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Los 73

Patrick Pye RHA (b.1929) The Flight into EgyptCarborundum and etching, 11 x 18.5cm (4¼ x 7¼)Signed, inscribed and marked h/c of 50

Los 111

William Lionel Wyllie (1851-1931) etching, boats off the coast, signed in pencil, p 8.5" x 19.5", mounted.

Los 14

August Francois Gay (American, 1890-1949) a Collection of copper etching plates, scenes in Monterey, California, largest 6" x 7", unframed, (22), provenance; by decent from the artist, exhibited at Monterey Museum of Art 1998, together with exhibition catalogue.

Los 176

William Lionel Wyllie (1851-1931) etching, shipping entering harbour, signed in pencil, p 6.5" x 15", unframed.

Los 177

William Lionel Wyllie (1851-1931) etching, busy harbour scene, signed in pencil, p 6.5" x 14.75", mounted.

Los 247

Anthony Gross (1905-1984) etching, wine shop Madrid, signed in pencil, p 9.25" x 12", unframed.

Los 255

Edwin La Dell lithograph circa 1960, Clifton College and Pleasance Broad, etching, untitled circa 1960, (2), unframed.

Los 366

W A Lambrecht coloured etching, Notre Dame Cathedral, signed in pencil, 11" x 14.5", framed.

Los 243

**A NORTH EUROPEAN PARTISAN, LATE 17TH CENTURY AND A LUGGED SPEAR IN 15TH CENTURY STYLE, 19TH CENTURY the first with tapering central blade, a pair of shaped basal lugs, retaining some etching including a pair of cannon at the base (the upper portion now largely obscured) faceted socket with moulded collars a pair of long straps, wooden haft; the second with leaf-shaped central blade formed with a medial ridge, a pair of right angular flat basal lugs each engraved with zig-zag lines, pellets and crosses, tapering faceted socket, wooden haft with iron shoe the first: 21.8 cm; 8 ½ in head the second: 38.7 cm; 15 ¼ in head (2) Provenance The first: Max Williams, New York, sold Anderson Galleries, New York, 7 March 1928, lot 70 The second: Angelo Peyron, Florence, sold Savoy Art Galleries, New York, 4 November 1954, part of lot 37 JWHA Inv. Nos. 488, 3065

Los 264

**A COMPOSITE CAP-A-PIE FIELD ARMOUR, NORTH ITALIAN, LATE 16TH TO EARLY 17TH CENTURY comprising close helmet of cuirassier's type with rounded skull formed in two halves joined along the crest of a low medial comb (bruised and cracked towards its rear) and fitted at the nape with a plume-holder (replaced), peak, face-defence and bevor attached to it by plain common pivots (replaced), the peak of narrow rounded form, the near-vertical face-defence cut at its upper edge with a pair of broad shallow notches serving as vision-slits, and at each side of the front with five vertical ventilation-slots, the face defence and bevor each secured at the right by a pierced stud and swivel-hook (replaced), and the lower edges of the skull and bevor (that of the skull patched at its centre) flanged outwards in each case to receive a pair of rounded gorget-plates (associated); collar of one deep lame front and rear, in each case flanged upwards at the neck-opening to receive at least one additional lame; breastplate formed of a main plate of deep 'peascod' fashion fitted at its arm-openings with moveable gussets (associated) and flanged outwards at its lower edge (cracked) to receive a fauld of one centrally-divided lame (associated) and fitted at each side with a turning-pin and hooked stud to attach a knee-length tasset of eight lames terminating in a winged poleyn of four lames; backplate formed in one piece with broad shallow neck-openings and flanged outwards at its lower edge to receive a deep detachable culet of three lames (restored, the lowest disarticulate at its left end); large symmetrical pauldrons each formed of seven lames of which the lowest four protect only over the outside of the arm (all those of the right and the lowest two of the left associated and reworked to fit their present context), and the lowest pierced at its centre with a rectangular slot to attach by means of a projecting turning-pin a fully articulated vambrace fitted at its upper end with a turner of one lame and at its elbow with a winged bracelet couter of three lames (restored); fingered gauntlets each formed of a moderately long flared and round-ended cuff closed at the inside by a riveted join and fitted at the outside with four metacarpal-plates (all associated, one of the right disarticulated at its upper end); and a pair of full-length tubular greaves (restored) each articulated once at the ankle and terminating in an integral square-toed sabaton of eight lames; the main edges of the armour formed with file-roped inward turns and its surfaces decorated with etching on a blackened ground, that of the cuirass consisting of alternating bands of foliate interlace and trophies, the former involving oval cartouches occupied by armoured warriors of the 16th century, and that of the remainder consisting of bands and borders of trophies enclosed by projecting filigree-like volutes interrupted at intervals by trefoils (the armour lightly patinated overall); together with a piece of late 16th century mail later cut and shaped to form a codpiece See note at front of catalogue for information concerning stands Provenance Purportedly Prince Eugene Manice of Savoy-Carignan, Count of Soisson Fechtenback Collection, Schloss zu Laudenbach, sold Cologne 1889, lot 102 K. Schaefer, Munich, 17 April 1930 Julius Böhler, Munich, 20 May 1930 JWHA Inv. No. 1148 Literature Hans Schedelmann, 'Der Waffensammler', Waffen- und Kostümkunde, Vol. 6, 1964, pt.1, pp. 56-7, fig.19 (wrongly recorded among fake armours)

