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78472 Los(e)/Seite
Los 439
John Sell Cotman (1782-1842), 'North Wales' soft ground etching, no.21 in 'Liber Studiorum: A Series of Sketches and Studies' 1838 Bohn edition, together with 'Norwich Thorpe', no.18, 1834 (originally created 1805-14), 18x11cm, 14x12cm respectively, framed and glazed (2) From Christopher Glanville RWA collection.
Los 165
Hollar (Wenceslaus) Dobrá kočzka která nemlsá/ Dass ist eine gǔtte Khatz, die nicht nascht. (A good cat is not greedy), etching, on laid paper affixed onto card support, image 167 x 128 mm (6 1/2 x 5 in), trimmed within the platemark, small loss to the lower right corner, small hole within the lettering in the upper centre, some spotting and minor browning, unframed, [1646]Literature:Pennington 2109; New Hollstein 910
Los 245
India.- Daniell (Thomas) N.W. View of Rotas Ghur, Bahar, from Oriental Scenery, etching and aquatint with hand-colouring, on Whatman wove paper with watermark date '1794', 475 x 605 mm (18 3/4 x 23 3/4 in), under glass, some minor toning and surface dirt, [Abbey Travel 420, no. 25], framed, 1796Provenance:Thomas Agnew & Sons, London***Rohtasgarh, Bihar, the fortress stands 900 feet above a sheer precipice with superb views of the surrounding plains of the Son river which flows north to the Ganges above Patna.
Los 246
India.- Daniell (Thomas) and William Daniell. View from the Ruins of the Fort of Currah, on the River Ganges, from Oriental Scenery, etching and aquatint with hand-colouring, on Whatman wove paper 455 x 600 mm (17 7/8 x 23 3/4 in), under glass, some minor toning and surface dirt, [Abbey Travel 420, no. 97], framed, 1803Provenance:Thomas Agnew & Sons, London
Los 1509
HERBERT THOMAS DICKSEE RE (BRITISH 1862 - 1942), ETCHING 'OH FOR THE TOUCH OF A VANISHED HAND' etching on paper, framed and behind glass, mounted with lighter wood to the frame, and adorned with a bone plaque stating 'OH FOR THE TOUCH OF A VANISHED HAND', relating to the forlorn expression of the Irish Wolfhound, clutching a much loved owner's glove50cm x 82cm Overall, good condition for the age of the lot. A good amount of surface dust etc to the frame and glass. Bone plaque in good conditon, and framing appears to be sound.
Los 1446
Frank Vernon Martin (1921 - 2005)"Ann Pennington", a playful study of the 1920s starlet looking cheekily towards the viewer, drypoint etching, signed by artist in graphite, 32/40, in double card mount and contemporary ebonised frame under glass, 56 cm x 74 cm overall[Martin was born in Dulwich, South London in 1921 and grew up attending the theatre alongside his mother, who worked as an actress in the 1920s-1930s. This sparked a lifelong fascination with the acting profession and reinforced his love of the movies, making him an avid filmgoer and inspiring numerous works later in life.The artist began studying history at Oxford, but decided to pursue an artistic career after being commissioned into the Royal Artillery in 1941. Upon his return, he enrolled in the printing department of Saint Martin's School of Art, London where he was taught by prominent etchers and wood engravers; Clifford Webb and Gertrude Hermes.He began his professional career as a freelance illustrator, wood engraver and commercial artist; illustrating fashion for The Sunday Times. He also produced works for other books, magazines and private clients; receiving eight major Folio Society commissions, designing a letterhead for British author/journalist Evelyn Waugh and creating cover illustrations for the Oxford Standard Authors series. One such Folio Society rendering, for Stendhal's Scarlet and Black, was praised as "the best series of post-war English illustrations". He taught his craft at the Camberwell School of Art, becoming Senior Lecturer and later Head of Department. He retired in 1980, devoting the last 25 years of his life to his art and producing limited-edition prints. His favourite and most renowned works, those of Hollywood actresses of the silent movie era, ooze nostalgia and present an adoration of women, their intelligence and beauty. No doubt inspired by a childhood immersed in his mother's aura and the glamour of her profession.His work is held in public and private collections worldwide. These include Tate and Victoria and Albert Museum, London and in the private collections of actor Sir Michael Caine and musician Sir Elton John.Numerous solo exhibitions include locations such as Folio Society, National Film Theatre, Lyric Theatre Hammersmith, Editions Graphiques Gallery, Atrium Gallery and the Leeds International Film Festival. ]
Los 2383
Barry Owen Jones (British 1934-2018), 'Castle Cornet at Night', etching, signed inscribed and numbered in pencil by the artist, plate size 21 x 44cm, along with 'Passe Percee' a coastal view, plate size 8.5 x 17.5cm also by Barry Owen Jones, and 'Old Guernsey Farmhouse', etching in colours, inscribed and indistinctly signed with initials, plate size 27 x 18.5cm (3).
