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78472 Los(e)/Seite
Los 926
Antique Framed Print Of An Etching By W Boucher Pencil signed black and white print titled 'The Way' depicts a Georgian gentleman and finely dressed lady in a bonnet. Pencil signed to bottom left 'W Boucher' blindstamp to bottom right. Housed in ornate gilt and gesso period frame. 15 x 11.5 some staining/foxing to bottom left
Los 228
John(B.G.) Studies from the Great Masters, 18 coloured plates by Dickes, original blue cloth, gilt, minor wear, Hamilton, [1862]--[Cundall(J.)]The illustrated poetical Gift Book, text in gilt, coloured plates by Evans, brown cloth, g.e., Ward, [1865]--Gray(T.) Elergy, text in red, illustrations in black, by the Etching club., cream polished boards, blocked in gilt and grey, bit scuffed and worn, Cundall, 1847; and others v.s. (10)
Los 323
Gilpin(William) An extensive collection of his Books, Letters and Drawings. The former including; The Life of Bernard Gilpin, second edition, 1753; The Lives of John Wiclif, 1765; Observations on the River Wye, 1782; the same, second edition, 1789; the same, third edition, Ross, 1826; Observations...picturesque Beauty,...Cumberland and Westmoreland, 2 vol., 1786; Voyage en differentes Parties de l'Angleterre, 2 vol., 1789; Observations ...picturesque Beauty...particularly the High-Lands of Scotland, 2 vol., 1789, the same, third edition, 2 vol., 1808 Forest Scenery, 2 vol., 1791, the same, second edition, 2 vol., 1794; Six Landscapes, 1794; Three Dialogues, 1796; An Essay on Prints, fourth edition, 1792; Three essays on picturesque Beauty, second edition, 1794; the same third edition, 1808; Observations on the Western Parts of England, 1798; Observations on the Coasts of Hampshire, large paper, 1804; Memoirs of Josias Rogers, 1808; Observations on...the Counties of Cambridge, 1809; The last work(Gilpin's Day), 1810; the same, 1824; all generally in good state; The Six Landscapes and Gilpin's Day 1810 have tinted plates; those of the 1824 edition are coloured. There are also some 20 others, reprints, duplicates, books about Gilpin or his family, etc. etcLetters. The most important are 10 letters from Gilpin to Cadell and Davies, 1797-1803, many with draft replies. e.g. Gilpin's Western Tour [1798] “suppose 750...paper 29 Reams at 30/- £44. Boarding 750 at 9d £28-2-6...we will repay you the £70 paid to Mr. Alken for etching the plates, and we will give you £180 for the Copyright..” “An engraver of the name of Green who has lately executed some Scotch Views in Aqua tinta for us in a very neat Manner, hearing us express our Regret that the Plates of the Wye could not be found, offered to furnish us with fac-similes of them at what we concieve a very modest charge , two Guineas each Plate.” “I leave the business of a small edition of the Lakes etc wholly in your hands. I am far less solicitous abt. it, than abt my sermons..” There is much similar detail in the other letters of this correspondence, and there are a few other letters and fragments, including 2 from Lord Kenyon.Drawings:Sawrey Gilpin RA, British 1733-1807- Sketch of horses; brown ink over traces of pencil, signed, 16x22.4cm, (unframed): Sawrey Gilpin RA, British 1733-1807-Sketch of cattle in a field; pencil, signed and dated Sept 1794, 21.2x32.1cm: Attributed to Rev. William Gilpin, British 1724-1804- View of a castle; ink, watercolour & wash, monochrome, 15.3x24.7cm, (unframed): Attributed to Rev. William Gilpin, British 1724-1804- Figures walking along a country path; ink, watercolour & wash, monochrome, 15x25.2cm: Attributed to Rev. William Gilpin, British 1724-1804- View of a castle through trees; ink, watercolour, & wash monochrome,18.2x26.6cm, (unframed): Attributed to Rev. William Gilpin, British 1724-1804- View of a castle ruins; ink, watercolour & wash, monochrome, 9.9x16cm, (unframed): Rev. William Gilpin. British 1724-1804- Three sketches of the same castle view on a hillside; pencil, ink and wash, collectors stamp W. Parker on corresponding paper, 18x26cm (max), (3) (unframed) Provenance: Christies auction 11 Nov. 1969, Lot 72. Sold by Major FCF Parker, Newbiggin Hall, Temple Westmorland. Bought by Charles Gilbert Benson. Originally in the collection of William Parker, of Skirwith Abbey: Attributed to Rev. William Gilpin, British 1724-1804- Castle on a hillside; ink, watercolour & wash, monochrome,9.4x15.5cm, (10) (unframed)