Los 414

JAMES MCBEY (1884-1959) A North African scene depicting a walled city with figures in the foreground, signed, etching, 18 x 30cm and a watercolour of an Eastern river scene inscribed and dated 1907 (2)

Los 401

ERNEST C ROST - A GLIMPSE OF A VILLAGE, ETCHING AND A SIMILAR SMALLER ETCHING BY ANOTHER

Los 461

William Walcote R.E., "Modern Master of Etching, complete but binding coming loose, together with Master of Modern Painting, translated by S.W. Hayter

Los 112

Victor Pasmore (1908 - 1998) Pulse. Abstract etching and aquatint. No. 72/90. Monogrammed in pencil and dated (19)86. Framed. 79cm x 184cm   Condition - a large vertical crease running from top to bottom on the right hand side, minor marks, a couple of bugs pressed between the paper and the perspex. Minor discolouration but overall good colour. No tears nor any holes/repairs.

Los 344

Tom Whitehead 1886-1959 Etching Signed "Loading hay" 24 cm x 29 cm

Los 509

‡TOM GRAHAM ( fl .c 1940) Borzois pencil signed in margin (lower right) etching Pl 6 1/2 x 8in (16.5 x 20.3cm)

Los 510

‡PATRICK LAMBERT LARKING (1907-1981) The Accordion Player pencil signed in margin (lower right) etching Pl. 8 x 6in (20.3 x 15.2cm); Sold with one other etching by Larking depicting a figure seated in a chair; an etching by Jane Michaelis titled ‘Night Hunter’; and an etching by another hand depicting a street corner by moonlight; four (4)

Los 536

ENGLISH SCHOOL, c.1810 Portrait of a Lady seated pencil sketch 4 1/2 x 3 1/2in (11.5 x 8.9cm) Sold with three watercolours by G. Corti and other hands, an etching by Mortimer Menpes; and a coloured print after J. Gillray titled ‘The Pic-Nic Orchestra’; six (6)

Los 1363

Paul Cesar Helleu (1859-1927) 'Liane des Pougy-Le Chapeau à Plume' (M39), 23 x 18in. Paul Cesar Helleu (1859-1927)drypoint etching,'Liane des Pougy-Le Chapeau à Plume' (M39),signed,23 x 18in.

Los 1400

Sir Frank Brangwyn (1867-1956) Pont Marie, Paris 1914, 20 x 23.75in. Sir Frank Brangwyn (1867-1956)etching,Pont Marie, Paris 1914,signed in pencil,20 x 23.75in.

Los 1412

Cecilia Compton-Smith (Exh.1931-37) Three seated figures, 6 x 4in., unframed Cecilia Compton-Smith (Exh.1931-37)etching,Three seated figures,signed in pencil,6 x 4in., unframed

Los 1418

Edward Julian Detmold (1885-1957) 'To the Promised Land', 7 x 8in. Edward Julian Detmold (1885-1957)etching,'To the Promised Land',signed in pencil,7 x 8in.

