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Los 1

John Sell Cotman (1782-1842), "Castle Rising Castle" black and white etching, published circa 1813 (plate xxvi), 25 x 36cm

Los 157

AR Henry James Starling, ARE (1895-1996), "Pull's Ferry, Norwich", black and white etching, signed, numbered 44/75 and inscribed with title in pencil to lower margin, 24 x 31cm

Los 155

AR Henry James Starling, ARE (1895-1996), "St John, Timber Hill, Norwich", black and white etching, signed, dated 80, numbered 74/200 and inscribed with title in pencil to lower margin, 16 x 10cm

Los 247

D. Crichton 'Crofts at Skye' oil on canvas, signed lower left, 49.5 x 59cm. Harry F McGregor (Dundee artist), 'Loch Laggan', watercolour. H.M. Barham panoramic countryside landscape, watercolour. H. E. Roodenburg, etching, signed. (4)

Los 2427

A Pamela Guille A.R.C.A. limited edition artists proof etching entitled 'Fish and Chips' (on the promenade), pencil signed and titled by the artist.

Los 2604

A pair of Chinese framed and glazed etchings by famed Chinese etching artist Yu Yuen Hong.

Los 164

Andre Dunoyer de Segonzac (French, 1884-1974), Quai de Boulogne, etching, signed and numbered 22/26, 14.5 x 20cm

Los 158

Jose Francisco Borges (Brazilian, b. 1935), Sr de Regla, etching, numbered 30/30, signed lower right, 19 x 15.5 cm

Los 163

Frank Brangwyn, RA, RWS, RBA (British, 1867-1956) Old Bridge, Hankow, 1926, signed in pencil, etching

Los 127

• STANLEY ANDERSON, C.B.E., R.A. (1884-1966) IGHTHAM MOTE, KENT etching 1st impression, edition of 175 signed and titled in pencil outside plate Plate: 30.7 x 23.6cm / 12 x 9 1/4in

Los 319

• JOHN BRUNSDON, A.R.C.A. (1933-2014) PEMBROKE III signed & dated in pencil l.r. 69 artist's proof, numbered l.m. 3/4 titled l.l. in pencil coloured etching & aquatint Plate: 41.5 x 31.0cm / 16 1/4 x 12in

Los 123

AUGUSTE BROUET (1872-1941) TOWARDS THE SAINTS-MARIES sold together with an etching of The Sardine Boats, Quideron by the same hand signed outside plate in pencil l.r. stamped l.r. & l.l. etching, second state, edition of 10 Plate: 24.0 x 40.5cm / 9 1/2 x 16in Literature: Boutitie 301, EH 1 (Boutitie 355)

Los 124

VICTOR MIGNOT (1872-1944) LE NUMISMATE signed in pencil outside plate l.l. artist's stamp l.l. artist's proof, inscribed l.r. EPREUVE DE PRESENTATION etching on Japan paper 24.5 x 15.5cm / 9 3/4 x 6in Literature: Lugt, 2523

Los 158

• ATTRIBUTED TO CHITTAPROSAD BHATTACHARYA (1915-1975) THE TIRED SHOESHINE BOY signed, inscribed and dated l.l. Chittaprosad / Bombay Sept '57 woodblock etching on Japan paper 22.5 x 27.5cm / 9 x 11in Mounted, unframed

Los 130

WALTER GREAVES (1846-1930) COAL BARGES UNLOADING signed & dated in plate W. Greaves 1872 etching Image 13.7 x 20.0cm / 5 3/4 x 7 3/4in Barges on the Thames were a favourite subject of Greaves, who had originally trained as a shipwright and boatsman. A pupil and associate of Whistler's for a number of years, Greaves fell out of favour with the master in the late 1870's. The present work is clearly indebted to Whistler, both in its subject and composition. A different impression is with the Art Institute of Chicago (Ref. 2004.885).

Los 126

AFTER JEAN-LOUIS FORAIN (1852-1931) AU CAFÉ, LA NOUVELLE ATHENS signed within plate l.m. Forain etching Plate: 16.0 x 11.8cm / 6 1/4 x 4 1/2in

Los 78

FREDERICK LANDSEER GRIGGS, R.A., R.E. (1876-1938) THE MAYPOLE INN signed in pencil l.r. beneath platemark F L Griggs inscribed l.r. on support sheet C.D. H2 The Maypole Inn (one of 26 proofs thus) initialled l.r. on support sheet FLG From the edition of 26 in the fourth state etching Image: 16.6 x 24.9cm / 6 1/2 x 9 3/4in Provenance: P. & D. Colnaghi & Co. Ltd. Literature: Comstock, 42

Los 129

CHARLES EDWARD HOLLOWAY, R.I., N.E.A.C. (1838-1897) THE ADAM AND EVE, OLD CHELSEA initialled & dated in plate l.r. C.E.H. 91 etching Image 19.5 x 11.8cm / 7 3/4 x 4 3/4in Holloway was a friend and associate of James McNeill Whistler, who had etched this same subject in 1879. Whistler is thought to have been working from photographs, including one by James Hedderley taken c.1865. The scene was also painted by another in Whistler's circle, Walter Greaves, and etched by Edwin Edwards in 1871. Holloway's view is unusual for its inclusion of a sign for the Neleus Boat Club's clubhouse, which is dated 1850. This suggests that Holloway had access either to a different photograph or perhaps alternatively was asked to include the clubhouse by a member of that Rowing Club.

