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78475 Los(e)/Seite
Los 269
Robyn Denny (1930-2014)Graffiti 19Etching with aquatint in colours, 1977, signed, dated and titled in pencil, numbered from the edition of 40, printed by JC Editions, London, published by Bernard Jacobson Gallery, London, on Arches wove paper, with full margins, sheet 700 x 567mm (27 1/2 x 22 3/8in)
Los 276
Richard Smith (1931-2016)Untitled (Green)Etching with aquatint and embossing printed in colours, 1970, signed and dated in pencil, numbered in Roman Numerals from the proof edition of 10, aside from the edition of 50, published by 2RC Edizioni d'Arte, Rome, on wove paper, with full margins, sheet 498 x 705mm (19 5/8 x 27 3/4in);Together with Richard Smith, Chapbook, signed and dated in pencil, 1982, Lithograph printed in colours, numbered from the edition of 75, published by Bernard Jacobson Gallery, London, on wove paper, with full margins, sheet 570 x 765mm (22 1/2 x 30 1/8in) (2)
Los 284
Cathie Pilkington (b.1968)Primal SceneLithograph printed in colours, 2016, signed, titled and dated in pencil, numbered from the edition of 40, on wove paper, with full margins, image 295 x 375mm (11 2/2 x 14 3/4in)Together with:Richard FozardYorkshire SceneEtching printed in colours, 1959, signed, titled, and dated in pencil, numbered from the edition of 30, on wove paper, with full margins, framed size 560 x 620mm (22 x 24 1/2in) (2)
Los 31
David Hockney (b.1937)The Older Rapunzel, from Illustrations for Six Fairy Tales from the Brothers Grimm (MCA Tokyo 81) Etching with aquatint, 1969, signed in pencil, from the edition of 100, printed by The Print Shop, Amsterdam, published by Petersburg Press, London, on Hodgkinson watermarked paper, the sheet printed to the edges, each 450 x 310mm (17 5/8 x 12 1/8in)
Los 453
A Group of Miscellaneous Pictures To include a signed etching and aquatint of the Maria am Gastade church in Vienna; a signed etching of a continental river town scene; an etching of The Thames at Battersea; an frame containing two signed French etchings with sepia; a print of a dog by Julie Dawson, a hand-coloured botanical engraving; and a frame containing two reproduction prints of street scenes, 32.5cm x 27cm (Largest) (7)
Los 463
A group of etchings and engravings To include a hand-coloured engraving after Thomas Hosmer Sheperd (1793-1864) of Hampton Court Palace; a hand-coloured engraving after John Preston Neale (1780-1847) of The Speaker's House; a 19th century pencil signed French etching; and a hand-coloured engraving after John Powell (fl.1796-1833) of Eton College (4)
Los 465
Richard Pearsall (British. 1891-) Rio Della Fava, VeniceLimited edition etchingSigned in pencil,24cm x 27cm;With a further signed etching of Calle del Vicano, Toledo, 30.5cm x 18.5cm, by the same hand signed; and an etching by Kenneth Holmes OBE (1902-1994) of Guideccca Canal, 22cm x 39cm (3)
Los 471
A group of engravings and etchings To include an signed limited edition etching of Washington Headquaters in Georgetown by Don Swann Snr (1889-1954), a book plate engraving of Le Petit Chatelet, a hand-coloured engraving after William Evans of Eton (1798-1877) and a early 19th century Italian engraving of St. Georges, Venice, Largest 21.5cm x 30.5cm (4)
Los 592
John ConeyFountains Abbey Yorkshireengraving and etchingsigned lower left37 x 45cmtogether with G Cuitt St Mary's York signed and dated 1834 lower left within the plate 43 x 31.5cmBoth works have foxing and spotting around the borders of the sheet; with the majority of the heavy foxing on the St Mary's engraving. While the Fountain Abbey work having creases to the sheet. There is some discolouration to both works. There are also signs of general marking and abrasians to both sheets. Additional photos have been added, please refer to these.
Los 360
Adriaen Van Ostade (Dutch, 1610-1685), "Angler on a Bridge", original etching c.1670, depicting two figures standing on a wooden bridge fishing the stream beneath them, apparently unsigned, framed. Approximate Dimensions:image h. 4.25", w. 6.25"; frame h. 10.375", w. 12.375", d. 0.75"Condition:Not examined out of frame. Paper is toning with areas of foxing along with a horizontal crease in the top quadrant approx. 4.5". Buckling to paper also visible.
