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78475 Los(e)/Seite
Etching of Edward VII with signature for the same when Prince of Wales, 31.5cm x 22cm, with a label attached with inscription reading 'Presented to Samuel Sampson Lloyd, first chairman of Lloyds Bank Ltd., by Edward VII when Prince of Wales on the occasion of the Paris Exhibition of 1878',
#21; Pablo Picasso (Spanish, 1881-1973). Pintor Rembranesco con su modelo" etching on paper from the 347 series 1968 signed and numbered 17 of edition of 50 in pencil to lower margin. 31 x 41 cm plate (45.5 x 56 cm sheet). Unframed. With certificate of authenticity Jordi Vilafranca Del Castillo."Artists Resale Right maybe payable on this lot
#21; Pablo Picasso (Spanish, 1881-1973). Etching on paper from the 347 series, 1968, signed and numbered 33 of edition of 50 in pencil to lower margin. Inscribed with numbers and block 1775" in pencil verso. 17 x 20 cm plate (25 x 32 cm sheet). Unframed."Artists Resale Right maybe payable on this lot
#21; Pablo Picasso (Spanish, 1881-1973). Etching on paper from the 347 series, 1968, signed and numbered 38 of edition of 50 in pencil to lower margin. Inscribed with referenced numbers, dated 19/6/68 and block 1645" in pencil verso. 20 x 15 cm plate ( 32 x 25 cm sheet). Unframed."Artists Resale Right maybe payable on this lot
MARCEL JACQUE (Early 20th Century), Etching with aquaduct, land coloured, a pair views of Barbizon, each signed and titled in ink, 7 1/2" x 10" (19cm x 25.5cm) and slightly smaller (image), also ANOTHER ETCHING BY SAME HAND, signed and inscribed in pencil, 6" x 7 3/4" (15cm x 19.5cm) plate mark, AND ANOTHER HAND COLOURED ETCHING ALSO OF BARBIZON, indistinctly signed and inscribed in pencil, 5 3/4" x 8 1/4" (14.5cm x 21cm) image (4)
A gouache study of a seated long furred tabby cat, signed bottom right Charmaine Williamson, inscribed William, with artist address label verso, 33 x 23 cm in beaded gilt frame together with a French black and white humorous etching of dogs laughing at an elegant whippet, 11 x 26 cm in gilt frame
A signed limited edition monochrome etching of an eagle in flight with outstretched talons, signed bottom right Tony Evora and dated 79, edition 1/10, sheet size 53 x 39 cm (unframed) together with a signed limited edition coloured screen print by Sarah Mulhall showing a scene with angel and red roses, signed bottom right Sarah Mulhall, edition 1/5, 66 x 48 cm sheet size in wooden frame
A collection of 18th and 19th century topographical engravings, etc, including a large early 19th century coloured engraving by T Hollins - A View of the High Street, Birmingham, with numerous figures, mail coach, etc, 56 x 77 cm in Hogarth type black and gilt frame, two black and white engravings after Kip showing Little Compton, the seat of Sir Richard Howle Baronet, 35 x 43 cm, and Badminton, seat of Prince Henry, Duke of Beaufort, an 18th century map of Dorset showing the road from Bristol to Weymouth, 19 x 12 cm, an etching showing St Martin's Church, London, signed in pencil W M Little (?), etc (all framed)
A black and white signed screen type print showing a stylized coastal view, signed bottom right James Dodds and inscribed Brightlingsea, Past & Present, edition 28/100, sheet size 64 x 76 cm in simple black frame together with a further black and white limited edition etching by John Duffin showing a night time aerial view of the Broadcasting House, London, signed in pencil bottom right and inscribed Somewhere In The Night, edition 47/90, 57 x 38 cm sheet size (unframed) together with a case containing an interesting selection of vintage theatre programmes
A portfolio containing a quantity of watercolours, etchings, etc including an interior study with kitchen chair, cat, doorway, etc, a watercolour of a landscape view signed E Goodman, etching of Shakespeare's birth place after Adrian Hill, Le Blond prints showing Queen Victoria and her family, an etching by Bartolozzi showing an angel instructing a bearded saint, (all unframed) together with a 19th century black and white etching of an interior scene with quartet of musicians, signed bottom left Bruck-Lajos, further indistinctly signed in pencil, 40 x 54 cm in simple black frame
'A View of St Georges Church Hanover Square, from Conduit Street, London', circa 19thC, hand coloured engraving, 9½in x 16in (24cm x 40.5cm), framed, and 'The Southwark End of Old London-Bridge', hand coloured etching, proof, circa 1831, together with a table lighter and ashtray made of granite from Old London Bridge (4)
James Gillray (1757-1815)Extirpation of the Plagues of Egypt;-Destruction of Revolutionary Crocodiles;-or-The British Hero cleansing ye Mouth of ye Nile etching, with hand colouring, published Oct 6th 1798 by H Humphrey, St James' Streetfrom the H. G. Bohn edition, no.207, 10in x 14in (25.25cm x 35.5cm), unframed.
# Eileen Greenwood SEA (b.1915) - Six pencil and wash to include; Grand Canal, Venice, 12 x 31cm; Taverna on the island of Pavos, 16.5 x 24.5cm; Mediaeval City Carcassonne, 16 x 24cm; Sunset over Santorini, 16.5 x 24cm; Brighton Pavillion, 16 x 24cm; Island of Rhodes-Turkish Quarter, 16.5 x 24cm; and Pelicans breakfast in Mykonos, etching, signed, titled and numbered in pencil to the margin 6/100, 15 x 10cm (7) Condition Report / Extra Information All framed and glazed.
Thomas Rowlandson (1756-1827) - A cat in pattens, hand-coloured etching, 31 x 22cm; and James Gillray (1756-1815) - Le Diable-Boiteux, satirical cartoon etching, later hand-coloured, published 8th February 1806 by H Humphrey of St James' St, 34 x 24.5cm Condition Report / Extra Information Cat in pattens - picture cut out against margin and stuck down, one foxing mark to centre. Gillray - appears cut to margin but not stuck down, otherwise no apparent faults.
LOUIS ICART [FR 1888-1950], ETCHING, DRYPOINT & AQUATINT WITH HAND COLORING, #A96/500, 1925, H 15", W 19", "WHITE UNDERWEAR": Inscribed #A96/500 lower left. "White Underwear" is also known by the title, "Sur Le Divan". Reclining female smoking a cigarette in a white negligee. Pencil signed lower right. 14 3/4" x 19" image; 15 1/2" x 19 1/4" plate size; 22" x 30" paper size. Published 1925 by Graveurs Modernes, Paris, Rives paper watermark, also "Made in France" is stamped on the verso in the lower left. Reference: H 247. Later gilt wood frame with mats under glass. A pencil remarque of a cigarette and holder in ashtray on matt lower right is not the work of Icart.

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