numbered 23/15035 x 50cm*Artist's Resale Right may apply to this lot.Condition report: Not examined out of glazed frame, sheet is stuck down to the mount, there is a slight stain below title, and a similar stain upper centre which creates two patches on the image. Please refer to images. There is some dirt to the glass, otherwise sheet is clean and white.
Peter LANYON (1918-1964)Beast, 1959EtchingSigned and inscribed by Sheila Lanyon also stamped PLInscribed 'Beast 1959 - one of 6 prints made for family before plate destroyed S m Lanyon - Jo Lanyon - June 1983' to versoPlate size 25 x 18cm Condition report: This rare etching has not been examined out of the frame but it appears to be in excellent condition
FITTON E. HEDLEY [1859-1929] - Chateau des Comtes, Ghent,:- etching, signed in pencil in the margin, image 37 x 39cm, [With Frost & Reed 1935], together with one other signed etching by the same hand of The Clock Tower, Amboise, an etching by Sidney Tushingham of The Church of St. John and St. Paul, Rome and one other by Albany Howarth of Ponte St Pierre, Auxere. [4]
‡Eileen Soper RMS, SWLA (1905-1990) Stop Thief; Black Puss-cats; Cricket Three, each signed Eileen A. Soper (in pencil to margin) Each etching, 1926, 1925, c.1926 (respectively) Largest 11.4 x 19cm; Smallest 11.1 x 17.4cm (plate) (3) Exhibited: 'Stop Thief', London, Chris Beetles Ltd, The Art of George and Eileen Soper, 3-30 June 1995
‡Eileen Soper RMS, SWLA (1905-1990) Follow My Lead; The Giant Stride; The Sands Three, each signed Eileen A. Soper (in pencil to margin) Each etching, c.1923, 1921, 1921 (respectively) Largest 12.2 x 18.5cm; Smallest 11 x 17cm (plate) (3) Provenance: 'The Sands' with The Rembrandt Gallery, Liverpool and London (according to label)
‡Julian Trevelyan RA (1910-1988) Game Park Signed, numbered and inscribed 2/125 Game Park Julian Trevelyan (in pencil to margin) Etching and aquatint in colours 34.9 x 47.2cm (plate) Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet Mary Fedden and Julian Trevelyan were close friends of Elisabeth Frink. They often visited Frink and her second husband Ted Pool when they lived at Corbès in the Cévennes. Later they would stay at Woolland with Frink and Alex Csaky.
‡Patrick Procktor RA (1936-2003) The Rime of the Ancient Mariner: Samuel Taylor Coleridge; The charmed water burnt alway A still and awful Red; Two of the Polar Spirit's fellow daemons; I pass, like night, from land to land Four, each signed and inscribed APIII Patrick Procktor (in pencil to margin) Two etching and aquatint; two aquatint Three approx. 22.2 x 15cm; One 14.9 x 22.5cm (plate) Unframed (4)
‡Colin Self (b.1941) Out of Focus Object and Flowers 1 (Provincial Image); Power and Beauty No.1 (Cat); Power and Beauty No.2 (Whale) Three, each signed and inscribed with title, two dated, and each inscribed Artist's proof, 3/75 and 30/75 (respectively) The first etching and aquatint; 'Cat' and 'Whale' photo-screenprints Largest 68.8 x 105.4cm; Smallest 79.4 x 56.3cm Each unframed (3)
DORIS TEAGUE START LIGHTHOUSE DEVON COAST watercolour 1930s 55 x 45cms together West Country Harbour watercolour, 1948, 73 x 53 cms, Renata Schmidt Broecker 'The Red Scale' watercolour, English Village Church oil on board, c1890, with an etching of Bexhill parish church, 1920s and Robinson, pair of lithographs of Paull, East Yorkshire, 1920s
Patrick HERON (1920-1999)Brushworks No. 8EtchingNumber 25/38Facsimile Patrick Heron signature to verso, signed by Susanna and Katharine Heron in pencilPlate size 44 x 58cm'The suite of prints from which this etching is taken is one of the last works Patrick Heron made before his death. Over a period of three months between December 1998 and March 1999, Heron worked in his studio with the printer Hugh Stoneman, making drawings for fifteen works in total, from which he selected the eleven plates that make up the portfolio. He finished the drawing for the colophon page on the morning of the day he died. Heron approved the proofs and decided on a sequence for presenting the works shortly before his death. The etchings were printed posthumously, overseen by the artist’s two daughters.' The Tate
Henry Pymm Drypoint Etching 'Bishop's Walk North Lambeth (from a rough sketch & description by contemporaries) the site of S.T Thomas's Hospital. Dost Thou Know the Difference (King Lear I.IV.)' Henry Pymm worked from Norwich England and produced this etchings 1880-1920's A working bookbinder of Drury Lane, and amateur draughtsman and etcher.
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![BOUVERIE-HOYTON Edward [1900-1988]-Roman Theatre,:- etching, signed in pencil, plate size 25 x 34cm, together with an etching](https://cdn.globalauctionplatform.com/16427ae3-b6dd-4c32-a92c-add60137c3ca/d8ff4af3-d3fe-4f86-ad39-add700d3e973/468x382.jpg)
![FITTON E. HEDLEY [1859-1929] - Chateau des Comtes, Ghent,:- etching, signed in pencil in the margin, image 37 x 39cm, [With F](https://cdn.globalauctionplatform.com/16427ae3-b6dd-4c32-a92c-add60137c3ca/998a180b-dae1-45c3-8643-add700d3e8a8/468x382.jpg)
