Binding. A remboîtage notebook, the binding Italian, late 18th/early 19th c, the 20th c text block possibly used as a visitors' book, bearing dates and three signatures only, some preliminary leaves now lacking, the earlier binding of red morocco gilt, the covers with a supralibros of a crowned monogram, all edges gilt, marbled endpapers, 8vo, a commonplace book, dated 1998-2001, [20]pp only of original prose and verse, evidence of some removed leaves, 20th c purple moiré silk, all edges gilt, 8vo, & an early 19th c English caricature, presumably Napoleonic Wars period, An Obstruction to Peace, s.l., s.n., n.d., but presumably London, c. 1810, hand-coloured etching, the upper-margin numbered 576.5 in pencil, 11 x 9cm, (3) Provenance: 1st & 2nd: the Brett family, formerly of Watlington Park, Oxfordshire. The first inscribed, Lionel from Daddy/July 18th 1928, i.e. Oliver Brett, 3rd Viscount Esher (1881-1963), to his son Lionel, later 4th Viscount Esher (1913-2004); later presentation inscription from the former recipient, dated 1938.
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John Overton (1640-1713) - A new mpp (sic) of ye Rodes of England, Showing the Townes (sic) you pass through with the reputed distance between Town & Town; road map, [London]: Printed & Sold by John Overton at the White Horse Against S:e Sepulchers Church, n.d. [c.1685], etching and engraving, 52 x 46cm, with five unassociated letterpress distance charts/tables, (6)
Henry IV of France (1553-1610), an album of approx. 60 Old Master and other prints, 17th c and later, including two copies of Pierre-Etienne Moitte (1722-1780) after Nicolas Bernard Lépicié (1735-1784), Henri IV, the portrait in two states, one unlettered and presumably proof, etching and engraving, 26.5 x 18.5cm and 26.5 x 19cm, Pierre Duflos (1742-1816) after Jacques Louis Touzé (1747-1807), Henri IV, Roi de France et de Navare; Tiré du Ceremonial de l'Ordre du St. Esprit, s.l., s.n., n.d. [1780], copperplate engraving, contemporaneous watercolour and gouache hand-colouring, picked-out in gilt, 28 x 20.5cm, other portraits and profiles of the monarch, some medallic, three or four with images of other contemporary Bourbons, mixed medium and sizes, all mounted on wove paper leaves, 20th c limp calf wrapper, worn and stained, uncut edges, folio (34 x 25cm) The prints are in mixed condition, but generally good. The album binding worn.
After Rembrandt Harmensz van Rijn (1606-1669)Self-Portrait etching at a Windowetching and drypoint, trimmed16cm x 12.75cm Generally good condition overall, with some limited foxing. The etching has been trimmed around the margins. The etching does not appear to be very old – it appears to be late nineteenth-century at the earliest.
Chris Orr (b. 1943) Sixty Six Lost Pets and Their Problems - Artists Proof 1980 Pets out of Control - 25/50 - 1981 Hand Coloured Etching Signed, dated, titled and numbered in pencil by the artist. Largest measures 66cm x 55cm. Chris Orr was born in Islington London 1943. A Student at the Royal College of Art 1964-1967 he subsequently taught in many Art Schools. He was elected a Royal Academician in 1995 and made Professor of Printmaking at the Royal College of Art 1998-2008. He was awarded an MBE and made Professor Emeritus in 2008. As Treasurer of the Royal Academy 2014-18 he was involved in the Burlington project. Chris Orr has had numerous exhibitions throughout the world which include: ‘The Complete Chris Orr’ (touring show), 1976; ‘Many Mansions’ (touring show), 1990; Six Royal Academicians in China’, shown in Beijing, Shanghai, and London, 2005; ‘LithORRgraphy’, Royal Academy, Fine Rooms 2012. ‘The Miserable Lives of Fabulous Artists’ Royal Academy Keeper’s House 2018. He has had regular solo shows with the Jill George Gallery and the Brook Gallery. He exhibits annually at the Royal Academy Summer Exhibition and the London Original Print Fair. