78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
78475 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
78475 Los(e)/Seite
Los 287
James Gillray,Overthrow of the Republican Babel,hand coloured etching on wove paper, stuck down, published by H Humphrey 1809,impression 40x32cm, unframed.Condition report:This is completely stuck down, this is the only one examined out of the frame as the frame is damaged. The other lots are most likely stuck down completely too.
Los 1439
GIRODET DE ROUSSY-TRIOSON ANNE-LOUIS: (1767-1824) French painter who participated in the early Romantic movement and is remembered for his precise and clear style and for his paintings of members of the Napoleonic family. A fine original pencil drawing executed and signed by Girodet, one page, 8vo (approximately 15.5 x 21.5 cm), n.p., n.d. (1815). The artist has drawn an accomplished and amusing caricature of Napoleon in a full-length pose, wearing military regalia including his familiar bicorne, descending the steps of a dais and with his throne visible in the background. The Emperor has his head turned in profile towards a Phrygian cap which rests atop a long pole in Napoleon´s grip, and in his other hand, cunningly concealed behind his back, the Emperor holds the Imperial crown. Signed (´Girodet´) in pencil to the lower right at the base of the drawing. To the verso appears a second drawing by Girodet, also executed in pencil, the preparatory drawing, already reasonably well-developed, also depicting Napoleon, although this time in a head and shoulders study, his face turned to the left, and with more realistic features with no intention of caricature, his features outlined, his gaze weary, and his head bare. Numbered 144 in ink to the upper left corner of the verso. With the small circular stamp of the Coutan-Hauguet-Schubert-Milliet Collection (Lugt 464) to the lower left corner of the recto. Some light foxing, largely evident to the edges of the paper, and with some minor traces of former mounting (including a small strip of tape) to the edges and corners of the verso. GGirodet was one of Napoleon´s official painters, before bcoming one of his fiercest caricaturists. Thus, the famous full-length painting of Napoleon I in his coronation robes, created by Girodet in around 1812, contrasts with his drawn caricatures, which were the delight of English newspapers. The present drawing is evidently in the latter vein, demonstrating Napoleon´s duplicity in swapping the Imperial crown for the Revolutionary bonnet for propaganda purposes. The present drawing was engraved in etching by Pierre-Marc Bassompierre Gaston in August 1815 with the caption Et l´on revient toujours/A ses premiers amours (Translation: ´And you always come back to your first love´). Girodet´s drawing was originally acquired by the French fabric merchant and art collector Louis Joseph Auguste Coutan (1779-1830), and thence by inheritance to his wife, Lucienne Hauguet (1788-1838), and thence her brother, Ferdinand Hauguet (d. 1860), and thence by descent to his son Maurice-Jacques-Albert Hauguet (1819-1883) then his wife, née M.T. Schubert and his sister-in-law, Mme G. Milliet.It is understood that the present drawing will be included in the artist's catalogue raisonné currently being prepared by Madame Sidonie Lemeux-Fraitot.