Los 101
δ André Masson (1896-1987)Little Genius of Wheat (Petit génie du blé) Etching with drypoint, 1942, signed and numbered from the edition of 20 in pencil, on wove paper, with margins, sheet 479 x 355mm (18 7/8 x 14in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 109
δ Hermann Max Pechstein (1881-1955)Am Ufer (Kruger 116)Etching with drypoint, 1920, signed in pencil, the edition was 100, on wove paper, with full margins, sheet 200 x 260mm (8 x 10 ¼ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 123
δ Pablo Picasso (1881-1973)Le Viol (Baer 209; Bloch 142)Etching, 1931, a rare, richly inked trial proof printed before steel facing, Baer cites only 3-4 impressions in this state, on wove paper, with full margins, 222 x 310mm (8 ¾ x 12 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 124
δ Pablo Picasso (1881-1973)Tete d'homme (Baer 88; Bloch 55)Etching, 1922/23, a rare trial proof before steel-facing, signed in pencil, on laid paper, with margins, plate 119 x 79mm (4 1/4 x 3 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 158
δ David Hockney (b.1937)What is This Picasso? (from The Blue Guitar) (M.C.A. Tokyo 197)Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on Inveresk mould-made wove paper, published by Petersburg Press, New York, with full margins, sheet 525 x 456mm (20 5/8 x 18in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 160
δ David Hockney (b.1937)Franco-American Mail (from The Blue Guitar) (M.C.A. Tokyo 182)Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on Inveresk mould-made wove paper, published by Petersburg Press, New York, with full margins, sheet 456 x 525mm (18 x 20 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 161
δ David Hockney (b.1937)I Say They Are (from The Blue Guitar) (M.C.A. Tokyo 193)Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on Inveresk mould-made wove paper, published by Petersburg Press, New York, with full margins, sheet 456 x 525mm (18 x 20 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 162
δ David Hockney (b.1937)On it May Stay His Eye (from The Blue Guitar) (M.C.A. Tokyo 194)Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on Inveresk mould-made wove paper, published by Petersburg Press, New York, with full margins, sheet 456 x 525mm (20 5/8 x 18in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 201
δ Frank Auerbach (b.1931)Bill Etching printed with tone, 2009, signed, titled and numbered from the edition of 100 in pencil, on Somerset Velvet, printed by Marc Balakjian at Studio Prints, London, loose as issued, with full margins, 180 x 150mm (PL), together with a copy of the book, Frank Auerbach by William Feaver, published by Rizzolo, New York, within the black cloth covered portfolio case, the title printed in silver on the uppers, overall 325 x 270mm (12 3/4 x 10 5/8in)(folio)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 21
δ Henry Moore (1898-1986)Two Reclining Figures Linear (Cramer 107)Etching, 1969, signed, dated and numbered from the edition of 100 in pencil, on Arches wove paper, printed by Frelaut and Lacouriere, Paris, published by Marlborough Graphics, London, with full margins, sheet 660 x 505mm (26 x 20in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 218
δ Marcel Duchamp (1887-1968)Pulled at Four Pins (Schwarz 609)Etching, 1964, signed and numbered from the edition of 100 in pencil, on Magnani wove paper, published by Galeria Schwarz, Milan, with full margins, sheet 315 x 225mm (12 1/2 x 8 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 22
