An Early 20th Century Royal Indian Marine Officer's Sword, the 80 cm blade with single part fuller, etched to obverse and reverse with crowned star above fouled anchor amongst foliate scrolls, also with maker's name, ''S.W. Silver & Co., Portsmouth & London'', the gilt brass gothic hilt with folding guard, cast with fouled anchor and initialled RM, lion's head pommel with extended mane, wire bound fishskin grip, gilt thread bullion knot, brass-mounted black leather scabbard with twin ring suspension, soft leather cloth case Blade heavily cleaned with residual patches of rust and pitting. Etching worn in places and almost erased in others. Bullion knot tatty. Scabbard heavily refurbished. Soft case worn.
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A Victorian 1845 Pattern Infantry Officer's Sword, 79.5cm single edge steel blade faintly etched with the Royal cypher and foliage, by J Nicholl, London, the gilt brass gothic hilt pierced and cast with the Royal cypher, with hinged guard, wire bound fishskin grip and chromed steel scabbardQuite deep pitting and black patching to blade which is curved towards the tip. The etching is very faint
A Victorian 1827 Pattern Rifle Regiment Sword, the straight, single edge, fullered blade, length 82 cm, indistinctly bearing maker's name and with faint etching, the steel gothic hilt incorporating the regimental crest, wire bound fishskin grip, bullion thread dress knot, steel scabbard with twin ring suspensionsSword blade with heavy overall pitting obscuring much of etching. Hilt in similar condition. Wear to fishskin grip and some wire binding loose. Bullion knot tatty. Scabbard heavily pitted and with numerous bruises and small dents.
B R Edward (20th century) Etching Wild flower meadow, signed and dated '73, titled and numbered 7/10 in pencil, 35cm x 24cm (unframed) Charles Flower (early 20th century)Etching "Old Market Hall, Chipping Camden", 13cm x 15cm Unattributed Two etchings "The Kiss After Goya" Unattributed Artist's proof"Wheel in Orbit", indistinctly signed "A Survey of Dun Boggs Farm in the Manor of Haversham in ye County of Hereford by Edward Laurence" (6)
Ann Askell (20th century) Colour print Country road scene with church in the middle ground, signed in pencil and dated in image 1981, 19cm x 26cm ??? Hoskins (20th century) Etching "Clematis", signed, titled and numbered 20/20 in pencil, 11.5cm x 11cm British school (20th century) Watercolour Mountain cottages, signed indistinctly lower left, 12cm x 14cm (3)
T Ryahie(?) (Japanese 20th century) Etching Thatched building with trees in foreground, signed, dated '78 and numbered 52/120 in pencil, 25.5cm x 36cm and two further limited edition etchings by the same artist, each 11.5cm x 14cm Wig???ki(?) (Japanese 20th century) Coloured print "Collection - A", triptych of a ceramic pot, signed, titled, dated '77 and numbered 78/205 in pencil, 14cm x 41cm (4)
Howard Phipps (b.1954) Woodcut "Salisbury from Alderbury", titled, signed, dated 1981 and numbered 28/50 in pencil, 11.5cm x 14cm Sam(?) (20th century) Woodcut "Dawn Badger", signed, titled and numbered 7/100 in pencil, 16cm x 21.5cm M P Bocrsiowski(?) (20th century) Coloured etching Two wild boar in front of a forest, signed and numbered 6/250 in pencil, 15cm x 11cm (3)
Harold Sayer (20th century) Etching "Lane through the Village", signed, titled, dated 1982 and numbered 100/200 in pencil, 25cm x 29cm G Holt (20th century) Woodblock The carpenter's bench, signed in pencil, 8cm x 10.5cm and five further smaller woodblocks and prints by various artists (all unframed) (7)
Francis H Dodd (1874 - 1949) Soho Square Drypoint etching Signed and titled in pencil, to lower margin Plate: 31 x 23cm (11 1/4 x 9in.) Provenance: P & D Colnaghi Co, London IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
After Paulus Potter (Dutch, 1625-1654): a 19th / 18th century bookplate restrike etching of 'The Frisian Horse', the horse looking across the landscape close to The Hague with the Reformed Church of Voorschoten in the background, the church reversed by the etching process in the image, signed and dated to the plate lower right, 15 by 23cm.
Charles Brooke Bird (British, b. 1856): Bristol Harbour, an engraving, published by W. Weaver, 1906, signed in pencil lower right margin, 20 by 28cm, together with a 20th century etching of Radley College, Oxford, 17 by 24cm, and 'Prison and Castle', Cambridge, a hand coloured engraving by Westall, published 1814, 20 by 28cm. (3)
AFTER CHRISTOPHER DEE "Brittannia Rules" colour print with letters to the back, together with two bags containing various vintage newspapers including various on the subject of "9/11", "Royal weddings", "Election of Obama", various circa 1936 papers including Daily Telegraph,1968 Apollo 10 Reports, etc, 20TH CENTURY ENGLISH SCHOOL "Lady in Garden" etching initialled P.B. 1925 indistinctly signed lower left, together with AFTER EDWARD DENFEILD "Harpers February" cromolithographic print, various other cromolithograph prints including AFTER ARTHUR RACKHAM "George and the Dragon" colour print, etc

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78472 Los(e)/Seite