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Chris Orr (b. 1943) The Envious Bell Boy - 1979 Hand Coloured Etching Signed, dated, titled and numbered in pencil by the artist. Artist Proof. Measures 52cm x 76cm. Chris Orr was born in Islington London 1943. A Student at the Royal College of Art 1964-1967 he subsequently taught in many Art Schools. He was elected a Royal Academician in 1995 and made Professor of Printmaking at the Royal College of Art 1998-2008. He was awarded an MBE and made Professor Emeritus in 2008. As Treasurer of the Royal Academy 2014-18 he was involved in the Burlington project. Chris Orr has had numerous exhibitions throughout the world which include: ‘The Complete Chris Orr’ (touring show), 1976; ‘Many Mansions’ (touring show), 1990; Six Royal Academicians in China’, shown in Beijing, Shanghai, and London, 2005; ‘LithORRgraphy’, Royal Academy, Fine Rooms 2012. ‘The Miserable Lives of Fabulous Artists’ Royal Academy Keeper’s House 2018. He has had regular solo shows with the Jill George Gallery and the Brook Gallery. He exhibits annually at the Royal Academy Summer Exhibition and the London Original Print Fair. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Chris Orr (b. 1943) Never Listen to the Deaf Janitor 15/25 - 1979 The Bitter Tears of the Envious Bell Boy 4/20 - 1979 They Made England - 3/30 - 1989 Hand Coloured Etching Signed, dated, titled and numbered in pencil by the artist. Largest measures 58cm x 46cm. Chris Orr was born in Islington London 1943. A Student at the Royal College of Art 1964-1967 he subsequently taught in many Art Schools. He was elected a Royal Academician in 1995 and made Professor of Printmaking at the Royal College of Art 1998-2008. He was awarded an MBE and made Professor Emeritus in 2008. As Treasurer of the Royal Academy 2014-18 he was involved in the Burlington project. Chris Orr has had numerous exhibitions throughout the world which include: ‘The Complete Chris Orr’ (touring show), 1976; ‘Many Mansions’ (touring show), 1990; Six Royal Academicians in China’, shown in Beijing, Shanghai, and London, 2005; ‘LithORRgraphy’, Royal Academy, Fine Rooms 2012. ‘The Miserable Lives of Fabulous Artists’ Royal Academy Keeper’s House 2018. He has had regular solo shows with the Jill George Gallery and the Brook Gallery. He exhibits annually at the Royal Academy Summer Exhibition and the London Original Print Fair. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Chris Orr (b. 1943) Christmas on the Arm 1/40 - 1981 Freaks Museum - 1/50 - 1981 Rupert at the Nutwood Ritz - 2nd Edition 1980 6/10. Original 1967 Hand Coloured Etching Signed, dated, titled and numbered in pencil by the artist. Largest measures 58cm x 46cm. Chris Orr was born in Islington London 1943. A Student at the Royal College of Art 1964-1967 he subsequently taught in many Art Schools. He was elected a Royal Academician in 1995 and made Professor of Printmaking at the Royal College of Art 1998-2008. He was awarded an MBE and made Professor Emeritus in 2008. As Treasurer of the Royal Academy 2014-18 he was involved in the Burlington project. Chris Orr has had numerous exhibitions throughout the world which include: ‘The Complete Chris Orr’ (touring show), 1976; ‘Many Mansions’ (touring show), 1990; Six Royal Academicians in China’, shown in Beijing, Shanghai, and London, 2005; ‘LithORRgraphy’, Royal Academy, Fine Rooms 2012. ‘The Miserable Lives of Fabulous Artists’ Royal Academy Keeper’s House 2018. He has had regular solo shows with the Jill George Gallery and the Brook Gallery. He exhibits annually at the Royal Academy Summer Exhibition and the London Original Print Fair. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Chris Orr (b. 1943) Bleak House - 1978 Hand Coloured Etching Edition 3/30 Signed, dated, titled and numbered in pencil by the artist. Largest measures 105cm x 75cm. Chris Orr was born in Islington London 1943. A Student at the Royal College of Art 1964-1967 he subsequently taught in many Art Schools. He was elected a Royal Academician in 1995 and made Professor of Printmaking at the Royal College of Art 1998-2008. He was awarded an MBE and made Professor Emeritus in 2008. As Treasurer of the Royal Academy 2014-18 he was involved in the Burlington project. Chris Orr has had numerous exhibitions throughout the world which include: ‘The Complete Chris Orr’ (touring show), 1976; ‘Many Mansions’ (touring show), 1990; Six Royal Academicians in China’, shown in Beijing, Shanghai, and London, 2005; ‘LithORRgraphy’, Royal Academy, Fine Rooms 2012. ‘The Miserable Lives of Fabulous Artists’ Royal Academy Keeper’s House 2018. He has had regular solo shows with the Jill George Gallery and the Brook Gallery. He exhibits annually at the Royal Academy Summer Exhibition and the London Original Print Fair. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Chris Orr (b. 1943) Hotel Splendid AP I/II - 1979 Hand Coloured Etching Signed, dated, titled and numbered in pencil by the artist. Artist Proof. Measures 52cm x 76cm. Chris Orr was born in Islington London 1943. A Student at the Royal College of Art 1964-1967 he subsequently taught in many Art Schools. He was elected a Royal Academician in 1995 and made Professor of Printmaking at the Royal College of Art 1998-2008. He was awarded an MBE and made Professor Emeritus in 2008. As Treasurer of the Royal Academy 2014-18 he was involved in the Burlington project. Chris Orr has had numerous exhibitions throughout the world which include: ‘The Complete Chris Orr’ (touring show), 1976; ‘Many Mansions’ (touring show), 1990; Six Royal Academicians in China’, shown in Beijing, Shanghai, and London, 2005; ‘LithORRgraphy’, Royal Academy, Fine Rooms 2012. ‘The Miserable Lives of Fabulous Artists’ Royal Academy Keeper’s House 2018. He has had regular solo shows with the Jill George Gallery and the Brook Gallery. He exhibits annually at the Royal Academy Summer Exhibition and the London Original Print Fair. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Marie-Fred Dupré - Diana and Dodi - 1997 Artist Proof Print Hand Coloured etching. Signed and titled by the artist. Measures 39cm x 34cm. The work being produced during a residency at Spike Island, Bristol, and bought from there. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Marie-Fred Dupré - Evolution Artist Proof Print Hand Coloured etching. Signed and titled by the artist. Measures 125cm x 21cm. The work being produced during a residency at Spike Island, Bristol, and bought from there. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Eileen Cooper (British, b.1953) Loves Lost - First Edition 3/60 Etching on Paper Signed by the artist. Dated 1988. Flowers Gallery. Measures 80cm x 60cm. Framed and glazed. Eileen Cooper is an artist known for her strong and passionate commitment to figuration. Originally from the Peak District, Cooper has exhibited widely in the UK and internationally. Her work is held in many public and private collections including the Tate Gallery; the Arts Council Collection; the British Museum; Manchester Art Gallery; Mima, Middlesborough; New Hall Art Collection, University of Cambridge; the Royal Collection; Victoria & Albert Museum; Dallas Museum of Art, Texas; Kunsthalle, Nuremberg; Walpole Library, Yale University. Studying first at Goldsmiths College (1971-74) and then at the Royal College of Art (1974-77) she went on to teach at a wide range of art schools including St Martin’s, the Royal College of Art, City & Guilds in London and latterly at the Royal Academy of Arts. In 2000 she was elected a Royal Academician. From 2010-17 Cooper served as Keeper of the Royal Academy, one of only 4 officers selected from the 80 Royal Academicians, and with primary responsibility for the Royal Academy Schools, thereby becoming the first woman to be elected to this role since the RA began in 1768. This lot may be sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Chris Orr (b. 1943) Freaks Museum, 1981 Hand Coloured Etching Signed, dated, titled and numbered 4/50 in pencil Measures 52cm x 76cm. With Christies Invoice. Framed and glazed. Chris Orr was born in Islington London 1943. A Student at the Royal College of Art 1964-1967 he subsequently taught in many Art Schools. He was elected a Royal Academician in 1995 and made Professor of Printmaking at the Royal College of Art 1998-2008. He was awarded an MBE and made Professor Emeritus in 2008. As Treasurer of the Royal Academy 2014-18 he was involved in the Burlington project. Chris Orr has had numerous exhibitions throughout the world which include: ‘The Complete Chris Orr’ (touring show), 1976; ‘Many Mansions’ (touring show), 1990; Six Royal Academicians in China’, shown in Beijing, Shanghai, and London, 2005; ‘LithORRgraphy’, Royal Academy, Fine Rooms 2012. ‘The Miserable Lives of Fabulous Artists’ Royal Academy Keeper’s House 2018. He has had regular solo shows with the Jill George Gallery and the Brook Gallery. He exhibits annually at the Royal Academy Summer Exhibition and the London Original Print Fair. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
An assorted collection of silver and white metal rings. The lot to include band rings, 925 silver, hallmarks, pierced design, knots, belt buckle rings, rose flower, braiding, granulation, etching, hearts, Egyptian marks and more. All marked as or test as silver. Total weight approx 72.7g. Approx sizes I.5 - X.5.