Los 96
Wilkinson officer's sword, probably an unofficial Indian Cavalry version of the 1912, the ricasso with maker name etching and stamped with a broad arrow and other inspection marks, wire bound fish skin grip, scrollwork decorated guard with GR monogram in leather bound scabbard.Buyer must be over the age of 18. Age verification ID will be required if this lot is to be posted out. 110cm long
Los 325
Collection of prints, mainly wood-engravings Joan Hassall (1906-1988). Four bookplate designs, wood-engravings, signed in pencil, separately mounted, three for named owners (Henry & Sybil Birkbeck; A. P. Polack; Lawrence Scholar and H. A. J. Brotherton, dated 1934), one unnamed, Polack bookplate spotted, various dimensions;Mabel Allington Royds (1874-1941). [Flowers], colour woodcut, signed in pencil, remnants of tape to upper corners, 17.5 x 17.5cm;William Strang (1859-1921). Alfresco, etching, signed in pencil, mounted, spotted in margins, 16 x 25.5cm;R. G. Sellar. ‘Barnacle Geese’ and ‘The Lagan at Edenderry’, 2 wood-engravings, both signed and titled by the artist in pencil, 25 x 18.5cm and 18.5 x 25cm;Douglas Percy Bliss (1900-1984). [The voyeurs] and [Succour in the storm], 2 wood-engravings, both signed and addressed by the artist in pencil, on card mounts, second print spotted and with marginal chips, 11.5 x 8cm and 9 x 10.5cm;John Nash (1893-1977). [Grazing horses], wood-engraving, signed in pencil, 16 x 11.5cm, remnants of tape to upper corners verso;Charles Pulsford (1912-1989). [Artist sketching], possibly a self-portrait, pen-and-ink and pencil, signed ‘Pulsford’ lower right, mounted, 37 x 29cm, short closed tear in left hand edge(1 folder) Provenance: William Wilson RSA (1905-1972), Scottish artist; thence by descent.
Los 1306
African possibly Sudanese sword with skin covered crosspiece and grip, crudely etched to length of 56cm doubled edged blade, wooden scabbard covered in crocodile / alligator skin which incorporated two additional holders for small antler horn handled knives with similar etching to blades, longest blade 56cm. PLEASE NOTE ALL BLADED ITEMS ARE SUBJECT TO OVER 18 CHECK ON COLLECTION OR DELIVERY
Los 363
Alfred T Bastien (Belgian 1873-1955) North African town on market day, signed, inscribed and dated '48, watercolour, 9.5 x 13 cm, frame 26.5 x 32 cm, together with further watercolours of a rider on horseback, Boats in a harbour in rough weather and an etching of farm buildings by the same hand (total 4)
Los 199
Silver William Aitken Chester 1899 lidded box, 1.79ozt - 1903 weighted posy vase, 2.16ozt- Chester 1889 boot hook - Birmingham 1907 boot hook - Birmingham 1938 boot hook and shoe horn, also silver plated Mappin and Webb bread board, spoon and salad fork, glass cigarette box with lady smoking etching and a Viners 'Chased' cigarette box
![Surrey. Frans Hogenberg (1539/40-1590) after Joris Hoefnagel (1542-1600) - [Nonesuch Palace] Palatium Regium in Angliæ R](https://cdn.globalauctionplatform.com/662cb969-5584-4034-a004-b10000c209d5/571ae7db-efb0-49b2-bb1a-b10001088c9e/468x382.jpg)
Los 461
Surrey. Frans Hogenberg (1539/40-1590) after Joris Hoefnagel (1542-1600) - [Nonesuch Palace] Palatium Regium in Angliæ Regno apellatum Nonciutz; double-page book illustration from G. Braun's and Franz Hogenberg's 'Civitates Orbis Terrarum', letterpress to verso, s.l. [Cologne], n.d. [1582], etching, the hand-colouring contemporaneous or slightly later, 39.5 x 52cm, and idem, [Richmond Palace, with named birds-eye views of York, Shrewsbury and Lancaster], s.l., n.d. [1618 or later], engraving, later hand-colouring, 36cm 48cm, (2) The first sheet good, a clean impression - if slightly askew, some foxing.
