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78472 Los(e)/Seite
Los 050519
Brosche, wohl Norwegen um 1935/40, 925er Silber, teilvergoldet, Goldpiquee, Grund guill. und transluzid mehrfach emaill., weiß bis rosa changierend, Schneeballblumen, reine Glücksbringer, bez. GG 925er NM, unged., Rand schwarz emailliert, ca. 7.5 x 6 cmBrooch, probably Norway approx. 1935/40 , silver 925, partly gilt, goldpiquee, ground needle etching and translucent multiple enameled, white up to rose coloured iridescent, snow ball flowers, pure lucky charm, ref. YG 925er NM, unidentified, edge black enameled, approx. 7.5 x 6 cm
Los 225
Hold to light moving panorama.- German School (circa 1830s) Moveable panorama set within a lady's hand-held fire screen, engraved panorama on wove paper with full original hand-colouring, approx. 74 x 98 mm of viewable image, set within shaped card frame with etching and aquatint vignette pasted on showing a pastoral scene with Shepherd and two reclining ladies underneath a tree, hand-coloured, the panorama with two functioning rollers to operate movement, gilt edges, with turned wooden handle, total size 370 x 200 mm (14 5/8 x 7 7/8 in), some rubbing and signs of use, light toning and some browning, cockling to aquatint, [probably circa 1830s]⁂ Rare survival of a lady's fire-screen with moveable panorama from the first half of the 19th century.
Los 250
Canadiana.- Cockburn (Maj. Gen. James Pattison, military artist and topographical draughtsman, 1779-1847), After. [Six Landscape of Quebec City and Six Views of Niagara Falls], 2 suites in 1 vol., both complete comprising a total of 12 aquatints with etching, all with full vibrant original hand-colouring heightened with gum arabic, on Whatman wove paper, each with crisp watermark and date, the majority '1830', 2 sheets '1831', and 1 sheet '1832', each platemark approx. 520 x 700 mm (20 1/2 x 27 1/2 in), full margins with each sheet approx. 560 x 800 mm (22 x 31 1/2 in), the front free endpapers with some toning to extremities from binding but not affecting the plates, plates 1 and 2 of the Quebec Views with light creasing and small printer's crease, plate 6 with small 1-2 cm vertical tear in the centre margin, otherwise marginal surface dirt and finger-soiling throughout, some very minor spotting, minor cockling and handling creases, contemporary half morocco, spine gilt 'Canadian Scenery. Cockburn.', blue marbled boards with green morocco label to upper cover, gilt with title 'Views in the Canadas', corners bumped and scuffed, some signs of light wear, collector's bookplate of J.J. Colman to front pastedown with manuscript ink label no. '291', oblong elephant folio, published by Ackermann & Co., London, 1833 "Views of Quebec" include:Plate 1 - This View of Cape Diamond and Wolf's Cove from Point a Pizeau, by Charles HuntPlate 2 - The Ice Pont Formed between Quebec & Point Levi, by I. StewartPlate 3 - This View of Quebec from below Aubigny Church, Point Levi, by H. PyallPlate 4 - This View of the Falls of Montmorency (Quebec in the distance), by Charles HuntPlate 5 - This View of The Cone of Montmorency, as it appeared in 1829, by C. BentlyPlate 6 - This View of The Lower City of Quebec, from the Parapet of the Upper City, by Charles Hunt"Views of Niagara Falls" include:Plate 1 - The Falls of Niagara. This View of Table Rock & Horse-Shoe-Fall, by Charles HuntPlate 2 - The Falls of Niagara. This General View above the English Ferry, by Jno. EdgePlate 3 - The Falls of Niagara. This View of the Horse-Shoe-Fall, from below Goat-Island, by Charles HuntPlate 4 - The Falls of Niagara. This View from the Upper Bank, English Side, by Charles HuntPlate 5 - The Falls of Niagara. This View of the American Fall, from Goat Island, by C. BentlyPlate 6 - The Falls of Niagara. This View of the Horse-Shoe-Fall, from Goat Island, by Charles Hunt⁂ 'These prints are the most famous of all those created by artists active in Canada in the nineteenth century, [...] they are unrivalled in terms of complexity and difficulty...' [R. Villeneuve, Lord Dalhousie: Patron and Collector, Ottawa, 2008, p. 74]A rare opportunity to acquire the complete "double series" of all 12 aquatint views after Cockburn. One set was offered in two separate suites of six as part of The Winkworth Collection (see Christie's The Winkworth Collection: A Treasure House of Canadiana in London, lots 133 and 202), but we have been unable to trace another example of both suites together in a contemporary binding.