GEORGE ANDERSON SHORT (1856-1945) 'CHANGING THE BUTTS', a hunter and his servant are changing position while a spaniel approaches a downed bird, signed and dated 1914 bottom right, monochrome ink on paper, approximate size 38cm x 26cm, together with GEORGE INNES (1825-1894) 'HOME OF THE HERON', an etching with colours, signed and titled in pencil to lower margin, approximate size 30cm x 37cm including visible margins, Condition Report: Short painting has light foxing to the sky area with a small amount of frame damage, Innes etching is in good condition
A group of three pictures, comprising an etching 'Path of the Gunga', by E. Lumsden, 22 by 15cm, mounted, glazed, and framed, 51 by 36cm, 'Storm Brewing', a seascape, 20 by 28cm, mounted, glazed, and framed, 32 by 42.5cm, and 'Portrait of a Young Girl', a print after Old Master Petrus Christos, 27 by 20cm, framed, 37 by 31cm. (3)
A group of thirteen prints and engravings, including after Rembrandt van Rijn: self portrait, a modern etching, inscribed in pencil lower left 'hand printed by Rae Boer', 16 by 20.5cm, mounted, glazed and framed, 35 by 40cm, Edward Jackson Stodart (British, 20th century) after William Hogarth, 'Humours of an Election I' and 'Election Chairing', two coloured stipple engravings, signed in pencil to margin, each 38 by 48cm, mounted, glazed, and framed, 65 by 55cm, Audrey Scovell: 'Geranium & Persian Rug', limited edition lithograph, 52/100, 37 by 50cm, mounted, glazed, and framed, 56 by 71.5cm, 'Taking-in The Natives', by John Fairburn, 1823, 33.5 by 24cm, glazed and framed, 46.5 by 33.5cm, 'Ideas - Got Out but with a poor chance of getting CLEAN', 1830, 27 by 20cm. (13)
Paul J Attfield (b. 1950), children playing in a stream, signed lower right, oil on canvas, Certificate of Guarantee verso for Barker Fine Arts Ltd, 29 x 39.5cm, gilt framed and a gilt frame, 51 x 41.5cm together with an abstract illustration of Alice in Wonderland, etching, 25.5 x 31cm, framed and glazed
Max Beckmann (1884 - 1950), Schlafendes Mädchen im Kornfeld, Radierung, 1922, Druck von der noch ungereinigten Platte auf maschinenbütten mit Wasserzeichen BSB, handsigniert, Auflage wohl 50, 18,3 x 24 cm. Gallwitz 216, Originalrechnung über 7200 DM aus dem Jahr 1981. Max Beckmann (1884 - 1950), Sleeping girl in a cornfield, etching, 1922, print from the still uncleaned plate on laid paper with watermark BSB, signed, edition probably 50, 18.3 x 24 cm. Gallwitz 216, original invoice for 7200 DM from 1981.
Ernst Fuchs (1930 - 2015), insgesamt 11 Werke. 2 große Radierungen: Ikarus - Hermaphrodit und das Gefängnis des Ikarus, beide 49,5 x 34,5 cm, Aufl. 90/200 sowie VIII/ XX E.A. Eine Radierung: Selbstportrait als Ali Mirza, 20,5 x 16,5 cm, Aufl. 305/1000. Dazu: Mappe mit 8 Radierungen, hrsg. von Richard P. Hartmann, München, Edition Volker Huber, Offenbach: Jakob und sein Kind, Erscheinung im Busch, Mythologische Szene, Soldat und Mädchen, Mars, Aura, Eva eveka, Vogelfresser. Exemplar 355/3000, alle nummeriert und signiert. Ernst Fuchs (1930 - 2015), 11 works in total. 2 large etchings: Icarus - Hermaphrodite and The Prison of Icarus, both 49.5 x 34.5 cm, editions 90/200 and VIII/ XX E.A. One etching: Self-portrait as Ali Mirza, 20.5 x 16.5 cm, edition 305/1000. Also: portfolio with 8 etchings, ed. by Richard P. Hartmann, Munich, Edition Volker Huber, Offenbach: Jacob and his child, Apparition in the bush, Mythological scene, Soldier and girl, Mars, Aura, Eva eveka, Bird eater. Copy 355/3000, all numbered and signed.
Max Beckmann (1884 Leipzig - 1950 New York), Der Zeichner in Gesellschaft (Rudolf Großmann), eine fünfköpfige Gruppe aus Frauen und Männern steht um einen Mann mit Brille herum, der einen Notizblock mit Stift in der Hand hält, Radierung, Aufl. V/XXV, handsigniert, 32 x 23 cm. Max Beckmann (1884 Leipzig - 1950 New York), The draughtsman in company (Rudolf Großmann), a group of five men and women standing around a man with glasses holding a notepad with a pencil, etching, edition V/XXV, signed by hand, 32 x 50 cm. V/XXV, signed by hand, 32 x 23 cm.