Los 1060
MONET CLAUDE: (1840-1926) French Impressionist painter. A.L.S., Claude Monet, one page, 8vo, Giverny par Vernon, Eure, 2nd November 1921, to Elie Faure, in French. Monet writes a sympathetic letter of benevolence, in full, ´J´ai beaucoup donne pendant les guerres et suis a present assez depourvu de toiles a pouvoir donner. Je ne veux cependant pas rester sourd a votre appel, en faveur d´un confrere si cruellement touche. Je vous envoie donc ci-joint un billet de mille francs, qui lui sera utile de suite´ (Translation: ´I donated a lot during the wars and am now quite short of canvases to donate. However, I do not want to turn a deaf ear to your appeal on behalf of a colleague who has been so cruelly affected. I am therefore sending you herewith a note for one thousand francs, which will be of immediate use to him´). With blank integral leaf. Accompanied by the original registered envelope hand addressed by Monet (area of paper loss caused by the removal of the postage stamps, slightly affecting the name of the recipient) and bearing five red wax seals to the verso, each with Monet´s initials imprinted to the centre. A few very light, extremely minor creases, VGElie Faure (1873-1937) French medical doctor, art historian and essayist, a passionate admirer of Paul Cezanne and Diego Velasquez, and a friend of Chaim Soutine, whom Faure considered a genius.The present letter was written by Monet in response to an appeal by Faure to a number of artists, seeking their assistance in raising funds for Francisco Iturrino (1864-1924), a Spanish Post-Impressionist painter sometimes associated with Fauvism. In 1920 Iturrino had developed gangrene on one leg which required an operation and was amputated the following year. Subsequently the artist refined himself to etching, although soon ran into financial difficulties. Faure organised an exhibition at the Galerie Rosenberg, which featured works donated by Matisse, Picasso and several other of Iturrino´s friends. The money raised from the exhibition enabled Iturrino to retire to Cagnes-sur-Mer in 1922, where he died two years later.
Los 72
Jacques Joseph Tissot (French, 1836-1902) 'La Soeur Ainee, 1881'etchingsigned and dated in the plate29 x 15cm Honest condition, paper showing pronounced undulation so not laid down, margins with some small fox marks, acid staining around the mount, old card mount and glazed slim gilt frame, Lumley Cazalet Ltd label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 897
James Abbott McNeill Whistler RBA (1834-1903) - The Adam and Eve, Old Chelsea, artist's butterfly 'signature' within the plate, etching and drypoint, 17.7 x 30.4cm, with margins Good condition; the sheet toned, with some foxed spots; a minor paper flaw above the furthest left ship's mast. Unexamined out of frame.
Los 824
Books. Half a shelf of art print reference, 20th c, including Laver's History of British and American Etching, hb, The Best of Beardsley, Hogarth, James McNeill Whistler, Gustave Doré, Six Centuries of Master Prints: Treasures from the Herbert Greer Collection, 4to, portfolios of illustrations, etc., mixed bindings and sizes
Los 902
James Abbott McNeill Whistler RBA (1834-1903) - Longshore Men, signed and dated 1859 within the plate, etching and drypoint, fourth (final) state), 15.1 x 22.1cm, with margins Good condition; some toning in places, the margins, particularly the lower-margin, with some traces of minor foxing. Unexamined out of frame.
![James Abbott McNeill Whistler RBA (1834-1903) - Street at Saverne, signed within the plate, lettered [Paris]: Imp. Delât](https://cdn.globalauctionplatform.com/68e69097-b4af-4e3e-a0c9-b23000c09f14/e4e16265-9df8-447c-b024-b23000cbec88/468x382.jpg)
Los 901
James Abbott McNeill Whistler RBA (1834-1903) - Street at Saverne, signed within the plate, lettered [Paris]: Imp. Delâtre, Rue St Jacques 171, n.d., etching, 20.5 x 15.5cm, with margins Provenance: with T. & R. Annan & Sons, Glasgow, reatined late 19th/early 20th c printed and inscribed label to verso Good condition, slightly toned. Unexamined out frame.
Los 909
Pierre Bonnard (1867-1947) - Deux nus, monogrammed within the plate, n.d., etching and drypoint, printed on Ingres d'Arches MBM watermarked paper, 16.5 x 23cm, with margins, the sheet 25 x 32.5cm Clean impression with broad margins. Upper-left margin with minor crease, upper-centre margin with stable tear; small pieces of tape to verso of upper-left and upper-right.