Los 96

BOWLES AND CARVER (PUBS) 'Partridge Shooting', etching with aquatint, numbered 572 and hand coloured 25 x 35cm; and J* Kleim, figures on a footbridge in a continental mountainous landscape, signed watercolour 17 x 25cm (2)

Los 32

EDWARD MILLINGTON SYNGE (1860-1913) Farmyard with logs, etching, pencil signed in the margin, 20 x 25cm; and four further to include The Harbour, Antibes; Via Cassia - Rome; Amiens Cathedral; and Embrun? Cathedral, all mounted but unframed (5)

Los 50A

MAURICE DE VLAMINCK (1876-1958) Une église dans le Vexin, etching, 10 x 13cm

Los 62

GIOVANNI BATTISTA PIRANESI 'Bassorilievo antico che si vede nel Portico della Chiesa de SS Apostoli', etching, 48 x 72cm; and two further similar (3)

Los 102

TOM SLATTER 'The End Point - NYC' (Twin Towers), etching with aquatint in colours, pencil, signed in the margin, titled, dated 2001 and numbered 12/75, 40 x 40cm, unframed

Los 79

ENGLISH SCHOOL (EARLY 19TH CENTURY) 'The Right Honorable Rear Admiral Lord Nelson K.B.', mezzotint, hand-coloured, 34.5 x 25cm; and Camille Foncé (1867-1937) - Rouen Cathedral, etching in colours on vellum, pencil signed in the margin, 58 x 46cm (2)

Los 92

WINIFRED AUSTEN (1876-1964) 'Snipe', etching in colours, pencil signed in the margin and titled, 24.5 x 21cm With Charles Nicholls & Son

Los 46

ANTHONY GROSS (1905-1984) 'Pedestrian with Dog', etching, pencil signed in the margin, titled and numbered 9/75, 22.5 x 27.5cm (pl), 50 x 66cm (sh), unframed

Los 5

STEPHEN GOODEN (1892-1955) 'St George slaying the Dragon', etching, pencil signed in the margin and dated 1935, 16cm tondo, unframed

Los 45

VALERIE THORNTON (1931-1991) 'Capitals Serrabone', etching with aquatint in colours, pencil signed in the margin, titled, dated '81 and numbered 9/75, 21 x 14cm (pl), 64.5 x 51cm (sh), unframed

Los 34

EDWARD MILLINGTON SYNGE (1860-1913) The Quarry, etching, pencil signed in the margin, 25 x 25cm; and three further to include: 'Rothenburg from the Public Gardens'; 'Rothenburg from the Tauber Valley'; and 'Rothenburg', all mounted but unframed (4)

Los 85

LAURA KNIGHT (1877-1970) Dressing Room No. 1, etching with aquatint, pencil signed in the margin, 15 x 20cm With the Royal Exchange Art Gallery

Los 65

GIOVANNI BATTISTA PIRANESI 'Veduta di Campo Vaccino, etching, 46 x 70cm

Los 64

GIOVANNI BATTISTA PIRANESI 'Veduta della Gran Piazza e Basilica di S. Pietro...', etching, 46 x 70cm

Los 59

DEMARTEAU AFTER J.B. HUET 'La Jeune Bergere', etching with aquatint, 21 x 27cm; another similar; and a pair of lithographs after Boucher and J.B. Huet, all mounted but unframed (4)

Los 31

ADELINE S. ILLINGWORTH (1858-c.1930) The Rathani: Portal, Rothenburg of Tauber, etching, pencil signed in the margin, 28 x 19.5cm; two further by the same hand; a pair of 19th Century maple frames; and four further various pictures (9)

Los 55

BERNARD PICART 'Pagode de la Chine', Grande Pagode de la Chine' engraving, 33 x 41cm; and further prints and engravings to include two after George Morland; Daniel in the Lion's Den; a water nymph after Chabas; a Chinese study of a bird upon a branch; and Richard Beer - 'St Paul's', etching with aquatint, pencil signed in the margin, 62 x 42cm (7)

Los 37

JOHN BRUNSDON (1933-2014) 'Autumn', etching with aquatint in colours, signed in pencil to the margin and titled, 45 x 60cm

Los 69

GIOVANNI BATTISTA PIRANESI 'Veduta del Pantheon d'Agrippa', etching, 48 x 70cm (unframed)

Los 61

GIOVANNI BATTISTA PIRANESI Il Campo Marzio Dell'Artica Roma, etching, 45 x 29cm; and four further similar (5)