Ernst Fries, Joseph Thürmer. Fries, Ernst. "Nord-Westliche Uebersicht von Rom, genommen von dem Thurme des Capitols" (Blick über das Forum Romanum, im Mittelgrund das Kolosseum). Radierung hinter Glas. 53 x 71 cm. "E. F. e J. Th. dis. / inc. in Roma 1824". Thieme/Becker XII S. 478 u. XXXIII S. 108. Ernst Fries reiste 1823 über München und Venedig nach Rom, wo er sich niederlässt. 1824 entstehen verschiedene Modellstudien und Zeichnungen in der Campagna und von den Ruinen Roms. Das bis in Einzelheiten ungewöhnlich sorgfältig durchgeführte Blatt entstand in einer Gemeinschaftsarbeit von Ernst Fries mit Joseph Thürmer, die auf eine der Zeichnungen von Fries zurückgeht. Topographisch bedeutend sind nicht nur die bekannten antiken Monumente, sondern auch Details wie etwa ein exakt dargestelltes Häuserviertel am Rande des Forums, das heute nicht mehr existiert. Ernst Fries, Joseph Thürmer. Fries, Ernst. "Nord-Westliche Uebersicht von Rom, genommen von dem Thurme des Capitols" (View over the Forum Romanum, in the middle ground the Colosseum). Etching. 53 x 71 cm. "E. F. e J. Th. dis. / inc. in Roma 1824". Thieme/Becker XII p. 478 u. XXXIII p. 108. Ernst Fries traveled via Munich and Venice to Rome in 1823, where he settled. In 1824 he made various model studies and drawings in the Campagna and of the ruins of Rome. The sheet, which is unusually meticulous in every detail, was created in a joint effort between Ernst Fries and Joseph Thürmer, based on one of Fries' drawings. Topographically significant are not only the known ancient monuments, but also details such as a precisely depicted quarter of houses on the edge of the Forum, which no longer exists today.
Emil Nolde (1867 – 1956), Schriftgelehrte: vier Männer, die sich im Gespräch ereifern, 1911, handsigniert, Radierung, Motiv 26,5 x 29,5 cm, Schiefler/Mosel/Urban R 154. Emil Nolde (1867 - 1956), Scholars: four men engaged in conversation, 1911, signed, etching, motif 26.5 x 29.5 cm, Schiefler/Mosel/Urban R 154.
Konvolut aus 8 Graphiken: "Vestale", Johann Gottschick, Dresden, 1799, Kupferstich, 24 x 17 cm (Druck); Johann Wilhelm Meil, 1778, Probedruck für ein Titelblatt, Ca. 14 x 12 cm (ganzes Blatt); C. Holdermann, Radierung, Landschaft mit Brücke und Staffagefiguren, 10,5 x 15,5 cm (Druck); Wilhelm Busch, Figürliche Szene, Druck, 26,5 x 20 cm; Zeichnung Feder und Tuschepinsel, grau laviert, verso bez. "Kopiert nach dem von Lambert gezeichneten und von D. Chodowiecke radierten Original (welches in ... befindlich) von mir Chr.Jak.Wilh.Carl Freiherr Haller von Haller von Hallerstein im Januar 1788 zu Gräfenberg.", 28,5 x 33 cm (ganzes Blatt); Landschaft in BraunDruck, 10,2 x 14,3 cm; "Vue des Environs de Thoun", kolor. Lithographie, 15,8 x 23,2 cm. Alle Altersspuren. / Group of prints: "Vestale," Johann Gottschick, Dresden, 1799, copperplate engraving, 24 x 17 cm (print); Johann Wilhelm Meil, 1778, proof for a title page, approx. 14 x 12 cm (whole sheet); C. Holdermann, etching, Landscape with Bridge and Staffage Figures, 10.5 x 15.5 cm (print); Wilhelm Busch, Figurative Scene, print, 26.5 x 20 cm; drawing pen and ink brush, gray wash, verso inscribed "Copied from the original drawn by Lambert and etched by D. Chodowiecke etched original (which is in ...) by me Chr.Jak.Wilh.Carl Freiherr Haller von Haller von Hallerstein in January 1788 at Gräfenberg.", 28,5 x 33 cm (whole sheet); landscape in brown print, 10,2 x 14,3 cm; "Vue des Environs de Thoun", col. Lithograph, 15,8 x 23,2 cm. All signs of age.
A collection of various glassware comprising a Edinburgh Crystal pitcher with thistle etching and thumb cut/cross base, (h-15.5cm), a set of six twisted stem with etched decoration wine glasses (h-18cm), a set of six wine glasses with etched decoration (h-15.5cm), a set of eight tumblers with cut cross body (h-8.5cm), a set of five tumblers (h-9cm). (26)
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