Los 90
SAMUEL PALMER (BRITISH 1805-1881)THE SLEEPING SHEPHERD, EARLY MORNING (1857)EtchingSigned in the plate (lower left) and plate number 5 (in the plate)9.5 x 7.8cm (3½ x 3 in.)Lister 6, state IV/IV, published in Etchings for the Art Union of London by the Etching Club in 1857. The plate for this etching is known to have been destroyed by 1882. Condition Report: Mounted to a backboard with tape attached to the upper edge, on the reverse. Attached at two points, upper left and upper right. Surface dirt visible along the upper and lower edge and to the lower right corner with possible evidence of glue residue. Overall image is good. This work is unframed. Condition Report Disclaimer
Los 273
§ Graham Sutherland OM (British 1903-1980) The Meadow Chapelsigned and inscribed 'GrahamSutherland imp.' (lower right); further signed with initials and dated 1928 to the plate (upper left)etching12 x 16.5cmProvenance:The collection of Joseph Fitton (1925-2009)Frame has some minor knocks to extremities but is presentable and structurally sound. The print has not been examined out of the frame, edges of the sheet are obscured by the mount so not available for inspection. There is some overall age toning, but this is uniform and even. There appears to be a small scratch to the top margin and two very small foxing spots visible to the church. There is some slight undulation to the sheet. Overall a nice, strong impression.
Los 544
§ A folio of modern works on paper, to include: Pierre Célice, Orange Oval, signed 'Célice' (lower right), numbered 3/75, lithograph, 54 x 69.5cm; Jacques Monory (French 1924-2018), Le Lac Powell, signed 'MONORY' (lower right), artist's proof, screenprint, 76 x 56cm; Johnny Friedläender (German 1912-1992), Galerie Commeter, signed 'Friedlaender' (centre right), etching and aquatint, 66 x 50cm; Margo Margolis (American 1947-), Untitled, signed 'M. Margolis' (lower right), numbered 17/60, screenprint, 64.5 x 50cm; Judy Rifka (American 1945-), The Greatest Show on Earth, signed and dated 'Rifka 82' (lower left), numbered 67/90, screenprint, 46 x 26cm; T.L. Solien (American 1949-), Untitled, signed and dated 'T.L. Solien 1986' (lower right), gouache, 33 x 25.5cm; together with four further prints (10)
Los 50
Joan Miro (1893-1983) Spanish, 'Feuilles Éparses' 1965, etching aquatint in colours, 20 cm x 17 cm with margins, framed and glazed.Private london collection, deceased estateFoxing evident to margins, from previous framing, otherwise good. No edition number or details evident. Signed to the mount.
Los 144
A German Combined Priming-Flask, Wheel-Lock Spanner And TurnscrewLate 16th/Early 17th Century, Probably NurembergOf steel, with tapering cylindrical body seamed along one side and with rounded cap at the base incorporating the turnscrew, tapering nozzle of circular section with sprung tap (top missing), and three spanners of square section, decorated overall with etched scrolling foliage against a gilt ground (gilding worn), the etching on the body arranged in spiral bands inhabited by birds and monster-heads (suspension mount missing) 18.5 cm. Footnotes:ProvenanceThe Dr. Ernst-Joachim Rogahn Collection, sold in these Rooms, 24 April 2013, lot 235This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
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78472 Los(e)/Seite