Los 78

J * C * ROBINSON A pastoral landscape in the rain, etching, pencil signed in the margin, 20 x 25cm; another by the same hand; an etching by William Strang; and one further print signed by Victoria Chase - 'The Catalonian Cap', all unframed (4)

Los 33

EDWARD MILLINGTON SYNGE (1860-1913) 'Olive Trees near Tourretteo?', etching, 20 x 25cm; and two further similar - 'Study of Olive Trees' and 'The Pond of the Frogs', signed in pencil to the margin, all mounted but unframed (3)

Los 66

GIOVANNI BATTISTA PIRANESI 'Veduta Interna della Basilica di S. Maria Maggiore', etching, 42.5 x 67cm

Los 72

JOANNES VOLPATO AFTER PETRUS CAMPORESI 'Loggie di Rafaele nel Vaticano', etching, 62 x 41cm; and an engraved view of London as it was in the year 1647 (2)

Los 73

ANTOINE MASSON AFTER NICOLAS MIGNARD 'Petrus Dupuis Monsfortensis Pictor Regius Academicus', etching, 31 x 23cm; and a small quantity of further various portrait engravings, mainly 17th and 18th Century, all unframed

Los 31A

FRANCESCO BARTOLOZZI AFTER GUERCINO Libyan sibyl, etching in sepia, 30 x 27cm

Los 77

CLEMEMTINO VANNETTI (1754-1795) The well of Bandusiae (from Horace Chapter 3 line 13), etching c.1790, 38 x 48cm (unframed)

Los 67

GIOVANNI BATTISTA PIRANESI 'Altra Veduta Del Tempio Della Sibilla in Tivoli', etching, 45 x 66cm

Los 57A

WILLIAM HEATH 'Doing Homage', hand-coloured etching, 25.5 x 37cm; a further French hand-coloured engraving 'Dejeuner de Mr Mignard, 20.5 x 25cm, various other similar prints, and a folder of unframed 18th and 19th Century engravings and other prints (qty)

Los 86

ALLAN GWYNNE JONES (1898-1982) 'Southwold Fair 1912', etching final state 75 impressions, pencil signed in the margin and dated 1927, 20 x 29cm

Los 63

GIOVANNI BATTISTA PIRANESI 'Veduta dell' insigne Basilica Vaticana Coll'ampio Portico e Piazza adjacente', etching, 47 x 71cm

Los 68

GIOVANNI BATTISTA PIRANESI 'Veduta della Cascata Di Tivoli', etching, 47 x 70cm

Los 20

AFTER THOMAS ROWLANDSON 'Shoulder Arms 1st. Motion...', No. 6 from 'Loyal Volunteers of London and Environs, Infantry and Cavalry in their respective uniforms', etching and aquatint, hand-coloured and published by Ackermann c.1798, 25 x 19.5cm; and seven further similar (8)

Los 204

Boxes and objects - Life of Christ; Terrier moravian; a Kodak Six 20 Brownie D; coloured etching; pewter tankards, salt

Los 305

Etching, by M*** M*** Rudge, "Durham Cathedral", signed and inscribed in pencil, etching 20cm x 25cm, framed.

Los 309

Franceso Bartolozzi, after Guercino, "Flora Goddess of Spring", etching in brown ink, 24.5cm x 29cm; together with a stipple engraving and an etching, all by Bartolozzi, in frames. (3)

Los 336

Thomas Rowlandson, "Pimlico Volunteer: Unfix bayonet", and other plates from the series "Loyal Volunteers", etching and aquatint published c.1800 by Rudolf Ackermann, 25cm x 20cm average, variously framed. (9)

Los 320

George Vernon Stokes, a spaniel in marshland observing two ducks in flight, signed in pencil, coloured etching, numbered 65/75, 25.5cm x 30cm, framed.

Los 330

Francis Jukes and Robert Pollard after Robert Smirke - "The Halsewell East Indiaman", etching and aquatint, London Published by R. Pollard Engraver, No. 15 Braynes Row, Spa Fields, March 17; 1786, 43 x 53.5cms; together with a pair of small prints; and Roy Preston - Houses by a river in Cumbria, signed, watercolour, 18 x 23cms; together with another watercolour, all framed. (5)

Los 306

Artist unknown, "Tyne Bridge", etching 30cm x 35cm, framed.

Los 179

A Joseph Simpson trial proof etching, of a lady wearing an ermine shawl, signed in pencil and five other etchings (6)

Los 4

ÆŸL. Garreau, View of the Shore at Cazas in Lebanon, etching on paper [probably Amsterdam, c. 1790] single leaf, etching on paper depicting the view over a fishing bay in Lebanon, print margins intact, some slight surface soiling, otherwise very good condition, 350 by 505 mm.; tipped onto modern card mount. ÆŸ Indicates that the lot is subject to buyer’s premium of 25% exclusive of VAT (0% VAT).

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