![James Abbott McNeill Whistler RBA (1834-1903) - La Rétameuse, signed within the plate, lettered [Paris]: Imp.](https://cdn.globalauctionplatform.com/68e69097-b4af-4e3e-a0c9-b23000c09f14/a888292e-681a-4664-8442-b23000cbe989/468x382.jpg)
Los 89
Louis Icart (French, 1888-1950) 'Vitesse'hand coloured drypoint etchingsigned in pencil38 x 62cm, sheet 56 x 78cm Honest untouched condition, some undulation of the paper so thought not to be laid down, paper possibly slightly discoloured, one or two scattered fox marks, colours remain strong, housed in a rather tatty silver painted frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 98
William Washington (English, 1885-1956) Winter Fueldrypoint etchingsigned and titled in pencil20 x 25cm A good impression on good clean white paper, showing slight undulation so not laid down, plain card mount and glazed wood frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 90
Christopher Richard Wynne Nevinson (English, 1889-1946) 'Quartier Latin'drypoint etchingsigned in pencil35 x 25cm A good impression on slightly and evenly discoloured paper with darker margins and acid staining where it meets the mount, slight undulation so thought not to be laid down, visible sheet 37 x 26cm, plain card mount and glazed ebonised framePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 97
§ § William Washington (English, 1885-1956) The Cricket Bat Makerdrypoint etchingsigned and dated 1934 in the plate, inscribed in pencil no.227.5 x 21.5cm Very good impression, in good clean condition, possibly slight discolouration of the paper, visible sheet 29.5 x 24cm, plain card mount and glazed framePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 70
James Abbott McNeill Whistler RBA (American, 1834-1903) 'Drouet (Sculpteur)'drypoint etchingsigned and dated 1859 in the plate15 x 22cm Honest untouched condition, even light buff tone to the paper, slight undulation showing, plain card mount and gilt glazed framePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 32
John Heaviside Clark (c.1771-1863) A view of London from the Adelphicoloured etching and aquatint, c.1824, published by Samuel Leigh, London 21 x 165cm, framed and glazedProvenance: The selected contents of The Old House, Aspley Guise, Bedfordshire.Condition ReportOverall the print is in good condition. Some visible crease marks.
Los 518
Giovanni Battista Piranesi 1720 - 1778"The Roman Colosseum" Circa 1766A framed 18th century Etching of the interior .Entitled " Veduta dell'Interno dell'Anfiteatro flavio detto il Colosseo"(View of the interior of the flavian Amphitheatre known as the Colosseum)Etching Signed "Cavr Piranesi Fece" within the plate. Lower RightFramed and glazed. 73.5cm x 98cm with frame.
Los 7
A GOOD RARE .22 BSA TRANSITIONAL IMPROVED MODEL 'D' UNDER-LEVER AIR RIFLE WITH STANDARD MODEL MARKINGS, serial no. S77531, one of the last produced in 1914, with blued 19 1/4in. barrel (45in. overall) dove-tailed fore-sight, elevating rear-sight, tap action breech marked with the 'piled arms' logo and '2 LOAD', patent number '8246/06' stamped to securing plate, plain air-chamber etched 'THE BSA STANDARD AIR RIFLE .22 BORE' bisected by the 'piled arms' logo over 'THE BIRMINGHAM SMALL ARMS CO. LTD. ENGLAND' over 'SOLE MAKERS' (etching browned but quite legible), single pin trigger unit with screw trigger weight adjuster to front of guard and marked 'PAT.30338-10' above the serial number, chequered walnut saw-handled butt-stock inlet with a factory fitted folding peep-sight (Patent 26943/07), ribbed heel, no provision for fore-end and side-catch under-lever stamped with BSA patents, fine condition with much original finish throughout. Pre-1939
Los 206
A GEORGE V SCOTTISH REGIMENTAL OFFICER'S DRESS SWORD FOR THE SCOTTISH BORDERERS, early 20th Century, with 32 1/2in. double-edged plated steel blade with two narrow fullers on each side, etched on both sides with Royal cypher to one side and 'KING'S / OWN / SCOTTISH BORDERERS' and regimental crest over, ricasso with proved plug to one side and Edinburgh retailer's details over, plated cross-guard, wire-bound fish-skin grip and steel pommel, together with its field scabbard with plated steel fittings, etching thinned with a little staining to the blade, fish skin thinned in places, some plating lifted on pommel and chape, 40 1/4in. overall. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)
Los 141
â–² Augustus John OM RA (1878-1961) 'Romani Chai' (Campbell Dodgson 77)etching and drypoint, signed 'Augustus E John' beneath in pencil l.l.image 10 x 8.5cmProvenance: With Folio Fine Art Ltd., London. Condition ReportFramed: 33 x 26.5cmThe etching has been cut down and is without margins. It sits slightly above the sheet on which it has been mounted. Time staining with light creasing to the upper left. The print itself is crisp and fine. Not viewed out of glazed frame.