** δ Henry Moore (1896-1986)Mother and Child (Cramer 705)Etching printed in sepia, 1983, signed, titled, numbered and inscribed 'AP' in pencil, one of fifteen numbered artist's proofs aside from the edition of 75, on Arches wove paper, printed by James Collyer and James Crossley, London, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadham, with the printer's blindstamp, with full margins, sheet 379 x 323mm (15 x 12 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
Los 23
** δ Henry Moore (1896-1986)Mother and Child (Cramer 707)Etching printed in sepia, 1983, signed, titled, numbered and inscribed 'AP' in pencil, one of fifteen numbered artist's proofs aside from the edition of 75, on Arches wove paper, printed by James Collyer and James Crossley, London, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadham, with the printer's blindstamp, with full margins, sheet 379 x 323mm (15 x 12 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
Los 234
* δ Howard Hodgkin (1932-2017)Red Listening Ear (Heenk 74)Etching with aquatint and carborundum in colours with extensive handcolouring, 1986, initialled, dated and numbered from the edition of 100 in pencil, on TH Saunders wove paper, published by Bernard Jacobson Gallery, London, the full sheet printed to the edges, sheet 475 x 644mm (19 x 25in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.* This lot is subject to VAT and the buyer must pay VAT on both the hammer and the buyer's premium at a rate of 20%
Los 24
** δ Henry Moore (1896-1986)Mother and Child (Cramer 704)Etching printed in sepia, 1983, signed, titled, numbered and inscribed 'AP' in pencil, one of fifteen numbered artist's proofs aside from the edition of 75, on Arches wove paper, printed by James Collyer and James Crossley, London, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadham, with the printer's blindstamp, with full margins, sheet 379 x 323mm (15 x 12 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
Los 249
Roberto Sebastián Matta (1911-2002)Untitled (Ferrari 245)Etching with aquatint printed in colours, 1978, signed in pencil, numbered from the edition of 45 in Roman numerals, there was also an edition of 100 in Arabic, on Arches wove paper, as included in the portfolio Requiem pour la fin des temps, printed and published by Editions Georges Visat, Paris, with his blindstamp, with full margins 302 x 225mm (11 7/8 x 8 7/8in) (unframed)
Los 25
** δ Henry Moore (1896-1986)Mother and Child (Cramer 708)Etching printed in sepia, 1983, signed, titled, numbered and inscribed 'AP' in pencil, one of fifteen numbered artist's proofs aside from the edition of 75, on Arches wove paper, printed by James Collyer and James Crossley, London, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadham, with the printer's blindstamp, with full margins, sheet 379 x 323mm (15 x 12 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
Los 250
Roberto Sebastián Matta (1911-2002)Untitled (Ferrari 244)Etching with aquatint printed in colours, 1978, signed in pencil, numbered from the edition of 45 in Roman numerals, there was also an edition of 100 in Arabic, on Arches wove paper, as included in the portfolio Requiem pour la fin des temps, printed and published by Editions Georges Visat, Paris, with his blindstamp, with full margins 302 x 225mm (11 7/8 x 8 7/8in) (unframed)
Los 26
** δ Henry Moore (1896-1986)Mother and Child (Cramer 701)Etching printed in sepia, 1983, signed, titled, numbered and inscribed 'AP' in pencil, one of fifteen numbered artist's proofs aside from the edition of 75, on Arches wove paper, printed by James Collyer and James Crossley, London, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadham, with the printer's blindstamp, with full margins, sheet 379 x 323mm (15 x 12 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
Los 27
