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Preisdatenbank abonnierenA MIXED LOT OF PRINTS AND ENGRAVINGS TO INCLUDE works by or titled: Claude Muncaster; Queen Victoria; sketching in China; Her Royal Highness the Duchess of Kent; A view from the Royal Artillery Encampment, Conjeveram after Lieut. James Hunter; sepia etching of a landscape; two engravings after Cattermole; Jo Barry; Peter Ford; four fashion engravings framed in one; and two further (13).
Louis Ruet, French b.1867- Napoleon, after Jean Louis Ernest Meissonier, publ 1914 by C Klackner, 20 Old Bond Street, London; etching, signed in pencil, with remarque, 27.5x22cm: together with five other etchings by the same hand after Meissonier, all signed in pencil, each with remarque, published 1912-1919, various sizes, in matching frames, (6)
Professor Sir Frank Job Short RA PRE 1857-1945- Mountain landscape with old trees; mezzotint etching, signed and inscribed `working proof` in pencil, 30x37.7cm: Frederick Arthur Farrell 1882-1935- The Thames at Tower Bridge; etching, signed with monogram within the plate, signed in pencil, 22x37cm: Charles William Cain 1893-1962- Family landing on a tranquil shore; etching with drypoint, signed with monogram within the plate, signed and numbered in pen, 25x32.5cm: James Dobie- "The Evening Hour", after E A Waterlow ARA, publ by The Art Journal,; etching, 18x27.5cm., (4)
Ethel Kirkpatrick c.1891-c.1941- Rooks at a nest; woodcut printed in colours, signed in pencil, 12.5x34.8cm: François Nicholas Auguste Feyen-Peren 1826-1888 "Ronde Antique", printed by Delâtre, Rue St Jacques 303 Paris, publ by A Cadart & Cie 66 Rue Richelieu; etching, 23.5x31cm: Carle Dupoint b.1872- Study of a peasant holding a bushel of grain, after Jules Breton; etching, signed and inscribed within the plate, 25x14cm: Claude Gallard, Canadian mid-late 20th century- Untitled; lithograph, signed and numbered 25/50, 45.7x32.3cm: together with two other prints by/after different hands, and a roll of wallpaper frieze, (7)
Illustrated. RINDER (F) D Y Cameron, 1912, 4to, No.156/200, with signed frontispiece etching, vellum backed; LANCASTER (O) Facades and Faces, first edition 1950, dust wrapper; INWARDS (R) The Temple of the Andes, 1884, 4to, Authors inscription, spotting; 4 vols by Gertrude or James Bone and a few others (18)
(Philip Gilbert, artist and essayist, 1834-94) 13 (Philip Gilbert, artist and essayist, 1834-94) 13 Autograph Letters to Charles Roberson, publisher, (1 incomplete, the crest signed), 50pp., Sâoneet Loire, France, 13th June 1871 - 30th May 1890, relating to the publishing of his book, The Etcher`s Handbook, and including a Memorandum for the Plate Printer” by Hamerton “Woodcuts would be of no use to explain the process of etching as wood engraving is not only a distinct art but even an opposite kind of art. I intend to give you five plates to explain all about the different processes and the degress of biting. As for examples of what etching can do the reader must study the works of eminent masters and mentioning Luke Fildes, I hope Mr Fildes will be satisfied with your interpretation of his sketch a few with tears, folds; and a small quantity of others relating to Hamerton`s Etcher`s Handbook, including 2 steel etched plates, a copy of the third edition of the handbook etc., v.s., v.d.((c. 15 pieces))
An early C19th hand coloured print by Pugin, "Front of Emanuel College" and "Emanuel College" both unframed, 13½" x 11", a mounted C19th black and white etching, figure reading and an C18th portrait engraved "King Edward VI" and an early C19th colour print by Pugin "St Sepulchres, The Round Church" published 1814, 15" x 13" and two prints and one frame "Pembroke College" and "Hertford College"
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