Los 1424

William Lionel Wyllie (1851-1931) Tug boat towing Rochester barges, 11.75 x 20.25in William Lionel Wyllie (1851-1931)etching,Tug boat towing Rochester barges,signed in pencil,11.75 x 20.25in

Los 1425

William Lionel Wyllie (1851-1931) HMS Victory and submarines in Portsmouth Harbour, 8.75 x 14.75in. William Lionel Wyllie (1851-1931)etching,HMS Victory and submarines in Portsmouth Harbour,signed in pencil,8.75 x 14.75in.

Los 1426

William Lionel Wyllie (1851-1931) HMS Renown leaving for the Antipodes, 3 x 11.75in. William Lionel Wyllie (1851-1931)etching,HMS Renown leaving for the Antipodes,signed in pencil,3 x 11.75in.

Los 1428

Eileen A.Soper (1905-1990) Girl with a cat 'Felix' seated upon a wall, 8.75 x 6.75in. Eileen A.Soper (1905-1990)etching,Girl with a cat 'Felix' seated upon a wall,signed in pencil,8.75 x 6.75in.

Los 1450

Lucy Dawson (-1954) Hamish, a Scottish Terrier, overall 16.5 x 11in., unframed Lucy Dawson (-1954)etching,Hamish, a Scottish Terrier,titled in pencil,overall 16.5 x 11in., unframed

Los 1557

Gillian Ayres (1894-1977) 'Greenwell's Glory 1999', 20.5 x 24in. Gillian Ayres (1894-1977)hand coloured carborundum etching,'Greenwell's Glory 1999',signed in pencil and dated, 4/30,20.5 x 24in.

Los 493

Masonic dress sword with etching to blade, wire bound handle and leather scabbard, L ~ 65cm

Los 1014

Rowland Langmaid (1897-1956), Vessels on the Thames, etching, signed in pencil, 9cm x 29cm.

Los 1020

Ben Nicholson (1894-1982), Jug and two mugs, drypoint etching, signed and dated 1948, 17.5cm x 12.5cm. DDS Illustrated

Los 541

A late 19th Century photogravure - "Spring", after Sir Lawrence Alma Tadema, published by the Berlin Photographic Company, No. 2429, unframed; together with a large-plate etching - "Youth - Yacht Racing - Rounding The Buoy", by Victor Focillon after Charles Napier Hemy, published by Frost & Reed, 1905. (2)

Los 2

Les Biggs, Ostrich (1991)  etching, edition: 4 of 50, signed,framed, 54 x 42 cm (framed size),On show at the Curwen Gallery. Directors Comments: We discovered this pair when we were sorting through our unframed prints recently. We liked them so much we decided to frame them up for the auction. My staff, Natalie and Robin, like them both immensely.

Los 3

Les Biggs, Hornbill (1991) etching,edition: 4 of 50,signed,framed,54 x 42 cm (framed size),On show at the Curwen Gallery. Directors Comments: We discovered this pair when we were sorting through our unframed prints recently. We liked them so much we decided to frame them up for the auction. My staff, Natalie and Robin, like them both immensely.

Los 43

Daphne Sandham, Dinky Woodbridge, etching, edition: 53 of 70, signed, framed  33 x 28 cm (framed size) On show at the Curwen Gallery.

Los 44

Daphne Sandham,Sunny Day Rye, etching, edition: 17 of 70 signed, framed34 x 31 cm, (framed size)  On show at the Curwen Gallery.

Los 46

David Suff, Arbour, etching edition: 75 of 150 signed, framed27 x 23 cm (framed size) Usual retail value £75On show at the Curwen Gallery.

Los 47

David Suff,Terrace (1986), etching edition: 63 of 150 signed, framed27 x 23 cm, (framed size) Usual retail value £75On show at the Curwen Gallery

Los 48

Brenda Hartill,Stream V, etching edition: 2 of 100 signed, framed 34 x 26 cm (framed size) Usual retail value £70On show at the Curwen Gallery.Director's Comments: Brenda remains one of our most popular printmakers.