δ Henry Moore (1898-1986)Two Reclining Figures (Cramer 467)Etching with aquatint, 1977/78, signed in pencil, numbered from the edition of 45 in Roman numerals, there was also an edition of 100 in Arabic, on Arches wove paper, as included in the portfolio Requiem pour la fin des temps, printed by Atelier Lacouriere et Frelaut, published by Editions Georges Visat, Paris, with his blindstamp, with full margins 302 x 225mm (11 7/8 x 8 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 28
δ Henry Moore (1898-1986)Two Reclining Figures (Cramer 466)Etching with aquatint, 1977/78, signed in pencil, numbered from the edition of 45 in Roman numerals, there was also an edition of 100 in Arabic, on Arches wove paper, as included in the portfolio Requiem pour la fin des temps, printed by Atelier Lacouriere et Frelaut, published by Editions Georges Visat, Paris, with his blindstamp, with full margins, sheet 302 x 225mm (11 7/8 x 8 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 39
δ Victor Pasmore (1908-1988)Senza Titolo 10 (Lynton G.62)Etching with aquatint printed in colours, 1989, signed, dated and numbered from the edition of 90 in pencil, printed by Vigna Antoniniana Stamperia d'arte, Rome, published by Marlborough Graphics, London, sheet 920 x 2580mm (36 1/4 x 101 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 40
δ Victor Pasmore (1908-1988)Senza Titolo 4 (Lynton G.57)Etching with aquatint printed in colours, 1989, signed, dated and numbered 64/90 in pencil, on wove paper, published by Marlborough Graphics Ltd, London, and 2RC Edizioni d'arte, Rome, with their blindstamp, with full margins, plate 500 x 995mm (19 1/2 x 37 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 48
δ Barbara Rae (b.1943)Anasazi HunterEtching, 2000, signed, titled and numbered from the edition of 100 in pencil, on wove paper, with full margins, sheet 510 x 650mm (20 x 25 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 73
δ Salvador Dali (1904-1989)Pegasus (from Quinze Gravures) (M&L 291b; Field 68-4-A)Etching printed in colours, 1968, signed and numbered from the edition of 75 in pencil, on Japan Nacré, printed by Ateliers Rigal, published by Werbungs- und Commerz Union Anstalt, with full margins, sheet 440 x 316mm (17 1/4 x 12 1/2in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 74
δ Salvador Dali (1904-1989)Narcisse (from Quinze Gravures) (M&L 284b; Field 68-4-B)Etching printed in colours, 1968, signed and numbered from the edition of 75 in pencil, on Japan Nacré, printed by Ateliers Rigal, published by Werbungs- und Commerz Union Anstalt, with full margins, sheet 440 x 316mm (17 1/4 x 12 1/2in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 75
δ Salvador Dali (1904-1989)Le Testament de Tristan (from Tristan et Iseult) (M&L 426b; Field 70-10-U)Etching printed in colours, 1970, signed and numbered from the signed German edition of 25 with the orange tree blindstamp, on BFK Rives wove paper, printed by Ateliers Rigal, published by Pamela Verlag, with full margins, sheet 450 x 330mm (17 3/4 x 13in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 76
δ Salvador Dali (1904-1989)Les Chevaliers du Roi Artur (from Tristan et Iseult) (M&L 418b; Field 70-10-M)Etching printed in colours, 1970, signed and numbered from the signed German edition of 25 with the orange tree blindstamp, on BFK Rives wove paper, printed by Ateliers Rigal, published by Pamela Verlag, with full margins, sheet 450 x 330mm (17 3/4 x 13in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 77
δ Salvador Dali (1904-1989)La Reine Iseult et sa Fille (from Tristan et Iseult) (M&L 409b; Field 70-10-D)Etching printed in colours, 1970, signed and numbered from the signed German edition of 25 with the orange tree blindstamp, on BFK Rives wove paper, printed by Ateliers Rigal, published by Pamela Verlag, with full margins, sheet 450 x 330mm (17 3/4 x 13in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 78
