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*James Coignard (French, 1925-2008)'LES SUIVEURS'Colour etching with aquatint on embossed paper, signed in pencil, inscribed with title versoplate 66.5 x 38cm;and five others by the same hand, each signed and some numbered X/XV in pencil, sheet size 40 x 32.5cm, unframed (6)*Artist's Resale Right may apply to this lot.
After Herbert Dicksee, etching, Against the wind and open sky, 29cm x 59cm, - framed and glazed, with Erskine Nicol, signed print, 'His Legal Adviser', (2) PLEASE NOTE: The proceeds of this lot are being gifted to several animal charities including Animals Asia, Blue Cross, Born Free, China Animal Protection, Compassion Without Borders, Fauna & Flora International, P.E.T.A, Rahat India, RSPCA Hampshire and Surrey Borders, SPANA, Humane Society International, Whale and Dolphin Conservation Sanctuary, Four Paws International and Retired Greyhound Trust
Naval officers sword having etched blade, the ricasso marked J R Grant & Sons Limited, brass gothic type guard bearing serpent and anchor cartouche, wire bound fish skin grip, complete with scabbard CONDITION REPORT: Blade length 79.5cm Blade back stamped 15004 No regimental stamps only Naval crest and garter etched to the blade. Blade etching is good, some rusting to ricasso, staining to grip, dent to chape.
Hastings Vestiges of Antiquity for a series of etching and engravings of the ancient monetary of St Augustine with the cathedral, castle and other antiquities in the suburbs of the metropolitan city of Canterbury. With marbled exterior boards and published by the author T Hastings Esq and dated 1813. Est £30-50
A diver's knife by Siebe Heinke, England:, 8 inch double edged blade signed as per title, brass hilt and black Bakelite handle, in a brass scabbard. *Note- The etching on the blade reads 'Siebe Heinke England'. This dates the knife to 1962 when Heinke was taken over by Siebe Gorman. The dual names were only used for 2 to 3 years before the Heinke name was dispensed with. * see page 107, vol 2, 'Diving Helmets and Equipment Through The Ages'.
*Caricatures. Williams (Charles), A Peep into the Pump Room or the Zomersetshire folk in a maze, published S.W.Fores, 1818, etching with contemporary hand colouring, 280 x 380 mm, mounted, framed and glazed, together with, Dighton (Richard), John Bellingham taken at the Sessions House Old Bailey May 15th 1812, A Gentle ride from Exeter Change to Pimlico, Ireland in Scotland or a trip from Oxford to the land of Cakes, Members of the Whig Club..., Byng-Go, The Morning Chronicle, A View from Baxter's Livery Stables Cambridge [and] Shaw! what are you there?, circa 1810 - 22, together eight etchings with contemporary hand colouring, all framed and glazed, various sizes and condition The first described item shows The Pump Room at Bath, crowded with people all straining to catch a glimpse of Queen Charlotte, who sits in an arm-chair facing the water dispensing pump. She holds a large wine glass of water and clutches her stomach, exclaiming "Oh! my belly! my belly! Oh the water the water!" Leaning on the back of her chair is the Duke of Clarence, later William IV who was also visiting Bath at the same time as his mother. (9)
*Landseer (Edwin). Etching of a small dog, 1842, uncoloured etching on India laid, pencil signature of artist below image together with an annotation in the artist's hand 'Etched and bitten in half an hour at Buckingham Palace July 2nd 1842'. In another hand is another pencil legend 'This plate is supposed to belong to the Queen and that one other impression is known to be in an amateur collection', and in another hand, 'Bought at the Blessington sale', image size 150 x 110 mm, paper size 245 x 185 mm, remains of old manuscript labels of provenence on verso of frame, mounted, framed and glazed (1)
*Caricatures. Dighton (Richard) A London Nuisance, plates 1 - 6 (complete), Passing a Mud Cart, A Heavy Fall of Snow, One of the Advantages of Oil over Gas, A Pleasant way to Lose an Eye, One of the Advantages of Gas over Oil [and] An Unlucky Hit, published Thomas McLean, circa 1850, six uncoloured engravings, very slight spotting largely confined to margins, each approximately 280 x 225 mm, together with, Sharpshooter (A., pseud), New Way of Raising the Wind, published J.Field, 1829, etching with contemporary hand colouring, 250 x 350 mm, with, McLean (Thomas, publisher), The School Master Abroad, 1834, decorative title and nine uncoloured lithographs after R.Seymour, each with a page of descriptive text, slight dust soiling and spotting, disbound, oblong 4to, plus eighteen 'Vanity Fair' caricatures including two jockeys (W.Higgs and George Barrett) and one rower, some dust soiling, each with pencil annotations below image, each approximately 350 x 215 mm, and seventy-eight uncoloured lithographic caricatures by John Doyle (pseud. 'HB'), slight dust soiling, each approximately 260 x 315 mm, with another ten caricatires including examples by Bunbury, Bretherton, Cruikshank and Heath, various sizes and condition (approx.120)

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