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Los 253

FRED BOTTOMLEY The Sloop, St. Ives. Etching. Signed and inscribed. 7 x 10ins., unframed.

Los 260

WILLIAM LIONEL WYLLIE The Fantome and Sunbeam. Etching. Signed. Gallery label to the reverse. 5 x 13ins.

Los 300

ALEXANDER MACKENZIE Lucca. Etching and aquatint. BAT final proof. Signed and dated 2002. 12 x 8ins.

Los 301

ALEXANDER MACKENZIE Lucca. Etching and aquatint. Final proof. Signed and dated 2002. 12 x 8ins.

Los 316

Woman at a spinning wheel. Etching. Dated 1671 and indistinctly signed.

Los 370

GRAHAM SUTHERLAND The Black Rabbit Stabling. Etching. Signed, inscribed 2/50 and dated 1950. 8 x 8 1/2ins. (See illustration)

Los 419

GEOFFREY GARNIER Heavy weather. Etching aquatint. Signed, inscribed and numbered 18 from an edition of 100. 6 1/2 x 7 1/2ins.

Los 420

GEOFFREY GARNIER Trematon Castle, near Plymouth. Etching aquatint. Signed, inscribed and numbered 6 from an edition of 100. 11 1/2 x 15ins.

Los 421

GEOFFREY GARNIER Seventy-fours returning to harbour and The end of the chase. Etching aquatints. One signed.

Los 234

William Lionel Wyllie R. A., R. I., R. E. 'The Port of Glasgow', signed artists proof, black and white dry point etching, 25cm x 39cm.

Los 235

William Lionel Wyllie (1851-1931) - Westminster Bridge and St Paul's - etching, signed in pencil bottom left, plate size 22.5 x 37cm.

Los 236

William Lionel Wyllie (1851-1931) - Greenwich - etching, signed in pencil bottom left, plate size 22.5 x 37cm.

Los 107

After Meyer-Eberhardt (20thC school). Study of a fawn, sepia etching, signed in pencil to margin, 11" x 9¾".

Los 108

Bertha E Jaques. Thames barges, etching, signed in pencil to margin, image size 5¾" x 9¼".

Los 111

Dorothy M Morgan. Merry Xmas 1929, etching, signed and titled in pencil to margin, image size 5¼" x 5".

Los 112

Arthur J F Bond. Seine fishing boats, etching, signed in pencil to margin, plate size 7" x 10".

Los 194

James Abbott McNeill Whistler (1834-1903) 'Greenwich Park' etching, signed in the plate, 12.5cm x 20cm

Los 195

James Abbott McNeil Whistler (1834-1903) 'Fumette', etching on Japon paper, signed in the plate, published 1858, 16.2cm x 10.7cm

Los 196

James Abbott McNeil Whistler (1834-1903) 'Thames Police', etching, signed and dated 1859 in the plate, 15cm x 23cm This is a view of Wapping Wharf with police officers pulled up in their skiffs inspecting the boat yard. It is one of 16 etchings published in 1871 as 'A series of etchings on the Thames'

Los 198

Sir Frank Brangwyn (1867-1956), 'The Gothic Bridge at Barnard Castle, Yorkshire', etching, signed in pencil, 44cm x 55cm

Los 199

Herbert Dicksee RE (1862-1942) 'Raiders' etching, signed in pencil, 41cm x 67cm

Los 455

WALTER HENRY SWEET. View towards a Cathedral, pencil signed, etching, unframed, Pl. 7 x 9 in; one other unframed etching by Sweet depicting a scene at Clovelly ; and a miscellaneous collection of other prints and watercolours some depicting coastal subjects, all unframed (qty).

Los 458

CAPT. ROWLAND LANGMAID, R.N. Barges at the Mouse Lightship, original etching, pencil signed, Pl.5 1/2 x 9 in.

Los 772

An engravers brass master plate by SIDNEY GALE Engraver, Sheffield 5 1/2" x 3"for etching the saw blades of J.B.Hindley with Warranted Cast Steel, Sheffield G++

Los 123

Geoffrey S Garnier (1889-c1971): 'Larmorna Cove' coloured etching signed in pencil published 1929

Los 219

Tree lined country lane French etching signed in pencil

Los 730

David Shepherd signed book 'The Brush with Steam' together with a mini David Shepherd print also being signed, and a mini framed etching (3)

Los 225

C.F. Tunnicliffe : A pen and ink etching of a bull, unsigned, ascribed to Charles Frederick Tunnicliffe, 37 cm x 19 cm.

Los 238

A mixed lot comprising an etching of a square rigger and coastal shipping, signed in pencil in the margin Harold Wyllie, a pen and ink composite of sketches of France, signed V. Elwes, 1910, and etching "Blue tit" signed in the margin Ethel. M. Found 1916 and three other prints.

Los 781

William Lionel Wyllie (1851-1931), a signed etching, "The Nile Pyramids Egypt". 6.5 ins x 14.5 ins, framed and signed in pencil.

Los 782

William Lionel Wyllie (1851-1931), a signed etching, "The Bay of Naples". 6.5 ins x 14.75 ins, framed, signed.

Los 783

William Lionel Wyllie (1851-1931), a signed etching, "Battleships off Gibraltar". 6.5 ins x 14.75 ins, framed, signed.

Los 784

William Lionel Wyllie (1851-1931), a signed etching of an eastern coastline with fortress. 6.5 ins x 14.75 ins, signed and framed.

Los 785

William Lionel Wyllie (1851-1931), a signed etching, vessels in the Bay of Naples with rowing boats, tugs and masted battleships. 6.5 ins x 14.75 ins, framed, signed.

Los 786

William Lionel Wyllie (1851-1931), a signed etching, battleship in Valletta harbour Malta. 6.5 ins x 14.75 ins, framed, signed.