δ Salvador Dali (1904-1989)Portrait de Calderón (from Calderón: La Vie est un songe) (M&L 515a; Field 73-1-D)Etching with aquatint printed in colours, 1971, signed and inscribed 'E.A.' in pencil, an artist's proof aside from the edition of 150, on Richard de Bas wove paper, printed by Ateliers Rigal, with full margins, 340 x 250mm (13 3/8 x 9 7/8in) (PL) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 79
δ Salvador Dali (1904-1989)Cavalier Casque aux Papillons (from Calderón: La Vie est un songe) (M&L 520a; Field 73-1-H)Etching with aquatint printed in colours, 1971, signed and inscribed 'E.A.' in pencil, an artist's proof aside from the edition of 150, on Richard de Bas wove paper, printed by Ateliers Rigal, with full margins, 340 x 250mm (13 3/8 x 9 7/8in) (PL) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 80
δ Salvador Dali (1904-1989)Sigismund Enchainé (from Calderón: La Vie est un songe) (M&L 523a; Field 73-1-m)Etching with aquatint printed in colours, 1971, signed and inscribed 'E.A.' in pencil, on Richard de Bas wove paper, printed by Ateliers Rigal, an artist's proof aside from the edition of 150, with full margins, 340 x 250mm (13 3/8 x 9 7/8in) (PL) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 87
δ Salvador Dali (1904-1989)The Stag Reflected in the Water (from La Fontaine's Bestiary Dalinized) (M & L 659; Field 74-1-G)Drypoint etching with pochoir printed in colours, 1974, signed and numbered from the edition of 250 in pencil, on Arches paper, printed by Ateliers Rigal, published by Mouret, Paris, sheet 760 x 560mm (29 7/8 x 22in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 92
δ Paul Delvaux (1897-1994)Femme Nu Reste dans Une Lit Etching, 1948, signed and numbered from the edition of 40 in pencil, on wove paper, with full margins, sheet 128 x 157mm (5 x 6 1/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 1471
G.R. Smith (British), 'At Shiere Surrey' (sic), etching inscribed and dated 1875 on plate, signed in pencil on mount and companion etching 'At Shiere' (sic), a pair, both framed and glazed, picture size: 14.5cm x 24cm, frame size: 19cm x 28.5cm (2). Provenance: part of The Stephen Furniss Collection of Pictures relating to Shere and The Surrey Hills. These pictures were collected during Stephen's time as a self-employed antiques dealer, trading from an Antique Centre in Shere between 1982 and 2000. .
Los 1476
Percy Robertson RPE (British, 1868-1934), 'Shere', etching, unframed, 24cm x 31.5cm. Provenance: part of The Stephen Furniss Collection of Pictures relating to Shere and The Surrey Hills. These pictures were collected during Stephen's time as a self-employed antiques dealer, trading from an Antique Centre in Shere between 1982 and 2000. .
Los 1745
Andrew Watson Turnbull (British 1874-1957), drypoint etching of riverbed and conifers, titled and signed in pencil to the mount, framed 20cm x 23cm (frame 42cm x 57.5cm), and G Hayes drypoint etching of a street scene in Polperro, Cornwall, signed in pencil in the mount, framed, 16.5cm x 22cm (frame 39.5cm x 54.5cm) (2 in lot).All proceeds from the sale of this lot will go to the R.S.P.C.A..
Los 703
A Folio containing unframed etchings comprising 'Rue Chat qui Peche' etching by Anthony Gros (signed, inscribed and dated 1924)'Rustic Pupils' etching by Anthony Gros (signed, inscribed and dated 1924); together with a collection of unframed etchings by Robert Smith Forrest: their subjects comprise: Old College Wynd, Edinburgh; Sir Walter Scott Monument, Edinburgh; Melrose Abbey; Portrait of Sir Walter Scott (after Raeburn); Dryburgh Abbey; Abbotsford House; and two etchings by Gordon Story titled Duddingston; and Edinburgh; ten (10)
Los 440
Frank Brangwyn RA (1867-1956), The Bridge of Sighs, signed in pencil in the margin, etching, 69 x 44cm (PL), together with a signed etching of a windmill by the same hand, 54 x 74cm (PL) (2)In accordance with Artists Resale Right Regulations 2006, if this lot sells for €1,000 or more it is subject to a resale royalty charge of 4%
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78472 Los(e)/Seite