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78472 Los(e)/Seite
James Gillray (British 1756-1815) - Sans Culottes - Feeding Europe with the Bread of Liberty, monochrome caricature etching published by H Humphrey 1793, 31 x 36.5 approx visible sheet size together with Britannia Between Scylla & Charybdis, published by H Humphrey 1793, 31 x 37cm approx visible sheet size, both framed (2)
James Gillray (British 1756-1815) - Sin, Death and the Devil, Vide Milton, monochrome caricature etching published by H Humphrey 1792, 32.5 x 41cm approx visible sheet size, together with the Pacific Entrance of Earl Wolf into Black Haven, published by H Humphrey 1792, 38 x 53.5cm approx visible sheet size, both framed (2)
James Gillray (British 1756-1815) - A True British Tar, monochrome caricature etching, published by H Humphrey 1795, 32 x 22cm approx visible sheet size, together with Improvements in Weights and Measures, monochrome caricature etching, published H Humphrey 1798, 36.5 x 26.5cm approx visible sheet size, both framed (2)
James Gillray (British 1756-1815) - After Charles Loraine Smith (British, active 1762 - 1803) - French Volunteers Marching to the Conquest of Great Britain, coloured etching, published October 25th 1803 by H Humphrey, with incorporated initials C L S, 21 x 61.5cm approx visible sheet size, framed
DESCRIPTION: Giovanni Batista Piranesi (Italy, 1720-1778). Etching on laid paper. Veduta del Castello dell'Acqua Paola sul Monte Aureo." With center fold crease. In archival frame. MEASUREMENTS: Plate 15-2/3" high x 24-1/2" high; paper 19-3/4" high x 38-1/3" wide; overall with frame 24" high x 62" wide. CONDITION: Even overall toning as expected with age. IMPORTANT: Before bidding, please read the terms and conditions. When you registered for the auction you agreed to these terms and will be required to comply with them.
John Sloan (USA 1871-1951): 'Nude by Bookcase', proof etching signed in pencil, signed and dated 1931 in the plate 11cm x 14cmProvenance: from the collection of the late Brian Hill of Bridlington, purchased by Brian hill from The Fine Art Society 1993, receipt versoDDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs
Kane Cunningham (British 1961-): 'Scarborough Harbour', limited edition etching from The Coast Series signed titled and numbered 9/35 in pencil , plate size 25cm x 33cm.DDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs
Kane Cunningham (British 1961-): 'Scarborough', limited edition etching from The Coast Series signed titled and numbered 10/35 in pencil , plate size 25cm x 33cm.DDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs
Ada Maude Parsons S.W.A. (19th/20th century) - 'Temple Porch, Bristol', signed, black and white etching, 11.5" x 8.75" (pl); together with another etching by the same artist, 'The Bookshop, Bristol' and five further etchings including one by R. L. Armitage, 'The Old Curiosity Shop', 'The Riverbank', by Bernard Eyre Walker, one signed by William Holmes May and dated 1890, country lane with figure and rabbit, also two smaller etchings signed E. Rivet depicting a Borzoi and another of an Alsatian, various sizes (7)
W. Bennet (20th century) - 'Shelley's Cottage, Weymouth', signed, black and white etching, 8" x 4.75"; together with nine further etchings by Aquila's Leon Lacault (c.1920) female nude, others by Ralph Clarkson, 'Sterling Old Bridge', Louis Ruet (1867-1951), 'Le Voyager after Messonier', George Straton Ferrier, fishing boats (c.1865), James McArdle, 'Castle Urquart', W. Bennett 'Blackington Windmill', another of an Italian hill town, and one depicting geese in flight, an example signed M. Pielon, trees by a pond, various sizes (10)
William Monk R.E. (1863-1937) - 'Swiss Cottage', signed original black and white etching, 9.75" x 6.75", (pl); together with seven further signed examples by the same artist, depicting 'Back Lane', 'Vine Wharf', 'Edinburgh Castle from The Town', 'Edinburgh Castle from The Gate', 'Selby Abbey, Yorkshire', 'Dorkin from Box Hill', 'Riding in a London Park', another inscribed example 'Bank Holiday on The Dee (Chester)', together with an original watercolour sketch of a 'Study of a Mountain, Co. Wicklow, Eire' (drawn whilst on his Eire tour in 1906), various sizes (10)
Rego (Paula).- Morrison (Blake) Pendle Witches, number 67 of 90 deluxe copies with an original etching and signed by the author and artist, from an edition limited to 1090, mounted plates by Paula Rego, prospectus and Christmas card from the printer loosely inserted, original yellow cloth with illustration mounted on upper cover, uncut, original etching with aquatint 'Him' numbered and signed by the artist, loose in folder, together in cloth slip-case, 4to, Enitharmon Press, 1996; and a trade edition of Rego's Jane Eyre signed and illustrated by her and with a First Day Cover featuring 6 stamps from the work, 4to & 8vo (2)
Botany.- Thornton (Dr Robert John, circa 1765-1832) The Queen Flower, from 'The Temple of Flora', a clear well-inked impression of the only state, etching, engraving and aquatint printed in colour, finished by hand, on wove paper with initials-based watermark, platemark 560 x 410 mm (22 x 16 1/4 in), small margins, careful small repair in lettered margin to perforation over the word 'London', faint signs of damp-staining and browning, unframed, 1812Literature:Dunthorne, p. 246
George V Period British Royal Artillery 1821 Pattern Officers Sword, regulation pattern example housed in its original field service leather scabbard. Some plating lifting to the guard. Original grip with wire binding. Single edged blade with much of the original etching remaining. Marked “MADE IN ENGLAND” to spine. Blade 88 ½ cms, overall 107 cms.
A collection of pictures including Debby Mason, Lobster, etching, signed bottom right, numbered 14/250, mounted and framed, measurements 14 x 17 cm, sticker for Cattewater Press verso. Robert May, Last Light, watercolour, signed bottom right dated '94, measurements 27 x 36 cm, frame 43 x 53 cm R.J. Pring, Harbour Scene, signed and dated '95 bottom left, watercolour, mounted and framed, measurements 30 x 25 cm (i), framed 45.5 x 39.5 cm R.J. Pring, Fishing Boats, signed and dated '95 bottom right, watercolour, mounted and framed, measurement 23 x 33 cm, frame 28 x 37.5 cm Ray Evans, Boats and Pink Sky at Hastings, watercolour, mounted and framed, 28 x 31 cm(i), frame 50 x 53 cm
AFTER STANLEY CHARLES ROWLES "Tower Bridge", etching, signed in pencil, image size approx 20.5 cm x 30 cm, together with AFTER HENRY G WALKER "Fisherman and Catch on Quayside", three coloured etchings, signed in pencil, image sizes each approx 20 cm x 24.5 cm and AFTER WILLLIAM MONK (1813-1937) "Rialto Bridge, Venice", coloured etching, signed in pencil, image size approx 27 cm x 37 cm, AFTER KATHLEEN CADDOCK "The Grand Canal, Venice", coloured etching, image size approx 20 cm x 15 cm and SIROL "Venetian Canal Scene", watercolour, signed, image size approx 31.5 cm x 23 cm

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78472 Los(e)/Seite