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78475 Los(e)/Seite
* Mason (Frank H., 1876-1965). Sailing boats in calm waters, etching, signed in pencil, plate size approx. 165 x 213 mm (6.5 x 8.5 ins), together with Whitby Abbey with town below, etching, signed in pencil, plate size approx. 160 x 110 mm (6.25 x 4.25 ins), plus Birchall (William Minshall, 1884-1941), H.M.S. Monarch, 1919, watercolour with traces of pencil, on paper, heightened with bodycolour, signed, titled and dated, approx. 210 x 310 mm. (8.25 x 12 in.), and an orig. pencil sketch, attributed to Paul Sandby (1725-1809) showing a manor house amongst trees, sheet size approx. 117 x 186 mm. (4.5 x 7.25 in.), all framed and glazed (4)
* Prints & Engravings, mostly 19th & 20th c., including an etching by Winfred Austen of a snipe in flight, signed in pencil, a colour etching of a romantic Italianate landscape by Wilfrid Huggins, three etchings by Alphonse Legros, including one signed in pencil, five 19th c. tinted illustrations after Cotman, a mezzotint by Richard Earlom after Rembrandt, pub. Boydell, 1768, another similar by Jones after Sir Joshua Reynolds, a stipple engraving by Thomas Williamson after Morland, entitled Woodcutters at Dinner, and other various portraits, etc. (approx. 24)
* Stokes (George Vernon, 1873-1954). A pair of cocker spaniels by the water, colour etching, signed and numbered 7/75 in pencil to lower margin, plate size 250 x 300 mm (9.75 x 11.75 ins), framed and glazed, together with Wilkinson (Henry, 1921-), Red Setter, colour drypoint etching, signed and numbered 9/150 to lower margin, plate size 255 x 345 mm (10 x 13.5 ins), framed and glazed (2)
* Gillray (James, 1756-1815). Georgey in the Coal-Hole [George Hanger, 4th Baron Coleraine], pub. Hannah Humphrey, July 1st 1800, hand-col. etching, trimmed to margins, approx. 250 x 200 mm (9.75 x 8 ins), mounted on card, together with Cruikshank (George, 1792-1878). Broken Gingerbread, pub. Hannah Humphrey, April 21st 1814 [or later], hand-coloured etching, depicting Napoleon on Elba, trimmed to margins, approx. 205 x 265 mm (8 x 10.5 ins), mounted, plus Rowlandson (Thomas, 1756-1827). None but the Brave Deserve the Fair, 1819, hand-coloured etching, trimmed to image, and with outer corners of lower blank margin removed, approx. 285 x 230 mm (11.25 x 9 ins), and nine other various caricatures and satirical prints, mostly hand-coloured, including Political Quacks, or the Erfurth Co-Partnership Commencing Business, by Charles Williams, 1808, Kitty Careless in Quad - or Waiting for Jew Bail, by Thomas Rowlandson, an unattributed caricature entitled The Fallen Angel, pub. S. W. Fores, and dated by hand 1784, etc. (12)
Needham (Paul). Twelve Centuries of Bookbindings 400-1600, pub. New York & London, 1979, tipped-in col. frontis., b & w illusts. from photos, orig. cloth in d.j., 4to, together with William Morris and the Art of the Book, New York and London, 1976, col. and b & w plts. and illusts., orig. cloth in d.j., 4to, with Furst (Herbert), Original Engraving and Etching an Appreciation, 1931, b & wplts., orig. cloth in browned d.j., 4to, plus eight others, many relating to book illustrators and printing technique (11)
GHB, The Royal Garrison Artillery, Ralph Sallon, The Rt. Hon. Sir Jocelyn Simon, The Rt. Hon. Lord Dilhorne, Vanity Fair 1870, Men of The Day No13, four Spy Studies Scottish School (20th century) Still Life with statue and vases, Oil on canvas, 40x35cm, Portuguese Cottage, Oil WA Holmes, Winter Scene, St Andrews Vicar, Coastal Village, JS Burnett, Bruges, watercolour , Alfred Hugh Fisher (1867-1945) The Knife grinder, etching Edmond Kayser, Vegetable Pickers, Four butterfly prints and various other prints Evan Walker, Voorstrats haven, Dordrecht, watercolour 32x23.5cm Fishing boats, study and country bridge scene, 56x41cm (A Lot)
*Paul (Louis Auguste Albert, 1854-1922). Yacht at Sea, The Coolin, watercolour and bodycolour, approx. 120 x 80 mm (4.75 x 3.25 ins), framed and glazed, together with seven other various framed or mounted prints and etchings, including an etching of the Old Town Hall, Leicester, by Mary A. Sloane, a marine chromolithograph after Copley Fielding, two small hand-coloured eng. views of Florence after Zocchi, etc., plus twelve colour-printed Punch cartoons, by Ronald Searle, entitled Heroes of Our Time (20)
*Prints. Moore (Henry, after), Derby from Chester Close near St. Marys Bridge, 30 Jan 1807 [but later restrike], hand coloured aquatint view, image size 300 x 420 mm, together with other prints and ephemera including a 19th century indenture, an 1814 broadside advertising a performance of Macbeth at Covent Garden, a signed etching of Regent Bridge, Aberdeen, by W. Bremnar, etc., many framed and glazed (approx. 22)
Prints. Barraud (F.P.), St. John's Beaumont School with cricketers in the foreground, pub. Dickinson & Foster, 1892, etching, signed in pencil by A.H. Wardlow and William J. Allingham, image 345 x 486 mm, framed and glazed. St. John's Beaumont is a Jesuit preparatory school near Windsor formerly known as Beaumont College. (1)

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