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Preisdatenbank abonnierenPETER SCOTT: Signed coloured Print "Three small Swans flew along this Shore", approx. 4 1/2" x 6 3/4" + WILLIAM WISE etching after Landseer "The Sleeping Bloodhound", approx. 5 3/4" x 7 1/2" + M HARVEY: signed Limited Edition of 100 black and white Print, "King Penguin", approx. 10" x 7", f/g + 2 other signed Limited Edition Modern Prints, both f/g, (5)
Barclay^ John Rankine (RA) (1884-1962) "SAND" original pen and ink golf etching signed in pencil to the border and printed and dated 1922 - etching measures 8"x10" - complete with plain mount overall 14.75"x 16.75" Note John Rankine Barclay exhibited at Royal Academy^ Royal Scottish Academy and Royal Scottish Society of Painters in Watercolours
Stuart Brown^ H J - Original dry point etching titled "St Andrews" depicting a golfer with St Andrews town in the distance^ printed and dated H J Stuart Brown 1922 and signed by the artist to the border^ image size 3.75" x 7.75"^ mf &g -22.5" x 16.5" c/w with original accreditation on the back board
*John Bellany RA (1914-2013) UNTITLED Etching, signed and numbered 200/200 55.5 x 44.5cm; and six other prints all signed and numbered 200/200, by Noelene Pasisi, Miroslav Moucha, Goh Ee Choo and other artists (some indistinctly signed), all from the 'Hope and Optimism Series' for UNESCO, all unframed (7) *Artist's Resale Right may apply to this lot.
*Pablo Picasso (Spanish, 1881-1968) 'LA CELESTINE PRESENTANT SES DEUX PENSIONNAIRES A DEUX CLIENTS' (Bloch 1581; Baer 1597) Etching, 1968, dated in the plate 21.5.68, signed and numbered 10/50 in pencil, published by Galerie Louise Leiris, Paris 8.7 x 12.4cm *Artist's Resale Right may apply to this lot.
*Brian Blow (1931-2009) STUDIES OF BUILDINGS Two, charcoal both 23 x 30.5cm; and another ROOFTOPS, Etching, artist's proof, signed with monogram and dated 94' 14.5 x 19cm, unframed (3) Brian Blow was an artist, jazz musician and a painter. Trained in London in the 1940s and 1950s, he developed his sensibilities via Paris and New York. While his art is primarily non-representational and 'elegantly minimal', visual input from the natural and man-made world was the bedrock of his creativity. *Artist's Resale Right may apply to this lot.
After Rembrandt van Rijn, Dutch 1606-1669- "The Descent from the Cross: Second Plate"; etching on wove, 53x41cm: Lawrence Gallery, A Series of Facsimiles of Original Drawings by M Angelo Buonarotti, selected from the Matchless Collection formed by Sir Thomas Lawrence, late President of the Royal Academy, London published by S and A Woodburn, 112 St Martin's Lane, 1853, folio, green cloth boards, 58x45.7cm: Giuseppe Bibiena, Architetture e Prospettive, dedicate alla Maestra di Carlo Sesto, Imperador de'Romani da Giuseppe Galli Bibiena, suo primo Ingegner teatrale ed Architetto, Inventore delle Medesime, Augusta, Sotto la Direzione di Andrera Pfeffel, Top of Form 1 Bottom of Form 1 1740, this edition publ 1964 by Gregg Press Limited, Farnborough: English School, early 19th century- Studies of Chinese pagodas; hand-coloured engravings, three, on wove with Whatman watermark 24x32cm: together with two further reproduction prints, (a lot) (unframed)
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