Los 119
Folio Society. Grahame (Kenneth) & Sandwyk (Charles van, illustrator), The Wind in the Willows, copy no. 598/1000, 2008, printed in Founder's Calson type on Cordier Wove paper by T.J. International of Padstow, with the copperplate etching signed and numbered by the artist as called for, further illustrated with tipped-in colour plates and b/w in-text illustrations, original vellum over papered boards by The Fine Book Bindery of Wellingborough, blocked in 22ct gold, vellum tips, top edge gilt, pictorial endpapers, somewhat worn green cloth Solander box en suite, folio (33cm x 25cm)
Los 455
Italian Grand Tour. Giovanni Battista Piranesi (1720-1778) - Veduta della vasta Fontana di Trevi anticamente detta l'Acqua Vergine, later 20th c impression of the 1751 original, blind-stamped lower-right margin, etching, 41 x 55.5cm, Giovanni Battista Falda (1643-1678) - Fontana su la piazza della Madonna dei Monti, Roma: published by Giovanni Giacomo de' Rossi, n.d. [1665-1691], etching, 22 x 29cm, [&] [Mantua] Jean de Beaurain (1696-1771) - Plan de la ville de Mantoue [...], map, Paris: s.n., n.d. [c. 1735-40], copperplate engraving, 47 x 57.5cm, (3) Unexamined out of frames. Piranesi good, the other two mixed, but OK-good.
![Art. Specimens of the Old Masters, n.d. [c. 1865], an album of 60 numbered albumen prints, two MS contents leaves to verso, c](https://cdn.globalauctionplatform.com/662cb969-5584-4034-a004-b10000c209d5/59dec641-703f-42fd-9e44-b1000107702c/468x382.jpg)
Los 21
Art. Specimens of the Old Masters, n.d. [c. 1865], an album of 60 numbered albumen prints, two MS contents leaves to verso, contemporary cloth gilt, marbled endpapers, 4to, Harrison (J.E.) & MacColl (D.S.), Greek Vase Paintings, London: T. Fisher Unwin, 1894, full-page plates, the preliminary text margin stained, ex-Kensington and Chelsea library, their label and blind-stamps in places, disbound, folio (45 x 35cm), Hamerton (Philip Gilbert), Landscape, With Original Etching and many Illustrations from Pictures and Drawings, London: Seeley & Co., 1885, original publisher's calf over cloth boards, chipped and worn, uncut, 4to The Magazine of Art, 1884, 1890, 1891 & 1899, plates and in-text illustrations, three volumes in original publisher's cloth, 4to, The Art Journal, 1889, illustrated, contemporary morocco over cloth, worn, folio, an Edwardian collection of Birket Foster colour prints, loosely-inserted Christmas card dated 1906-7, contemporary red cloth, folio (28 x 21.4cm), etc., (10) Sold as a collection of plates and as such not liable to return.
Los 39
Bibliography, Illustrated Books & their Illustrators. Robins (W.P., RE), Etching Craft, no. 29/65 large paper copies, London: from the Office of The Bookman's Journal & Print Collector, 1922, drypoint etching frontispiece 'Summer Storm' by W.P. Robins, RE, signed proof state, original publisher's parchment gilt over cloth, chipped and worn, top-edge gilt, others uncut, 8vo, The Schmoller Collection of Decorated Papers, one of 250 copies, Manchester Metropolitan University, 2008, original cloth over papered boards, folio (35 x 25cm), Skelton (Christopher, editor), Eric Gill: The Engravings, The Herbert Press, 1990, dj, hb, 4to, The Engraved Work of Eric Gill, second impression, V&A, 1969, original wrappers, 4to, Peace (David), Eric Gill: The Inscriptions, Boston: David R. Godine, 1994, dj, hb, 8vo, Piper's Places, Chatto & Windus, 1983, dj, hb, 4to, Salaman (Malcom C.), Modern Woodcuts and Lithographs by British and French Artists, "The Studio", 1919, plates and in-text illustrations, Chelmsford Public Library's copy, their binding and some stamps, 4to, Jackson (Holbrook), A Sanctuary of Printing, n.d., original wrappers, 4to, David Jones, Clare Leighton, Edward Bawden, Eric Ravilious, etc., (24)
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78475 Los(e)/Seite