Los 49

Brenda Hartill,Stream VII, etching, edition: 3 of 100 signed, framed 34 x 26 cm (framed size) Usual retail value £70On show at the Curwen Gallery.

Los 54

Jo Barry, And We Had Snow, etching, edition: 19 of 150 signed, framed31 x 31 cm (framed size) Usual retail value £115On show at the Curwen Gallery

Los 55

Jo Barry, Quiet Hours, etching, edition: 77 of 150, signed, framed 47 x 48 cm (framed size) Usual retail value £210 On show at the Curwen Gallery.Director's Comments: One of my favourite Jo Barry prints, capturing the wonderful peace and calmness one can find, sometimes, in the countryside

Los 56

Jo Barry,Solemn Stillness, etching, edition:145 of 150 signed, framed47 x 48 cm, (framed size) Usual retail value £210On show at the Curwen Gallery.

Los 119

Henry Farrer, (1844 - 1903) Sailboats Gather. Good condition. Signed & dated 1886 on plate L/R. Wrinkled on corners & sides. Etching,10 1/4x15 3/4"

Los 121

Prosper Louis Senat, (1852 - 1925) Fisherman on the shore. Good condition. Signed & dated '85 on plate. Crease corners not affecting the image. Etching, 9 1/2" x 12"

Los 142

Centaur Saving a Woman. Good condition. Signed L/R. Paper is wrinkled & has fold marks not affecting the image. Etching, 11 1/4" x 20 3/8"

Los 148

Jean-Francois Rafaelli (1850-1924) "Le cantonnais a la borne" Man sitting on a milestone. Good condition, signed. Colored etching, 17 1/4" x 11"

Los 150

Gustave Leheutre (1861-1932) "Les Voiliers du Bassin Neuf, a la Rochelle", Seascape. Good condition, signed. Etching, 8 1/2" x 13 1/4"

Los 151

Lars Bo (1924-1999) Migrating Birds. Good condition, signed. Colored Etching,18"x 22 1/2"

Los 153

Sydney R. Jones (1881-1966) Set of 2 Churches in Etching. Church view from a street, signed on plate and hand.,Good. Both signed, one image in hand & dated. Some tears not affecting the image.,Etching,17 3/4"x10 1/4",22 1/2"x14 1/2"

Los 161

Edouard Manet Portrait. Good condition, note about provenance. Etching, 9 1/4" x 6 3/4"

Los 163

Jean-Francois Rafaelli ( 1850-1924) "Terrain perdu", Old woman plowing her field. Good condition, signed. Etching, 7 3/4"x 10"

Los 166

Edouard Manet(1832-1883), Portrait of an old man, signed on plate. Good condition. Etching,17 1/2" x 12 1/2"

Los 170

William Henry Dyson (1880 - 1938) Apparition of Shakespear. Good condition. Signed & titled. Fold & tape marks on corners not affecting the image. Some blemishes. Etching,15 3/4 x 12 1/8"

Los 172

Stanley Roy Badmin (1906-1989) "Dulwich Village", Old English village scene. Good condition. Signed in hand. Tape marks & has blemishes not affecting the image. Etching, 8 3/4" x 11 1/2"

Los 173

Stanley Roy Badmin (1906-1989) "Fallen Mill Sails", Windmill on a farm. Good condition. Signed in hand, some blemishes not affecting the image. Etching, 7" x 8"

Los 175

Stanley Roy Badmin (1906 - 1989) "The Abbey Barn", English cottages. Good condition and signed. Etching, 11 1/2" x 9 1/8"

Los 176

Stanley Roy Badmin (1906 - 1989) Set of 5 Etchings by S.R. Badwin. English villages and landscapes. All are in god condition with some fold marks, signed. Etching. Various sizes

Los 177

William Henry Dyson (1880 - 1938) "Alas Poor Bacchus!", Street scene. Good condition, signed. Etching,16" x 11 3/4"

Los 179

Arthur Briscoe (1873-1943) "Mending the Trawl", Man working on the catch. Good condition. Signed, titled on plate. Numbered, hand signed. Soiled on borders, folded corners. Etching, 8 3/4" x 13 3/4"

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