Los 161
â–² Sheila Robinson (1925-1988) 'By the Grantham Canal' etching and aquatint, artist's proof, signed and dated 'Sheila Robinson 71' in pencil l.r., inscribed with title and 'proof' l.l.plate 24.5 x 13.5cmCondition ReportFramed; 40 x 29cmLight rippling and a little time staining. Not viewed out of glazed frame.
Los 162
â–² Sheila Robinson (1925-1988) 'Toys'etching, artist's proof, signed and dated 'Sheila Robinson 1969' in pencil l.r., inscribed with title and 'proof' l.l.plate 15 x 22cmCondition ReportFramed: 31 x 37cmLight cockling with a little time staining. A little discolouration starting to emerge to the extreme left edge. Not viewed out of glazed frame.
Los 335
Bruce Onobrakpeya (Nigerian, b.1932) 'Oghene Ovuado II' (One God)signed 'B ONOBRAKPEYA' and dated '1988' l.r., inscribed with title l.l., deep metal etching69 x 22.5cmIn this work, religious tolerance symbols of different beliefs are put together to create unity in diversity. A label verso states that the work was presented to Sam Black by the Nigerian Institute of Public Relations, to mark his visit to Nigeria, 15-19 October 1989.Condition ReportFramed: 75.5 x 29cmThe metal plate is stuck down to a board behind. On close inspection there are a couple of very small light surface scuffs and scratches where the green ink has rubbed off and the metal beneath appearsw shiny, however in our opinion this does not affect overall enjoyment of the work when viewed on the wall.
Los 128
â–² Bryan Ingham (1936-1997) 'Melancholy Plough' etching and aquatint, signed and dated 'Bryan Ingham, 1978' l.r., inscribed with title and numbered '12/100' in pencil l.l.sheet 50 x 66cm, unframedCondition ReportSlight scattered marks of foxing to the margins starting to appearArches watermark to the left bottom corner
Los 372
â–² Ian Davenport (b.1966) 'Etched Lines 1'etching in colours, signed and dated 'I Davenport 2006' in pencil l.r., numbered '23/25'plate 67 x 47cmProvenance: With Alan Cristea Gallery, London.Condition ReportFramed: 98 x 72.5cmSheet: 91 x 66cmAppears to be in good condition. Well presented and ready to hang. There is a small scratch to the glazing over the light grey stripe, upper centre. Not viewed out of glazed frame.
Los 137
A Luxury Presentation Russian Dagger, Cooperative "Metallist" Zlatoust, 1928. A straight double-edged blade, decorated with an etching plant ornament with an inscription in Cyrillic "To Comrade Frolov S.A.", "Zlatoust, 1928". The steel scabbard and handle are richly decorated with etching in the Zlatoust style, gilding and blueing. On the scabbard is an inscription in Cyrillic "Cooperative / Metallist / Zlatoust". A rare item for a collector of artifacts of Soviet Russia. Excellent condition. Length 39 cm.
Los 1043
Edward William Charlton (British,1859-1935) An etching of 'The Street Corner, Lymington' depicting a snow covered street scene.(An example resides in the British Musuem collection) Dedicated and signed lower right, 'with all good Christmas wishes 1904' inscribed top right together with other prints/sketches
Loading...-
78475 Los(e)/Seite