Los 2393
John Brunsdon (British 1933-2014), 'Edale', etching in colour, signed, inscribed and numbered 271/350 by the artist in pencil, plate size 45 x 60cm, along with 'Dappled Horse in a Sunny Field', by Arthur Hackney (British 1925-2010), engraving, signed inscribed and numbered 28/50, plate size 30.5 x 29cm (2).
Los 62
Julian Trevelyan (British 1910-1988) Blue Oxen (1959) signed, titled and numbered '28/50' in pencil etching and aquatint plate 38 x 49 cm, framed and glazed 67 x 81 cmProvenance: With Bohun Gallery, Henley-on-Thames. Private collection, UK.Overall in fairly good condition. Sheet is slightly undulating in mount. There is some light mount staining visible to margins. Under glass and unexamined out of frame.
Los 87
Robert Jacobsen (Danish, 1912-1993). Etching titled "Entre L'Arbre et le Mot" depicting an abstract composition of black, blue, and orange. With a poem of the same name by Jean Laude (French, 1922-1983). From "Paroles Peintes I" Paris: Editions O. Lazar-Vernet, 1962.(Print) Height: 15 1/4 in x width: 11 1/2 in.Condition: There are no rips, tears, losses, or restorations. Light wear along the edges. Some acidic burn along the interior of the poem where the print was nested. Not framed.
Los 21
Salvador Dali (Spanish, 1904-1989). Etching on paper titled "St. George and the Dragon," 1947. Pencil signed and dated along the lower right margin. Ink stamped "Print Club of Cleveland" along the verso of the sheet. From an edition of 250 + 10 proofs. With a label from The Salvador Dali Society affixed to the verso of the frame.Reference: Field 15.Sight; height: 20 1/4 in x width: 13 in. Framed; height: 29 1/2 in x width: 22 1/4 in x depth: 2 1/2 in.Condition: The sheet is toned. There are no major tears, losses, or signs of restoration. Undulation to the sheet. Two minute areas of graphite transfer along the lower left margin, possibly original to the artistic process. Housed under a mat. Framed under plexiglass; light wear to the frame.
Los 167
Signature of 18th President Ulysses S. Grant framed with an etching portrait of the President. The etching with "B.W. Smith N.Y." in print below bust. The ink signature on a sheet of paper with the heading "Head-Quarters Armies of the United States...186."(Signature, sight) height: 2 in x width: 4 in. (Etching, sight) height: 4 in x width: 3 1/2 in. (Framed) height: 9 1/2 in x width: 6 1/4 in x depth: 1/2 in.Condition: Thee are no visible tears, creases, losses, or repairs. Both sheets are housed under an acidic mat. Mat burn and toning to both. Framed under glass; light wear to the frame. Not inspected out of frame.
Los 79
Joan Miro (Spanish (Catalan), 1893-1983). Etching with aquatint in colors on Arches paper titled "Georges Duthuit," 1976. Pencil signed along the lower right; numbered 18 H.C. / 75 along the lower left. This is an hors commerce impression aside from the standard edition of 100, published by Flammarion, Paris.Sight; height: 15 in x width: 22 in. Framed; height: 22 1/2 in x width: 31 in x depth: 1 1/2 in.Condition: The colors are bold and bright. The sheet is slightly toned. Light wear along the deckled edges, likely original to the artistic process. Four pieces of residual framer's tape affixed to the verso along the upper edge.
Los 946
HERBERT DICKSEE (BRITISH, 1862-1942) AFTER SIMON HARMON VEDDER (1866-1937)The Flight into Egypt signed 'Herbert Dicksee' (lower right margin) etching 47 x 72cm (unframed) Provenance Herbert Dicksee; Thence by descent to his grand-daughter Pamela Service; Sale, Bellmans, Billingshurst, 28th March 2024, lot 1360, where acquired by the present owner; Private collection, UK
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78472 Los(e)/Seite