Los 51

After William CallowThe Riva degli Schiavoni by the Ponte della PagliaChromolithograph35 x 49cm; 133/4 x 191/4inWith a lithograph after Samuel Prout of a Dutch Boat, an etching of the Thames, a botanical engraving by Curtis and a botanical reproduction after Redouté (5)++Fair

Los 61

James Reid (c. 1900)Edinburgh CastleEtching10 x 15cm; 4 x 6inWith further Scottish etchings and a Baxter print (5)++Various

Los 71

Stanley Anderson (1884-1966)Good companionsSigned and inscribed Ed: 65Etching18 x 26.5cm; 7 x 101/2in++Good condition

Los 72

Charles Frederick Tunnicliffe (1901-1979)The Wheat FieldSigned, titled and numbered 39/75Etching15.5 x 27.5cm; 6 x 103/4in++Good condition

Los 90

Michael Ayrton (1921-1975)Minotaur Revealed Numbered 52/75Etching40 x 54.5cm; 153/4 x 211/2in (plate size)++Good condition

Los 434

Julian Trevelyan (British, 1910-1988), Haycart, The original steel plate for Trevelyan's 'Haycart' which he produced in aquatint, etching and soft grounds, zinc plate, 38 x 48cm (14.82 x 18.72in). Provenance: From the collection of Dorothie Field (1915-1994), the artist. The plate has two holes drilled in it so that no more impressions can be taken from it

Los 1521

Marius Alexander Bauer (Dutch, 1867-1932), etching, The Coronation of Tsar Nicolas II, signed in pencil, no72. 22 x 26.5in.

Los 1533

Edgar Holloway (1914-1989), etching, Capel-y-ffin, signed in pencil, 7 x 9.75in.

Los 1782

John Piper (1903-1992), etching, 'Chamecy, Burgundy', signed in pencil, 27/50. 29 x 22.5in.

Los 841

After Samuel and Nathaniel Buck - 'The South East Prospect of the City of Bath', engraving, 12" x 32" (a.f); 20th century school - 'Orcchetta', etching, 13.5" x 8.25" (2)

Los 153

Graham Clarke (b. 1941), 'Dance by the light of the moon', hand coloured etching with aquatint, signed, inscribed and numbered 3/50 in pencil, arched top, 34 x 54 cm (13 1/2 x 21 in). Note: this was the artist's first etching in this format, exhibited in 1973 at the Royal Academy

Los 154

Graham Clarke (b. 1941), 'Anderida Oak', etching with aquatint, signed, inscribed and numbered 26/100 in pencil, arched top, 34 x 54 cm (13 1/2 x 21 in)

Los 157

Pablo Picasso (Spanish, 1881-1973), 'La Libellule', etching with aquatint on paper watermarked 'Vollard' and with 'Le Crapaud' printed opposite the image, for Buffon's Histoire Naturelle (Bloch 354), 27 x 21 cm (10 1/2 x 8 1/4 in). Exhibited: Leicester Galleries, May 1946, no. 21 (labelled as 'La Demoiselle'), bought by J. C. Thomson

Los 158

Anne Desmet RE (b. 1964), 'Six snapshots of St. Paul's', wood engraving, signed, inscribed and numbered 17/40, 16.5 x 31 cm (6 1/2 x 12 in), together with 'London Gardens diptych', signed, inscribed and numbered 66/75, 12.5 x 12 cm (5 x 4 3/4 in), and an etching 'Still Life' by Jo Westgate. Provenance: ('London Gardens diptych') Duncan Campbel Fine Art, London

Los 162A

Giovanni Battista Piranesi (1720-1778), 'Sepolcro di Cecilia Metella ....', etching, from Vedute di Roma, 45 x 64 cm (17 1/2 x 25 in)

Los 163

Giovanni Battista Piranesi (1720-1778), 'Piramide di C. Cesto', etching, from Vedute di Roma, 39 x 53 cm (15 1/2 x 21 in)

Los 164

Giovanni Battista Piranesi (1720-1778), 'Veduta interna del Panteon', etching, from Vedute di Roma, 48 x 56 cm (19 x 22 in)

Los 165

Giovanni Battista Piranesi (1720-1778), 'Veduta di Tempo di Cibele a Piazza della Bocca della Verita', etching, from Vedute di Roma, 40 x 60 cm (15 1/2 x 23 1/2 in)

Los 166

Giovanni Battista Piranesi (1720-1778), 'Veduta della Basilica di S. Sebastiano fuori della mura di Roma, su la via Appia', etching, from Vedute di Roma, 42 x 66 cm (16 1/2 x 26 in)

Los 167

Giovanni Battista Piranesi (1720-1778), 'Veduta dell'Arco di Tito', etching, from Vedute di Roma, 40 x 62 cm (16 x 24 1/2 in)

Los 168

Giovanni Battista Piranesi (1720-1778), 'Veduta del Castello dell'Acqua Paola sul Monte Aureo', etching, from Vedute di Roma, 40 x 61 cm (16 x 24 in)

Los 169

Giovanni Battista Piranesi (1720-1778), 'Veduta del Pantheon d'Agrippa oggi Chiesa di S. Maria ad Martyres', etching, from Vedute di Roma, 48 x 69 cm (18 1/2 x 27 in)

Los 169A

Giovanni Battista Piranesi (1720-1778), 'Veduta dell'Arco di Settimo Severo', etching, from Vedute di Roma, 46 x 70 cm (18 x 27 1/2 in), together with a print after Piranesi, 'Veduta dell'Arco di Costantino'

Los 242

After E. Albany Howarth, "Richmond Castle, Yorks", etching, pencil signed, Fine Arts Society label verso, 27cms x 36cms, (10½" x 14").

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